Hugo Pool (1997)
| Theatrical Performance | ||
| Domestic Box Office | $3,620 | Details |
| OpusData ID: 100950100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $3,620 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/2 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,912 |
Movie Details
| Domestic Releases: | December 12th, 1997 (Wide) by Northern Arts Entertainment |
| MPA Rating: | R for language and sex-related material. PG for mild thematic material, some action/peril and smoking. (Rating bulletin 2194, 10/19/2011) |
| Running Time: | 92 minutes |
| Plot point: | Romance |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Robert Downey, Sr., Ligeti Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 12, 1997 | 62 | $3,620 | 2 | $1,810 | $3,620 | 1 |
Supporting
| Patrick Dempsey | Floyd Gaylen | |
| Robert Downey, Jr. | Franz Mazur | |
| Richard Lewis | Chick Chicalini | |
| Malcolm McDowell | Henry Dugay |
Leading
| Alyssa Milano | Hugo Dugay |
Supporting
| Mark Boone Jr. | Pool Supply Man | |
| Cathy Moriarty | Minerva | |
| Sean Penn | Leprechaun |
Production and Technical Credits
| Robert Downey, Sr. | Director | |
| Robert Downey, Sr. | Screenwriter | |
| Laura Downey | Screenwriter | |
| Barbara Ligeti | Producer | |
| Chad Oakes | Executive Producer | |
| Michael Frisley | Executive Producer | |
| Douglas D. Berquist | Executive Producer | |
| Lauren Gabor | Production Designer | |
| Joseph Montgomery | Director of Photography | |
| Joe D'Augustine | Editor | |
| Danilo Perez | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $3,620 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/2 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,912 |
Movie Details
| Domestic Releases: | December 12th, 1997 (Wide) by Northern Arts Entertainment |
| MPA Rating: | R for language and sex-related material. PG for mild thematic material, some action/peril and smoking. (Rating bulletin 2194, 10/19/2011) |
| Running Time: | 92 minutes |
| Plot point: | Romance |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Robert Downey, Sr., Ligeti Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 12, 1997 | 62 | $3,620 | 2 | $1,810 | $3,620 | 1 |
Supporting
| Patrick Dempsey | Floyd Gaylen | |
| Robert Downey, Jr. | Franz Mazur | |
| Richard Lewis | Chick Chicalini | |
| Malcolm McDowell | Henry Dugay |
Leading
| Alyssa Milano | Hugo Dugay |
Supporting
| Mark Boone Jr. | Pool Supply Man | |
| Cathy Moriarty | Minerva | |
| Sean Penn | Leprechaun |
Production and Technical Credits
| Robert Downey, Sr. | Director | |
| Robert Downey, Sr. | Screenwriter | |
| Laura Downey | Screenwriter | |
| Barbara Ligeti | Producer | |
| Chad Oakes | Executive Producer | |
| Michael Frisley | Executive Producer | |
| Douglas D. Berquist | Executive Producer | |
| Lauren Gabor | Production Designer | |
| Joseph Montgomery | Director of Photography | |
| Joe D'Augustine | Editor | |
| Danilo Perez | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.