The Home (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $1,576,983 | Details |
| International Box Office | $226,815 | Details |
| Worldwide Box Office | $1,803,798 | |
| OpusData ID: 559450100 More info... | ||
| Further financial details... | ||
Synopsis
A rebellious twenty-something is sentenced to community service at a quiet retirement home. The residents on the fourth floor are strictly off-limits, said to require “special care.” As his suspicions grow and he digs deeper, he uncovers a chilling secret that puts both the residents’ lives and his own in grave danger.
Metrics
| Opening Weekend: | $1,037,791 (65.8% of total gross) |
| Legs: | 1.52 (domestic box office/biggest weekend) |
| Domestic Share: | 87.4% (domestic box office/worldwide) |
| Theater counts: | 1,015 opening theaters/1,015 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,576,983 |
Movie Details
| Domestic Releases: | July 25th, 2025 (Wide) by Roadside Attractions |
| International Releases: | July 24th, 2025 (Limited) (Croatia)
July 24th, 2025 (Wide), released as Dom (Serbia and Montenegro) August 14th, 2025 (Wide) (Australia) August 14th, 2025 (Limited), released as The Home (Смотритель) (Ukraine) August 15th, 2025 (Wide), released as Aizliegtais Stavs (Latvia) ... Show all releases |
| Video Release: | August 26th, 2025 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong bloody violence and gore, language and some sexual content. (Rating bulletin 2799 (cert #53658), 9/6/2023) |
| Running Time: | 97 minutes |
| Filming location (country): | United States |
| Filming location (state or county): | New Jersey, United States |
| Plot point: | Autumn Years, Death of a Sibling, Dysfunctional Family, Juvenile Delinquent, Surprise Twist |
| Social setting: | Cults, Foster Family, Retirement Home |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Miramax Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 25, 2025 | 11 | $1,037,791 | 1,015 | $1,022 | $1,037,791 | 1 | |
| Aug 1, 2025 | - | $134,063 | -87% | 412 | $325 | $1,499,750 | 2 |
| Aug 8, 2025 | - | $1,346 | -99% | 7 | $192 | $1,576,310 | 3 |
| Aug 15, 2025 | - | $56 | -96% | 1 | $56 | $1,576,944 | 4 |
| Aug 22, 2025 | - | $39 | -30% | 1 | $39 | $1,576,983 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 25, 2025 | 9 | $577,923 | 1,015 | $569 | $577,923 | 1 | ||
| Jul 26, 2025 | 12 | $257,771 | -55% | 1,015 | $254 | $835,694 | 2 | |
| Jul 27, 2025 | 12 | $202,097 | -22% | 1,015 | $199 | $1,037,791 | 3 | |
| Jul 28, 2025 | - | $99,240 | -51% | 1,015 | $98 | $1,137,031 | 4 | |
| Jul 29, 2025 | - | $106,407 | +7% | 1,015 | $105 | $1,243,438 | 5 | |
| Jul 30, 2025 | - | $74,265 | -30% | 1,015 | $73 | $1,317,703 | 6 | |
| Jul 31, 2025 | - | $47,984 | -35% | 1,015 | $47 | $1,365,687 | 7 | |
| Aug 1, 2025 | - | $41,128 | -14% | -93% | 412 | $100 | $1,406,815 | 8 |
| Aug 2, 2025 | - | $53,616 | +30% | -79% | 412 | $130 | $1,460,431 | 9 |
| Aug 3, 2025 | - | $39,319 | -27% | -81% | 412 | $95 | $1,499,750 | 10 |
| Aug 4, 2025 | - | $20,816 | -47% | -79% | 412 | $51 | $1,520,566 | 11 |
| Aug 5, 2025 | - | $26,145 | +26% | -75% | 412 | $63 | $1,546,711 | 12 |
| Aug 6, 2025 | - | $21,691 | -17% | -71% | 412 | $53 | $1,568,402 | 13 |
| Aug 7, 2025 | - | $6,562 | -70% | -86% | 412 | $16 | $1,574,964 | 14 |
| Aug 8, 2025 | - | $351 | -95% | -99% | 7 | $50 | $1,575,315 | 15 |
| Aug 9, 2025 | - | $569 | +62% | -99% | 7 | $81 | $1,575,884 | 16 |
| Aug 10, 2025 | - | $426 | -25% | -99% | 7 | $61 | $1,576,310 | 17 |
| Aug 11, 2025 | - | $163 | -62% | -99% | 7 | $23 | $1,576,473 | 18 |
| Aug 12, 2025 | - | $222 | +36% | -99% | 7 | $32 | $1,576,695 | 19 |
| Aug 13, 2025 | - | $121 | -45% | -99% | 7 | $17 | $1,576,816 | 20 |
| Aug 14, 2025 | - | $72 | -40% | -99% | 7 | $10 | $1,576,888 | 21 |
