Honey Don’t (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $5,810,510 | Details |
| International Box Office | $1,660,269 | Details |
| Worldwide Box Office | $7,470,779 | |
| OpusData ID: 666120100 More info... | ||
| Further financial details... | ||
Synopsis
Honey O’Donahue is a small-town private investigator, who delves into a series of strange deaths tied to a mysterious church.
Metrics
| Opening Weekend: | $3,025,525 (52.1% of total gross) |
| Legs: | 1.92 (domestic box office/biggest weekend) |
| Domestic Share: | 77.8% (domestic box office/worldwide) |
| Theater counts: | 1,317 opening theaters/1,338 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,810,510 |
Movie Details
| Domestic Releases: | August 22nd, 2025 (Wide) by Focus Features |
| International Releases: | August 28th, 2025 (Wide) (Australia)
September 4th, 2025 (Wide) (Slovakia) September 4th, 2025 (Wide) (Netherlands) September 5th, 2025 (Wide) (United Kingdom) September 11th, 2025 (Wide) (Germany) ... Show all releases |
| Video Release: | September 9th, 2025 by Universal Home Entertainment |
| MPA Rating: | R for strong sexual content, graphic nudity, some strong violence, and language. (Rating bulletin 2892 (cert #55016), 7/2/2025) |
| Running Time: | 89 minutes |
| Film festival: | Cannes Film Festival 2025 |
| Filming location (country): | United States |
| Filming location (state or county): | New Mexico, United States |
| Plot point: | Crime, Designer Drugs, Domestic Abuse, Drug Trafficking, Kidnap, LGBTQ+, No Honor Among Thieves, Private Investigator, Romance, Surprise Twist, Young Child Dealing with the Death of a Parent |
| Social setting: | Cults, Film Noir, Life in a Small Town |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Focus Features, Working Title Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 22, 2025 | 8 | $3,025,525 | 1,317 | $2,297 | $3,025,525 | 1 | |
| Aug 29, 2025 | - | $902,040 | -70% | 1,338 | $674 | $5,098,280 | 2 |
| Sep 5, 2025 | - | $104,920 | -88% | 190 | $552 | $5,754,885 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 21, 2025 | P | $525,000 | 0 | $525,000 | ||||
| Aug 22, 2025 | 4 | $1,447,125 | 1,317 | $1,099 | $1,447,125 | 1 | ||
| Aug 23, 2025 | 10 | $919,315 | -36% | 1,317 | $698 | $2,366,440 | 2 | |
| Aug 24, 2025 | 9 | $659,085 | -28% | 1,317 | $500 | $3,025,525 | 3 | |
| Aug 25, 2025 | 8 | $290,855 | -56% | 1,317 | $221 | $3,316,380 | 4 | |
| Aug 26, 2025 | 8 | $432,060 | +49% | 1,317 | $328 | $3,748,440 | 5 | |
| Aug 27, 2025 | 8 | $257,010 | -41% | 1,317 | $195 | $4,005,450 | 6 | |
| Aug 28, 2025 | 8 | $190,790 | -26% | 1,317 | $145 | $4,196,240 | 7 | |
| Aug 29, 2025 | 13 | $279,285 | +46% | -81% | 1,338 | $209 | $4,475,525 | 8 |
| Aug 30, 2025 | - | $315,050 | +13% | -66% | 1,338 | $235 | $4,790,575 | 9 |
| Aug 31, 2025 | - | $307,705 | -2% | -53% | 1,338 | $230 | $5,098,280 | 10 |
| Sep 1, 2025 | - | $247,420 | -20% | -15% | 1,338 | $185 | $5,345,700 | 11 |
| Sep 2, 2025 | 12 | $137,270 | -45% | -68% | 1,338 | $103 | $5,482,970 | 12 |
| Sep 3, 2025 | 12 | $111,950 | -18% | -56% | 1,338 | $84 | $5,594,920 | 13 |
| Sep 4, 2025 | 13 | $55,045 | -51% | -71% | 1,338 | $41 | $5,649,965 | 14 |
| Sep 5, 2025 | - | $29,385 | -47% | -89% | 190 | $155 | $5,679,350 | 15 |
| Sep 6, 2025 | - | $44,340 | +51% | -86% | 190 | $233 | $5,723,690 | 16 |
| Sep 7, 2025 | - | $31,195 | -30% | -90% | 190 | $164 | $5,754,885 | 17 |
| Sep 8, 2025 | - | $12,075 | -61% | -95% | 190 | $64 | $5,766,960 | 18 |
| Sep 9, 2025 | - | $18,255 | +51% | -87% | 190 | $96 | $5,785,215 | 19 |
| Sep 10, 2025 | - | $14,840 | -19% | -87% | 190 | $78 | $5,800,055 | 20 |
| Sep 11, 2025 | - | $10,455 | -30% | -81% | 190 | $55 | $5,810,510 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 22, 2025 | 10 | $4,196,240 | 1,317 | $3,186 | $4,196,240 | 1 | |
