El Hombre que mato a Don Quijote (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $391,963 | Details |
| International Box Office | $2,062,126 | Details |
| Worldwide Box Office | $2,454,089 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $85,771 | |
| Blu-ray Sales (estimated) | $93,832 | |
| Total | $179,603 | |
| OpusData ID: 142760100 More info... | ||
| Further financial details... | ||
Synopsis
Toby, a cynical advertising director, finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth—a film that changed the hopes and dreams of a small Spanish village forever. Can Toby make amends and regain his humanity? Can Don Quixote survive his madness and imminent death? Or will love conquer all?
Metrics
| Opening Weekend: | $12,756 (3.3% of total gross) |
| Legs: | 30.73 (domestic box office/biggest weekend) |
| Domestic Share: | 16.0% (domestic box office/worldwide) |
| Theater counts: | 10 opening theaters/756 max. theaters, 0.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $511,780 |
Movie Details
| Domestic Releases: | April 10th, 2019 (Special Engagement) by Fathom Events, released as The Man Who Killed Don Quixote April 19th, 2019 (Limited) by Screen Media Films, released as The Man Who Killed Don Quixote |
| International Releases: | May 18th, 2018 (Wide), released as The Man Who Killed Don Quixote (France)
June 1st, 2018 (Wide) (Spain) July 6th, 2018 (Wide), released as Muž, který zabil Dona Quijota (Czech Republic) July 6th, 2018 (Wide), released as Muž, ktorý zabil Dona Quijota (Slovakia) July 27th, 2018 (Wide) (Netherlands) ... Show all releases |
| Video Release: | June 4th, 2019 by Screen Media Video, released as The Man Who Killed Don Quixote |
| MPA Rating: | Not Rated |
| Running Time: | 132 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Geographical setting: | Spain |
| Plot point: | Faulty Memory, Mental Illness, Movie Director |
| Social setting: | Life in a Small Town |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Multiple Creative Types |
| Production/Financing Companies: | Tornasol Films, Kinology, Recorded Picture Company, Entre Chien et Loup, Ukbar Filmes, TVE., Movistar Plus, Eurimages, Wallimage, Alacran Pictures |
| Production Countries: | Spain, Belgium, France, Portugal, United Kingdom |
| Languages: | Spanish, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 19, 2019 | 65 | $12,756 | 10 | $1,276 | $327,624 | 1 | |
| May 17, 2019 | 56 | $9,104 | 12 | $759 | $362,807 | 5 | |
| May 24, 2019 | 64 | $7,047 | -23% | 11 | $641 | $373,658 | 6 |
| May 31, 2019 | 57 | $4,674 | -34% | 10 | $467 | $380,679 | 7 |
| Jul 5, 2019 | 73 | $1,046 | 12 | $87 | $390,833 | 12 | |
| Jul 12, 2019 | 75 | $1,130 | +8% | 2 | $565 | $391,963 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Apr 10, 2019 | 8 | $314,868 | 756 | $416 | $314,868 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | 19 | $314,868 | 756 | $416 | $314,868 | 1 | |
| May 10, 2019 | 53 | $17,519 | 14 | $1,251 | $353,703 | 4 | |
| May 17, 2019 | 57 | $12,908 | -26% | 12 | $1,076 | $366,611 | 5 |
| May 24, 2019 | 69 | $9,394 | -27% | 11 | $854 | $376,005 | 6 |
| May 31, 2019 | 60 | $8,529 | -9% | 10 | $853 | $384,534 | 7 |
| Jun 7, 2019 | - | $4,546 | -47% | 4 | $1,137 | $389,080 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/12/2019 | $12,628 | 8 | 9 | 35 | $47,813 | 6/4/2019 | |||
| Bulgaria | 11/2/2018 | $2,078 | 0 | 0 | 0 | $17,168 | 2/26/2019 | |||
| Czech Republic | 7/6/2018 | $5,966 | 35 | 35 | 35 | $5,966 | 7/19/2018 | |||
| France | 5/18/2018 | $0 | 0 | 0 | 0 | $868,171 | 6/15/2018 | |||
| Italy | 9/27/2018 | $226,827 | 0 | 0 | 0 | $384,654 | 10/8/2018 | |||
| Netherlands | 7/27/2018 | $29,137 | 31 | 31 | 88 | $104,725 | 9/12/2018 | |||
| Poland | 8/10/2018 | $50,757 | 0 | 0 | 0 | $50,757 | 1/1/2019 | |||