| Aug 15, 2025 | - | $40 | -44% | -89% | 1 | $40 | $1,576,928 | 22 |
| Aug 16, 2025 | - | $16 | -60% | -97% | 1 | $16 | $1,576,944 | 23 |
| Aug 23, 2025 | - | $32 | +100% | 1 | $32 | $1,576,976 | 30 | |
| Aug 24, 2025 | - | $7 | -78% | 1 | $7 | $1,576,983 | 31 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 25, 2025 | 13 | $1,365,687 | 1,015 | $1,346 | $1,365,687 | 1 | |
| Aug 1, 2025 | 20 | $209,277 | -85% | 412 | $508 | $1,574,964 | 2 |
| Aug 8, 2025 | 52 | $1,924 | -99% | 7 | $275 | $1,576,888 | 3 |
| Aug 22, 2025 | 74 | $39 | 1 | $39 | $1,576,983 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/14/2025 | $37,916 | 95 | 95 | 0 | $94,256 | 4/6/2026 | |||
| Croatia | 7/24/2025 | $17,026 | 19 | 20 | 45 | $50,208 | 4/4/2026 | |||
| Russia (CIS) | 11/20/2025 | $58,060 | 338 | 338 | 338 | $58,060 | 4/4/2026 | |||
| Serbia and Montenegro | 7/24/2025 | $0 | 0 | 8 | 0 | $24,291 | 4/4/2026 | |||
| International Total | $226,815 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Pete Davidson | Max |
Supporting
| John Glover | Lou | |
| Bruce Altman | Doc Sabian | |
| Ethan Phillips | Ethan | |
| Mugga | Juno | |
| Denise Burse | Sadie | |
| Stuart Rudin | Screaming Man | |
| Nathalie Schmidt | Ellie | |
| Mary Beth Peil | Norma | |
| Victor Williams | Couper | |
| Marilee Talkington | Gretchen / Faceless Woman | |
| Jessica Hecht | Sylvia | |
| Michael Donaldson | Homeless Man | |
| Cali Demonaco | Tessa | |
| Linder Sutton | Jackie | |
| Jagger Nelson | Young Max | |
| Juliet Huddy | Reporter | |
| Matthew Miniero | Luke | |
| Jayden Curry | Issac | |
| Daphne Rey | Marcella | |
| Kasey Buckley | Cop | |
| Beth Dixon | Mrs. Fisher | |
| Anne O'Sullivan | Birdice DiGiulio | |
| Tom Creel | Photographer | |
| Marija Juliette Abney | Female Activist | |
| David Moreland | Older White Male | |
| Lizbeth MacKay | Sally | |
| Michael Noto | Cab Driver | |
| Ron Crawford | Elderly Man | |
| Marjorie Deborah Conn | Masked Woman |
Production and Technical Credits
| James DeMonaco | Director | |
| James DeMonaco | Screenwriter | |
| Adam Cantor | Screenwriter | |
| Bill Block | Producer | |
| Sebastien K. Lemercier | Producer | |
| Andrew Golov | Executive Producer | |
| Thom Zadra | Executive Producer | |
| Daniel Hank | Executive Producer | |
| Pete Davidson | Executive Producer | |
| Anastas Michos | Director of Photography | |
| Ava Yuriko Hama | Costume Designer | |
| Mary Lena Colston | Production Designer | |
| Todd E. Miller | Editor | |
| Peter Gvozdas | Editor | |
| Daniel Hank | Unit Production Manager | |
| Stephen X. Apicella | First Assistant Director | |
| Jacob Martin | First Assistant Director | |
| Hannah Sheinkopf | Second Assistant Director | |
| Tracey Ruggiero | Second Unit Director | |
| Tracey Ruggiero | Stunt Coordinator | |
| Jason Mello | Fight Choreographer | |
| Rocco DiMase | Production Supervisor | |
| Stanley Fernandez | Additional Photography | |
| Jeff Pullman | Sound Mixer | |
| Chuck Girard | Script Supervisor | |
| Shelly Rodriguez | Set Decorator | |
| Brett Calvo | Art Director | |
| Mike Sheinkopf | Story Artist | |
| Brian Abbott | Make up | |
| Ray Santoleri | Make up | |
| Josh Turi | Make up | |
| Joshua D. First | Hairstylist | |
| Angie Johnson | Hairstylist | |
| Henry Winnik | Location Manager | |
| Eugene Hitt | Special Effects Supervisor | |
| Franses Simonovich | Unit Production Manager | |
| Weston Manville | Production Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A rebellious twenty-something is sentenced to community service at a quiet retirement home. The residents on the fourth floor are strictly off-limits, said to require “special care.” As his suspicions grow and he digs deeper, he uncovers a chilling secret that puts both the residents’ lives and his own in grave danger.
