Hook (1991)
| Theatrical Performance | ||
| Domestic Box Office | $119,654,823 | Details |
| International Box Office | $181,200,000 | Details |
| Worldwide Box Office | $300,854,823 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $5,297,364 | |
| Total | $5,297,364 | |
| OpusData ID: 3070100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $13,522,535 (11.3% of total gross) |
| Legs: | 7.86 (domestic box office/biggest weekend) |
| Domestic Share: | 39.8% (domestic box office/worldwide) |
| Production Budget: | $70,000,000 (worldwide box office is 4.3 times production budget) |
| Theater counts: | 2,197 opening theaters/2,254 max. theaters, 8.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $322,529,815 |
Movie Details
| Domestic Releases: | December 11th, 1991 (Wide) by Sony Pictures |
| International Releases: | March 26th, 1992 (Wide) (Australia)
April 18th, 2026 (Limited) (New Zealand) April 18th, 2026 (Wide) (New Zealand) |
| Video Release: | March 21st, 2000 by Sony Pictures Home Entertainment |
| MPA Rating: | PG |
| Running Time: | 135 minutes |
| Franchise: | Peter Pan |
| Cast, crew, or production detail: | Legacy Sequel, Live Action Remake, Visual Effects |
| Plot point: | Dysfunctional Family, Fairies, Faulty Memory, Pirates |
| Subgenre: | Family Adventure |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Tri-Star Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 1991 | 1 | $13,522,535 | 2,197 | $6,155 | $17,059,705 | 1 | |
| Dec 20, 1991 | 1 | $9,638,615 | -29% | 2,224 | $4,334 | $30,729,815 | 2 |
| Dec 27, 1991 | 1 | $15,218,400 | +58% | 2,238 | $6,800 | $57,312,855 | 3 |
| Jan 3, 1992 | 1 | $11,472,860 | -25% | 2,254 | $5,090 | $82,068,245 | 4 |
| Jan 10, 1992 | 2 | $6,423,900 | -44% | 2,254 | $2,850 | $90,746,145 | 5 |
| Jan 17, 1992 | 3 | $6,854,100 | +7% | 2,077 | $3,300 | $98,907,565 | 6 |
| Jan 24, 1992 | 5 | $3,524,010 | -49% | 2,037 | $1,730 | $103,185,526 | 7 |
| Jan 31, 1992 | 7 | $3,231,360 | -8% | 1,836 | $1,760 | $107,260,204 | 8 |
| Feb 7, 1992 | 10 | $2,101,370 | -35% | 1,598 | $1,315 | $109,921,554 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 1991 | 1 | $17,554,030 | 2,197 | $7,990 | $21,091,200 | 2 | |
| Dec 20, 1991 | 1 | $21,003,255 | +20% | 2,224 | $9,444 | $42,094,455 | 3 |
| Dec 27, 1991 | 1 | $28,500,930 | +36% | 2,238 | $12,735 | $70,595,385 | 4 |
| Jan 3, 1992 | 1 | $13,726,860 | -52% | 2,254 | $6,090 | $84,322,245 | 5 |
| Jan 10, 1992 | 3 | $7,731,220 | -44% | 2,254 | $3,430 | $92,053,465 | 6 |
| Jan 17, 1992 | 4 | $7,608,051 | -2% | 2,077 | $3,663 | $99,661,516 | 7 |
| Jan 24, 1992 | 7 | $4,367,328 | -43% | 2,037 | $2,144 | $104,028,844 | 8 |
| Jan 31, 1992 | 8 | $3,791,340 | -13% | 1,836 | $2,065 | $107,820,184 | 9 |
| Feb 7, 1992 | 9 | $2,529,634 | -33% | 1,598 | $1,583 | $110,349,818 | 10 |
| Feb 14, 1992 | 8 | $2,393,792 | -5% | 1,324 | $1,808 | $112,743,610 | 11 |
| Feb 21, 1992 | 8 | $1,129,308 | -53% | 953 | $1,185 | $113,872,918 | 12 |
| Feb 28, 1992 | 8 | $809,594 | -28% | 719 | $1,126 | $114,682,512 | 13 |
