Here Before (2022)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $20,782 | Details |
| Worldwide Box Office | $20,782 | |
| OpusData ID: 494390100 More info... | ||
| Further financial details... | ||
Synopsis
When a new family moves in next door, their young daughter, Megan, quickly captivates Laura, stirring up painful memories of her own daughter who died several years previously. Before long, Laura’s memories turn to obsession as Megan’s unsettling behavior begins to convince her of something supernatural. As Laura’s determination to get to the bottom of it becomes all consuming, her family begins to fracture and the line between the extraordinary and the real becomes ever more obscured in this haunting story about a mother’s love.
Metrics
Movie Details
| Domestic Releases: | February 11th, 2022 (Limited) by Saban Films |
| International Releases: | February 18th, 2022 (Limited) (United Kingdom) |
| Video Release: | February 15th, 2022 by Saban Films |
| MPA Rating: | R for language. (Rating bulletin 2710 (cert #53533), 12/8/2021) |
| Running Time: | 83 minutes |
| Plot point: | Death of a Son or Daughter, Obsession |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | BBC Films, Saban Films, Rooks Nest Entertainment, Pia Pressure, Northern Ireland Screen, Creative England, BFI |
| Production Countries: | United Kingdom |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 2/18/2022 | $10,037 | 26 | 26 | 45 | $20,782 | 3/2/2022 | |||
| International Total | $20,782 | 3/2/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Andrea Riseborough | Laura |
Supporting
| Niamh Dornan | Megan | |
| Eileen O'Higgins | Marie | |
| Martin McCann | Chris | |
| Jonjo O’Neill | Brendon | |
| Lewis McAskie | Tadhg | |
| Gina Moxley | Paula | |
| Grace O’Dwyer | Josie |
Production and Technical Credits
| Stacey Gregg | Director | |
| Stacey Gregg | Screenwriter | |
| Sophie Vickers | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When a new family moves in next door, their young daughter, Megan, quickly captivates Laura, stirring up painful memories of her own daughter who died several years previously. Before long, Laura’s memories turn to obsession as Megan’s unsettling behavior begins to convince her of something supernatural. As Laura’s determination to get to the bottom of it becomes all consuming, her family begins to fracture and the line between the extraordinary and the real becomes ever more obscured in this haunting story about a mother’s love.
Metrics
Movie Details
| Domestic Releases: | February 11th, 2022 (Limited) by Saban Films |
| International Releases: | February 18th, 2022 (Limited) (United Kingdom) |
| Video Release: | February 15th, 2022 by Saban Films |
| MPA Rating: | R for language. (Rating bulletin 2710 (cert #53533), 12/8/2021) |
| Running Time: | 83 minutes |
| Plot point: | Death of a Son or Daughter, Obsession |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | BBC Films, Saban Films, Rooks Nest Entertainment, Pia Pressure, Northern Ireland Screen, Creative England, BFI |
| Production Countries: | United Kingdom |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 2/18/2022 | $10,037 | 26 | 26 | 45 | $20,782 | 3/2/2022 | |||
| International Total | $20,782 | 3/2/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Andrea Riseborough | Laura |
Supporting
| Niamh Dornan | Megan | |
| Eileen O'Higgins | Marie | |
| Martin McCann | Chris | |
| Jonjo O’Neill | Brendon | |
| Lewis McAskie | Tadhg | |
| Gina Moxley | Paula | |
| Grace O’Dwyer | Josie |
Production and Technical Credits
| Stacey Gregg | Director | |
| Stacey Gregg | Screenwriter | |
| Sophie Vickers | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.