Hope (호프) (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $8,023,407 | Details |
| International Box Office | $38,224,808 | Details |
| Worldwide Box Office | $46,248,215 | |
| OpusData ID: 610030100 More info... | ||
| Further financial details... | ||
Synopsis
In the remote South Korea village of Hope Harbor, police chief Bum-seok and officer Sung-ae are called to find a mysterious creature that has wreaked havoc on the village. In the nearby forest, a coterie of hunters, including Sung-ki set out to track the beast and find themselves hunted instead. But all is not as it seems, and perceptions can be misleading. What begins as ignorance plants the seed of disaster, escalating through human conflict into a tragedy of cosmic proportions.
Metrics
| Opening Weekend: | $3,228,335 (40.2% of total gross) |
| Legs: | 2.49 (domestic box office/biggest weekend) |
| Domestic Share: | 17.3% (domestic box office/worldwide) |
| Theater counts: | 1,560 opening theaters/1,560 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,023,407 |
Movie Details
| Domestic Releases: | September 9th, 2026 (Wide) by Neon, released as Hope |
| International Releases: | July 15th, 2026 (Wide) (South Korea)
September 4th, 2026 (Wide), released as Hope (希望：末日血戰) (Taiwan) September 10th, 2026 (Wide), released as Hope (Hong Kong) September 10th, 2026 (Limited), released as Hope (Australia) September 10th, 2026 (Limited), released as Hope (Надежда) (Russia (CIS)) ... Show all releases |
| MPA Rating: | R for strong bloody violent content and language throughout. (Rating bulletin 2952 (cert #56169), 9/2/2026) |
| Running Time: | 160 minutes |
| Film festival: | Cannes Film Festival 2026 |
| Geographical setting: | South Korea |
| Plot point: | Alien Encounters, Death of a Son or Daughter, Monster, Revenge, Surprise Twist |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Forged Films, Plus M Entertainment |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 11, 2026 | 9 | $3,228,335 | 1,560 | $2,069 | $4,925,135 | 1 | |
| Sep 18, 2026 | 14 | $1,000,224 | -69% | 1,400 | $714 | $7,290,322 | 2 |
| Sep 25, 2026 | - | $199,940 | -80% | 215 | $930 | $8,023,407 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 7, 2026 | P | $305,000 | 0 | $305,000 | ||||
| Sep 9, 2026 | 2 | $1,101,818 | 1,560 | $706 | $1,101,818 | 1 | ||
| Sep 10, 2026 | 4 | $594,982 | -46% | 1,560 | $381 | $1,696,800 | 2 | |
| Sep 11, 2026 | 8 | $975,770 | +64% | 1,560 | $625 | $2,672,570 | 3 | |
| Sep 12, 2026 | 8 | $1,317,290 | +35% | 1,560 | $844 | $3,989,860 | 4 | |
| Sep 13, 2026 | 7 | $935,276 | -29% | 1,560 | $600 | $4,925,136 | 5 | |
| Sep 14, 2026 | 7 | $348,720 | -63% | 1,560 | $224 | $5,273,855 | 6 | |
| Sep 15, 2026 | - | $505,644 | +45% | 1,560 | $324 | $5,779,499 | 7 | |
| Sep 16, 2026 | 7 | $333,725 | -34% | -70% | 1,560 | $214 | $6,113,224 | 8 |
| Sep 17, 2026 | 10 | $176,874 | -47% | -70% | 1,560 | $113 | $6,290,098 | 9 |
| Sep 18, 2026 | 14 | $275,924 | +56% | -72% | 1,400 | $197 | $6,566,022 | 10 |
| Sep 19, 2026 | 14 | $413,886 | +50% | -69% | 1,400 | $296 | $6,979,908 | 11 |
| Sep 20, 2026 | 14 | $310,414 | -25% | -67% | 1,400 | $222 | $7,290,322 | 12 |
| Sep 21, 2026 | - | $133,478 | -57% | -62% | 1,400 | $95 | $7,423,800 | 13 |
| Sep 22, 2026 | - | $193,543 | +45% | -62% | 1,400 | $138 | $7,617,343 | 14 |
| Sep 23, 2026 | - | $145,158 | -25% | -57% | 1,400 | $104 | $7,762,501 | 15 |
| Sep 24, 2026 | - | $60,966 | -58% | -66% | 1,400 | $44 | $7,823,467 | 16 |
| Sep 25, 2026 | - | $50,957 | -16% | -82% | 215 | $237 | $7,874,424 | 17 |
| Sep 26, 2026 | - | $86,117 | +69% | -79% | 215 | $401 | $7,960,541 | 18 |
