Herself (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $6,000 | Details |
| International Box Office | $861,949 | Details |
| Worldwide Box Office | $867,949 | |
| OpusData ID: 400190100 More info... | ||
| Further financial details... | ||
Synopsis
Single mother Sandra escapes her abusive partner with her two young children, only to find herself trapped in temporary accommodation. After months of struggling, she draws inspiration from one of her daughter’s bedtime stories and hits upon the idea of self-building an affordable home. She finds an architect who provides her with plans and is offered land by Peggy, a woman she cleans for. Aido, a building contractor, appears willing to help, too. But as her past rears its head in the form of Gary, her possessive ex, and as bureaucrats fight back against her independent spirit, will Sandra be able to rebuild her life from the ground up?
Metrics
| Opening Weekend: | $6,000 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 0.7% (domestic box office/worldwide) |
| Theater counts: | 40 opening theaters/40 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,385 |
Movie Details
| Domestic Releases: | January 1st, 2021 (Limited) by Amazon Studios |
| International Releases: | December 4th, 2020 (Wide), released as Volver a empezar (Spain)
June 17th, 2021 (Wide), released as La vita che verrà — Herself (Italy) June 17th, 2021 (Wide) (New Zealand) July 1st, 2021 (Limited) (Australia) September 3rd, 2021 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | January 8th, 2021 by Amazon Studios |
| MPA Rating: | R for language and some domestic violence. (Rating bulletin 2642 (Cert #52684), 8/12/2020) |
| Running Time: | 97 minutes |
| Film festival: | Sundance Film Festival 2020 |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | BBC Films, Element Films, FIS Eireann, Screen Ireland, BFI, Merman Films |
| Production Countries: | United Kingdom, Ireland |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 1, 2021 | - | $6,000 | 40 | $150 | $6,000 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/1/2021 | $34,695 | 46 | 46 | 242 | $156,867 | 10/20/2022 | |||
| Finland | 9/17/2021 | $7,524 | 36 | 41 | 77 | $19,363 | 10/20/2022 | |||
| Italy | 6/17/2021 | $18,699 | 0 | 25 | 25 | $28,353 | 10/20/2022 | |||
| Netherlands | 11/25/2021 | $17,182 | 35 | 35 | 103 | $50,255 | 12/14/2021 | |||
| New Zealand | 6/17/2021 | $30,258 | 37 | 40 | 229 | $156,292 | 10/20/2022 | |||
| South Korea | 5/12/2022 | $1,060 | 19 | 19 | 19 | $2,575 | 5/18/2022 | |||
| Spain | 12/4/2020 | $0 | 0 | 52 | 52 | $66,107 | 12/17/2020 | |||
| United Kingdom | 9/3/2021 | $0 | 0 | 222 | 522 | $382,137 | 1/5/2022 | |||
| International Total | $861,949 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Clare Dunne | Sandra |
Supporting
| Harriet Walter | Doctor | |
| Conleth Hill | Aido | |
| Ian Lloyd Anderson | Gary | |
| Ruby Rose O’Hara | Sandra’s Daughter | |
| Molly McCann | Sandra’s Daughter | |
| Rebecca O’Mara | Peggy’s Daughter | |
| Daniel Ryan | Francis | |
| Anita Petry | Rosa | |
| Dmitry Vinokurov | Carpenter |
Production and Technical Credits
| Phyllida Lloyd | Director | |
| Malcolm Campbell | Screenwriter | |
| Clare Dunne | Screenwriter | |
| Clare Dunne | Story by | |
| Rory Gilmartin | Producer | |
| Ed Guiney | Producer | |
| Sharon Horgan | Producer | |
| Andrew Lowe | Executive Producer | |
| Clelia Mountford | Executive Producer | |
| Rose Garnett | Executive Producer | |
| Phyllida Lloyd | Executive Producer | |
| Lesley McKimm | Executive Producer | |
| Mary Burke | Executive Producer | |
| Alison Thompson | Executive Producer | |
| Tom Comerford | Director of Photography | |
| Tamara Conboy | Production Designer | |
| Rebecca Lloyd | Editor | |
| Consolata Boyle | Costume Designer | |
| Natalie Holt | Composer | |
| Ben Baird | Sound Designer | |
| Louise Kiely | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Single mother Sandra escapes her abusive partner with her two young children, only to find herself trapped in temporary accommodation. After months of struggling, she draws inspiration from one of her daughter’s bedtime stories and hits upon the idea of self-building an affordable home. She finds an architect who provides her with plans and is offered land by Peggy, a woman she cleans for. Aido, a building contractor, appears willing to help, too. But as her past rears its head in the form of Gary, her possessive ex, and as bureaucrats fight back against her independent spirit, will Sandra be able to rebuild her life from the ground up?