| Aug 29, 2025 | 15 | $1,453,725 | -65% | 1,338 | $1,086 | $5,649,965 | 2 |
| Sep 5, 2025 | 23 | $160,545 | -89% | 190 | $845 | $5,810,510 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/28/2025 | $69,626 | 63 | 63 | 0 | $209,977 | 8/4/2026 | |||
| Brazil | 11/6/2025 | $6,215 | 0 | 0 | 0 | $17,817 | 1/19/2026 | |||
| Germany | 9/11/2025 | $100,458 | 82 | 83 | 362 | $340,979 | 1/11/2026 | |||
| Italy | 9/18/2025 | $70,362 | 0 | 0 | 0 | $129,454 | 8/4/2026 | |||
| Netherlands | 9/4/2025 | $71,425 | 49 | 49 | 192 | $342,016 | 12/5/2025 | |||
| Portugal | 10/2/2025 | $15,927 | 25 | 4 | 32 | $30,087 | 11/5/2025 | |||
| United Kingdom | 9/5/2025 | $213,875 | 386 | 386 | 690 | $589,939 | 10/9/2025 | |||
| International Total | $1,660,269 | 8/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Margaret Qualley | Honey O’Donahue | |
| Aubrey Plaza | MG Falcone | |
| Charlie Day | Marty Metakawich |
Supporting
| Chris Evans | Reverend Drew Devlin | |
| Don Swayze | Gary | |
| Gabby Beans | Spider | |
| Kristen Connolly | Heidi | |
| Billy Eichner | Mr. Siegfried | |
| Lena Hall | Elle | |
| Alexander Carstoiu | Mickie | |
| Josh Pafchek | Shuggie | |
| Lera Abova | Cher | |
| Kale Browne | Honey’s Father | |
| Jacnier | Hector | |
| Talia Ryder | Corinne | |
| Christian Antidormi | Colligan | |
| Kinna McInroe | Mrs. Novotny | |
| Sean Dillingham | Ray | |
| Jude Atencio | Dizzy | |
| Sean Philip Glasgow | Larry Jr. | |
| Donny Ness | Steve Jr. | |
| Gloria Sandoval | Abuela | |
| Gregg Binkley | Horrified Bartender | |
| Sarah J. Bartholomew | Disappointed Woman in Bed | |
| Kara Petersen | Mia Novotny | |
| Layne Lazor | Brandi | |
| Grace Lord | Cara | |
| Silvia Bond | Woman with Hand Mirror | |
| Michael Gmur | Young Policeman / Bus Driver | |
| Steve Lantz | Big Little Joey | |
| Matt Berberi | Little Joey Jr. | |
| Brennan Foster | Oblivious Bartender | |
| Travis Hill | Pork Chop | |
| Audrina Rosales | Wiener Girl | |
| Bill Camp | Drive-Thru Customer | |
| Bill Lobley | Parrot |
Production and Technical Credits
| Ethan Coen | Director | |
| Ethan Coen | Screenwriter | |
| Tricia Cooke | Screenwriter | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| Ethan Coen | Producer | |
| Tricia Cooke | Producer | |
| Robert Graf | Producer | |
| Ari Wegner | Director of Photography | |
| Stefan Dechant | Production Designer | |
| Ethan Coen | Editor | |
| Tricia Cooke | Editor | |
| Peggy Schnitzer | Costume Designer | |
| Skip Lievsay | Supervising Sound Editor | |
| Carter Burwell | Composer | |
| Catherine Farrell | Co-Producer | |
| Michael Huber | Visual Effects Supervisor | |
| Ellen Chenoweth | Casting Director | |
| Karen Ruth Getchell | Unit Production Manager | |
| Robert Garf | Unit Production Manager | |
| Amy Lauritsen | First Assistant Director | |
| Catherine Feeny | Second Assistant Director | |
| Karen Ruth Getchell | Co-Producer | |
| Chris Robertson | Music Supervisor | |
| Nancy Haigh | Set Decorator | |
| Thomas Johnston* | Script Supervisor | |
| Peter F. Kurland | Sound Mixer | |
| Jennifer Lamb Hewitt* | Stunt Coordinator | |
| Julien Pougnier | Art Director | |
| J. Todd Anderson | Story Artist | |
| Daniel Holt | Special Effects Supervisor | |
| Rachel Stivers | Costume Supervisor | |
| Tarra Day | Make up | |
| Julie Calihan | Make up | |
| Linda Flowers | Hairstylist | |
| Megan Daum | Hairstylist | |
| Hilton Clay Peres | Location Manager | |
| Chelsea Body | Foley Mixer | |
| Jack Heeren | Foley Mixer | |
| Skip Lievsay | Re-recording Mixer | |
| Paul Urmson | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Honey O’Donahue is a small-town private investigator, who delves into a series of strange deaths tied to a mysterious church.
