Honk for Jesus. Save Your Soul. (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $2,561,270 | Details |
| OpusData ID: 529310100 More info... | ||
| Further financial details... | ||
Synopsis
As the proud first lady of a Southern Baptist megachurch, Trinitie Childs carries immense responsibility on her shoulders. Her church, Wander To Greater Paths, once served a congregation in the tens of thousands, but after a scandal involving her husband, Pastor Lee-Curtis Childs, forced the church to close temporarily, Trinitie is struggling to manage the aftermath. Now Trinitie and Lee-Curtis must rebuild their congregation and reconcile their faith by all means necessary to make the biggest comeback that commodified religion has ever seen.
Metrics
| Opening Weekend: | $1,422,615 (55.5% of total gross) |
| Legs: | 1.80 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,882 opening theaters/1,882 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,909,103 |
Movie Details
| Domestic Releases: | September 2nd, 2022 (Wide) by Focus Features |
| Video Release: | September 2nd, 2022 by Universal Home Entertainment |
| MPA Rating: | R for language and some sexual content. (Rating bulletin 2742 (cert #53749), 7/27/2022) |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Director Remaking Their Own Movie, Remake |
| Film festival: | Sundance Film Festival 2022 |
| Plot point: | Christians, Religious, Satire, Scandal |
| Subgenre: | Satirical Comedy |
| Source: | Based on Short Film |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Focus Features, Monkeypaw Pictures, Pinky Promise, 59%, Ejime Productions, Rh Negative Entertainment, Indian Meadows Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2022 | - | $1,422,615 | 1,882 | $756 | $1,422,615 | 1 | |
| Sep 9, 2022 | - | $378,015 | -73% | 1,870 | $202 | $2,412,240 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 2, 2022 | - | $430,605 | 1,882 | $229 | $430,605 | 1 | ||
| Sep 3, 2022 | - | $616,170 | +43% | 1,882 | $327 | $1,046,775 | 2 | |
| Sep 4, 2022 | - | $375,840 | -39% | 1,882 | $200 | $1,422,615 | 3 | |
| Sep 5, 2022 | - | $316,985 | -16% | 1,882 | $168 | $1,739,600 | 4 | |
| Sep 6, 2022 | - | $134,940 | -57% | 1,882 | $72 | $1,874,540 | 5 | |
| Sep 7, 2022 | - | $87,175 | -35% | 1,882 | $46 | $1,961,715 | 6 | |
| Sep 8, 2022 | - | $72,510 | -17% | 1,882 | $39 | $2,034,225 | 7 | |
| Sep 9, 2022 | - | $116,345 | +60% | -73% | 1,870 | $62 | $2,150,570 | 8 |
| Sep 10, 2022 | - | $165,525 | +42% | -73% | 1,870 | $89 | $2,316,095 | 9 |
| Sep 11, 2022 | - | $96,145 | -42% | -74% | 1,870 | $51 | $2,412,240 | 10 |
| Sep 12, 2022 | - | $38,960 | -59% | -88% | 1,870 | $21 | $2,451,200 | 11 |
| Sep 13, 2022 | - | $53,270 | +37% | -61% | 1,870 | $28 | $2,504,470 | 12 |
| Sep 14, 2022 | - | $36,670 | -31% | -58% | 1,870 | $20 | $2,541,140 | 13 |
| Sep 15, 2022 | - | $20,130 | -45% | -72% | 1,870 | $11 | $2,561,270 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2022 | - | $2,034,225 | 1,882 | $1,081 | $2,034,225 | 1 | |
| Sep 9, 2022 | - | $527,045 | -74% | 1,870 | $282 | $2,561,270 | 2 |
Leading
| Regina Hall | Trinitie Childs | |
| Sterling K. Brown | Pastor Lee-Curtis Childs |
Supporting
| Austin Crute | Khalil | |
| Nicole Beharie | Shakura Sumpter | |
| Devere Rogers | Basil | |
| Conphidance | Keon Sumpter | |
| Robert Yatta | Deacon Alastor Culpepper | |
| Greta M. Glenn | Deaconess Culpepper |
Production and Technical Credits
| Adamma Ebo | Director | |
| Adamma Ebo | Screenwriter | |
| Rowan Riley | Producer | |
| Daniel Kaluuya | Producer | |
| Amandla Crichlow | Producer | |
| Matthew Cooper | Producer | |
| Adanne Ebo | Producer | |
| Regina Hall | Producer | |
| Sterling K. Brown | Producer | |
| Kara Durrett | Producer | |
| Jordan Peele | Executive Producer | |
| Win Rosenfeld | Executive Producer | |
| Dana Gills | Executive Producer | |
| Carolina Groppa | Executive Producer | |
| Will Greenfield | Executive Producer | |
| Lucy Keith | Executive Producer | |
| Alan Gwizdowski | Director of Photography | |
| John Collins | Production Designer | |
| Ali Greer | Editor | |
| Stacy Moon | Editor | |
| Lorraine Coppin | Costume Designer | |
| Marcus Norris | Composer | |
| Shannon Reis | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
As the proud first lady of a Southern Baptist megachurch, Trinitie Childs carries immense responsibility on her shoulders. Her church, Wander To Greater Paths, once served a congregation in the tens of thousands, but after a scandal involving her husband, Pastor Lee-Curtis Childs, forced the church to close temporarily, Trinitie is struggling to manage the aftermath. Now Trinitie and Lee-Curtis must rebuild their congregation and reconcile their faith by all means necessary to make the biggest comeback that commodified religion has ever seen.
