Hot to Trot (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $3,133 | Details |
| OpusData ID: 358860100 More info... | ||
| Further financial details... | ||
Synopsis
A deep-dive look inside the fascinating but little-known world of same-sex competitive ballroom dance, HOT TO TROT follows a small international cast of four men and women, on and off the dance floor, over a four-year period. An immersive character study—and an idiosyncratic attack on bigotry.
Metrics
| Opening Weekend: | $3,133 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,114 |
Movie Details
| Domestic Releases: | August 24th, 2018 (Limited) by First Run Features |
| MPA Rating: | Not Rated |
| Running Time: | 88 minutes |
| Plot point: | Addiction, Bigotry, Dancing, Depression, Rehab / Former Addict |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Hot to Trot Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 24, 2018 | 74 | $3,133 | 1 | $3,133 | $3,133 | 1 |
Production and Technical Credits
| Gail Freedman | Director | |
| Gail Freedman | Producer | |
| Gail Freedman | Executive Producer | |
| Elizabeth Watson | Executive Producer | |
| Caroleen Feeney | Executive Producer | |
| Lauran Bromley | Executive Producer | |
| Myrna Bromley | Executive Producer | |
| Dina Potocki | Editor | |
| Joel Shapiro | Cinematographer | |
| Diana Wilmar | Cinematographer | |
| John Cummings | Cinematographer | |
| Vanessa Carr | Cinematographer | |
| Allyson Newman | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A deep-dive look inside the fascinating but little-known world of same-sex competitive ballroom dance, HOT TO TROT follows a small international cast of four men and women, on and off the dance floor, over a four-year period. An immersive character study—and an idiosyncratic attack on bigotry.
Metrics
| Opening Weekend: | $3,133 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,114 |
Movie Details
| Domestic Releases: | August 24th, 2018 (Limited) by First Run Features |
| MPA Rating: | Not Rated |
| Running Time: | 88 minutes |
| Plot point: | Addiction, Bigotry, Dancing, Depression, Rehab / Former Addict |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Hot to Trot Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 24, 2018 | 74 | $3,133 | 1 | $3,133 | $3,133 | 1 |
Production and Technical Credits
| Gail Freedman | Director | |
| Gail Freedman | Producer | |
| Gail Freedman | Executive Producer | |
| Elizabeth Watson | Executive Producer | |
| Caroleen Feeney | Executive Producer | |
| Lauran Bromley | Executive Producer | |
| Myrna Bromley | Executive Producer | |
| Dina Potocki | Editor | |
| Joel Shapiro | Cinematographer | |
| Diana Wilmar | Cinematographer | |
| John Cummings | Cinematographer | |
| Vanessa Carr | Cinematographer | |
| Allyson Newman | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.