Homecoming (2010)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 135730100 More info... | ||
| Further financial details... | ||
Synopsis
A jealous woman plots revenge after her former beau returns to their hometown with a pretty new girlfriend.
Metrics
Movie Details
| Video Release: | April 20th, 2010 by Paramount Home Video |
| MPA Rating: | R for some violence and language (Rating bulletin 2104, 1/20/2010) |
| Running Time: | 91 minutes |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paper Street Films, Animus Films |
| Production Countries: | United States |
| Languages: | English |
Leading
| Mischa Barton | ||
| Matt Long | ||
| Jessica Stroup |
Production and Technical Credits
| Morgan J. Freeman | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A jealous woman plots revenge after her former beau returns to their hometown with a pretty new girlfriend.
Metrics
Movie Details
| Video Release: | April 20th, 2010 by Paramount Home Video |
| MPA Rating: | R for some violence and language (Rating bulletin 2104, 1/20/2010) |
| Running Time: | 91 minutes |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paper Street Films, Animus Films |
| Production Countries: | United States |
| Languages: | English |
Leading
| Mischa Barton | ||
| Matt Long | ||
| Jessica Stroup |
Production and Technical Credits
| Morgan J. Freeman | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.