Horsegirls (2026)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 801010100 More info... | ||
| Further financial details... | ||
Synopsis
Margarita, a young woman with autism, discovers the world of hobbyhorsing and sets out to prove her independence to her mother—stick horse and all.
Metrics
Movie Details
| Domestic Releases: | July 17th, 2026 (Limited) by Sumerian |
| MPA Rating: | PG-13 for some strong language. (Rating bulletin 2931 (cert #55972), 4/8/2026) |
| Running Time: | 103 minutes |
| Cast, crew, or production detail: | F-Rated, F-Rated, Triple |
| Plot point: | Autism, Medical and Hospitals |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sumerian Pictures, Bow & Arrow, Mad Dog Pictures |
| Production Countries: | United States |
| Languages: | English |
Leading
| Lillian Carrier | Margarita |
Supporting
| Gretchen Mol | Sandy | |
| Jerod Haynes | Coach | |
| Iqbal Theba | Hank | |
| Joel Austin | Mr. Mayhew | |
| Kovana Shine | Bernadette | |
| Mackenzie Breeden | Rayna | |
| Stephanie Leet | Lisa | |
| Brea Phan | Pinky | |
| Kenzie James | Sarah M |
Production and Technical Credits
| Lauren Meyering | Director | |
| Lauren Meyering | Screenwriter | |
| Lauren Meyering | Story by | |
| Mackenzie Breeden | Story Creator | |
| Michael Sherman | Producer | |
| Alix Madigan-Yorkin* | Producer | |
| Mackenzie Breeden | Producer | |
| Betsy Sherman* | Executive Producer | |
| Rachael Moton | Executive Producer | |
| Corie Adjmi | Executive Producer | |
| Blair Skinner | Co-Producer | |
| Natalie Kingston | Director of Photography | |
| Jennifer Klide | Production Designer | |
| Stephanie Filo | Editor | |
| Dan Romer | Composer | |
| Lisa Beach | Casting Director | |
| Sarah Katzman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Margarita, a young woman with autism, discovers the world of hobbyhorsing and sets out to prove her independence to her mother—stick horse and all.
Metrics
Movie Details
| Domestic Releases: | July 17th, 2026 (Limited) by Sumerian |
| MPA Rating: | PG-13 for some strong language. (Rating bulletin 2931 (cert #55972), 4/8/2026) |
| Running Time: | 103 minutes |
| Cast, crew, or production detail: | F-Rated, F-Rated, Triple |
| Plot point: | Autism, Medical and Hospitals |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sumerian Pictures, Bow & Arrow, Mad Dog Pictures |
| Production Countries: | United States |
| Languages: | English |
Leading
| Lillian Carrier | Margarita |
Supporting
| Gretchen Mol | Sandy | |
| Jerod Haynes | Coach | |
| Iqbal Theba | Hank | |
| Joel Austin | Mr. Mayhew | |
| Kovana Shine | Bernadette | |
| Mackenzie Breeden | Rayna | |
| Stephanie Leet | Lisa | |
| Brea Phan | Pinky | |
| Kenzie James | Sarah M |
Production and Technical Credits
| Lauren Meyering | Director | |
| Lauren Meyering | Screenwriter | |
| Lauren Meyering | Story by | |
| Mackenzie Breeden | Story Creator | |
| Michael Sherman | Producer | |
| Alix Madigan-Yorkin* | Producer | |
| Mackenzie Breeden | Producer | |
| Betsy Sherman* | Executive Producer | |
| Rachael Moton | Executive Producer | |
| Corie Adjmi | Executive Producer | |
| Blair Skinner | Co-Producer | |
| Natalie Kingston | Director of Photography | |
| Jennifer Klide | Production Designer | |
| Stephanie Filo | Editor | |
| Dan Romer | Composer | |
| Lisa Beach | Casting Director | |
| Sarah Katzman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.