High School High (1996)

High School High
Theatrical Performance
Domestic Box Office $20,995,023Details
OpusData ID: 24490100 More info...
Further financial details...

Metrics

Opening Weekend:$6,311,786 (30.1% of total gross)
Legs:3.33 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:2,146 opening theaters/2,146 max. theaters, 5.0 weeks average run per theater
Infl. Adj. Dom. BO $53,711,936

Movie Details

Domestic Releases: October 25th, 1996 (Wide) by Sony Pictures
Video Release: October 14th, 1997 by Sony Pictures Home Entertainment
MPA Rating: PG-13 for crude sexual humor, partial nudity and some drug references.
Running Time: 86 minutes
Cast, crew, or production detail: Posthumous Release, Same Actor, Multiple Roles
Geographical setting: Los Angeles
Plot point: Bad Teachers, Inspirational Teacher, Teachers
Social setting: Hood Film
Subgenre: Farcical / Slapstick Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: United States
Languages: English

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 25, 1996 2 $6,311,786   2,146 $2,941   $6,311,786 1
Nov 1, 1996 3 $5,009,703 -21% 2,146 $2,334   $12,610,968 2
Nov 8, 1996 5 $3,082,069 -38% 2,146 $1,436   $16,759,976 3
Nov 15, 1996 8 $1,502,370 -51% 1,726 $870   $19,068,691 4
Nov 22, 1996 41 $62,025 -96% 930 $67   $20,004,373 5
Nov 29, 1996 22 $278,829 +350% 420 $664   $20,349,376 6
Dec 6, 1996 35 $55,811 -80% 265 $211   $20,439,091 7
Dec 20, 1996 43 $23,876   66 $362   $20,535,952 9
Dec 27, 1996 31 $148,028 +520% 402 $368   $20,694,213 10
Jan 3, 1997 36 $102,707 -31% 273 $376   $20,883,060 11
Jan 10, 1997 48 $48,509 -53% 132 $367   $20,951,277 12
Jan 17, 1997 54 $33,559 -31% 55 $610   $20,995,023 13

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 25, 1996 2 $7,601,265   2,146 $3,542   $7,601,265 1
Nov 1, 1996 4 $6,076,642 -20% 2,146 $2,832   $13,677,907 2
Nov 8, 1996 5 $3,888,414 -36% 2,146 $1,812   $17,566,321 3
Nov 15, 1996 7 $2,376,027 -39% 1,726 $1,377   $19,942,348 4
Nov 22, 1996 30 $128,199 -95% 930 $138   $20,070,547 5
Nov 29, 1996 22 $312,733 +144% 420 $745   $20,383,280 6
Dec 20, 1996 42 $34,109   66 $517   $20,546,185 9
Dec 27, 1996 37 $234,168 +587% 402 $583   $20,780,353 10
Jan 3, 1997 38 $122,415 -48% 273 $448   $20,902,768 11
Jan 10, 1997 48 $58,696 -52% 132 $445   $20,961,464 12

Lead Ensemble Member

Jon Lovitz    Richard Clark

Supporting

Tia Carrere    Victoria Chapell
Louise Fletcher    Principal Evelyn Doyle

Lead Ensemble Member

Mekhi Phifer    Griff McReynolds
Malinda Williams    Natalie Thompson
Brian Hooks    Anferny Jefferson
Guillermo Diaz    Paco Rodriguez

Supporting

Natasha Gregson Wagner    Julie Rubels
John Neville    Thaddeus Clark
Lexie Bigham    Two-Bags

Production and Technical Credits

Hart Bochner    Director
Bill Johnson    Associate Producer
Gary Bourgeois    Re-recording Mixer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Metrics

Opening Weekend:$6,311,786 (30.1% of total gross)
Legs:3.33 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:2,146 opening theaters/2,146 max. theaters, 5.0 weeks average run per theater
Infl. Adj. Dom. BO $53,711,936

Movie Details

Domestic Releases: October 25th, 1996 (Wide) by Sony Pictures
Video Release: October 14th, 1997 by Sony Pictures Home Entertainment
MPA Rating: PG-13 for crude sexual humor, partial nudity and some drug references.
Running Time: 86 minutes
Cast, crew, or production detail: Posthumous Release, Same Actor, Multiple Roles
Geographical setting: Los Angeles
Plot point: Bad Teachers, Inspirational Teacher, Teachers
Social setting: Hood Film
Subgenre: Farcical / Slapstick Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: United States
Languages: English

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 25, 1996 2 $6,311,786   2,146 $2,941   $6,311,786 1
Nov 1, 1996 3 $5,009,703 -21% 2,146 $2,334   $12,610,968 2
Nov 8, 1996 5 $3,082,069 -38% 2,146 $1,436   $16,759,976 3
Nov 15, 1996 8 $1,502,370 -51% 1,726 $870   $19,068,691 4
Nov 22, 1996 41 $62,025 -96% 930 $67   $20,004,373 5
Nov 29, 1996 22 $278,829 +350% 420 $664   $20,349,376 6
Dec 6, 1996 35 $55,811 -80% 265 $211   $20,439,091 7
Dec 20, 1996 43 $23,876   66 $362   $20,535,952 9
Dec 27, 1996 31 $148,028 +520% 402 $368   $20,694,213 10
Jan 3, 1997 36 $102,707 -31% 273 $376   $20,883,060 11
Jan 10, 1997 48 $48,509 -53% 132 $367   $20,951,277 12
Jan 17, 1997 54 $33,559 -31% 55 $610   $20,995,023 13

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 25, 1996 2 $7,601,265   2,146 $3,542   $7,601,265 1
Nov 1, 1996 4 $6,076,642 -20% 2,146 $2,832   $13,677,907 2
Nov 8, 1996 5 $3,888,414 -36% 2,146 $1,812   $17,566,321 3
Nov 15, 1996 7 $2,376,027 -39% 1,726 $1,377   $19,942,348 4
Nov 22, 1996 30 $128,199 -95% 930 $138   $20,070,547 5
Nov 29, 1996 22 $312,733 +144% 420 $745   $20,383,280 6
Dec 20, 1996 42 $34,109   66 $517   $20,546,185 9
Dec 27, 1996 37 $234,168 +587% 402 $583   $20,780,353 10
Jan 3, 1997 38 $122,415 -48% 273 $448   $20,902,768 11
Jan 10, 1997 48 $58,696 -52% 132 $445   $20,961,464 12

Lead Ensemble Member

Jon Lovitz    Richard Clark

Supporting

Tia Carrere    Victoria Chapell
Louise Fletcher    Principal Evelyn Doyle

Lead Ensemble Member

Mekhi Phifer    Griff McReynolds
Malinda Williams    Natalie Thompson
Brian Hooks    Anferny Jefferson
Guillermo Diaz    Paco Rodriguez

Supporting

Natasha Gregson Wagner    Julie Rubels
John Neville    Thaddeus Clark
Lexie Bigham    Two-Bags

Production and Technical Credits

Hart Bochner    Director
Bill Johnson    Associate Producer
Gary Bourgeois    Re-recording Mixer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.