| Sep 27, 2026 | - | $62,866 | -27% | -80% | 215 | $292 | $8,023,407 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 4, 2026 | 15 | $1,696,800 | 1,560 | $1,088 | $1,696,800 | 1 | |
| Sep 11, 2026 | 8 | $4,593,298 | +171% | 1,560 | $2,944 | $6,290,098 | 2 |
| Sep 18, 2026 | 13 | $1,533,369 | -67% | 1,400 | $1,095 | $7,823,467 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/10/2026 | $241,050 | 81 | 81 | 0 | $578,318 | 9/29/2026 | |||
| Bulgaria | 9/18/2026 | $3,159 | 29 | 29 | 0 | $3,159 | 9/23/2026 | |||
| Czech Republic | 9/10/2026 | $26,679 | 91 | 91 | 136 | $44,750 | 9/22/2026 | |||
| Hong Kong | 9/10/2026 | $0 | 0 | 0 | 0 | $281,890 | 9/25/2026 | |||
| Hungary | 9/10/2026 | $20,490 | 0 | 0 | 0 | $32,110 | 9/23/2026 | |||
| New Zealand | 9/17/2026 | $22,958 | 38 | 38 | 0 | $62,422 | 9/21/2026 | |||
| Portugal | 9/10/2026 | $14,459 | 20 | 20 | 0 | $30,249 | 9/30/2026 | |||
| Russia (CIS) | 9/10/2026 | $293,481 | 809 | 809 | 1,342 | $524,086 | 9/23/2026 | |||
| South Korea | 7/15/2026 | $11,394,901 | 2,386 | 2,386 | 0 | $36,224,800 | 9/29/2026 | |||
| Taiwan | 9/4/2026 | $376,421 | 0 | 92 | 92 | $703,887 | 9/14/2026 | |||
| International Total | $38,224,808 | 9/30/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Hwang Jung-min | Bum-seok | |
| Zo In-Sung | Sung-ki | |
| Hoyeon | Sung-ae |
Supporting
| Taylor Russell | Ai’dovor | |
| Cameron Britton | Va’migere | |
| Alicia Vikander | J’aur | |
| Michael Fassbender | Ma’veyyo | |
| Eum Moon-suk | Yang-bae | |
| Lee Sang-hee | Ahn Nak-yeon | |
| Kim Hyun-Suk | Mr. Hae-sul |
Production and Technical Credits
| Na Hong-jin | Director | |
| Na Hong-jin | Screenwriter | |
| Na Hong-jin | Producer | |
| Saemi Kim | Producer | |
| Saerom Kim | Producer | |
| Hong Jeongin | Executive Producer | |
| Hong Kyung Pyo | Cinematographer | |
| Kim Sun-min | Editor | |
| Michael Abels | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In the remote South Korea village of Hope Harbor, police chief Bum-seok and officer Sung-ae are called to find a mysterious creature that has wreaked havoc on the village. In the nearby forest, a coterie of hunters, including Sung-ki set out to track the beast and find themselves hunted instead. But all is not as it seems, and perceptions can be misleading. What begins as ignorance plants the seed of disaster, escalating through human conflict into a tragedy of cosmic proportions.
Metrics
| Opening Weekend: | $3,228,335 (40.2% of total gross) |
| Legs: | 2.49 (domestic box office/biggest weekend) |
| Domestic Share: | 17.3% (domestic box office/worldwide) |
| Theater counts: | 1,560 opening theaters/1,560 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,023,407 |
Movie Details
| Domestic Releases: | September 9th, 2026 (Wide) by Neon, released as Hope |
| International Releases: | July 15th, 2026 (Wide) (South Korea)
September 4th, 2026 (Wide), released as Hope (希望：末日血戰) (Taiwan) September 10th, 2026 (Wide), released as Hope (Hong Kong) September 10th, 2026 (Limited), released as Hope (Australia) September 10th, 2026 (Limited), released as Hope (Надежда) (Russia (CIS)) ... Show all releases |
| MPA Rating: | R for strong bloody violent content and language throughout. (Rating bulletin 2952 (cert #56169), 9/2/2026) |
| Running Time: | 160 minutes |
| Film festival: | Cannes Film Festival 2026 |
| Geographical setting: | South Korea |
| Plot point: | Alien Encounters, Death of a Son or Daughter, Monster, Revenge, Surprise Twist |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Forged Films, Plus M Entertainment |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 11, 2026 | 9 | $3,228,335 | 1,560 | $2,069 | $4,925,135 | 1 | |
