The Hollow Child (2018)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $291,020 | Details |
| Worldwide Box Office | $291,020 | |
| OpusData ID: 330070100 More info... | ||
| Further financial details... | ||
Synopsis
Samantha is a foster child traveling from foster home to foster home. Upon arriving at her most recent abode, she meets her new foster sister, Olivia. She leaves Olivia, who enters into the woods and disappears. After three days, Olivia returns and things get rather peculiar.
Metrics
Movie Details
| Domestic Releases: | May 18th, 2018 (Limited) by Vertical Entertainment |
| International Releases: | June 6th, 2019 (Wide), released as ДИТЯ ТЬМЫ (Russia (CIS))
January 17th, 2020 (Wide), released as Espíritus en el Bosque (Mexico) October 13th, 2022 (Limited), released as The Hollow Child (Дитя тьмы) (Russia (CIS)) |
| Video Release: | June 19th, 2018 by Artisan Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 92 minutes |
| Plot point: | Imposter, Missing Person |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Foster Family, Supernatural |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Broken Mirror Films, Minded Media |
| Production Countries: | Canada |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Mexico | 1/17/2020 | $256,301 | 0 | 0 | 0 | $256,301 | 10/19/2022 | |||
| Russia (CIS) | 6/6/2019 | $14,370 | 139 | 139 | 257 | $34,719 | 10/19/2022 | |||
| International Total | $291,020 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jess McLeod | Samantha |
Supporting
| Hannah Cheramy | Olivia | |
| John Emmet Tracy | Garrett | |
| Jana Mitsoula | Liz | |
| Genevieve Buechner | Emily | |
| Connor Stanhope | Logan | |
| Johannah Newmarch | Alison | |
| Craig March | Detective Zeke | |
| Mamie Laverock | Young Alison | |
| Laiken Laverock | Janie |
Production and Technical Credits
| Jeremy Lutter | Director | |
| Ben Rollo | Screenwriter | |
| Jocelyn Russel | Producer | |
| Jeremy Lutter | Producer | |
| Robin Chan | Executive Producer | |
| Kathy Leung | Co-Producer | |
| Arnold Lim | Production Manager | |
| Kendra Terpenning | Costume Designer | |
| Tracy Lai | Make-up and Hair Designer | |
| Daniel Krieger | Editor | |
| Tiffany Mak | Casting Director | |
| David Parfitt | Composer | |
| Moe Curtin | Production Designer | |
| Graham Talbot | Director of Photography | |
| Nelson Talbot | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Samantha is a foster child traveling from foster home to foster home. Upon arriving at her most recent abode, she meets her new foster sister, Olivia. She leaves Olivia, who enters into the woods and disappears. After three days, Olivia returns and things get rather peculiar.
Metrics
Movie Details
| Domestic Releases: | May 18th, 2018 (Limited) by Vertical Entertainment |
| International Releases: | June 6th, 2019 (Wide), released as ДИТЯ ТЬМЫ (Russia (CIS))
January 17th, 2020 (Wide), released as Espíritus en el Bosque (Mexico) October 13th, 2022 (Limited), released as The Hollow Child (Дитя тьмы) (Russia (CIS)) |
| Video Release: | June 19th, 2018 by Artisan Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 92 minutes |
| Plot point: | Imposter, Missing Person |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Foster Family, Supernatural |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Broken Mirror Films, Minded Media |
| Production Countries: | Canada |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Mexico | 1/17/2020 | $256,301 | 0 | 0 | 0 | $256,301 | 10/19/2022 | |||
| Russia (CIS) | 6/6/2019 | $14,370 | 139 | 139 | 257 | $34,719 | 10/19/2022 | |||
| International Total | $291,020 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jess McLeod | Samantha |
Supporting
| Hannah Cheramy | Olivia | |
| John Emmet Tracy | Garrett | |
| Jana Mitsoula | Liz | |
| Genevieve Buechner | Emily | |
| Connor Stanhope | Logan | |
| Johannah Newmarch | Alison | |
| Craig March | Detective Zeke | |
| Mamie Laverock | Young Alison | |
| Laiken Laverock | Janie |
Production and Technical Credits
| Jeremy Lutter | Director | |
| Ben Rollo | Screenwriter | |
| Jocelyn Russel | Producer | |
| Jeremy Lutter | Producer | |
| Robin Chan | Executive Producer | |
| Kathy Leung | Co-Producer | |
| Arnold Lim | Production Manager | |
| Kendra Terpenning | Costume Designer | |
| Tracy Lai | Make-up and Hair Designer | |
| Daniel Krieger | Editor | |
| Tiffany Mak | Casting Director | |
| David Parfitt | Composer | |
| Moe Curtin | Production Designer | |
| Graham Talbot | Director of Photography | |
| Nelson Talbot | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.