Metrics
| Opening Weekend: | $1,037,791 (65.8% of total gross) |
| Legs: | 1.52 (domestic box office/biggest weekend) |
| Domestic Share: | 87.4% (domestic box office/worldwide) |
| Theater counts: | 1,015 opening theaters/1,015 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,576,983 |
Movie Details
| Domestic Releases: | July 25th, 2025 (Wide) by Roadside Attractions |
| International Releases: | July 24th, 2025 (Limited) (Croatia)
July 24th, 2025 (Wide), released as Dom (Serbia and Montenegro) August 14th, 2025 (Wide) (Australia) August 14th, 2025 (Limited), released as The Home (Смотритель) (Ukraine) August 15th, 2025 (Wide), released as Aizliegtais Stavs (Latvia) ... Show all releases |
| Video Release: | August 26th, 2025 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong bloody violence and gore, language and some sexual content. (Rating bulletin 2799 (cert #53658), 9/6/2023) |
| Running Time: | 97 minutes |
| Filming location (country): | United States |
| Filming location (state or county): | New Jersey, United States |
| Plot point: | Autumn Years, Death of a Sibling, Dysfunctional Family, Juvenile Delinquent, Surprise Twist |
| Social setting: | Cults, Foster Family, Retirement Home |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Miramax Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 25, 2025 | 11 | $1,037,791 | 1,015 | $1,022 | $1,037,791 | 1 | |
| Aug 1, 2025 | - | $134,063 | -87% | 412 | $325 | $1,499,750 | 2 |
| Aug 8, 2025 | - | $1,346 | -99% | 7 | $192 | $1,576,310 | 3 |
| Aug 15, 2025 | - | $56 | -96% | 1 | $56 | $1,576,944 | 4 |
| Aug 22, 2025 | - | $39 | -30% | 1 | $39 | $1,576,983 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 25, 2025 | 9 | $577,923 | 1,015 | $569 | $577,923 | 1 | ||
| Jul 26, 2025 | 12 | $257,771 | -55% | 1,015 | $254 | $835,694 | 2 | |
| Jul 27, 2025 | 12 | $202,097 | -22% | 1,015 | $199 | $1,037,791 | 3 | |
| Jul 28, 2025 | - | $99,240 | -51% | 1,015 | $98 | $1,137,031 | 4 | |
| Jul 29, 2025 | - | $106,407 | +7% | 1,015 | $105 | $1,243,438 | 5 | |
| Jul 30, 2025 | - | $74,265 | -30% | 1,015 | $73 | $1,317,703 | 6 | |
| Jul 31, 2025 | - | $47,984 | -35% | 1,015 | $47 | $1,365,687 | 7 | |
| Aug 1, 2025 | - | $41,128 | -14% | -93% | 412 | $100 | $1,406,815 | 8 |
| Aug 2, 2025 | - | $53,616 | +30% | -79% | 412 | $130 | $1,460,431 | 9 |
| Aug 3, 2025 | - | $39,319 | -27% | -81% | 412 | $95 | $1,499,750 | 10 |
| Aug 4, 2025 | - | $20,816 | -47% | -79% | 412 | $51 | $1,520,566 | 11 |
| Aug 5, 2025 | - | $26,145 | +26% | -75% | 412 | $63 | $1,546,711 | 12 |
| Aug 6, 2025 | - | $21,691 | -17% | -71% | 412 | $53 | $1,568,402 | 13 |
| Aug 7, 2025 | - | $6,562 | -70% | -86% | 412 | $16 | $1,574,964 | 14 |
| Aug 8, 2025 | - | $351 | -95% | -99% | 7 | $50 | $1,575,315 | 15 |
| Aug 9, 2025 | - | $569 | +62% | -99% | 7 | $81 | $1,575,884 | 16 |
| Aug 10, 2025 | - | $426 | -25% | -99% | 7 | $61 | $1,576,310 | 17 |
| Aug 11, 2025 | - | $163 | -62% | -99% | 7 | $23 | $1,576,473 | 18 |
| Aug 12, 2025 | - | $222 | +36% | -99% | 7 | $32 | $1,576,695 | 19 |
| Aug 13, 2025 | - | $121 | -45% | -99% | 7 | $17 | $1,576,816 | 20 |
| Aug 14, 2025 | - | $72 | -40% | -99% | 7 | $10 | $1,576,888 | 21 |
| Aug 15, 2025 | - | $40 | -44% | -89% | 1 | $40 | $1,576,928 | 22 |
| Aug 16, 2025 | - | $16 | -60% | -97% | 1 | $16 | $1,576,944 | 23 |
