The Hill (2023)
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| Theatrical Performance | ||
| Domestic Box Office | $7,665,865 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $79,785 | |
| Blu-ray Sales (estimated) | $29,288 | |
| Total | $109,073 | |
| OpusData ID: 593220100 More info... | ||
| Further financial details... | ||
Synopsis
Growing up impoverished in small-town Texas, young Rickey Hill shows an extraordinary ability for hitting a baseball, despite being burdened by leg braces from a degenerative spinal disease. His stern, pastor father discourages Rickey from playing baseball to protect him from injury, and to have him follow in his footsteps and become a preacher. As a young man, Rickey becomes a baseball phenomenon. His desire to participate in a try-out for a legendary major league scout divides the family and threatens Rickey’s dream of playing professional baseball.
Metrics
| Opening Weekend: | $2,301,931 (30.0% of total gross) |
| Legs: | 3.33 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,570 opening theaters/1,703 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,380,599 |
Movie Details
| Domestic Releases: | August 25th, 2023 (Wide) by Briarcliff Entertainment |
| International Releases: | February 29th, 2024 (Wide), released as El Camino de Hill (Mexico) |
| Video Release: | September 12th, 2023 by Universal Home Entertainment |
| MPA Rating: | PG for thematic content, language, and smoking throughout. (Rating bulletin 2780 (cert #54407), 4/26/2023) PG for thematic content, some language and smoking throughout. (Rating bulletin 2792 (cert #54557) (editted for re-rating), 7/19/2023) |
| Plot point: | Baseball, Biography, Disability, Inspirational Sports |
| Subgenre: | Biographical Drama |
| Time period setting: | 1970s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Briarcliff Entertainment, Vitamin A Films, Rescue Dog Productions, Piney Pictures, Reserve Entertainment, Taylor & Dodge |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 25, 2023 | 9 | $2,301,931 | 1,570 | $1,466 | $2,301,931 | 1 | |
| Sep 1, 2023 | 11 | $1,479,417 | -36% | 1,703 | $869 | $4,792,681 | 2 |
| Sep 8, 2023 | 15 | $605,693 | -59% | 1,208 | $501 | $6,506,186 | 3 |
| Sep 15, 2023 | - | $353,001 | -42% | 805 | $439 | $7,173,297 | 4 |
| Sep 22, 2023 | - | $250,095 | -29% | 625 | $400 | $7,574,240 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 24, 2023 | P | $110,000 | 0 | $110,000 | ||||
| Aug 25, 2023 | 9 | $805,612 | 1,570 | $513 | $805,612 | 1 | ||
| Aug 26, 2023 | 10 | $828,504 | +3% | 1,570 | $528 | $1,634,116 | 2 | |
| Aug 27, 2023 | 12 | $667,815 | -19% | 1,570 | $425 | $2,301,931 | 3 | |
| Aug 28, 2023 | 11 | $213,681 | -68% | 1,570 | $136 | $2,515,612 | 4 | |
| Aug 29, 2023 | 10 | $391,364 | +83% | 1,570 | $249 | $2,906,976 | 5 | |
| Aug 30, 2023 | 10 | $217,703 | -44% | 1,570 | $139 | $3,124,679 | 6 | |
| Aug 31, 2023 | 9 | $188,585 | -13% | 1,570 | $120 | $3,313,264 | 7 | |
| Sep 1, 2023 | 11 | $366,163 | +94% | -55% | 1,703 | $215 | $3,679,427 | 8 |
| Sep 2, 2023 | 11 | $548,377 | +50% | -34% | 1,703 | $322 | $4,227,804 | 9 |
| Sep 3, 2023 | 11 | $564,877 | +3% | -15% | 1,703 | $332 | $4,792,681 | 10 |
| Sep 4, 2023 | 10 | $660,564 | +17% | +209% | 1,703 | $388 | $5,453,245 | 11 |
| Sep 5, 2023 | - | $215,407 | -67% | -45% | 1,703 | $126 | $5,668,652 | 12 |
| Sep 6, 2023 | - | $120,752 | -44% | -45% | 1,703 | $71 | $5,789,404 | 13 |
| Sep 7, 2023 | - | $111,089 | -8% | -41% | 1,703 | $65 | $5,900,493 | 14 |
| Sep 8, 2023 | - | $175,165 | +58% | -52% | 1,703 | $103 | $6,075,658 | 15 |
| Sep 9, 2023 | - | $262,376 | +50% | -52% | 1,208 | $217 | $6,338,034 | 16 |
| Sep 10, 2023 | - | $168,152 | -36% | -70% | 1,208 | $139 | $6,506,186 | 17 |
