The House That Jack Built (2018)

The House That Jack Built
Theatrical Performance
Domestic Box Office $259,017Details
International Box Office $2,395,079Details
Worldwide Box Office $2,654,096
Home Market Performance
Est. Domestic Blu-ray Sales $121,448 Details
Total Est. Domestic Video Sales $121,448
Further financial details...

Synopsis

USA in the 1970s. We follow the highly intelligent Jack through 5 incidents and are introduced to the murders that define Jack’s development as a serial killer. We experience the story from Jack’s point of view. He views each murder as an artwork in itself, even though his dysfunction gives him problems in the outside world. Despite the fact that the final and inevitable police intervention is drawing ever near (which both provokes and puts pressure on Jack) he is—contrary to all logic—set on taking greater and greater chances. The goal is the ultimate artwork: A collection of all his killings manifested in a House that he builds. Along the way we experience Jack’s descriptions of his personal condition, problems and thoughts through a recurring conversation with the unknown Verge – a grotesque mixture of sophistry mixed with an almost childlike self-pity and in-depth explanations of, for Jack, dangerous and difficult manoeuvres.

Metrics

Opening Weekend:$34,273 (13.2% of total gross)
Legs:7.56 (domestic box office/biggest weekend)
Domestic Share:9.8% (domestic box office/worldwide)
Theater counts:32 opening theaters/140 max. theaters, 0.5 weeks average run per theater
Infl. Adj. Dom. BO $306,357

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: December 14th, 2018 (Special Engagement) by IFC Films
International Releases: October 5th, 2018 (Wide), released as Jack staví dům (Czech Republic)
October 19th, 2018 (Wide) (France)
November 30th, 2018 (Wide), released as Namas, kurį pastatė Džekas (Lithuania)
December 6th, 2018 (Wide), released as ДОМ, КОТОРЫЙ ПОСТРОИЛ ДЖЕК (Russia (CIS))
December 14th, 2018 (Limited), released as The House that Jack Built (United Kingdom)
... Show all releases
Video Release: February 4th, 2020 by Shout Factory
MPAA Rating: R for strong disturbing violence/sadistic behavior, grisly images, language, and nudity.
(Rating bulletin 2549 (Cert #51868), 10/17/2018)
Running Time: 155 minutes
Comparisons: vs. Todos Queremos a Alguien
Create your own comparison chart…
Keywords: 1970s, Serial Killer
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Zentropa Entertainments, Film i Vast, Copenhagen Film Fund, Slot Machine, Danish Film Institute, Swedish Film Institute, DR Nordisk Film & TV Fond, Centre National du Cinema et de L Image Animee, Film- und Medienstiftung NRW, Eurimages, The Media Programme of the European Union, DR, SVT, IFC Films
Production Countries: Denmark
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 14, 2018 37 $34,273   32 $1,071   $206,404 1
Dec 21, 2018 53 $5,931 -83% 13 $456   $230,386 2
Dec 28, 2018 59 $5,837 -2% 12 $486   $240,997 3
Jan 4, 2019 54 $5,000 -14% 10 $500   $251,804 4
Jan 11, 2019 60 $4,270 -15% 5 $854   $258,766 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Nov 28, 2018 11 $172,131     140 $1,230   $172,131 1
Dec 14, 2018 - $11,652     32 $364   $183,783 1
Dec 15, 2018 - $12,497 +7%   32 $391   $196,280 2
Dec 16, 2018 - $10,124 -19%   32 $316   $206,404 3
Dec 17, 2018 - $4,425 -56%   32 $138   $210,829 4
Dec 18, 2018 - $5,323 +20%   32 $166   $216,152 5
Dec 19, 2018 - $4,334 -19%   32 $135   $220,486 6
Dec 20, 2018 - $3,969 -8%   32 $124   $224,455 7
Dec 21, 2018 - $1,909 -52% -84% 13 $147   $226,364 8
Dec 22, 2018 - $2,285 +20% -82% 13 $176   $228,649 9
Dec 23, 2018 - $1,737 -24% -83% 13 $134   $230,386 10
Dec 24, 2018 - $1,000 -42% -77% 13 $77   $231,386 11
Dec 25, 2018 - $1,225 +23% -77% 13 $94   $232,611 12
Dec 26, 2018 - $1,347 +10% -69% 13 $104   $233,958 13
Dec 27, 2018 - $1,202 -11% -70% 13 $92   $235,160 14
Dec 28, 2018 - $1,792 +49% -6% 12 $149   $236,952 15
Dec 29, 2018 - $2,338 +30% +2% 12 $195   $239,290 16
Dec 30, 2018 - $1,707 -27% -2% 12 $142   $240,997 17
Dec 31, 2018 - $379 -78% -62% 12 $32   $241,376 18
Jan 1, 2019 - $2,434 +542% +99% 12 $203   $243,810 19
Jan 2, 2019 - $1,589 -35% +18% 12 $132   $245,399 20
Jan 3, 2019 - $1,405 -12% +17% 12 $117   $246,804 21
Jan 4, 2019 - $1,268 -10% -29% 10 $127   $248,072 22
Jan 5, 2019 - $2,381 +88% +2% 10 $238   $250,453 23
Jan 6, 2019 - $1,351 -43% -21% 10 $135   $251,804 24
Jan 7, 2019 - $769 -43% +103% 10 $77   $252,573 25
Jan 8, 2019 - $495 -36% -80% 10 $50   $253,068 26
Jan 9, 2019 - $920 +86% -42% 10 $92   $253,988 27
Jan 10, 2019 - $508 -45% -64% 10 $51   $254,496 28
Jan 11, 2019 - $1,709 +236% +35% 5 $342   $256,205 29
Jan 12, 2019 - $1,668 -2% -30% 5 $334   $257,873 30
Jan 13, 2019 - $893 -46% -34% 5 $179   $258,766 31
Jan 14, 2019 - $251 -72% -67% 5 $50   $259,017 32

