Hope Gap (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $104,732 | Details |
| International Box Office | $1,293,333 | Details |
| Worldwide Box Office | $1,398,065 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $12,649 | |
| Blu-ray Sales (estimated) | $2,515 | |
| Total | $15,164 | |
| OpusData ID: 410360100 More info... | ||
| Further financial details... | ||
Synopsis
Grace and Edward, married for 29 years, live in a small seaside town near a cove under the cliffs called Hope Gap. When their son Jamie comes to visit for the weekend, Edward informs him that he plans to leave Grace,that same day. HOPE GAP tracks the unravelling of three lives, through stages of shock, disbelief and anger, to a resolution of sorts. There are no villains; only good people who’ve lived too long with old mistakes and are now paying the price.There are no easy answers, and no simple paths to redemption. A husband, a wife,a son are forced to face hard truths, and out of those truths to fashion new lives.
Metrics
| Opening Weekend: | $30,978 (29.6% of total gross) |
| Legs: | 1.86 (domestic box office/biggest weekend) |
| Domestic Share: | 7.5% (domestic box office/worldwide) |
| Theater counts: | 18 opening theaters/132 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $136,452 |
Movie Details
| Domestic Releases: | March 6th, 2020 (Limited) by Roadside Attractions |
| International Releases: | October 3rd, 2019 (Wide) (Italy)
November 29th, 2019 (Wide) (Australia) June 5th, 2020 (Wide) (Poland) August 14th, 2020 (Wide) (Netherlands) August 28th, 2020 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | July 7th, 2020 by Screen Media Video |
| MPA Rating: | PG-13 for some thematic elements and brief strong language. (Rating bulletin 2605 (Cert #52481), 11/20/2019) |
| Running Time: | 101 minutes |
| Plot point: | Messy Divorce, Teachers |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Origin Pictures Productions, Screen Yorkshire, Sampsonic Media, Lipsync Productions, Roadside Attractions, Screen Media Films, Creative Media Investments |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2020 | 41 | $30,978 | 18 | $1,721 | $30,978 | 1 | |
| Mar 13, 2020 | 24 | $56,356 | +82% | 132 | $427 | $100,044 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 6, 2020 | - | $11,741 | 18 | $652 | $11,741 | 1 | ||
| Mar 7, 2020 | - | $11,950 | +2% | 18 | $664 | $23,691 | 2 | |
| Mar 8, 2020 | - | $7,287 | -39% | 18 | $405 | $30,978 | 3 | |
| Mar 9, 2020 | - | $3,105 | -57% | 18 | $173 | $34,083 | 4 | |
| Mar 10, 2020 | - | $3,460 | +11% | 18 | $192 | $37,543 | 5 | |
| Mar 11, 2020 | - | $3,718 | +7% | 18 | $207 | $41,261 | 6 | |
| Mar 12, 2020 | - | $2,427 | -35% | 18 | $135 | $43,688 | 7 | |
| Mar 13, 2020 | - | $19,029 | +684% | +62% | 132 | $144 | $62,717 | 8 |
| Mar 14, 2020 | - | $22,915 | +20% | +92% | 132 | $174 | $85,632 | 9 |
| Mar 15, 2020 | - | $14,412 | -37% | +98% | 132 | $109 | $100,044 | 10 |
| Mar 16, 2020 | - | $4,027 | -72% | +30% | 132 | $31 | $104,071 | 11 |
| Mar 17, 2020 | - | $542 | -87% | -84% | 132 | $4 | $104,613 | 12 |
| Mar 18, 2020 | - | $113 | -79% | -97% | 132 | $1 | $104,726 | 13 |
| Mar 19, 2020 | - | $6 | -95% | -100% | 132 | $0 | $104,732 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2020 | 42 | $43,688 | 18 | $2,427 | $43,688 | 1 | |
