Hiroshima Mon Amour (1959)

Hiroshima Mon Amour poster
Theatrical Performance
Domestic Box Office $96,439Details
International Box Office $74,112Details
Worldwide Box Office $170,551
Domestic Physical Disc Sales
DVD Sales (estimated) $230,149
Blu-ray Sales (estimated) $232,786
Total $462,935
OpusData ID: 217160100 More info...
Further financial details...

Metrics

Opening Weekend:$18,494 (19.2% of total gross)
Legs:5.21 (domestic box office/biggest weekend)
Domestic Share:56.5% (domestic box office/worldwide)
Theater counts:5 opening theaters/7 max. theaters, 3.9 weeks average run per theater
Infl. Adj. Dom. BO $140,734

Movie Details

Domestic Releases: October 17th, 2014 (Limited) by Rialto Pictures
International Releases: June 10th, 1959 (Limited) (France)
October 27th, 2022 (Limited) (Portugal)
April 30th, 2025 (Limited) (Re-release) (Netherlands)
Video Release: July 14th, 2015 by Criterion
MPA Rating: Not Rated
Running Time: 95 minutes
Cast, crew, or production detail: Unnamed Character, Voiceover/Narration
Plot point: Film Actor, Forbidden Romance, Interracial Romance, Non-Chronological, Performing Arts, Relationships Gone Wrong
Social setting: World War II
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Argos, Como , Pathe Overseas
Production Countries: United States
Languages: English

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 17, 2014 66 $18,494   5 $3,699   $18,494 1
Oct 24, 2014 69 $14,851 -20% 7 $2,122   $46,743 2
Oct 31, 2014 78 $7,323 -51% 5 $1,465   $64,514 3
Nov 7, 2014 81 $4,933 -33% 4 $1,233   $74,236 4
Nov 28, 2014 77 $1,579   2 $790   $83,253 7
Dec 12, 2014 90 $177   1 $177   $86,691 9
Jan 2, 2015 80 $367   1 $367   $88,300 12
Feb 13, 2015 81 $4,594   2 $2,297   $96,439 18

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 17, 2014 65 $31,892   5 $6,378   $31,892 1
Oct 24, 2014 67 $25,299 -21% 7 $3,614   $57,191 2
Oct 31, 2014 71 $12,112 -52% 5 $2,422   $69,303 3
Jan 2, 2015 91 $1,406   1 $1,406   $89,339 12

Top International Territories

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens/Theaters
Maximum
Screens/Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Netherlands 4/30/2025 $25,007 48 48 93 $64,790 4/4/2026
Portugal 10/27/2022 $337 1 1 3 $9,322 8/3/2023
  
International Total $74,112 4/4/2026

Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.

Leading

Emmanuelle Riva    She
Eiji Okada    He

Supporting

Bernard Fresson    German Soldier
Stella Dassas    Mother
Pierre Barbaud    Father

Production and Technical Credits

Alain Resnais    Director
Marguerite Duras    Screenwriter
Sacha Kamenka    Producer
Takeo Shirakawa    Producer
Henri Colpi    Editor
Jasmine Chasney    Editor
Giovanni Fusco    Composer
Georges Delerue    Composer
Sacha Vierny    Director of Photography
Michio Takahashi    Director of Photography

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Metrics

Opening Weekend:$18,494 (19.2% of total gross)
Legs:5.21 (domestic box office/biggest weekend)
Domestic Share:56.5% (domestic box office/worldwide)
Theater counts:5 opening theaters/7 max. theaters, 3.9 weeks average run per theater
Infl. Adj. Dom. BO $140,734

Movie Details

Domestic Releases: October 17th, 2014 (Limited) by Rialto Pictures
International Releases: June 10th, 1959 (Limited) (France)
October 27th, 2022 (Limited) (Portugal)
April 30th, 2025 (Limited) (Re-release) (Netherlands)
Video Release: July 14th, 2015 by Criterion
MPA Rating: Not Rated
Running Time: 95 minutes
Cast, crew, or production detail: Unnamed Character, Voiceover/Narration
Plot point: Film Actor, Forbidden Romance, Interracial Romance, Non-Chronological, Performing Arts, Relationships Gone Wrong
Social setting: World War II
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Argos, Como , Pathe Overseas
Production Countries: United States
Languages: English

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 17, 2014 66 $18,494   5 $3,699   $18,494 1
Oct 24, 2014 69 $14,851 -20% 7 $2,122   $46,743 2
Oct 31, 2014 78 $7,323 -51% 5 $1,465   $64,514 3
Nov 7, 2014 81 $4,933 -33% 4 $1,233   $74,236 4
Nov 28, 2014 77 $1,579   2 $790   $83,253 7
Dec 12, 2014 90 $177   1 $177   $86,691 9
Jan 2, 2015 80 $367   1 $367   $88,300 12
Feb 13, 2015 81 $4,594   2 $2,297   $96,439 18

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 17, 2014 65 $31,892   5 $6,378   $31,892 1
Oct 24, 2014 67 $25,299 -21% 7 $3,614   $57,191 2
Oct 31, 2014 71 $12,112 -52% 5 $2,422   $69,303 3
Jan 2, 2015 91 $1,406   1 $1,406   $89,339 12

Top International Territories

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens/Theaters
Maximum
Screens/Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Netherlands 4/30/2025 $25,007 48 48 93 $64,790 4/4/2026
Portugal 10/27/2022 $337 1 1 3 $9,322 8/3/2023
  
International Total $74,112 4/4/2026

Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.

Leading

Emmanuelle Riva    She
Eiji Okada    He

Supporting

Bernard Fresson    German Soldier
Stella Dassas    Mother
Pierre Barbaud    Father

Production and Technical Credits

Alain Resnais    Director
Marguerite Duras    Screenwriter
Sacha Kamenka    Producer
Takeo Shirakawa    Producer
Henri Colpi    Editor
Jasmine Chasney    Editor
Giovanni Fusco    Composer
Georges Delerue    Composer
Sacha Vierny    Director of Photography
Michio Takahashi    Director of Photography

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.