Metrics
| Opening Weekend: | $3,025,525 (52.1% of total gross) |
| Legs: | 1.92 (domestic box office/biggest weekend) |
| Domestic Share: | 77.8% (domestic box office/worldwide) |
| Theater counts: | 1,317 opening theaters/1,338 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,810,510 |
Movie Details
| Domestic Releases: | August 22nd, 2025 (Wide) by Focus Features |
| International Releases: | August 28th, 2025 (Wide) (Australia)
September 4th, 2025 (Wide) (Slovakia) September 4th, 2025 (Wide) (Netherlands) September 5th, 2025 (Wide) (United Kingdom) September 11th, 2025 (Wide) (Germany) ... Show all releases |
| Video Release: | September 9th, 2025 by Universal Home Entertainment |
| MPA Rating: | R for strong sexual content, graphic nudity, some strong violence, and language. (Rating bulletin 2892 (cert #55016), 7/2/2025) |
| Running Time: | 89 minutes |
| Film festival: | Cannes Film Festival 2025 |
| Filming location (country): | United States |
| Filming location (state or county): | New Mexico, United States |
| Plot point: | Crime, Designer Drugs, Domestic Abuse, Drug Trafficking, Kidnap, LGBTQ+, No Honor Among Thieves, Private Investigator, Romance, Surprise Twist, Young Child Dealing with the Death of a Parent |
| Social setting: | Cults, Film Noir, Life in a Small Town |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Focus Features, Working Title Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 22, 2025 | 8 | $3,025,525 | 1,317 | $2,297 | $3,025,525 | 1 | |
| Aug 29, 2025 | - | $902,040 | -70% | 1,338 | $674 | $5,098,280 | 2 |
| Sep 5, 2025 | - | $104,920 | -88% | 190 | $552 | $5,754,885 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 21, 2025 | P | $525,000 | 0 | $525,000 | ||||
| Aug 22, 2025 | 4 | $1,447,125 | 1,317 | $1,099 | $1,447,125 | 1 | ||
| Aug 23, 2025 | 10 | $919,315 | -36% | 1,317 | $698 | $2,366,440 | 2 | |
| Aug 24, 2025 | 9 | $659,085 | -28% | 1,317 | $500 | $3,025,525 | 3 | |
| Aug 25, 2025 | 8 | $290,855 | -56% | 1,317 | $221 | $3,316,380 | 4 | |
| Aug 26, 2025 | 8 | $432,060 | +49% | 1,317 | $328 | $3,748,440 | 5 | |
| Aug 27, 2025 | 8 | $257,010 | -41% | 1,317 | $195 | $4,005,450 | 6 | |
| Aug 28, 2025 | 8 | $190,790 | -26% | 1,317 | $145 | $4,196,240 | 7 | |
| Aug 29, 2025 | 13 | $279,285 | +46% | -81% | 1,338 | $209 | $4,475,525 | 8 |
| Aug 30, 2025 | - | $315,050 | +13% | -66% | 1,338 | $235 | $4,790,575 | 9 |
| Aug 31, 2025 | - | $307,705 | -2% | -53% | 1,338 | $230 | $5,098,280 | 10 |
| Sep 1, 2025 | - | $247,420 | -20% | -15% | 1,338 | $185 | $5,345,700 | 11 |
| Sep 2, 2025 | 12 | $137,270 | -45% | -68% | 1,338 | $103 | $5,482,970 | 12 |
| Sep 3, 2025 | 12 | $111,950 | -18% | -56% | 1,338 | $84 | $5,594,920 | 13 |
| Sep 4, 2025 | 13 | $55,045 | -51% | -71% | 1,338 | $41 | $5,649,965 | 14 |
| Sep 5, 2025 | - | $29,385 | -47% | -89% | 190 | $155 | $5,679,350 | 15 |
| Sep 6, 2025 | - | $44,340 | +51% | -86% | 190 | $233 | $5,723,690 | 16 |
| Sep 7, 2025 | - | $31,195 | -30% | -90% | 190 | $164 | $5,754,885 | 17 |
| Sep 8, 2025 | - | $12,075 | -61% | -95% | 190 | $64 | $5,766,960 | 18 |
| Sep 9, 2025 | - | $18,255 | +51% | -87% | 190 | $96 | $5,785,215 | 19 |
| Sep 10, 2025 | - | $14,840 | -19% | -87% | 190 | $78 | $5,800,055 | 20 |
| Sep 11, 2025 | - | $10,455 | -30% | -81% | 190 | $55 | $5,810,510 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 22, 2025 | 10 | $4,196,240 | 1,317 | $3,186 | $4,196,240 | 1 | |
| Aug 29, 2025 | 15 | $1,453,725 | -65% | 1,338 | $1,086 | $5,649,965 | 2 |
