The Housemaid (하녀) (2011)
| Theatrical Performance | ||
| Domestic Box Office | $157,961 | Details |
| International Box Office | $13,047,269 | |
| Worldwide Box Office | $13,205,230 | |
| OpusData ID: 152670100 More info... | ||
| Further financial details... | ||
Synopsis
Eun-yi is hired as a nanny in an lavish mansion by businessman Hoon and his very pregnant wife, Hae-ra. When Eun-yi is seduced by the father of the house, she becomes the unwitting victim in a series of traps laid by the women of the house—Hae-ra, her villainous mother—and their seemingly loyal but increasingly bitter housekeeper. Eun-yi must outwit them and escape their schemes to protect her sanity—and her life—from the vicious family.
Metrics
| Opening Weekend: | $16,670 (10.6% of total gross) |
| Legs: | 9.48 (domestic box office/biggest weekend) |
| Domestic Share: | 1.2% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/12 max. theaters, 6.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $225,284 |
Movie Details
| Domestic Releases: | January 21st, 2011 (Limited) by IFC Films, released as The Housemaid |
| MPA Rating: | Not Rated |
| Running Time: | 106 minutes |
| Cast, crew, or production detail: | Remake |
| Plot point: | Cross-Class Romance, Dysfunctional Family, Relationships Gone Wrong, Revenge |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Mirovision Inc., Sidus FNH |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 21, 2011 | 50 | $16,670 | 2 | $8,335 | $16,670 | 1 | |
| Jan 28, 2011 | 57 | $12,067 | -28% | 3 | $4,022 | $36,039 | 2 |
| Feb 4, 2011 | 51 | $16,371 | +36% | 10 | $1,637 | $58,077 | 3 |
| Feb 11, 2011 | 69 | $4,929 | -70% | 6 | $822 | $70,679 | 4 |
| Feb 18, 2011 | 58 | $14,704 | +198% | 6 | $2,451 | $87,425 | 5 |
| Feb 25, 2011 | 64 | $8,803 | -40% | 7 | $1,258 | $103,773 | 6 |
| Mar 4, 2011 | 69 | $8,784 | n/c | 12 | $732 | $117,284 | 7 |
| Mar 11, 2011 | 87 | $4,808 | -45% | 9 | $534 | $127,540 | 8 |
| Mar 18, 2011 | 78 | $8,272 | +72% | 12 | $689 | $138,591 | 9 |
| Mar 25, 2011 | 87 | $5,760 | -30% | 7 | $823 | $148,501 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 21, 2011 | 56 | $2,585 | 6 | $431 | $90,010 | 32 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 21, 2011 | 50 | $23,972 | 2 | $11,986 | $23,972 | 1 | |
| Jan 28, 2011 | 56 | $17,734 | -26% | 3 | $5,911 | $41,706 | 2 |
| Feb 4, 2011 | 53 | $24,044 | +36% | 10 | $2,404 | $65,750 | 3 |
| Feb 11, 2011 | 69 | $6,971 | -71% | 6 | $1,162 | $72,721 | 4 |
| Feb 18, 2011 | 59 | $22,249 | +219% | 6 | $3,708 | $94,970 | 5 |
| Feb 25, 2011 | 65 | $12,774 | -43% | 7 | $1,825 | $107,744 | 6 |
| Mar 4, 2011 | 65 | $14,232 | +11% | 12 | $1,186 | $122,732 | 7 |
| Mar 11, 2011 | 84 | $7,947 | -44% | 9 | $883 | $130,629 | 8 |
| Mar 18, 2011 | 79 | $12,062 | +52% | 12 | $1,005 | $142,741 | 9 |
| Mar 25, 2011 | 95 | $7,016 | -42% | 7 | $1,002 | $149,757 | 10 |
Leading
| Jeon Do-youn | Eun-yi | |
| Lee Jung-jae | Hoon | |
| Youn Yuh-jung | Byeong-sik |
Supporting
| Seo Woo | ||
| Ahn Seo-hyun |
| Park Ji-young |
Production and Technical Credits
| Im Sang-soo | Director | |
| Im Sang-soo | Screenwriter | |
| Jason Chae | Producer | |
| Choi Pyung Ho | Executive Producer | |
| Seo Bum-seok | Executive Producer | |
| Lee Ha-jun | Production Designer | |
| Eun-soo Lee | Editor | |
| Kim Hong-jip | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Eun-yi is hired as a nanny in an lavish mansion by businessman Hoon and his very pregnant wife, Hae-ra. When Eun-yi is seduced by the father of the house, she becomes the unwitting victim in a series of traps laid by the women of the house—Hae-ra, her villainous mother—and their seemingly loyal but increasingly bitter housekeeper. Eun-yi must outwit them and escape their schemes to protect her sanity—and her life—from the vicious family.