| Sep 11, 2023 | - | $65,231 | -61% | -90% | 1,208 | $54 | $6,571,417 | 18 |
| Sep 12, 2023 | 12 | $119,475 | +83% | -45% | 1,208 | $99 | $6,690,892 | 19 |
| Sep 13, 2023 | - | $67,945 | -43% | -44% | 1,208 | $56 | $6,758,837 | 20 |
| Sep 14, 2023 | - | $61,459 | -10% | -45% | 1,208 | $51 | $6,820,296 | 21 |
| Sep 15, 2023 | - | $108,488 | +77% | -38% | 805 | $135 | $6,928,784 | 22 |
| Sep 16, 2023 | - | $146,011 | +35% | -44% | 805 | $181 | $7,074,795 | 23 |
| Sep 17, 2023 | - | $98,502 | -33% | -41% | 805 | $122 | $7,173,297 | 24 |
| Sep 18, 2023 | - | $30,149 | -69% | -54% | 805 | $37 | $7,203,446 | 25 |
| Sep 19, 2023 | - | $54,734 | +82% | -54% | 805 | $68 | $7,258,180 | 26 |
| Sep 20, 2023 | - | $32,104 | -41% | -53% | 805 | $40 | $7,290,284 | 27 |
| Sep 21, 2023 | - | $33,861 | +5% | -45% | 805 | $42 | $7,324,145 | 28 |
| Sep 22, 2023 | - | $76,519 | +126% | -29% | 625 | $122 | $7,400,664 | 29 |
| Sep 23, 2023 | - | $106,153 | +39% | -27% | 445 | $239 | $7,506,817 | 30 |
| Sep 24, 2023 | - | $67,423 | -36% | -32% | 625 | $108 | $7,574,240 | 31 |
| Sep 25, 2023 | - | $19,186 | -72% | -36% | 625 | $31 | $7,593,426 | 32 |
| Sep 26, 2023 | - | $31,777 | +66% | -42% | 625 | $51 | $7,625,203 | 33 |
| Sep 27, 2023 | - | $21,583 | -32% | -33% | 625 | $35 | $7,646,786 | 34 |
| Sep 28, 2023 | - | $19,079 | -12% | -44% | 625 | $31 | $7,665,865 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 25, 2023 | 10 | $3,313,264 | 1,570 | $2,110 | $3,313,264 | 1 | |
| Sep 1, 2023 | 11 | $2,587,229 | -22% | 1,703 | $1,519 | $5,900,493 | 2 |
| Sep 8, 2023 | 14 | $919,803 | -64% | 1,208 | $761 | $6,820,296 | 3 |
| Sep 15, 2023 | 18 | $503,849 | -45% | 805 | $626 | $7,324,145 | 4 |
| Sep 22, 2023 | 23 | $341,720 | -32% | 625 | $547 | $7,665,865 | 5 |
Leading
| Dennis Quaid | James Hill | |
| Colin Ford | Rickey Hill |
Supporting
| Joelle Carter | ||
| Randy Houser | ||
| Jesse Berry | ||
| Bonnie Bedelia | ||
| Scott Glenn |
Production and Technical Credits
| Jeff Celentano | Director | |
| Angelo Pizzo | Screenwriter | |
| Scott Marshall Smith | Screenwriter | |
| Warren Ostergard | Producer | |
| Jeff Celentano | Producer | |
| Ron Cundy | Executive Producer | |
| Michael A. Blubaugh | Executive Producer | |
| Michael E. Hollingsworth | Executive Producer | |
| Rickey Hill | Executive Producer | |
| Darren Moorman | Executive Producer | |
| Carl Mazzocone | Executive Producer | |
| Tyler W. Konney | Executive Producer | |
| Clay Pecorin | Executive Producer | |
| Russell Geyser | Executive Producer | |
| Tom Ortenberg | Executive Producer | |
| Dan Ueberfluss | Executive Producer | |
| Matthew Dwyer | Executive Producer | |
| Stephen R. Campanella | Line Producer | |
| Mark Ellis | Co-Producer | |
| Jeff Osbornea | Associate Producer | |
| Mark Crump | Associate Producer | |
| Stephen Hintz | Associate Producer | |
| Aric Hornig | Associate Producer | |
| Douglas Crise | Editor | |
| Kristopher S. Kimlin | Director of Photography | |
| Geoffrey Kirkland | Production Designer | |
| Lahly Poore-Ericson | Costume Designer | |
| Mason Cooper | Music Supervisor | |
| Geoff Zanelli | Composer | |
| Rick Montgomery | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Growing up impoverished in small-town Texas, young Rickey Hill shows an extraordinary ability for hitting a baseball, despite being burdened by leg braces from a degenerative spinal disease. His stern, pastor father discourages Rickey from playing baseball to protect him from injury, and to have him follow in his footsteps and become a preacher. As a young man, Rickey becomes a baseball phenomenon. His desire to participate in a try-out for a legendary major league scout divides the family and threatens Rickey’s dream of playing professional baseball.
