Holding Liat (2025)
| Theatrical Performance | ||
| Domestic Box Office | $78,535 | Details |
| International Box Office | $3,052 | Details |
| Worldwide Box Office | $81,587 | |
| OpusData ID: 765890100 More info... | ||
| Further financial details... | ||
Synopsis
On October 7th, during a raid by Hamas on her kibbutz, Israeli-American Liat Atzili was kidnapped along with 250 others, 12 of whom, like Liat, are U.S. Citizens. An urgent and heart-wrenching fight for her release by her family begins, forcing members of her family to confront their own uncertainty and perspectives on conflict as they pursue Liat’s safe return home. Accompanied by several of his family members, father Yehuda travels to Washington D.C., advocating for his daughter’s release.
Metrics
| Opening Weekend: | $8,162 (10.4% of total gross) |
| Legs: | 6.60 (domestic box office/biggest weekend) |
| Domestic Share: | 96.3% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/5 max. theaters, 5.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $78,535 |
Movie Details
| Domestic Releases: | January 9th, 2026 (Limited) by The Film Collaborative |
| International Releases: | September 12th, 2025 (Limited) (United Kingdom)
March 7th, 2026 (Limited), released as Holding Liat (ホールディング・リアット) (Japan) April 1st, 2026 (Limited) (France) |
| MPA Rating: | Not Rated (Rated 1/13/2026) |
| Running Time: | 97 minutes |
| Film festival: | Berlin International Film Festival 2025 |
| Plot point: | Kidnap |
| Social setting: | Israeli Palestinian Conflict |
| Subgenre: | Social and Cultural Documentary |
| Time period setting: | 2020s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Protozoa Pictures, Meridian Pictures, The Film Collaborative |
| Production Countries: | Israel, United States |
| Languages: | English, Hebrew |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 9, 2026 | - | $8,162 | 1 | $8,162 | $8,162 | 1 | |
| Jan 16, 2026 | - | $11,895 | +46% | 4 | $2,974 | $23,972 | 2 |
| Jan 23, 2026 | - | $1,204 | -90% | 4 | $301 | $27,996 | 3 |
| Jan 30, 2026 | - | $4,763 | +296% | 2 | $2,382 | $33,530 | 4 |
| Feb 6, 2026 | - | $7,260 | +52% | 3 | $2,420 | $41,224 | 5 |
| Feb 13, 2026 | - | $2,390 | -67% | 3 | $797 | $46,245 | 6 |
| Feb 20, 2026 | - | $7,383 | +209% | 4 | $1,846 | $55,160 | 7 |
| Mar 6, 2026 | - | $1,333 | 1 | $1,333 | $63,926 | 9 | |
| Mar 13, 2026 | - | $1,554 | +17% | 2 | $777 | $65,754 | 10 |
| Mar 20, 2026 | - | $2,616 | +68% | 3 | $872 | $69,716 | 11 |
| Jun 26, 2026 | - | $568 | 1 | $568 | $78,535 | 25 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 9, 2026 | 41 | $12,077 | 1 | $12,077 | $12,077 | 1 | |
| Jan 16, 2026 | 40 | $14,715 | +22% | 4 | $3,679 | $26,792 | 2 |
| Jan 23, 2026 | 58 | $1,975 | -87% | 4 | $494 | $28,767 | 3 |
| Jan 30, 2026 | 54 | $5,197 | +163% | 2 | $2,599 | $33,964 | 4 |
| Feb 6, 2026 | 56 | $9,891 | +90% | 4 | $2,473 | $43,855 | 5 |
| Feb 13, 2026 | 68 | $3,922 | -60% | 4 | $981 | $47,777 | 6 |
| Feb 20, 2026 | 54 | $13,469 | +243% | 5 | $2,694 | $61,246 | 7 |
| Feb 27, 2026 | 71 | $1,347 | -90% | 1 | $1,347 | $62,593 | 8 |
| Mar 6, 2026 | 65 | $1,607 | +19% | 1 | $1,607 | $64,200 | 9 |
| Mar 13, 2026 | 58 | $2,900 | +80% | 2 | $1,450 | $67,100 | 10 |
| Mar 20, 2026 | 56 | $2,947 | +2% | 3 | $982 | $70,047 | 11 |
| Apr 3, 2026 | 49 | $3,509 | 1 | $3,509 | $73,556 | 13 | |
| Jun 19, 2026 | 42 | $4,124 | 3 | $1,375 | $77,967 | 24 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 9/12/2025 | $3,052 | 4 | 4 | 4 | $3,052 | 4/4/2026 | |||
| International Total | $3,052 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Brandon Kramer | Director | |
| Darren Aronofsky | Producer | |
| Yoni Brook | Producer | |
| Justin A. Gonçalves | Producer | |
| Ari Handel | Producer | |
| Lance Kramer | Producer | |
| Yoni Brook | Cinematographer | |
| Omer Manor | Cinematographer | |
| Jeff Gilbert | Editor | |
| Jordan Dykstra | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
On October 7th, during a raid by Hamas on her kibbutz, Israeli-American Liat Atzili was kidnapped along with 250 others, 12 of whom, like Liat, are U.S. Citizens. An urgent and heart-wrenching fight for her release by her family begins, forcing members of her family to confront their own uncertainty and perspectives on conflict as they pursue Liat’s safe return home. Accompanied by several of his family members, father Yehuda travels to Washington D.C., advocating for his daughter’s release.