| Sep 18, 2026 | 14 | $1,000,224 | -69% | 1,400 | $714 | $7,290,322 | 2 |
| Sep 25, 2026 | - | $199,940 | -80% | 215 | $930 | $8,023,407 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 7, 2026 | P | $305,000 | 0 | $305,000 | ||||
| Sep 9, 2026 | 2 | $1,101,818 | 1,560 | $706 | $1,101,818 | 1 | ||
| Sep 10, 2026 | 4 | $594,982 | -46% | 1,560 | $381 | $1,696,800 | 2 | |
| Sep 11, 2026 | 8 | $975,770 | +64% | 1,560 | $625 | $2,672,570 | 3 | |
| Sep 12, 2026 | 8 | $1,317,290 | +35% | 1,560 | $844 | $3,989,860 | 4 | |
| Sep 13, 2026 | 7 | $935,276 | -29% | 1,560 | $600 | $4,925,136 | 5 | |
| Sep 14, 2026 | 7 | $348,720 | -63% | 1,560 | $224 | $5,273,855 | 6 | |
| Sep 15, 2026 | - | $505,644 | +45% | 1,560 | $324 | $5,779,499 | 7 | |
| Sep 16, 2026 | 7 | $333,725 | -34% | -70% | 1,560 | $214 | $6,113,224 | 8 |
| Sep 17, 2026 | 10 | $176,874 | -47% | -70% | 1,560 | $113 | $6,290,098 | 9 |
| Sep 18, 2026 | 14 | $275,924 | +56% | -72% | 1,400 | $197 | $6,566,022 | 10 |
| Sep 19, 2026 | 14 | $413,886 | +50% | -69% | 1,400 | $296 | $6,979,908 | 11 |
| Sep 20, 2026 | 14 | $310,414 | -25% | -67% | 1,400 | $222 | $7,290,322 | 12 |
| Sep 21, 2026 | - | $133,478 | -57% | -62% | 1,400 | $95 | $7,423,800 | 13 |
| Sep 22, 2026 | - | $193,543 | +45% | -62% | 1,400 | $138 | $7,617,343 | 14 |
| Sep 23, 2026 | - | $145,158 | -25% | -57% | 1,400 | $104 | $7,762,501 | 15 |
| Sep 24, 2026 | - | $60,966 | -58% | -66% | 1,400 | $44 | $7,823,467 | 16 |
| Sep 25, 2026 | - | $50,957 | -16% | -82% | 215 | $237 | $7,874,424 | 17 |
| Sep 26, 2026 | - | $86,117 | +69% | -79% | 215 | $401 | $7,960,541 | 18 |
| Sep 27, 2026 | - | $62,866 | -27% | -80% | 215 | $292 | $8,023,407 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 4, 2026 | 15 | $1,696,800 | 1,560 | $1,088 | $1,696,800 | 1 | |
| Sep 11, 2026 | 8 | $4,593,298 | +171% | 1,560 | $2,944 | $6,290,098 | 2 |
| Sep 18, 2026 | 13 | $1,533,369 | -67% | 1,400 | $1,095 | $7,823,467 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/10/2026 | $241,050 | 81 | 81 | 0 | $578,318 | 9/29/2026 | |||
| Bulgaria | 9/18/2026 | $3,159 | 29 | 29 | 0 | $3,159 | 9/23/2026 | |||
| Czech Republic | 9/10/2026 | $26,679 | 91 | 91 | 136 | $44,750 | 9/22/2026 | |||
| Hong Kong | 9/10/2026 | $0 | 0 | 0 | 0 | $281,890 | 9/25/2026 | |||
| Hungary | 9/10/2026 | $20,490 | 0 | 0 | 0 | $32,110 | 9/23/2026 | |||
| New Zealand | 9/17/2026 | $22,958 | 38 | 38 | 0 | $62,422 | 9/21/2026 | |||
| Portugal | 9/10/2026 | $14,459 | 20 | 20 | 0 | $30,249 | 9/30/2026 | |||
| Russia (CIS) | 9/10/2026 | $293,481 | 809 | 809 | 1,342 | $524,086 | 9/23/2026 | |||
| South Korea | 7/15/2026 | $11,394,901 | 2,386 | 2,386 | 0 | $36,224,800 | 9/29/2026 | |||
| Taiwan | 9/4/2026 | $376,421 | 0 | 92 | 92 | $703,887 | 9/14/2026 | |||
| International Total | $38,224,808 | 9/30/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Hwang Jung-min | Bum-seok | |
| Zo In-Sung | Sung-ki | |
| Hoyeon | Sung-ae |
Supporting
| Taylor Russell | Ai’dovor | |
| Cameron Britton | Va’migere | |
| Alicia Vikander | J’aur | |
| Michael Fassbender | Ma’veyyo | |
| Eum Moon-suk | Yang-bae | |
| Lee Sang-hee | Ahn Nak-yeon | |
| Kim Hyun-Suk | Mr. Hae-sul |
Production and Technical Credits
| Na Hong-jin | Director | |
| Na Hong-jin | Screenwriter | |
| Na Hong-jin | Producer | |
| Saemi Kim | Producer | |
| Saerom Kim | Producer | |
| Hong Jeongin | Executive Producer | |
| Hong Kyung Pyo | Cinematographer | |
| Kim Sun-min | Editor | |
| Michael Abels | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.