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 23, 2018 28 $172,131   140 $1,230   $172,131 1
Dec 14, 2018 43 $52,324   32 $1,635   $224,455 1
Dec 21, 2018 60 $10,705 -80% 13 $823   $235,160 2
Dec 28, 2018 58 $11,644 +9% 12 $970   $246,804 3
Jan 4, 2019 55 $7,692 -34% 10 $769   $254,496 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/8/2019 $12,939 13 13 33 $52,211 5/9/2019
Bulgaria 5/3/2019 $1,200 0 0 0 $4,661 5/8/2019
Czech Republic 10/5/2018 $16,059 28 28 84 $59,074 1/1/2019
France 10/19/2018 $146,667 64 68 132 $267,098 11/2/2018
Italy 2/28/2019 $133,238 0 32 60 $317,876 5/10/2019
Lithuania 11/30/2018 $10,966 34 34 39 $19,655 1/3/2019
Netherlands 1/11/2019 $37,081 30 31 61 $74,341 1/22/2019
Portugal 1/4/2019 $4,217 1 2 5 $14,171 5/8/2019
Russia (CIS) 12/6/2018 $434,670 310 310 1,058 $1,350,386 10/19/2022
Slovakia 1/25/2019 $1,410 4 4 4 $1,738 1/4/2019
South Korea 2/21/2019 $30,488 68 68 104 $83,147 3/14/2019
Spain 1/25/2019 $54,827 77 77 143 $110,330 2/8/2019
United Kingdom 12/14/2018 $40,391 25 25 25 $40,391 12/19/2018
 
International Total$2,395,079 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Matt Dillon    Jack
Bruno Ganz    Verge
Uma Thurman    Lady 1
Siobhan Fallon Hogan*    Lady 2
Sofie Grabol    Lady 3
Riley Keough    Simple

