The House of Tomorrow (2018)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $3,368 | Details |
| Worldwide Box Office | $3,368 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $7,391 | |
| Blu-ray Sales (estimated) | $30,683 | |
| Total | $38,074 | |
| OpusData ID: 321980100 More info... | ||
| Further financial details... | ||
Synopsis
16 year old Sebastian has spent most of his life with his Nana in their geodesic dome home tourist attraction where she raises him on the futurist teachings of her former mentor Buckminster Fuller in hopes that one day Sebastian will carry Fuller’s torch and make the world a better place. But when a stroke sidelines Nana, Sebastian begins sneaking around with Jared, a chain-smoking, punk-obsessed 16 year old with a heart transplant who lives in the suburbs with his bible-banging single father Alan and teenage sister Meredith. Sebastian and Jared form a band and with his Nana’s dreams, his first real friendship, and a church talent show at stake, Sebastian must decide if he wants to become the next Buckminster Fuller, the next Sid Vicious, or something else entirely.
Metrics
Movie Details
| Domestic Releases: | April 27th, 2018 (Limited) by Shout! Factory |
| International Releases: | June 20th, 2019 (Wide) (South Korea) |
| Video Release: | August 14th, 2018 by Shout Factory |
| Running Time: | 85 minutes |
| Geographical setting: | Minnesota |
| Plot point: | Delayed Adulthood, First Love, Home Schooled, Musicians, Religious, Single Parent, Stroke |
| Social setting: | High School, Punk Rock |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Superlative Productions, Water's End Productions, Shout! Studios |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 6/20/2019 | $1,660 | 21 | 21 | 21 | $3,368 | 6/26/2019 | |||
| International Total | $3,368 | 6/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Ellen Burstyn | Josephine Prendergast | |
| Nick Offerman | Alan Whitcomb | |
| Asa Butterfield | Sebastian Prendergast | |
| Alex Wolff | Jared Whitcomb | |
| Maude Apatow | Meredith Whitcomb |
Supporting
| Michaela Watkins | Mrs. Whitcomb | |
| Fred Armisen | ||
| Alec George | Alec | |
| Shelley Walter* | University Receptionist | |
| Debbie Aderinkomi |
Production and Technical Credits
| Peter Livolsi | Director | |
| Peter Livolsi | Screenwriter | |
| Peter Bognanni | Based on the novel "The House of Tomorrow" by | |
| Danielle Renfrew Behrens | Producer | |
| Tarik Karam | Producer | |
| Patty Quillin | Executive Producer | |
| Kevin Gruneich | Executive Producer | |
| Donna Gruneich | Executive Producer | |
| Ruth Ann Harnisch | Executive Producer | |
| Bill Harnisch* | Executive Producer | |
| Tom Dolby | Executive Producer | |
| Nick Offerman | Executive Producer | |
| Ellen Burstyn | Executive Producer | |
| Corey Walter | Cinematographer | |
| Brian Williams | Editor | |
| Robb Buono | Production Designer | |
| Carmen Grande | Costume Designer | |
| Howard Paar | Music Supervisor | |
| Rob Simonsen | Composer | |
| Henry Russell Bergstein | Casting Director | |
| Douglas Aibel | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
16 year old Sebastian has spent most of his life with his Nana in their geodesic dome home tourist attraction where she raises him on the futurist teachings of her former mentor Buckminster Fuller in hopes that one day Sebastian will carry Fuller’s torch and make the world a better place. But when a stroke sidelines Nana, Sebastian begins sneaking around with Jared, a chain-smoking, punk-obsessed 16 year old with a heart transplant who lives in the suburbs with his bible-banging single father Alan and teenage sister Meredith. Sebastian and Jared form a band and with his Nana’s dreams, his first real friendship, and a church talent show at stake, Sebastian must decide if he wants to become the next Buckminster Fuller, the next Sid Vicious, or something else entirely.
Metrics
Movie Details
| Domestic Releases: | April 27th, 2018 (Limited) by Shout! Factory |
| International Releases: | June 20th, 2019 (Wide) (South Korea) |
| Video Release: | August 14th, 2018 by Shout Factory |
| Running Time: | 85 minutes |
| Geographical setting: | Minnesota |
| Plot point: | Delayed Adulthood, First Love, Home Schooled, Musicians, Religious, Single Parent, Stroke |
| Social setting: | High School, Punk Rock |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Superlative Productions, Water's End Productions, Shout! Studios |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 6/20/2019 | $1,660 | 21 | 21 | 21 | $3,368 | 6/26/2019 | |||
| International Total | $3,368 | 6/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Ellen Burstyn | Josephine Prendergast | |
| Nick Offerman | Alan Whitcomb | |
| Asa Butterfield | Sebastian Prendergast | |
| Alex Wolff | Jared Whitcomb | |
| Maude Apatow | Meredith Whitcomb |
Supporting
| Michaela Watkins | Mrs. Whitcomb | |
| Fred Armisen | ||
| Alec George | Alec | |
| Shelley Walter* | University Receptionist | |
| Debbie Aderinkomi |
Production and Technical Credits
| Peter Livolsi | Director | |
| Peter Livolsi | Screenwriter | |
| Peter Bognanni | Based on the novel "The House of Tomorrow" by | |
| Danielle Renfrew Behrens | Producer | |
| Tarik Karam | Producer | |
| Patty Quillin | Executive Producer | |
| Kevin Gruneich | Executive Producer | |
| Donna Gruneich | Executive Producer | |
| Ruth Ann Harnisch | Executive Producer | |
| Bill Harnisch* | Executive Producer | |
| Tom Dolby | Executive Producer | |
| Nick Offerman | Executive Producer | |
| Ellen Burstyn | Executive Producer | |
| Corey Walter | Cinematographer | |
| Brian Williams | Editor | |
| Robb Buono | Production Designer | |
| Carmen Grande | Costume Designer | |
| Howard Paar | Music Supervisor | |
| Rob Simonsen | Composer | |
| Henry Russell Bergstein | Casting Director | |
| Douglas Aibel | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.