| Mar 6, 1992 | 10 | $470,232 | -42% | 504 | $933 | $115,152,744 | 14 |
| Mar 13, 1992 | 10 | $452,900 | -4% | 426 | $1,063 | $115,605,644 | 15 |
| Mar 20, 1992 | 8 | $399,894 | -12% | 438 | $913 | $116,005,538 | 16 |
| Mar 27, 1992 | 10 | $447,792 | +12% | 456 | $982 | $116,453,330 | 17 |
| Apr 3, 1992 | 11 | $390,504 | -13% | 424 | $921 | $116,843,834 | 18 |
| Apr 10, 1992 | 11 | $544,336 | +39% | 538 | $1,012 | $117,388,170 | 19 |
| Apr 17, 1992 | 12 | $644,808 | +18% | 536 | $1,203 | $118,032,978 | 20 |
| Apr 24, 1992 | 10 | $363,252 | -44% | 414 | $877 | $118,396,230 | 21 |
| May 1, 1992 | 11 | $230,427 | -37% | 322 | $716 | $118,626,657 | 22 |
| May 8, 1992 | 8 | $146,674 | -36% | 226 | $649 | $118,773,331 | 23 |
| May 15, 1992 | 8 | $131,099 | -11% | 171 | $767 | $118,904,430 | 24 |
| May 22, 1992 | 11 | $77,731 | -41% | 100 | $777 | $118,982,161 | 25 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 4/18/2026 | $450 | 1 | 1 | 0 | $450 | 4/20/2026 | |||
| Rest of World | $181,199,550 | |||||||||
| International Total | $181,200,000 | 4/20/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Dustin Hoffman | Captain James S. Hook | |
| Robin Williams | Peter Banning | |
| Julia Roberts | Tinkerbell | |
| Bob Hoskins | Smee |
Supporting
| Don S. Davis | Dr. Fields |
Cameo
| Phil Collins | Inspector Good | |
| George Lucas | Man kissing on bridge |
Supporting
| Maggie Smith | Middle Aged Wendy | |
| Glenn Close | Gutless |
Cameo
| Carrie Fisher | Woman Kissing on Bridge |
Supporting
| Gwyneth Paltrow | Young Wendy | |
| Caroline Goodall | Moira Banning |
Production and Technical Credits
| Steven Spielberg | Director | |
| John Williams | Composer | |
| Jim V. Hart | Story Creator | |
| J.M. Barrie | Based on a play and books | |
| Nick Castle | Story Creator | |
| Malia Scotch Marmo | Screenwriter | |
| Jim V. Hart | Screenwriter | |
| Gerald R. Molen | Producer | |
| Kathleen Kennedy | Producer | |
| Frank Marshall | Producer | |
| Dodi Fayed | Executive Producer | |
| Jim V. Hart | Executive Producer | |
| Michael Kahn | Editor | |
| Norman Garwood | Production Designer | |
| Dean Cundey | Director of Photography | |
| Gary Adelson | Co-Producer | |
| Craig Baumgarten | Co-Producer | |
| Bruce Cohen | Assistant Director | |
| Gerald R. Molen | Unit Production Manager | |
| Andrew Precht | Art Director | |
| Thomas E. Sanders | Art Director | |
| Harley Jessup | Art Director | |
| Garrett Lewis | Set Decorator | |
| John Napier | Set Decorator | |
| Eric Brevig | Visual Effects Supervisor | |
| Anthony Powell | Costume Designer | |
| Ron Judkins | Sound Mixer | |
| Hank Garfield | Sound Mixer | |
| Joseph Geisinger III | Sound Mixer | |
| Andy Nelson | Re-recording Mixer | |
| Steve Pederson | Re-recording Mixer | |
| Shawn Murphy | Re-recording Mixer | |
| Charles L. Campbell | Supervising Sound Editor | |
| Rick Franklin | Supervising Sound Editor | |
| Christina Smith | Makeup Supervisor | |
| Judith A. Cory | Hairstylist Supervisor | |
| Greg Cannom | Special Make-up Effects | |
| Janet Hirshenson | Casting | |