Supporting Cast

Jeremy Davies    Al
Jack McKenzie    Sonny
Rocco Day    Grumpy
Mathias Hjelm    Glenn

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lars Von Trier    Director
Lars Von Trier    Screenwriter
Louise Vesth    Producer
Madeleine Ekman    Co-Producer
Lizette Jonjic    Co-Producer
Marianne Slot    Co-Producer
Bettina Brokemper    Co-Producer
Tine Grew Pfeiffer    Co-Producer
Jonas Bagger    Co-Producer
Manuel Alberto Claro    Director of Photography
Peter Hjorth    Visual Effects Supervisor
Simone Grau Roney    Production Designer
Molly Malene Stensgaad    Lead Editor
Kristian Selin Eidnes Andersen    Sound Designer
Jenle Hallund    Story Developer
Manon Rasmussen    Costume Designer
Cecilie Rui    Post-Production Supervisor
Maj Britt Paulmann Dalsgaard    Line Producer
Tomas Eskilsson    Executive Producer
Thomas Gammeltoft    Executive Producer
Leonid Ogarev    Executive Producer
Peter Aalbaek Jensen    Executive Producer
Charlotte Pedersen    Executive Producer

Home Market Releases for February 4th, 2020

February 5th, 2020

That Time I Got Reincarnated as a Slime

It is a slow week for truly great releases. Both Doctor Sleep and The Nightingale are worth picking up, but not Pick of the Week contenders. Last Christmas is also worth picking up, but only if you like Romantic Comedies with magical realism. As for the Pick of the Week, I’m going with That Time I Got Reincarnated as a Slime: Season One, Part Two and if you really into Isekai Anime, grab Isekai Quartet: Season One as well. More...

Theater Averages: Everyone is Talking about Beale Street

December 19th, 2018

If Beale Street Could Talk

There was only one new release in the $10,000 club this past weekend. If Beale Street Could Talk opened with an average of $56,119 in four theaters. The only other member of the $10,000 club was Mary Queen of Scots, with an average of $10,602 in 66 theaters during its second week of release. It will continue to expand, but it very likely won’t expand even semi-wide. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

USA in the 1970s. We follow the highly intelligent Jack through 5 incidents and are introduced to the murders that define Jack’s development as a serial killer. We experience the story from Jack’s point of view. He views each murder as an artwork in itself, even though his dysfunction gives him problems in the outside world. Despite the fact that the final and inevitable police intervention is drawing ever near (which both provokes and puts pressure on Jack) he is—contrary to all logic—set on taking greater and greater chances. The goal is the ultimate artwork: A collection of all his killings manifested in a House that he builds. Along the way we experience Jack’s descriptions of his personal condition, problems and thoughts through a recurring conversation with the unknown Verge – a grotesque mixture of sophistry mixed with an almost childlike self-pity and in-depth explanations of, for Jack, dangerous and difficult manoeuvres.

Metrics

Opening Weekend:$34,273 (13.2% of total gross)
Legs:7.56 (domestic box office/biggest weekend)
Domestic Share:9.8% (domestic box office/worldwide)
Theater counts:32 opening theaters/140 max. theaters, 0.5 weeks average run per theater
Infl. Adj. Dom. BO $306,357

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: December 14th, 2018 (Special Engagement) by IFC Films
International Releases: October 5th, 2018 (Wide), released as Jack staví dům (Czech Republic)
October 19th, 2018 (Wide) (France)
November 30th, 2018 (Wide), released as Namas, kurį pastatė Džekas (Lithuania)
December 6th, 2018 (Wide), released as ДОМ, КОТОРЫЙ ПОСТРОИЛ ДЖЕК (Russia (CIS))
December 14th, 2018 (Limited), released as The House that Jack Built (United Kingdom)
... Show all releases
Video Release: February 4th, 2020 by Shout Factory
MPAA Rating: R for strong disturbing violence/sadistic behavior, grisly images, language, and nudity.
(Rating bulletin 2549 (Cert #51868), 10/17/2018)
Running Time: 155 minutes
Comparisons: vs. Todos Queremos a Alguien
Create your own comparison chart…
Keywords: 1970s, Serial Killer
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Zentropa Entertainments, Film i Vast, Copenhagen Film Fund, Slot Machine, Danish Film Institute, Swedish Film Institute, DR Nordisk Film & TV Fond, Centre National du Cinema et de L Image Animee, Film- und Medienstiftung NRW, Eurimages, The Media Programme of the European Union, DR, SVT, IFC Films
Production Countries: Denmark
Languages: English

