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Hitler’s Hollywood (2018)

Theatrical Performance
Domestic Box Office $23,434Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The Nazi-cinema was a state-controlled industry, subject to rigid political and cultural censorship. At the same time, it aspired to be “Great Cinema”; it viewed itself as an ideological and aesthetic alternative to Hollywood. A German dream factory. This state-funded studio-based cinema followed industrial modes of production.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 13,101-13,200) 13,135 $23,434
All Time Worldwide Box Office (Rank 17,501-17,600) 17,503 $23,434
All Time Domestic Highest Grossing Limited Release Movies (Rank 5,601-5,700) 5,651 $23,434

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: April 11th, 2018 (Limited) by Kino Lorber
MPAA Rating: Not Rated
Running Time: 100 minutes
Comparisons: Create your own comparison chart…
Keywords: Movie Business, Nazis, 1930s, 1940s, World War II, Propaganda
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production Companies: Looks FilmProduktionen, ZDF/ARTE
Production Countries: Germany

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top 2018 Theater Average 39 $8,634 Apr 13, 2018 5

Narrator(s)

Udo Kier    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Rudiger Suchsland    Screenwriter
Martina Haubrich    Producer
Ursula Pürrer    Editor
Anne Bürger    Director of Photography
Lorenz Dangel    Composer
Michael Hartmann    Composer
Martina Haubrich    Executive Producer
Gunnar Dedio    Executive Producer
Jens Pfuhler    Sound
Linus Nickl    Sound Mixer
Tobias Fritzsch    Sound Mixer

Theater Averages: Box Office is Full of Grace

April 18th, 2018

Grace Jones: Bloodlight and Bami

Grace Jones: Bloodlight and Bami had the best opening of the limited releases earning an average of $18,724 in three theaters. The only other film in the $10,000 Club was The Rider, which earned an average of $14,081, also in three theaters. More...

Weekend Estimates: Rampage Squeaks Out a Win

April 15th, 2018

Rampage

Rampage isn’t exactly living up to its name this weekend, as it heads for a $34.5 million debut—just enough to keep A Quiet Place in second place, with $32.6 million in its second outing (down a very respectable 35% from its debut). As might be expected, international markets are proving friendlier to Rampage than the US and Canada, and it’s off to a healthy $114.1 million start in 61 territories, according to Warner Bros.’ Sunday morning estimate. More...

Limited and VOD Releases: Who Will be the Limited Releases’ Saving Grace

April 13th, 2018

Grace Jones: Bloodlight and Bami

There are not many limited releases that have a shot at box office success on this week’s list. The biggest ones are either opening too wide, like Beirut, or are already playing on VOD, like Borg vs. McEnroe, Wildling, and others. This leaves Grace Jones: Bloodlight and Bami as the film I think has the best shot at earning some measure of mainstream success. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/04/13 62 $8,634   1 $8,634   $18,253 1

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/04/06 83 $3,096   1 $3,096   $9,619 1
2018/04/13 52 $13,815 +346% 1 $13,815   $23,434 2

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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