Hockney (2016)
| Theatrical Performance | ||
| Domestic Box Office | $120,745 | Details |
| International Box Office | $110,972 | Details |
| Worldwide Box Office | $231,717 | |
| OpusData ID: 257060100 More info... | ||
| Further financial details... | ||
Synopsis
A portrait of the multifaceted artist from frank interviews with close friends and never before seen footage from his own personal archive. One of the great surviving icons of the 1960s, Hockney’s career may have started with almost instant success but in private he has struggled with his art, relationships, and the tragedy of AIDS, making his optimism and sense of adventure truly uplifting.
Metrics
| Opening Weekend: | $13,683 (11.3% of total gross) |
| Legs: | 7.57 (domestic box office/biggest weekend) |
| Domestic Share: | 52.1% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/10 max. theaters, 5.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $166,950 |
Movie Details
| Domestic Releases: | April 22nd, 2016 (Limited) by Film Movement |
| International Releases: | August 9th, 2019 (Wide) (South Korea) |
| MPA Rating: | Not Rated |
| Running Time: | 113 minutes |
| Cast, crew, or production detail: | Archive Footage |
| Geographical setting: | California |
| Plot point: | AIDS, Artists, LGBTQ+ |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Film Movement, BFI, BBC Arts, Screen Yorkshire, British Film Company, Smithsonian Channel, Blakeway, Fly Film |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 22, 2016 | 59 | $13,683 | 4 | $3,421 | $13,683 | 1 | |
| Apr 29, 2016 | 65 | $10,630 | -22% | 6 | $1,772 | $33,990 | 2 |
| May 6, 2016 | 74 | $5,305 | -50% | 10 | $531 | $45,704 | 3 |
| May 13, 2016 | 79 | $3,060 | -42% | 3 | $1,020 | $51,387 | 4 |
| May 20, 2016 | 66 | $5,920 | +93% | 8 | $740 | $58,601 | 5 |
| May 27, 2016 | 45 | $15,956 | +170% | 9 | $1,773 | $82,972 | 6 |
| Jun 3, 2016 | 57 | $6,341 | -60% | 6 | $1,057 | $96,196 | 7 |
| Jun 10, 2016 | 76 | $2,408 | -62% | 4 | $602 | $109,706 | 8 |
| Jun 17, 2016 | 78 | $1,300 | -46% | 2 | $650 | $113,248 | 9 |
| Jun 24, 2016 | 87 | $1,024 | -21% | 2 | $512 | $115,145 | 10 |
| Jul 8, 2016 | 78 | $2,333 | 1 | $2,333 | $119,715 | 12 | |
| Jul 29, 2016 | 95 | $446 | 1 | $446 | $120,391 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 22, 2016 | 57 | $23,360 | 5 | $4,672 | $23,360 | 1 | |
| Apr 29, 2016 | 68 | $17,039 | -27% | 8 | $2,130 | $40,399 | 2 |
| May 6, 2016 | 80 | $7,928 | -53% | 10 | $793 | $48,327 | 3 |
| May 13, 2016 | 90 | $4,354 | -45% | 3 | $1,451 | $52,681 | 4 |
| May 20, 2016 | 60 | $14,335 | +229% | 10 | $1,434 | $65,012 | 5 |
| May 27, 2016 | 49 | $22,839 | +59% | 10 | $2,284 | $89,855 | 6 |
| Jun 3, 2016 | 50 | $17,443 | -24% | 6 | $2,907 | $107,298 | 7 |
| Jun 10, 2016 | 78 | $4,650 | -73% | 4 | $1,163 | $111,948 | 8 |
| Jun 17, 2016 | 86 | $2,402 | -48% | 2 | $1,201 | $114,121 | 9 |
| Jun 24, 2016 | 82 | $3,261 | +36% | 2 | $1,631 | $117,382 | 10 |
| Jul 8, 2016 | 87 | $2,333 | 1 | $2,333 | $119,715 | 12 | |
| Jul 15, 2016 | 112 | $230 | -90% | 1 | $230 | $119,945 | 13 |
| Jul 29, 2016 | 105 | $800 | 1 | $800 | $120,745 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 8/9/2019 | $30,569 | 44 | 44 | 101 | $110,972 | 9/5/2019 | |||
| International Total | $110,972 | 9/5/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| David Hockney | Himself |
Interviewee
| David Oxtoby | Himself | |
| Colin Self | Himself | |
| John Kasmin | Himself | |
| Ed Ruscha | Himself | |
| Celia Birtwell | Herself | |
| Mark Berger | Himself | |
| Arthur Lambert | Himself | |
| Margaret Hockney | Herself | |
| Jack Larson | Himself |
Production and Technical Credits
| Randall Wright | Director | |
| Kate Ogborn | Producer | |
| Randall Wright | Producer | |
| Denys Blakeway | Executive Producer | |
| Lisa Marie Russo | Executive Producer | |
| Lizzie Francke | Executive Producer | |
| Mark Bell | Executive Producer | |
| Hugo Heppell | Executive Producer | |
| Steve Milne | Executive Producer | |
| Christian Eisenbeiss | Executive Producer | |
| David Royle | Executive Producer | |
| Charles Poe | Executive Producer | |
| Patrick Duval | Director of Photography | |
| Paul Binns | Editor | |
| John Harle | Composer | |
| Andrew McKerlie | Director-Director in charge of production | |
| Tom Watkinson | Associate Producer-Assistant Producer | |
| Annie Moore | Production Manager | |
| Cherry Jordan | Production Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A portrait of the multifaceted artist from frank interviews with close friends and never before seen footage from his own personal archive. One of the great surviving icons of the 1960s, Hockney’s career may have started with almost instant success but in private he has struggled with his art, relationships, and the tragedy of AIDS, making his optimism and sense of adventure truly uplifting.