Metrics
| Opening Weekend: | $2,301,931 (30.0% of total gross) |
| Legs: | 3.33 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,570 opening theaters/1,703 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,380,599 |
Movie Details
| Domestic Releases: | August 25th, 2023 (Wide) by Briarcliff Entertainment |
| International Releases: | February 29th, 2024 (Wide), released as El Camino de Hill (Mexico) |
| Video Release: | September 12th, 2023 by Universal Home Entertainment |
| MPA Rating: | PG for thematic content, language, and smoking throughout. (Rating bulletin 2780 (cert #54407), 4/26/2023) PG for thematic content, some language and smoking throughout. (Rating bulletin 2792 (cert #54557) (editted for re-rating), 7/19/2023) |
| Plot point: | Baseball, Biography, Disability, Inspirational Sports |
| Subgenre: | Biographical Drama |
| Time period setting: | 1970s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Briarcliff Entertainment, Vitamin A Films, Rescue Dog Productions, Piney Pictures, Reserve Entertainment, Taylor & Dodge |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 25, 2023 | 9 | $2,301,931 | 1,570 | $1,466 | $2,301,931 | 1 | |
| Sep 1, 2023 | 11 | $1,479,417 | -36% | 1,703 | $869 | $4,792,681 | 2 |
| Sep 8, 2023 | 15 | $605,693 | -59% | 1,208 | $501 | $6,506,186 | 3 |
| Sep 15, 2023 | - | $353,001 | -42% | 805 | $439 | $7,173,297 | 4 |
| Sep 22, 2023 | - | $250,095 | -29% | 625 | $400 | $7,574,240 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 24, 2023 | P | $110,000 | 0 | $110,000 | ||||
| Aug 25, 2023 | 9 | $805,612 | 1,570 | $513 | $805,612 | 1 | ||
| Aug 26, 2023 | 10 | $828,504 | +3% | 1,570 | $528 | $1,634,116 | 2 | |
| Aug 27, 2023 | 12 | $667,815 | -19% | 1,570 | $425 | $2,301,931 | 3 | |
| Aug 28, 2023 | 11 | $213,681 | -68% | 1,570 | $136 | $2,515,612 | 4 | |
| Aug 29, 2023 | 10 | $391,364 | +83% | 1,570 | $249 | $2,906,976 | 5 | |
| Aug 30, 2023 | 10 | $217,703 | -44% | 1,570 | $139 | $3,124,679 | 6 | |
| Aug 31, 2023 | 9 | $188,585 | -13% | 1,570 | $120 | $3,313,264 | 7 | |
| Sep 1, 2023 | 11 | $366,163 | +94% | -55% | 1,703 | $215 | $3,679,427 | 8 |
| Sep 2, 2023 | 11 | $548,377 | +50% | -34% | 1,703 | $322 | $4,227,804 | 9 |
| Sep 3, 2023 | 11 | $564,877 | +3% | -15% | 1,703 | $332 | $4,792,681 | 10 |
| Sep 4, 2023 | 10 | $660,564 | +17% | +209% | 1,703 | $388 | $5,453,245 | 11 |
| Sep 5, 2023 | - | $215,407 | -67% | -45% | 1,703 | $126 | $5,668,652 | 12 |
| Sep 6, 2023 | - | $120,752 | -44% | -45% | 1,703 | $71 | $5,789,404 | 13 |
| Sep 7, 2023 | - | $111,089 | -8% | -41% | 1,703 | $65 | $5,900,493 | 14 |
| Sep 8, 2023 | - | $175,165 | +58% | -52% | 1,703 | $103 | $6,075,658 | 15 |
| Sep 9, 2023 | - | $262,376 | +50% | -52% | 1,208 | $217 | $6,338,034 | 16 |
| Sep 10, 2023 | - | $168,152 | -36% | -70% | 1,208 | $139 | $6,506,186 | 17 |
| Sep 11, 2023 | - | $65,231 | -61% | -90% | 1,208 | $54 | $6,571,417 | 18 |
| Sep 12, 2023 | 12 | $119,475 | +83% | -45% | 1,208 | $99 | $6,690,892 | 19 |
