Huang Jin Xiong Di (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $285,795 | Details |
| International Box Office | $45,879,283 | Details |
| Worldwide Box Office | $46,165,078 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $3,871 | |
| Blu-ray Sales (estimated) | $15,558 | |
| Total | $19,429 | |
| OpusData ID: 364150100 More info... | ||
| Further financial details... | ||
Synopsis
A group of former mercenaries reunite to plan an epic heist: boosting a truck full of medicine held by a foreign intelligence agency to supply a refugee camp in need. But when they find the truck is actually filled with stolen gold, the band of brothers realize they’ve been double-crossed by one of their own—and putting the situation right will be all out war.
Metrics
| Opening Weekend: | $121,391 (42.5% of total gross) |
| Legs: | 2.35 (domestic box office/biggest weekend) |
| Domestic Share: | 0.6% (domestic box office/worldwide) |
| Theater counts: | 34 opening theaters/34 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $375,209 |
Movie Details
| Domestic Releases: | September 28th, 2018 (Limited) by Well Go USA, released as Golden Job |
| International Releases: | September 20th, 2018 (Wide) (China)
September 21st, 2018 (Wide), released as Golden Job (Australia) |
| Video Release: | April 9th, 2019 by Well Go USA Video, released as Golden Job |
| MPA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Ensemble |
| Geographical setting: | Africa, China, Hungary, Japan |
| Plot point: | Car Chase, Crime, Heist, Medical and Hospitals, Mercenaries, No Honor Among Thieves, Orphan, Revenge, Robin Hood Bandits, Shootout |
| Social setting: | Orphanage |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Hong Kong |
| Languages: | Cantonese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 28, 2018 | 36 | $121,391 | 34 | $3,570 | $121,391 | 1 | |
| Oct 5, 2018 | 42 | $37,391 | -69% | 15 | $2,493 | $226,187 | 2 |
| Oct 12, 2018 | 48 | $14,733 | -61% | 5 | $2,947 | $266,567 | 3 |
| Oct 19, 2018 | 67 | $3,706 | -75% | 2 | $1,853 | $279,365 | 4 |
| Oct 26, 2018 | 82 | $2,169 | -41% | 1 | $2,169 | $284,400 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 28, 2018 | 34 | $188,796 | 34 | $5,553 | $188,796 | 1 | |
| Oct 5, 2018 | 45 | $63,038 | -67% | 15 | $4,203 | $251,834 | 2 |
| Oct 12, 2018 | 57 | $23,825 | -62% | 3 | $7,942 | $275,659 | 3 |
| Oct 19, 2018 | 66 | $6,572 | -72% | 2 | $3,286 | $282,231 | 4 |
| Oct 26, 2018 | 79 | $3,564 | -46% | 1 | $3,564 | $285,795 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/21/2018 | $44,631 | 18 | 18 | 32 | $103,011 | 10/9/2018 | |||
| China | 9/20/2018 | $22,820,000 | 104,275 | 104,275 | 190,036 | $45,776,272 | 10/26/2018 | |||
| International Total | $45,879,283 | 10/26/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Michael Tse | ||
| Jordan Chan | ||
| Ekin Cheng | ||
| Jerry Lamb | ||
| Chin Kar Lok |
Production and Technical Credits
| Chin Kar Lok | Director | |
| Chin Kar Lok | Screenwriter | |
| Erica Li | Screenwriter | |
| Kwok Kin-lok | Screenwriter | |
| Susan Chan Suk-Yin | Screenwriter | |
| Heiward Mak | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A group of former mercenaries reunite to plan an epic heist: boosting a truck full of medicine held by a foreign intelligence agency to supply a refugee camp in need. But when they find the truck is actually filled with stolen gold, the band of brothers realize they’ve been double-crossed by one of their own—and putting the situation right will be all out war.
Metrics
| Opening Weekend: | $121,391 (42.5% of total gross) |
| Legs: | 2.35 (domestic box office/biggest weekend) |
| Domestic Share: | 0.6% (domestic box office/worldwide) |
| Theater counts: | 34 opening theaters/34 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $375,209 |
Movie Details
| Domestic Releases: | September 28th, 2018 (Limited) by Well Go USA, released as Golden Job |
| International Releases: | September 20th, 2018 (Wide) (China)
September 21st, 2018 (Wide), released as Golden Job (Australia) |
| Video Release: | April 9th, 2019 by Well Go USA Video, released as Golden Job |
| MPA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Ensemble |
| Geographical setting: | Africa, China, Hungary, Japan |
| Plot point: | Car Chase, Crime, Heist, Medical and Hospitals, Mercenaries, No Honor Among Thieves, Orphan, Revenge, Robin Hood Bandits, Shootout |
| Social setting: | Orphanage |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Hong Kong |
| Languages: | Cantonese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 28, 2018 | 36 | $121,391 | 34 | $3,570 | $121,391 | 1 | |
| Oct 5, 2018 | 42 | $37,391 | -69% | 15 | $2,493 | $226,187 | 2 |
| Oct 12, 2018 | 48 | $14,733 | -61% | 5 | $2,947 | $266,567 | 3 |
| Oct 19, 2018 | 67 | $3,706 | -75% | 2 | $1,853 | $279,365 | 4 |
| Oct 26, 2018 | 82 | $2,169 | -41% | 1 | $2,169 | $284,400 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 28, 2018 | 34 | $188,796 | 34 | $5,553 | $188,796 | 1 | |
| Oct 5, 2018 | 45 | $63,038 | -67% | 15 | $4,203 | $251,834 | 2 |
| Oct 12, 2018 | 57 | $23,825 | -62% | 3 | $7,942 | $275,659 | 3 |
| Oct 19, 2018 | 66 | $6,572 | -72% | 2 | $3,286 | $282,231 | 4 |
| Oct 26, 2018 | 79 | $3,564 | -46% | 1 | $3,564 | $285,795 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/21/2018 | $44,631 | 18 | 18 | 32 | $103,011 | 10/9/2018 | |||
| China | 9/20/2018 | $22,820,000 | 104,275 | 104,275 | 190,036 | $45,776,272 | 10/26/2018 | |||
| International Total | $45,879,283 | 10/26/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Michael Tse | ||
| Jordan Chan | ||
| Ekin Cheng | ||
| Jerry Lamb | ||
| Chin Kar Lok |
Production and Technical Credits
| Chin Kar Lok | Director | |
| Chin Kar Lok | Screenwriter | |
| Erica Li | Screenwriter | |
| Kwok Kin-lok | Screenwriter | |
| Susan Chan Suk-Yin | Screenwriter | |
| Heiward Mak | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.