| Sep 5, 2025 | 23 | $160,545 | -89% | 190 | $845 | $5,810,510 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/28/2025 | $69,626 | 63 | 63 | 0 | $209,977 | 8/4/2026 | |||
| Brazil | 11/6/2025 | $6,215 | 0 | 0 | 0 | $17,817 | 1/19/2026 | |||
| Germany | 9/11/2025 | $100,458 | 82 | 83 | 362 | $340,979 | 1/11/2026 | |||
| Italy | 9/18/2025 | $70,362 | 0 | 0 | 0 | $129,454 | 8/4/2026 | |||
| Netherlands | 9/4/2025 | $71,425 | 49 | 49 | 192 | $342,016 | 12/5/2025 | |||
| Portugal | 10/2/2025 | $15,927 | 25 | 4 | 32 | $30,087 | 11/5/2025 | |||
| United Kingdom | 9/5/2025 | $213,875 | 386 | 386 | 690 | $589,939 | 10/9/2025 | |||
| International Total | $1,660,269 | 8/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Margaret Qualley | Honey O’Donahue | |
| Aubrey Plaza | MG Falcone | |
| Charlie Day | Marty Metakawich |
Supporting
| Chris Evans | Reverend Drew Devlin | |
| Don Swayze | Gary | |
| Gabby Beans | Spider | |
| Kristen Connolly | Heidi | |
| Billy Eichner | Mr. Siegfried | |
| Lena Hall | Elle | |
| Alexander Carstoiu | Mickie | |
| Josh Pafchek | Shuggie | |
| Lera Abova | Cher | |
| Kale Browne | Honey’s Father | |
| Jacnier | Hector | |
| Talia Ryder | Corinne | |
| Christian Antidormi | Colligan | |
| Kinna McInroe | Mrs. Novotny | |
| Sean Dillingham | Ray | |
| Jude Atencio | Dizzy | |
| Sean Philip Glasgow | Larry Jr. | |
| Donny Ness | Steve Jr. | |
| Gloria Sandoval | Abuela | |
| Gregg Binkley | Horrified Bartender | |
| Sarah J. Bartholomew | Disappointed Woman in Bed | |
| Kara Petersen | Mia Novotny | |
| Layne Lazor | Brandi | |
| Grace Lord | Cara | |
| Silvia Bond | Woman with Hand Mirror | |
| Michael Gmur | Young Policeman / Bus Driver | |
| Steve Lantz | Big Little Joey | |
| Matt Berberi | Little Joey Jr. | |
| Brennan Foster | Oblivious Bartender | |
| Travis Hill | Pork Chop | |
| Audrina Rosales | Wiener Girl | |
| Bill Camp | Drive-Thru Customer | |
| Bill Lobley | Parrot |
Production and Technical Credits
| Ethan Coen | Director | |
| Ethan Coen | Screenwriter | |
| Tricia Cooke | Screenwriter | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| Ethan Coen | Producer | |
| Tricia Cooke | Producer | |
| Robert Graf | Producer | |
| Ari Wegner | Director of Photography | |
| Stefan Dechant | Production Designer | |
| Ethan Coen | Editor | |
| Tricia Cooke | Editor | |
| Peggy Schnitzer | Costume Designer | |
| Skip Lievsay | Supervising Sound Editor | |
| Carter Burwell | Composer | |
| Catherine Farrell | Co-Producer | |
| Michael Huber | Visual Effects Supervisor | |
| Ellen Chenoweth | Casting Director | |
| Karen Ruth Getchell | Unit Production Manager | |
| Robert Garf | Unit Production Manager | |
| Amy Lauritsen | First Assistant Director | |
| Catherine Feeny | Second Assistant Director | |
| Karen Ruth Getchell | Co-Producer | |
| Chris Robertson | Music Supervisor | |
| Nancy Haigh | Set Decorator | |
| Thomas Johnston* | Script Supervisor | |
| Peter F. Kurland | Sound Mixer | |
| Jennifer Lamb Hewitt* | Stunt Coordinator | |
| Julien Pougnier | Art Director | |
| J. Todd Anderson | Story Artist | |
| Daniel Holt | Special Effects Supervisor | |
| Rachel Stivers | Costume Supervisor | |
| Tarra Day | Make up | |
| Julie Calihan | Make up | |
| Linda Flowers | Hairstylist | |
| Megan Daum | Hairstylist | |
| Hilton Clay Peres | Location Manager | |
| Chelsea Body | Foley Mixer | |
| Jack Heeren | Foley Mixer | |
| Skip Lievsay | Re-recording Mixer | |
| Paul Urmson | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.