Metrics
| Opening Weekend: | $6,000 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 0.7% (domestic box office/worldwide) |
| Theater counts: | 40 opening theaters/40 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,385 |
Movie Details
| Domestic Releases: | January 1st, 2021 (Limited) by Amazon Studios |
| International Releases: | December 4th, 2020 (Wide), released as Volver a empezar (Spain)
June 17th, 2021 (Wide), released as La vita che verrà — Herself (Italy) June 17th, 2021 (Wide) (New Zealand) July 1st, 2021 (Limited) (Australia) September 3rd, 2021 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | January 8th, 2021 by Amazon Studios |
| MPA Rating: | R for language and some domestic violence. (Rating bulletin 2642 (Cert #52684), 8/12/2020) |
| Running Time: | 97 minutes |
| Film festival: | Sundance Film Festival 2020 |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | BBC Films, Element Films, FIS Eireann, Screen Ireland, BFI, Merman Films |
| Production Countries: | United Kingdom, Ireland |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 1, 2021 | - | $6,000 | 40 | $150 | $6,000 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/1/2021 | $34,695 | 46 | 46 | 242 | $156,867 | 10/20/2022 | |||
| Finland | 9/17/2021 | $7,524 | 36 | 41 | 77 | $19,363 | 10/20/2022 | |||
| Italy | 6/17/2021 | $18,699 | 0 | 25 | 25 | $28,353 | 10/20/2022 | |||
| Netherlands | 11/25/2021 | $17,182 | 35 | 35 | 103 | $50,255 | 12/14/2021 | |||
| New Zealand | 6/17/2021 | $30,258 | 37 | 40 | 229 | $156,292 | 10/20/2022 | |||
| South Korea | 5/12/2022 | $1,060 | 19 | 19 | 19 | $2,575 | 5/18/2022 | |||
| Spain | 12/4/2020 | $0 | 0 | 52 | 52 | $66,107 | 12/17/2020 | |||
| United Kingdom | 9/3/2021 | $0 | 0 | 222 | 522 | $382,137 | 1/5/2022 | |||
| International Total | $861,949 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Clare Dunne | Sandra |
Supporting
| Harriet Walter | Doctor | |
| Conleth Hill | Aido | |
| Ian Lloyd Anderson | Gary | |
| Ruby Rose O’Hara | Sandra’s Daughter | |
| Molly McCann | Sandra’s Daughter | |
| Rebecca O’Mara | Peggy’s Daughter | |
| Daniel Ryan | Francis | |
| Anita Petry | Rosa | |
| Dmitry Vinokurov | Carpenter |
Production and Technical Credits
| Phyllida Lloyd | Director | |
| Malcolm Campbell | Screenwriter | |
| Clare Dunne | Screenwriter | |
| Clare Dunne | Story by | |
| Rory Gilmartin | Producer | |
| Ed Guiney | Producer | |
| Sharon Horgan | Producer | |
| Andrew Lowe | Executive Producer | |
| Clelia Mountford | Executive Producer | |
| Rose Garnett | Executive Producer | |
| Phyllida Lloyd | Executive Producer | |
| Lesley McKimm | Executive Producer | |
| Mary Burke | Executive Producer | |
| Alison Thompson | Executive Producer | |
| Tom Comerford | Director of Photography | |
| Tamara Conboy | Production Designer | |
| Rebecca Lloyd | Editor | |
| Consolata Boyle | Costume Designer | |
| Natalie Holt | Composer | |
| Ben Baird | Sound Designer | |
| Louise Kiely | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.