Metrics
| Opening Weekend: | $13,683 (11.3% of total gross) |
| Legs: | 7.57 (domestic box office/biggest weekend) |
| Domestic Share: | 52.1% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/10 max. theaters, 5.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $166,950 |
Movie Details
| Domestic Releases: | April 22nd, 2016 (Limited) by Film Movement |
| International Releases: | August 9th, 2019 (Wide) (South Korea) |
| MPA Rating: | Not Rated |
| Running Time: | 113 minutes |
| Cast, crew, or production detail: | Archive Footage |
| Geographical setting: | California |
| Plot point: | AIDS, Artists, LGBTQ+ |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Film Movement, BFI, BBC Arts, Screen Yorkshire, British Film Company, Smithsonian Channel, Blakeway, Fly Film |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 22, 2016 | 59 | $13,683 | 4 | $3,421 | $13,683 | 1 | |
| Apr 29, 2016 | 65 | $10,630 | -22% | 6 | $1,772 | $33,990 | 2 |
| May 6, 2016 | 74 | $5,305 | -50% | 10 | $531 | $45,704 | 3 |
| May 13, 2016 | 79 | $3,060 | -42% | 3 | $1,020 | $51,387 | 4 |
| May 20, 2016 | 66 | $5,920 | +93% | 8 | $740 | $58,601 | 5 |
| May 27, 2016 | 45 | $15,956 | +170% | 9 | $1,773 | $82,972 | 6 |
| Jun 3, 2016 | 57 | $6,341 | -60% | 6 | $1,057 | $96,196 | 7 |
| Jun 10, 2016 | 76 | $2,408 | -62% | 4 | $602 | $109,706 | 8 |
| Jun 17, 2016 | 78 | $1,300 | -46% | 2 | $650 | $113,248 | 9 |
| Jun 24, 2016 | 87 | $1,024 | -21% | 2 | $512 | $115,145 | 10 |
| Jul 8, 2016 | 78 | $2,333 | 1 | $2,333 | $119,715 | 12 | |
| Jul 29, 2016 | 95 | $446 | 1 | $446 | $120,391 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 22, 2016 | 57 | $23,360 | 5 | $4,672 | $23,360 | 1 | |
| Apr 29, 2016 | 68 | $17,039 | -27% | 8 | $2,130 | $40,399 | 2 |
| May 6, 2016 | 80 | $7,928 | -53% | 10 | $793 | $48,327 | 3 |
| May 13, 2016 | 90 | $4,354 | -45% | 3 | $1,451 | $52,681 | 4 |
| May 20, 2016 | 60 | $14,335 | +229% | 10 | $1,434 | $65,012 | 5 |
| May 27, 2016 | 49 | $22,839 | +59% | 10 | $2,284 | $89,855 | 6 |
| Jun 3, 2016 | 50 | $17,443 | -24% | 6 | $2,907 | $107,298 | 7 |
| Jun 10, 2016 | 78 | $4,650 | -73% | 4 | $1,163 | $111,948 | 8 |
| Jun 17, 2016 | 86 | $2,402 | -48% | 2 | $1,201 | $114,121 | 9 |
| Jun 24, 2016 | 82 | $3,261 | +36% | 2 | $1,631 | $117,382 | 10 |
| Jul 8, 2016 | 87 | $2,333 | 1 | $2,333 | $119,715 | 12 | |
| Jul 15, 2016 | 112 | $230 | -90% | 1 | $230 | $119,945 | 13 |
| Jul 29, 2016 | 105 | $800 | 1 | $800 | $120,745 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 8/9/2019 | $30,569 | 44 | 44 | 101 | $110,972 | 9/5/2019 | |||
| International Total | $110,972 | 9/5/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| David Hockney | Himself |
Interviewee
| David Oxtoby | Himself | |
| Colin Self | Himself | |
| John Kasmin | Himself | |
| Ed Ruscha | Himself | |
| Celia Birtwell | Herself | |
| Mark Berger | Himself | |
| Arthur Lambert | Himself | |
| Margaret Hockney | Herself | |
| Jack Larson | Himself |
Production and Technical Credits
| Randall Wright | Director | |
| Kate Ogborn | Producer | |
| Randall Wright | Producer | |
| Denys Blakeway | Executive Producer | |
| Lisa Marie Russo | Executive Producer | |
| Lizzie Francke | Executive Producer | |
| Mark Bell | Executive Producer | |
| Hugo Heppell | Executive Producer | |
| Steve Milne | Executive Producer | |
| Christian Eisenbeiss | Executive Producer | |
| David Royle | Executive Producer | |
| Charles Poe | Executive Producer | |
| Patrick Duval | Director of Photography | |
| Paul Binns | Editor | |
| John Harle | Composer | |
| Andrew McKerlie | Director-Director in charge of production | |
| Tom Watkinson | Associate Producer-Assistant Producer | |
| Annie Moore | Production Manager | |
| Cherry Jordan | Production Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.