| Sep 13, 2023 | - | $67,945 | -43% | -44% | 1,208 | $56 | $6,758,837 | 20 |
| Sep 14, 2023 | - | $61,459 | -10% | -45% | 1,208 | $51 | $6,820,296 | 21 |
| Sep 15, 2023 | - | $108,488 | +77% | -38% | 805 | $135 | $6,928,784 | 22 |
| Sep 16, 2023 | - | $146,011 | +35% | -44% | 805 | $181 | $7,074,795 | 23 |
| Sep 17, 2023 | - | $98,502 | -33% | -41% | 805 | $122 | $7,173,297 | 24 |
| Sep 18, 2023 | - | $30,149 | -69% | -54% | 805 | $37 | $7,203,446 | 25 |
| Sep 19, 2023 | - | $54,734 | +82% | -54% | 805 | $68 | $7,258,180 | 26 |
| Sep 20, 2023 | - | $32,104 | -41% | -53% | 805 | $40 | $7,290,284 | 27 |
| Sep 21, 2023 | - | $33,861 | +5% | -45% | 805 | $42 | $7,324,145 | 28 |
| Sep 22, 2023 | - | $76,519 | +126% | -29% | 625 | $122 | $7,400,664 | 29 |
| Sep 23, 2023 | - | $106,153 | +39% | -27% | 445 | $239 | $7,506,817 | 30 |
| Sep 24, 2023 | - | $67,423 | -36% | -32% | 625 | $108 | $7,574,240 | 31 |
| Sep 25, 2023 | - | $19,186 | -72% | -36% | 625 | $31 | $7,593,426 | 32 |
| Sep 26, 2023 | - | $31,777 | +66% | -42% | 625 | $51 | $7,625,203 | 33 |
| Sep 27, 2023 | - | $21,583 | -32% | -33% | 625 | $35 | $7,646,786 | 34 |
| Sep 28, 2023 | - | $19,079 | -12% | -44% | 625 | $31 | $7,665,865 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 25, 2023 | 10 | $3,313,264 | 1,570 | $2,110 | $3,313,264 | 1 | |
| Sep 1, 2023 | 11 | $2,587,229 | -22% | 1,703 | $1,519 | $5,900,493 | 2 |
| Sep 8, 2023 | 14 | $919,803 | -64% | 1,208 | $761 | $6,820,296 | 3 |
| Sep 15, 2023 | 18 | $503,849 | -45% | 805 | $626 | $7,324,145 | 4 |
| Sep 22, 2023 | 23 | $341,720 | -32% | 625 | $547 | $7,665,865 | 5 |
Leading
| Dennis Quaid | James Hill | |
| Colin Ford | Rickey Hill |
Supporting
| Joelle Carter | ||
| Randy Houser | ||
| Jesse Berry | ||
| Bonnie Bedelia | ||
| Scott Glenn |
Production and Technical Credits
| Jeff Celentano | Director | |
| Angelo Pizzo | Screenwriter | |
| Scott Marshall Smith | Screenwriter | |
| Warren Ostergard | Producer | |
| Jeff Celentano | Producer | |
| Ron Cundy | Executive Producer | |
| Michael A. Blubaugh | Executive Producer | |
| Michael E. Hollingsworth | Executive Producer | |
| Rickey Hill | Executive Producer | |
| Darren Moorman | Executive Producer | |
| Carl Mazzocone | Executive Producer | |
| Tyler W. Konney | Executive Producer | |
| Clay Pecorin | Executive Producer | |
| Russell Geyser | Executive Producer | |
| Tom Ortenberg | Executive Producer | |
| Dan Ueberfluss | Executive Producer | |
| Matthew Dwyer | Executive Producer | |
| Stephen R. Campanella | Line Producer | |
| Mark Ellis | Co-Producer | |
| Jeff Osbornea | Associate Producer | |
| Mark Crump | Associate Producer | |
| Stephen Hintz | Associate Producer | |
| Aric Hornig | Associate Producer | |
| Douglas Crise | Editor | |
| Kristopher S. Kimlin | Director of Photography | |
| Geoffrey Kirkland | Production Designer | |
| Lahly Poore-Ericson | Costume Designer | |
| Mason Cooper | Music Supervisor | |
| Geoff Zanelli | Composer | |
| Rick Montgomery | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.