| Mar 13, 2020 | 21 | $61,044 | +40% | 132 | $462 | $104,732 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/29/2019 | $2,020 | 8 | 167 | 753 | $349,460 | 3/8/2021 | |||
| Netherlands | 8/14/2020 | $37,450 | 77 | 78 | 296 | $224,145 | 10/19/2022 | |||
| New Zealand | 9/24/2020 | $39,212 | 74 | 74 | 329 | $170,364 | 10/19/2022 | |||
| Poland | 6/5/2020 | $0 | 0 | 4 | 4 | $8,931 | 10/19/2022 | |||
| Portugal | 3/17/2022 | $5,881 | 21 | 21 | 38 | $14,271 | 4/5/2022 | |||
| South Korea | 2/24/2022 | $18,496 | 38 | 43 | 186 | $104,603 | 8/10/2022 | |||
| Spain | 10/23/2020 | $58,768 | 95 | 95 | 243 | $160,792 | 12/3/2020 | |||
| United Kingdom | 8/28/2020 | $97,077 | 38 | 64 | 230 | $260,767 | 12/16/2020 | |||
| International Total | $1,293,333 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Annette Bening | Grace | |
| Bill Nighy | Edward |
Supporting
| Josh O’Connor | Jamie | |
| Aiysha Hart | Jess | |
| Ryan McKen | Dev | |
| Sally Rogers | Angela | |
| Steven Pacey | Peter Widdecombe | |
| Nicholas Burns | Gary | |
| Joe Citro | Young Jamie | |
| Derren Litten | Friendline Man |
Production and Technical Credits
| William Nicholson | Director | |
| William Nicholson | Screenwriter | |
| David M. Thompson | Producer | |
| Sarada McDermott | Producer | |
| Joanie Blaikie | Co-Producer | |
| Hugo Heppell | Executive Producer | |
| Nicolas D. Sampson | Executive Producer | |
| Arno Hazebroek | Executive Producer | |
| Gavin Poolman | Executive Producer | |
| Alex Tate | Executive Producer | |
| Peter Gould | Executive Producer | |
| Christos Michaels | Executive Producer | |
| Norman Merry | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Anna Valdez Hanks | Director of Photography | |
| Pia Di Ciaula | Editor | |
| Simon Rogers | Production Designer | |
| Alex Heffes | Composer | |
| Gary Davy | Casting Director | |
| Suzanne Cave | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Grace and Edward, married for 29 years, live in a small seaside town near a cove under the cliffs called Hope Gap. When their son Jamie comes to visit for the weekend, Edward informs him that he plans to leave Grace,that same day. HOPE GAP tracks the unravelling of three lives, through stages of shock, disbelief and anger, to a resolution of sorts. There are no villains; only good people who’ve lived too long with old mistakes and are now paying the price.There are no easy answers, and no simple paths to redemption. A husband, a wife,a son are forced to face hard truths, and out of those truths to fashion new lives.
Metrics
| Opening Weekend: | $30,978 (29.6% of total gross) |
| Legs: | 1.86 (domestic box office/biggest weekend) |
| Domestic Share: | 7.5% (domestic box office/worldwide) |
| Theater counts: | 18 opening theaters/132 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $136,452 |
Movie Details
| Domestic Releases: | March 6th, 2020 (Limited) by Roadside Attractions |
| International Releases: | October 3rd, 2019 (Wide) (Italy)
November 29th, 2019 (Wide) (Australia) June 5th, 2020 (Wide) (Poland) August 14th, 2020 (Wide) (Netherlands) August 28th, 2020 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | July 7th, 2020 by Screen Media Video |
| MPA Rating: | PG-13 for some thematic elements and brief strong language. (Rating bulletin 2605 (Cert #52481), 11/20/2019) |
| Running Time: | 101 minutes |