Lead Ensemble Members

Matt Dillon    Jack
Bruno Ganz    Verge
Uma Thurman    Lady 1
Siobhan Fallon Hogan*    Lady 2
Sofie Grabol    Lady 3
Riley Keough    Simple

Supporting Cast

Jeremy Davies    Al
Jack McKenzie    Sonny
Rocco Day    Grumpy
Mathias Hjelm    Glenn

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lars Von Trier    Director
Lars Von Trier    Screenwriter
Louise Vesth    Producer
Madeleine Ekman    Co-Producer
Lizette Jonjic    Co-Producer
Marianne Slot    Co-Producer
Bettina Brokemper    Co-Producer
Tine Grew Pfeiffer    Co-Producer
Jonas Bagger    Co-Producer
Manuel Alberto Claro    Director of Photography
Peter Hjorth    Visual Effects Supervisor
Simone Grau Roney    Production Designer
Molly Malene Stensgaad    Lead Editor
Kristian Selin Eidnes Andersen    Sound Designer
Jenle Hallund    Story Developer
Manon Rasmussen    Costume Designer
Cecilie Rui    Post-Production Supervisor
Maj Britt Paulmann Dalsgaard    Line Producer
Tomas Eskilsson    Executive Producer
Thomas Gammeltoft    Executive Producer
Leonid Ogarev    Executive Producer
Peter Aalbaek Jensen    Executive Producer
Charlotte Pedersen    Executive Producer

Home Market Releases for February 4th, 2020

February 5th, 2020

That Time I Got Reincarnated as a Slime

It is a slow week for truly great releases. Both Doctor Sleep and The Nightingale are worth picking up, but not Pick of the Week contenders. Last Christmas is also worth picking up, but only if you like Romantic Comedies with magical realism. As for the Pick of the Week, I’m going with That Time I Got Reincarnated as a Slime: Season One, Part Two and if you really into Isekai Anime, grab Isekai Quartet: Season One as well. More...