| Jane Jenkins | Casting | |
| Michael Hirshenson | Casting | |
| Gary Hymes | Stunt Coordinator | |
| Tim Chau | Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $13,522,535 (11.3% of total gross) |
| Legs: | 7.86 (domestic box office/biggest weekend) |
| Domestic Share: | 39.8% (domestic box office/worldwide) |
| Production Budget: | $70,000,000 (worldwide box office is 4.3 times production budget) |
| Theater counts: | 2,197 opening theaters/2,254 max. theaters, 8.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $322,529,815 |
Movie Details
| Domestic Releases: | December 11th, 1991 (Wide) by Sony Pictures |
| International Releases: | March 26th, 1992 (Wide) (Australia)
April 18th, 2026 (Limited) (New Zealand) April 18th, 2026 (Wide) (New Zealand) |
| Video Release: | March 21st, 2000 by Sony Pictures Home Entertainment |
| MPA Rating: | PG |
| Running Time: | 135 minutes |
| Franchise: | Peter Pan |
| Cast, crew, or production detail: | Legacy Sequel, Live Action Remake, Visual Effects |
| Plot point: | Dysfunctional Family, Fairies, Faulty Memory, Pirates |
| Subgenre: | Family Adventure |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Tri-Star Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 1991 | 1 | $13,522,535 | 2,197 | $6,155 | $17,059,705 | 1 | |
| Dec 20, 1991 | 1 | $9,638,615 | -29% | 2,224 | $4,334 | $30,729,815 | 2 |
| Dec 27, 1991 | 1 | $15,218,400 | +58% | 2,238 | $6,800 | $57,312,855 | 3 |
| Jan 3, 1992 | 1 | $11,472,860 | -25% | 2,254 | $5,090 | $82,068,245 | 4 |
| Jan 10, 1992 | 2 | $6,423,900 | -44% | 2,254 | $2,850 | $90,746,145 | 5 |
| Jan 17, 1992 | 3 | $6,854,100 | +7% | 2,077 | $3,300 | $98,907,565 | 6 |
| Jan 24, 1992 | 5 | $3,524,010 | -49% | 2,037 | $1,730 | $103,185,526 | 7 |
| Jan 31, 1992 | 7 | $3,231,360 | -8% | 1,836 | $1,760 | $107,260,204 | 8 |
| Feb 7, 1992 | 10 | $2,101,370 | -35% | 1,598 | $1,315 | $109,921,554 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 13, 1991 | 1 | $17,554,030 | 2,197 | $7,990 | $21,091,200 | 2 | |
| Dec 20, 1991 | 1 | $21,003,255 | +20% | 2,224 | $9,444 | $42,094,455 | 3 |
| Dec 27, 1991 | 1 | $28,500,930 | +36% | 2,238 | $12,735 | $70,595,385 | 4 |
| Jan 3, 1992 | 1 | $13,726,860 | -52% | 2,254 | $6,090 | $84,322,245 | 5 |
| Jan 10, 1992 | 3 | $7,731,220 | -44% | 2,254 | $3,430 | $92,053,465 | 6 |
| Jan 17, 1992 | 4 | $7,608,051 | -2% | 2,077 | $3,663 | $99,661,516 | 7 |
| Jan 24, 1992 | 7 | $4,367,328 | -43% | 2,037 | $2,144 | $104,028,844 | 8 |
| Jan 31, 1992 | 8 | $3,791,340 | -13% | 1,836 | $2,065 | $107,820,184 | 9 |
| Feb 7, 1992 | 9 | $2,529,634 | -33% | 1,598 | $1,583 | $110,349,818 | 10 |
| Feb 14, 1992 | 8 | $2,393,792 | -5% | 1,324 | $1,808 | $112,743,610 | 11 |
| Feb 21, 1992 | 8 | $1,129,308 | -53% | 953 | $1,185 | $113,872,918 | 12 |
| Feb 28, 1992 | 8 | $809,594 | -28% | 719 | $1,126 | $114,682,512 | 13 |
| Mar 6, 1992 | 10 | $470,232 | -42% | 504 | $933 | $115,152,744 | 14 |
| Mar 13, 1992 | 10 | $452,900 | -4% | 426 | $1,063 | $115,605,644 | 15 |
| Mar 20, 1992 | 8 | $399,894 | -12% | 438 | $913 | $116,005,538 | 16 |