| Plot point: | Messy Divorce, Teachers |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Origin Pictures Productions, Screen Yorkshire, Sampsonic Media, Lipsync Productions, Roadside Attractions, Screen Media Films, Creative Media Investments |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2020 | 41 | $30,978 | 18 | $1,721 | $30,978 | 1 | |
| Mar 13, 2020 | 24 | $56,356 | +82% | 132 | $427 | $100,044 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 6, 2020 | - | $11,741 | 18 | $652 | $11,741 | 1 | ||
| Mar 7, 2020 | - | $11,950 | +2% | 18 | $664 | $23,691 | 2 | |
| Mar 8, 2020 | - | $7,287 | -39% | 18 | $405 | $30,978 | 3 | |
| Mar 9, 2020 | - | $3,105 | -57% | 18 | $173 | $34,083 | 4 | |
| Mar 10, 2020 | - | $3,460 | +11% | 18 | $192 | $37,543 | 5 | |
| Mar 11, 2020 | - | $3,718 | +7% | 18 | $207 | $41,261 | 6 | |
| Mar 12, 2020 | - | $2,427 | -35% | 18 | $135 | $43,688 | 7 | |
| Mar 13, 2020 | - | $19,029 | +684% | +62% | 132 | $144 | $62,717 | 8 |
| Mar 14, 2020 | - | $22,915 | +20% | +92% | 132 | $174 | $85,632 | 9 |
| Mar 15, 2020 | - | $14,412 | -37% | +98% | 132 | $109 | $100,044 | 10 |
| Mar 16, 2020 | - | $4,027 | -72% | +30% | 132 | $31 | $104,071 | 11 |
| Mar 17, 2020 | - | $542 | -87% | -84% | 132 | $4 | $104,613 | 12 |
| Mar 18, 2020 | - | $113 | -79% | -97% | 132 | $1 | $104,726 | 13 |
| Mar 19, 2020 | - | $6 | -95% | -100% | 132 | $0 | $104,732 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2020 | 42 | $43,688 | 18 | $2,427 | $43,688 | 1 | |
| Mar 13, 2020 | 21 | $61,044 | +40% | 132 | $462 | $104,732 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/29/2019 | $2,020 | 8 | 167 | 753 | $349,460 | 3/8/2021 | |||
| Netherlands | 8/14/2020 | $37,450 | 77 | 78 | 296 | $224,145 | 10/19/2022 | |||
| New Zealand | 9/24/2020 | $39,212 | 74 | 74 | 329 | $170,364 | 10/19/2022 | |||
| Poland | 6/5/2020 | $0 | 0 | 4 | 4 | $8,931 | 10/19/2022 | |||
| Portugal | 3/17/2022 | $5,881 | 21 | 21 | 38 | $14,271 | 4/5/2022 | |||
| South Korea | 2/24/2022 | $18,496 | 38 | 43 | 186 | $104,603 | 8/10/2022 | |||
| Spain | 10/23/2020 | $58,768 | 95 | 95 | 243 | $160,792 | 12/3/2020 | |||
| United Kingdom | 8/28/2020 | $97,077 | 38 | 64 | 230 | $260,767 | 12/16/2020 | |||
| International Total | $1,293,333 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Annette Bening | Grace | |
| Bill Nighy | Edward |
Supporting
| Josh O’Connor | Jamie | |
| Aiysha Hart | Jess | |
| Ryan McKen | Dev | |
| Sally Rogers | Angela | |
| Steven Pacey | Peter Widdecombe | |
| Nicholas Burns | Gary | |
| Joe Citro | Young Jamie | |
| Derren Litten | Friendline Man |
Production and Technical Credits
| William Nicholson | Director | |
| William Nicholson | Screenwriter | |
| David M. Thompson | Producer | |
| Sarada McDermott | Producer | |
| Joanie Blaikie | Co-Producer | |
| Hugo Heppell | Executive Producer | |
| Nicolas D. Sampson | Executive Producer | |
| Arno Hazebroek | Executive Producer | |
| Gavin Poolman | Executive Producer | |
| Alex Tate | Executive Producer | |
| Peter Gould | Executive Producer | |
| Christos Michaels | Executive Producer | |
| Norman Merry | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Anna Valdez Hanks | Director of Photography | |
| Pia Di Ciaula | Editor | |
| Simon Rogers | Production Designer | |
| Alex Heffes | Composer | |
| Gary Davy | Casting Director | |
| Suzanne Cave | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.