Metrics
| Opening Weekend: | $1,422,615 (55.5% of total gross) |
| Legs: | 1.80 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,882 opening theaters/1,882 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,909,103 |
Movie Details
| Domestic Releases: | September 2nd, 2022 (Wide) by Focus Features |
| Video Release: | September 2nd, 2022 by Universal Home Entertainment |
| MPA Rating: | R for language and some sexual content. (Rating bulletin 2742 (cert #53749), 7/27/2022) |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Director Remaking Their Own Movie, Remake |
| Film festival: | Sundance Film Festival 2022 |
| Plot point: | Christians, Religious, Satire, Scandal |
| Subgenre: | Satirical Comedy |
| Source: | Based on Short Film |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Focus Features, Monkeypaw Pictures, Pinky Promise, 59%, Ejime Productions, Rh Negative Entertainment, Indian Meadows Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2022 | - | $1,422,615 | 1,882 | $756 | $1,422,615 | 1 | |
| Sep 9, 2022 | - | $378,015 | -73% | 1,870 | $202 | $2,412,240 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 2, 2022 | - | $430,605 | 1,882 | $229 | $430,605 | 1 | ||
| Sep 3, 2022 | - | $616,170 | +43% | 1,882 | $327 | $1,046,775 | 2 | |
| Sep 4, 2022 | - | $375,840 | -39% | 1,882 | $200 | $1,422,615 | 3 | |
| Sep 5, 2022 | - | $316,985 | -16% | 1,882 | $168 | $1,739,600 | 4 | |
| Sep 6, 2022 | - | $134,940 | -57% | 1,882 | $72 | $1,874,540 | 5 | |
| Sep 7, 2022 | - | $87,175 | -35% | 1,882 | $46 | $1,961,715 | 6 | |
| Sep 8, 2022 | - | $72,510 | -17% | 1,882 | $39 | $2,034,225 | 7 | |
| Sep 9, 2022 | - | $116,345 | +60% | -73% | 1,870 | $62 | $2,150,570 | 8 |
| Sep 10, 2022 | - | $165,525 | +42% | -73% | 1,870 | $89 | $2,316,095 | 9 |
| Sep 11, 2022 | - | $96,145 | -42% | -74% | 1,870 | $51 | $2,412,240 | 10 |
| Sep 12, 2022 | - | $38,960 | -59% | -88% | 1,870 | $21 | $2,451,200 | 11 |
| Sep 13, 2022 | - | $53,270 | +37% | -61% | 1,870 | $28 | $2,504,470 | 12 |
| Sep 14, 2022 | - | $36,670 | -31% | -58% | 1,870 | $20 | $2,541,140 | 13 |
| Sep 15, 2022 | - | $20,130 | -45% | -72% | 1,870 | $11 | $2,561,270 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2022 | - | $2,034,225 | 1,882 | $1,081 | $2,034,225 | 1 | |
| Sep 9, 2022 | - | $527,045 | -74% | 1,870 | $282 | $2,561,270 | 2 |
Leading
| Regina Hall | Trinitie Childs | |
| Sterling K. Brown | Pastor Lee-Curtis Childs |
Supporting
| Austin Crute | Khalil | |
| Nicole Beharie | Shakura Sumpter | |
| Devere Rogers | Basil | |
| Conphidance | Keon Sumpter | |
| Robert Yatta | Deacon Alastor Culpepper | |
| Greta M. Glenn | Deaconess Culpepper |
Production and Technical Credits
| Adamma Ebo | Director | |
| Adamma Ebo | Screenwriter | |
| Rowan Riley | Producer | |
| Daniel Kaluuya | Producer | |
| Amandla Crichlow | Producer | |
| Matthew Cooper | Producer | |
| Adanne Ebo | Producer | |
| Regina Hall | Producer | |
| Sterling K. Brown | Producer | |
| Kara Durrett | Producer | |
| Jordan Peele | Executive Producer | |
| Win Rosenfeld | Executive Producer | |
| Dana Gills | Executive Producer | |
| Carolina Groppa | Executive Producer | |
| Will Greenfield | Executive Producer | |
| Lucy Keith | Executive Producer | |
| Alan Gwizdowski | Director of Photography | |
| John Collins | Production Designer | |
| Ali Greer | Editor | |
| Stacy Moon | Editor | |
| Lorraine Coppin | Costume Designer | |
| Marcus Norris | Composer | |
| Shannon Reis | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.