Metrics
| Opening Weekend: | $16,670 (10.6% of total gross) |
| Legs: | 9.48 (domestic box office/biggest weekend) |
| Domestic Share: | 1.2% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/12 max. theaters, 6.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $225,284 |
Movie Details
| Domestic Releases: | January 21st, 2011 (Limited) by IFC Films, released as The Housemaid |
| MPA Rating: | Not Rated |
| Running Time: | 106 minutes |
| Cast, crew, or production detail: | Remake |
| Plot point: | Cross-Class Romance, Dysfunctional Family, Relationships Gone Wrong, Revenge |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Mirovision Inc., Sidus FNH |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 21, 2011 | 50 | $16,670 | 2 | $8,335 | $16,670 | 1 | |
| Jan 28, 2011 | 57 | $12,067 | -28% | 3 | $4,022 | $36,039 | 2 |
| Feb 4, 2011 | 51 | $16,371 | +36% | 10 | $1,637 | $58,077 | 3 |
| Feb 11, 2011 | 69 | $4,929 | -70% | 6 | $822 | $70,679 | 4 |
| Feb 18, 2011 | 58 | $14,704 | +198% | 6 | $2,451 | $87,425 | 5 |
| Feb 25, 2011 | 64 | $8,803 | -40% | 7 | $1,258 | $103,773 | 6 |
| Mar 4, 2011 | 69 | $8,784 | n/c | 12 | $732 | $117,284 | 7 |
| Mar 11, 2011 | 87 | $4,808 | -45% | 9 | $534 | $127,540 | 8 |
| Mar 18, 2011 | 78 | $8,272 | +72% | 12 | $689 | $138,591 | 9 |
| Mar 25, 2011 | 87 | $5,760 | -30% | 7 | $823 | $148,501 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 21, 2011 | 56 | $2,585 | 6 | $431 | $90,010 | 32 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 21, 2011 | 50 | $23,972 | 2 | $11,986 | $23,972 | 1 | |
| Jan 28, 2011 | 56 | $17,734 | -26% | 3 | $5,911 | $41,706 | 2 |
| Feb 4, 2011 | 53 | $24,044 | +36% | 10 | $2,404 | $65,750 | 3 |
| Feb 11, 2011 | 69 | $6,971 | -71% | 6 | $1,162 | $72,721 | 4 |
| Feb 18, 2011 | 59 | $22,249 | +219% | 6 | $3,708 | $94,970 | 5 |
| Feb 25, 2011 | 65 | $12,774 | -43% | 7 | $1,825 | $107,744 | 6 |
| Mar 4, 2011 | 65 | $14,232 | +11% | 12 | $1,186 | $122,732 | 7 |
| Mar 11, 2011 | 84 | $7,947 | -44% | 9 | $883 | $130,629 | 8 |
| Mar 18, 2011 | 79 | $12,062 | +52% | 12 | $1,005 | $142,741 | 9 |
| Mar 25, 2011 | 95 | $7,016 | -42% | 7 | $1,002 | $149,757 | 10 |
Leading
| Jeon Do-youn | Eun-yi | |
| Lee Jung-jae | Hoon | |
| Youn Yuh-jung | Byeong-sik |
Supporting
| Seo Woo | ||
| Ahn Seo-hyun |
| Park Ji-young |
Production and Technical Credits
| Im Sang-soo | Director | |
| Im Sang-soo | Screenwriter | |
| Jason Chae | Producer | |
| Choi Pyung Ho | Executive Producer | |
| Seo Bum-seok | Executive Producer | |
| Lee Ha-jun | Production Designer | |
| Eun-soo Lee | Editor | |
| Kim Hong-jip | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.