| Aug 23, 2025 | - | $32 | +100% | 1 | $32 | $1,576,976 | 30 | |
| Aug 24, 2025 | - | $7 | -78% | 1 | $7 | $1,576,983 | 31 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 25, 2025 | 13 | $1,365,687 | 1,015 | $1,346 | $1,365,687 | 1 | |
| Aug 1, 2025 | 20 | $209,277 | -85% | 412 | $508 | $1,574,964 | 2 |
| Aug 8, 2025 | 52 | $1,924 | -99% | 7 | $275 | $1,576,888 | 3 |
| Aug 22, 2025 | 74 | $39 | 1 | $39 | $1,576,983 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/14/2025 | $37,916 | 95 | 95 | 0 | $94,256 | 4/6/2026 | |||
| Croatia | 7/24/2025 | $17,026 | 19 | 20 | 45 | $50,208 | 4/4/2026 | |||
| Russia (CIS) | 11/20/2025 | $58,060 | 338 | 338 | 338 | $58,060 | 4/4/2026 | |||
| Serbia and Montenegro | 7/24/2025 | $0 | 0 | 8 | 0 | $24,291 | 4/4/2026 | |||
| International Total | $226,815 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Pete Davidson | Max |
Supporting
| John Glover | Lou | |
| Bruce Altman | Doc Sabian | |
| Ethan Phillips | Ethan | |
| Mugga | Juno | |
| Denise Burse | Sadie | |
| Stuart Rudin | Screaming Man | |
| Nathalie Schmidt | Ellie | |
| Mary Beth Peil | Norma | |
| Victor Williams | Couper | |
| Marilee Talkington | Gretchen / Faceless Woman | |
| Jessica Hecht | Sylvia | |
| Michael Donaldson | Homeless Man | |
| Cali Demonaco | Tessa | |
| Linder Sutton | Jackie | |
| Jagger Nelson | Young Max | |
| Juliet Huddy | Reporter | |
| Matthew Miniero | Luke | |
| Jayden Curry | Issac | |
| Daphne Rey | Marcella | |
| Kasey Buckley | Cop | |
| Beth Dixon | Mrs. Fisher | |
| Anne O'Sullivan | Birdice DiGiulio | |
| Tom Creel | Photographer | |
| Marija Juliette Abney | Female Activist | |
| David Moreland | Older White Male | |
| Lizbeth MacKay | Sally | |
| Michael Noto | Cab Driver | |
| Ron Crawford | Elderly Man | |
| Marjorie Deborah Conn | Masked Woman |
Production and Technical Credits
| James DeMonaco | Director | |
| James DeMonaco | Screenwriter | |
| Adam Cantor | Screenwriter | |
| Bill Block | Producer | |
| Sebastien K. Lemercier | Producer | |
| Andrew Golov | Executive Producer | |
| Thom Zadra | Executive Producer | |
| Daniel Hank | Executive Producer | |
| Pete Davidson | Executive Producer | |
| Anastas Michos | Director of Photography | |
| Ava Yuriko Hama | Costume Designer | |
| Mary Lena Colston | Production Designer | |
| Todd E. Miller | Editor | |
| Peter Gvozdas | Editor | |
| Daniel Hank | Unit Production Manager | |
| Stephen X. Apicella | First Assistant Director | |
| Jacob Martin | First Assistant Director | |
| Hannah Sheinkopf | Second Assistant Director | |
| Tracey Ruggiero | Second Unit Director | |
| Tracey Ruggiero | Stunt Coordinator | |
| Jason Mello | Fight Choreographer | |
| Rocco DiMase | Production Supervisor | |
| Stanley Fernandez | Additional Photography | |
| Jeff Pullman | Sound Mixer | |
| Chuck Girard | Script Supervisor | |
| Shelly Rodriguez | Set Decorator | |
| Brett Calvo | Art Director | |
| Mike Sheinkopf | Story Artist | |
| Brian Abbott | Make up | |
| Ray Santoleri | Make up | |
| Josh Turi | Make up | |
| Joshua D. First | Hairstylist | |
| Angie Johnson | Hairstylist | |
| Henry Winnik | Location Manager | |
| Eugene Hitt | Special Effects Supervisor | |
| Franses Simonovich | Unit Production Manager | |
| Weston Manville | Production Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.