| Mar 27, 1992 | 10 | $447,792 | +12% | 456 | $982 | $116,453,330 | 17 |
| Apr 3, 1992 | 11 | $390,504 | -13% | 424 | $921 | $116,843,834 | 18 |
| Apr 10, 1992 | 11 | $544,336 | +39% | 538 | $1,012 | $117,388,170 | 19 |
| Apr 17, 1992 | 12 | $644,808 | +18% | 536 | $1,203 | $118,032,978 | 20 |
| Apr 24, 1992 | 10 | $363,252 | -44% | 414 | $877 | $118,396,230 | 21 |
| May 1, 1992 | 11 | $230,427 | -37% | 322 | $716 | $118,626,657 | 22 |
| May 8, 1992 | 8 | $146,674 | -36% | 226 | $649 | $118,773,331 | 23 |
| May 15, 1992 | 8 | $131,099 | -11% | 171 | $767 | $118,904,430 | 24 |
| May 22, 1992 | 11 | $77,731 | -41% | 100 | $777 | $118,982,161 | 25 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 4/18/2026 | $450 | 1 | 1 | 0 | $450 | 4/20/2026 | |||
| Rest of World | $181,199,550 | |||||||||
| International Total | $181,200,000 | 4/20/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Dustin Hoffman | Captain James S. Hook | |
| Robin Williams | Peter Banning | |
| Julia Roberts | Tinkerbell | |
| Bob Hoskins | Smee |
Supporting
| Don S. Davis | Dr. Fields |
Cameo
| Phil Collins | Inspector Good | |
| George Lucas | Man kissing on bridge |
Supporting
| Maggie Smith | Middle Aged Wendy | |
| Glenn Close | Gutless |
Cameo
| Carrie Fisher | Woman Kissing on Bridge |
Supporting
| Gwyneth Paltrow | Young Wendy | |
| Caroline Goodall | Moira Banning |
Production and Technical Credits
| Steven Spielberg | Director | |
| John Williams | Composer | |
| Jim V. Hart | Story Creator | |
| J.M. Barrie | Based on a play and books | |
| Nick Castle | Story Creator | |
| Malia Scotch Marmo | Screenwriter | |
| Jim V. Hart | Screenwriter | |
| Gerald R. Molen | Producer | |
| Kathleen Kennedy | Producer | |
| Frank Marshall | Producer | |
| Dodi Fayed | Executive Producer | |
| Jim V. Hart | Executive Producer | |
| Michael Kahn | Editor | |
| Norman Garwood | Production Designer | |
| Dean Cundey | Director of Photography | |
| Gary Adelson | Co-Producer | |
| Craig Baumgarten | Co-Producer | |
| Bruce Cohen | Assistant Director | |
| Gerald R. Molen | Unit Production Manager | |
| Andrew Precht | Art Director | |
| Thomas E. Sanders | Art Director | |
| Harley Jessup | Art Director | |
| Garrett Lewis | Set Decorator | |
| John Napier | Set Decorator | |
| Eric Brevig | Visual Effects Supervisor | |
| Anthony Powell | Costume Designer | |
| Ron Judkins | Sound Mixer | |
| Hank Garfield | Sound Mixer | |
| Joseph Geisinger III | Sound Mixer | |
| Andy Nelson | Re-recording Mixer | |
| Steve Pederson | Re-recording Mixer | |
| Shawn Murphy | Re-recording Mixer | |
| Charles L. Campbell | Supervising Sound Editor | |
| Rick Franklin | Supervising Sound Editor | |
| Christina Smith | Makeup Supervisor | |
| Judith A. Cory | Hairstylist Supervisor | |
| Greg Cannom | Special Make-up Effects | |
| Janet Hirshenson | Casting | |
| Jane Jenkins | Casting | |
| Michael Hirshenson | Casting | |
| Gary Hymes | Stunt Coordinator | |
| Tim Chau | Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.