Metrics
| Opening Weekend: | $8,162 (10.4% of total gross) |
| Legs: | 6.60 (domestic box office/biggest weekend) |
| Domestic Share: | 96.3% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/5 max. theaters, 5.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $78,535 |
Movie Details
| Domestic Releases: | January 9th, 2026 (Limited) by The Film Collaborative |
| International Releases: | September 12th, 2025 (Limited) (United Kingdom)
March 7th, 2026 (Limited), released as Holding Liat (ホールディング・リアット) (Japan) April 1st, 2026 (Limited) (France) |
| MPA Rating: | Not Rated (Rated 1/13/2026) |
| Running Time: | 97 minutes |
| Film festival: | Berlin International Film Festival 2025 |
| Plot point: | Kidnap |
| Social setting: | Israeli Palestinian Conflict |
| Subgenre: | Social and Cultural Documentary |
| Time period setting: | 2020s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Protozoa Pictures, Meridian Pictures, The Film Collaborative |
| Production Countries: | Israel, United States |
| Languages: | English, Hebrew |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 9, 2026 | - | $8,162 | 1 | $8,162 | $8,162 | 1 | |
| Jan 16, 2026 | - | $11,895 | +46% | 4 | $2,974 | $23,972 | 2 |
| Jan 23, 2026 | - | $1,204 | -90% | 4 | $301 | $27,996 | 3 |
| Jan 30, 2026 | - | $4,763 | +296% | 2 | $2,382 | $33,530 | 4 |
| Feb 6, 2026 | - | $7,260 | +52% | 3 | $2,420 | $41,224 | 5 |
| Feb 13, 2026 | - | $2,390 | -67% | 3 | $797 | $46,245 | 6 |
| Feb 20, 2026 | - | $7,383 | +209% | 4 | $1,846 | $55,160 | 7 |
| Mar 6, 2026 | - | $1,333 | 1 | $1,333 | $63,926 | 9 | |
| Mar 13, 2026 | - | $1,554 | +17% | 2 | $777 | $65,754 | 10 |
| Mar 20, 2026 | - | $2,616 | +68% | 3 | $872 | $69,716 | 11 |
| Jun 26, 2026 | - | $568 | 1 | $568 | $78,535 | 25 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 9, 2026 | 41 | $12,077 | 1 | $12,077 | $12,077 | 1 | |
| Jan 16, 2026 | 40 | $14,715 | +22% | 4 | $3,679 | $26,792 | 2 |
| Jan 23, 2026 | 58 | $1,975 | -87% | 4 | $494 | $28,767 | 3 |
| Jan 30, 2026 | 54 | $5,197 | +163% | 2 | $2,599 | $33,964 | 4 |
| Feb 6, 2026 | 56 | $9,891 | +90% | 4 | $2,473 | $43,855 | 5 |
| Feb 13, 2026 | 68 | $3,922 | -60% | 4 | $981 | $47,777 | 6 |
| Feb 20, 2026 | 54 | $13,469 | +243% | 5 | $2,694 | $61,246 | 7 |
| Feb 27, 2026 | 71 | $1,347 | -90% | 1 | $1,347 | $62,593 | 8 |
| Mar 6, 2026 | 65 | $1,607 | +19% | 1 | $1,607 | $64,200 | 9 |
| Mar 13, 2026 | 58 | $2,900 | +80% | 2 | $1,450 | $67,100 | 10 |
| Mar 20, 2026 | 56 | $2,947 | +2% | 3 | $982 | $70,047 | 11 |
| Apr 3, 2026 | 49 | $3,509 | 1 | $3,509 | $73,556 | 13 | |
| Jun 19, 2026 | 42 | $4,124 | 3 | $1,375 | $77,967 | 24 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 9/12/2025 | $3,052 | 4 | 4 | 4 | $3,052 | 4/4/2026 | |||
| International Total | $3,052 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Brandon Kramer | Director | |
| Darren Aronofsky | Producer | |
| Yoni Brook | Producer | |
| Justin A. Gonçalves | Producer | |
| Ari Handel | Producer | |
| Lance Kramer | Producer | |
| Yoni Brook | Cinematographer | |
| Omer Manor | Cinematographer | |
| Jeff Gilbert | Editor | |
| Jordan Dykstra | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.