| Portugal | 2/17/2022 | $17,097 | 43 | 43 | 92 | $43,045 | 10/20/2022 | |||
| Russia (CIS) | 9/27/2018 | $71,557 | 279 | 279 | 304 | $170,117 | 2/12/2019 | |||
| Slovakia | 7/6/2018 | $1,782 | 19 | 19 | 29 | $4,071 | 9/7/2018 | |||
| South Korea | 5/23/2019 | $14,972 | 40 | 40 | 63 | $39,074 | 6/13/2019 | |||
| Spain | 6/1/2018 | $96,689 | 109 | 109 | 256 | $224,220 | 8/14/2018 | |||
| Turkey | 12/7/2018 | $4,130 | 24 | 24 | 54 | $13,474 | 12/27/2018 | |||
| United Kingdom | 1/31/2020 | $88,871 | 25 | 25 | 25 | $88,871 | 4/4/2026 | |||
| International Total | $2,062,126 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Adam Driver | Toby | |
| Jonathan Pryce | Don Quixote | |
| Olga Kurylenko | Jacqui | |
| Stellan Skarsgård | The Boss | |
| Joana Ribeiro | Angelica |
Supporting
| Oscar Jaenada | Gypsy | |
| Jason Watkins | Rupert | |
| Sergi Lopez | Farmer | |
| Rossy de Palma | Farmer’s Wife | |
| Hovik Keuchkerian | Raul / Knight of the Mirrors | |
| Jordi Molla | Alexei Mishkin |
Production and Technical Credits
| Terry Gilliam | Director | |
| Terry Gilliam | Screenwriter | |
| Tony Grisoni | Screenwriter | |
| Gerardo Herrero | Producer | |
| Mariela Besuievsky | Producer | |
| Amy Gilliam | Producer | |
| Gregoire Melin | Producer | |
| Sebastien Delloye | Producer | |
| Pandora Da Cunha | Co-Producer | |
| Pablo Iraola | Co-Producer | |
| Jeremy Thomas | Executive Producer | |
| Peter Watson | Executive Producer | |
| Alessandra Lo Savio | Executive Producer | |
| Giorgia Lo Savio | Executive Producer | |
| Javier Lopez Blanco | Executive Producer | |
| François Touwaide | Executive Producer | |
| Yousaf Bokhari | Line Producer | |
| Nicola Pecorini | Director of Photography | |
| Lesley Walker | Editor | |
| Teresa Font | Editor | |
| Roque Banos | Composer | |
| Benjamin Fernandez | Production Designer | |
| Edou Hydallgo | Set Decorator | |
| Pierre Mertens | Sound Mixer | |
| Thomas Gauder | Re-recording Mixer | |
| Lena Mossum | Costume Designer | |
| Irene Lamb | Casting Director | |
| Camilla Valentine Isola | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Toby, a cynical advertising director, finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth—a film that changed the hopes and dreams of a small Spanish village forever. Can Toby make amends and regain his humanity? Can Don Quixote survive his madness and imminent death? Or will love conquer all?
Metrics
| Opening Weekend: | $12,756 (3.3% of total gross) |
| Legs: | 30.73 (domestic box office/biggest weekend) |
| Domestic Share: | 16.0% (domestic box office/worldwide) |
| Theater counts: | 10 opening theaters/756 max. theaters, 0.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $511,780 |
Movie Details
| Domestic Releases: | April 10th, 2019 (Special Engagement) by Fathom Events, released as The Man Who Killed Don Quixote April 19th, 2019 (Limited) by Screen Media Films, released as The Man Who Killed Don Quixote |
| International Releases: | May 18th, 2018 (Wide), released as The Man Who Killed Don Quixote (France)
June 1st, 2018 (Wide) (Spain) July 6th, 2018 (Wide), released as Muž, který zabil Dona Quijota (Czech Republic) July 6th, 2018 (Wide), released as Muž, ktorý zabil Dona Quijota (Slovakia) July 27th, 2018 (Wide) (Netherlands) ... Show all releases |
| Video Release: | June 4th, 2019 by Screen Media Video, released as The Man Who Killed Don Quixote |
| MPA Rating: | Not Rated |
| Running Time: | 132 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Geographical setting: | Spain |
| Plot point: | Faulty Memory, Mental Illness, Movie Director |
| Social setting: | Life in a Small Town |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Multiple Creative Types |