Theater Averages: Everyone is Talking about Beale Street

December 19th, 2018

If Beale Street Could Talk

There was only one new release in the $10,000 club this past weekend. If Beale Street Could Talk opened with an average of $56,119 in four theaters. The only other member of the $10,000 club was Mary Queen of Scots, with an average of $10,602 in 66 theaters during its second week of release. It will continue to expand, but it very likely won’t expand even semi-wide. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Dec 14, 2018 37 $34,273   32 $1,071   $206,404 1
Dec 21, 2018 53 $5,931 -83% 13 $456   $230,386 2
Dec 28, 2018 59 $5,837 -2% 12 $486   $240,997 3
Jan 4, 2019 54 $5,000 -14% 10 $500   $251,804 4
Jan 11, 2019 60 $4,270 -15% 5 $854   $258,766 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Nov 28, 2018 11 $172,131     140 $1,230   $172,131 1
Dec 14, 2018 - $11,652     32 $364   $183,783 1
Dec 15, 2018 - $12,497 +7%   32 $391   $196,280 2
Dec 16, 2018 - $10,124 -19%   32 $316   $206,404 3
Dec 17, 2018 - $4,425 -56%   32 $138   $210,829 4
Dec 18, 2018 - $5,323 +20%   32 $166   $216,152 5
Dec 19, 2018 - $4,334 -19%   32 $135   $220,486 6
Dec 20, 2018 - $3,969 -8%   32 $124   $224,455 7
Dec 21, 2018 - $1,909 -52% -84% 13 $147   $226,364 8
Dec 22, 2018 - $2,285 +20% -82% 13 $176   $228,649 9
Dec 23, 2018 - $1,737 -24% -83% 13 $134   $230,386 10
Dec 24, 2018 - $1,000 -42% -77% 13 $77   $231,386 11
Dec 25, 2018 - $1,225 +23% -77% 13 $94   $232,611 12
Dec 26, 2018 - $1,347 +10% -69% 13 $104   $233,958 13
Dec 27, 2018 - $1,202 -11% -70% 13 $92   $235,160 14
Dec 28, 2018 - $1,792 +49% -6% 12 $149   $236,952 15
Dec 29, 2018 - $2,338 +30% +2% 12 $195   $239,290 16
Dec 30, 2018 - $1,707 -27% -2% 12 $142   $240,997 17
Dec 31, 2018 - $379 -78% -62% 12 $32   $241,376 18
Jan 1, 2019 - $2,434 +542% +99% 12 $203   $243,810 19
Jan 2, 2019 - $1,589 -35% +18% 12 $132   $245,399 20
Jan 3, 2019 - $1,405 -12% +17% 12 $117   $246,804 21
Jan 4, 2019 - $1,268 -10% -29% 10 $127   $248,072 22
Jan 5, 2019 - $2,381 +88% +2% 10 $238   $250,453 23
Jan 6, 2019 - $1,351 -43% -21% 10 $135   $251,804 24
Jan 7, 2019 - $769 -43% +103% 10 $77   $252,573 25
Jan 8, 2019 - $495 -36% -80% 10 $50   $253,068 26
Jan 9, 2019 - $920 +86% -42% 10 $92   $253,988 27
Jan 10, 2019 - $508 -45% -64% 10 $51   $254,496 28
Jan 11, 2019 - $1,709 +236% +35% 5 $342   $256,205 29
Jan 12, 2019 - $1,668 -2% -30% 5 $334   $257,873 30
Jan 13, 2019 - $893 -46% -34% 5 $179   $258,766 31
Jan 14, 2019 - $251 -72% -67% 5 $50   $259,017 32

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 23, 2018 28 $172,131   140 $1,230   $172,131 1
Dec 14, 2018 43 $52,324   32 $1,635   $224,455 1
Dec 21, 2018 60 $10,705 -80% 13 $823   $235,160 2
Dec 28, 2018 58 $11,644 +9% 12 $970   $246,804 3
Jan 4, 2019 55 $7,692 -34% 10 $769   $254,496 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/8/2019 $12,939 13 13 33 $52,211 5/9/2019
Bulgaria 5/3/2019 $1,200 0 0 0 $4,661 5/8/2019
Czech Republic 10/5/2018 $16,059 28 28 84 $59,074 1/1/2019
France 10/19/2018 $146,667 64 68 132 $267,098 11/2/2018
Italy 2/28/2019 $133,238 0 32 60 $317,876 5/10/2019
Lithuania 11/30/2018 $10,966 34 34 39 $19,655 1/3/2019
Netherlands 1/11/2019 $37,081 30 31 61 $74,341 1/22/2019
Portugal 1/4/2019 $4,217 1 2 5 $14,171 5/8/2019
Russia (CIS) 12/6/2018 $434,670 310 310 1,058 $1,350,386 10/19/2022
Slovakia 1/25/2019 $1,410 4 4 4 $1,738 1/4/2019
South Korea 2/21/2019 $30,488 68 68 104 $83,147 3/14/2019
Spain 1/25/2019 $54,827 77 77 143 $110,330 2/8/2019
United Kingdom 12/14/2018 $40,391 25 25 25 $40,391 12/19/2018
 
International Total$2,395,079 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.