| Production/Financing Companies: | Tornasol Films, Kinology, Recorded Picture Company, Entre Chien et Loup, Ukbar Filmes, TVE., Movistar Plus, Eurimages, Wallimage, Alacran Pictures |
| Production Countries: | Spain, Belgium, France, Portugal, United Kingdom |
| Languages: | Spanish, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 19, 2019 | 65 | $12,756 | 10 | $1,276 | $327,624 | 1 | |
| May 17, 2019 | 56 | $9,104 | 12 | $759 | $362,807 | 5 | |
| May 24, 2019 | 64 | $7,047 | -23% | 11 | $641 | $373,658 | 6 |
| May 31, 2019 | 57 | $4,674 | -34% | 10 | $467 | $380,679 | 7 |
| Jul 5, 2019 | 73 | $1,046 | 12 | $87 | $390,833 | 12 | |
| Jul 12, 2019 | 75 | $1,130 | +8% | 2 | $565 | $391,963 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Apr 10, 2019 | 8 | $314,868 | 756 | $416 | $314,868 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | 19 | $314,868 | 756 | $416 | $314,868 | 1 | |
| May 10, 2019 | 53 | $17,519 | 14 | $1,251 | $353,703 | 4 | |
| May 17, 2019 | 57 | $12,908 | -26% | 12 | $1,076 | $366,611 | 5 |
| May 24, 2019 | 69 | $9,394 | -27% | 11 | $854 | $376,005 | 6 |
| May 31, 2019 | 60 | $8,529 | -9% | 10 | $853 | $384,534 | 7 |
| Jun 7, 2019 | - | $4,546 | -47% | 4 | $1,137 | $389,080 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/12/2019 | $12,628 | 8 | 9 | 35 | $47,813 | 6/4/2019 | |||
| Bulgaria | 11/2/2018 | $2,078 | 0 | 0 | 0 | $17,168 | 2/26/2019 | |||
| Czech Republic | 7/6/2018 | $5,966 | 35 | 35 | 35 | $5,966 | 7/19/2018 | |||
| France | 5/18/2018 | $0 | 0 | 0 | 0 | $868,171 | 6/15/2018 | |||
| Italy | 9/27/2018 | $226,827 | 0 | 0 | 0 | $384,654 | 10/8/2018 | |||
| Netherlands | 7/27/2018 | $29,137 | 31 | 31 | 88 | $104,725 | 9/12/2018 | |||
| Poland | 8/10/2018 | $50,757 | 0 | 0 | 0 | $50,757 | 1/1/2019 | |||
| Portugal | 2/17/2022 | $17,097 | 43 | 43 | 92 | $43,045 | 10/20/2022 | |||
| Russia (CIS) | 9/27/2018 | $71,557 | 279 | 279 | 304 | $170,117 | 2/12/2019 | |||
| Slovakia | 7/6/2018 | $1,782 | 19 | 19 | 29 | $4,071 | 9/7/2018 | |||
| South Korea | 5/23/2019 | $14,972 | 40 | 40 | 63 | $39,074 | 6/13/2019 | |||
| Spain | 6/1/2018 | $96,689 | 109 | 109 | 256 | $224,220 | 8/14/2018 | |||
| Turkey | 12/7/2018 | $4,130 | 24 | 24 | 54 | $13,474 | 12/27/2018 | |||
| United Kingdom | 1/31/2020 | $88,871 | 25 | 25 | 25 | $88,871 | 4/4/2026 | |||
| International Total | $2,062,126 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Adam Driver | Toby | |
| Jonathan Pryce | Don Quixote | |
| Olga Kurylenko | Jacqui | |
| Stellan Skarsgård | The Boss | |
| Joana Ribeiro | Angelica |
Supporting
| Oscar Jaenada | Gypsy | |
| Jason Watkins | Rupert | |
| Sergi Lopez | Farmer | |
| Rossy de Palma | Farmer’s Wife | |
| Hovik Keuchkerian | Raul / Knight of the Mirrors | |
| Jordi Molla | Alexei Mishkin |
Production and Technical Credits
| Terry Gilliam | Director | |
| Terry Gilliam | Screenwriter | |
| Tony Grisoni | Screenwriter | |
| Gerardo Herrero | Producer | |
| Mariela Besuievsky | Producer | |
| Amy Gilliam | Producer | |
| Gregoire Melin | Producer | |
| Sebastien Delloye | Producer | |
| Pandora Da Cunha | Co-Producer | |
| Pablo Iraola | Co-Producer | |
| Jeremy Thomas | Executive Producer | |
| Peter Watson | Executive Producer | |
| Alessandra Lo Savio | Executive Producer | |
| Giorgia Lo Savio | Executive Producer | |
| Javier Lopez Blanco | Executive Producer | |
| François Touwaide | Executive Producer | |
| Yousaf Bokhari | Line Producer | |
| Nicola Pecorini | Director of Photography | |
| Lesley Walker | Editor | |
| Teresa Font | Editor | |
| Roque Banos | Composer | |
| Benjamin Fernandez | Production Designer | |
| Edou Hydallgo | Set Decorator | |
| Pierre Mertens | Sound Mixer | |
| Thomas Gauder | Re-recording Mixer | |
| Lena Mossum | Costume Designer | |
| Irene Lamb | Casting Director | |
| Camilla Valentine Isola | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.