The Hummingbird Project (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $371,784 | Details |
| International Box Office | $737,944 | |
| Worldwide Box Office | $1,109,728 | |
| Further financial details... | ||
Synopsis
In this modern epic, Kim Nguyen exposes the ruthless edge of our increasingly digital world. Cousins from New York, Vincent and Anton are players in the high-stakes game of High-Frequency Trading, where winning is measured in milliseconds. Their dream? To build a straight fiber-optic cable line between Kansas and New Jersey, making them millions. But nothing is straightforward for this flawed pair. Anton is the brains, Vincent is the hustler, and together they push each other and everyone around them to the breaking point with their quixotic adventure. Constantly breathing down their necks is their old boss Eva Torres, a powerful, intoxicating and manipulative trader who will stop at nothing to come between them and beat them at their own game.
Metrics
| Opening Weekend: | $34,202 (9.2% of total gross) |
| Legs: | 3.09 (domestic box office/biggest weekend) |
| Domestic Share: | 33.5% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/232 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $485,432 |
Movie Details
| Domestic Releases: | March 15th, 2019 (Limited) by The Orchard |
| International Releases: | March 15th, 2019 (Wide), released as Kolibrio projektas (Lithuania)
March 22nd, 2019 (Wide) (Netherlands) April 26th, 2019 (Wide) (Australia) May 2nd, 2019 (Wide), released as Operação Hummingbird (Portugal) July 26th, 2019 (Wide), released as Kod Adı: Hummingbird (Turkey) |
| Video Release: | June 11th, 2019 by The Orchard |
| MPA Rating: | R for language throughout. (Rating bulletin 2559 (Cert #51894), 1/2/2019) |
| Running Time: | 111 minutes |
| Plot point: | Internet, White Collar Crime |
| Social setting: | Crime Caper, Wall Street |
| Source material: | Inspired by a True Story |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | The Orchard, Item 7, Belga Films, HanWay Films, Automatik |
| Production Countries: | Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 53 | $34,202 | 4 | $8,551 | $34,202 | 1 | |
| Mar 22, 2019 | 39 | $67,417 | +97% | 41 | $1,644 | $112,532 | 2 |
| Mar 29, 2019 | 25 | $120,499 | +79% | 232 | $519 | $261,448 | 3 |
| Apr 5, 2019 | 47 | $18,595 | -85% | 71 | $262 | $348,691 | 4 |
| Apr 12, 2019 | 68 | $5,413 | -71% | 19 | $285 | $366,934 | 5 |
| Apr 19, 2019 | 88 | $1,249 | -77% | 5 | $250 | $370,949 | 6 |
| Apr 26, 2019 | 97 | $446 | -64% | 2 | $223 | $371,784 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | - | $10,778 | 4 | $2,695 | $10,778 | 1 | ||
| Mar 16, 2019 | - | $12,854 | +19% | 4 | $3,214 | $23,632 | 2 | |
| Mar 17, 2019 | - | $10,570 | -18% | 4 | $2,643 | $34,202 | 3 | |
| Mar 18, 2019 | - | $2,052 | -81% | 4 | $513 | $36,254 | 4 | |
| Mar 19, 2019 | - | $3,345 | +63% | 4 | $836 | $39,599 | 5 | |
| Mar 20, 2019 | - | $2,989 | -11% | 4 | $747 | $42,588 | 6 | |
| Mar 21, 2019 | - | $2,527 | -15% | 4 | $632 | $45,115 | 7 | |
| Mar 22, 2019 | - | $23,478 | +829% | +118% | 41 | $573 | $68,593 | 8 |
| Mar 23, 2019 | - | $28,604 | +22% | +123% | 41 | $698 | $97,197 | 9 |
| Mar 24, 2019 | - | $15,335 | -46% | +45% | 41 | $374 | $112,532 | 10 |
| Mar 25, 2019 | - | $6,637 | -57% | +223% | 41 | $162 | $119,169 | 11 |
| Mar 26, 2019 | - | $7,832 | +18% | +134% | 41 | $191 | $127,001 | 12 |
| Mar 27, 2019 | - | $8,282 | +6% | +177% | 41 | $202 | $135,283 | 13 |
| Mar 28, 2019 | - | $5,666 | -32% | +124% | 41 | $138 | $140,949 | 14 |
| Mar 29, 2019 | - | $32,681 | +477% | +39% | 232 | $141 | $173,630 | 15 |
| Mar 30, 2019 | - | $52,357 | +60% | +83% | 232 | $226 | $225,987 | 16 |
| Mar 31, 2019 | - | $35,461 | -32% | +131% | 232 | $153 | $261,448 | 17 |
| Apr 5, 2019 | - | $5,513 | -83% | 71 | $78 | $335,609 | 22 | |
| Apr 6, 2019 | - | $6,956 | +26% | -87% | 71 | $98 | $342,565 | 23 |
| Apr 7, 2019 | - | $6,126 | -12% | -83% | 71 | $86 | $348,691 | 24 |
| Apr 8, 2019 | - | $2,716 | -56% | 71 | $38 | $351,407 | 25 | |
| Apr 9, 2019 | - | $4,323 | +59% | 71 | $61 | $355,730 | 26 | |
| Apr 10, 2019 | - | $2,347 | -46% | 71 | $33 | $358,077 | 27 | |
| Apr 11, 2019 | - | $3,444 | +47% | 71 | $49 | $361,521 | 28 | |
| Apr 12, 2019 | - | $1,797 | -48% | -67% | 19 | $95 | $363,318 | 29 |
| Apr 13, 2019 | - | $2,148 | +20% | -69% | 19 | $113 | $365,466 | 30 |
| Apr 14, 2019 | - | $1,468 | -32% | -76% | 19 | $77 | $366,934 | 31 |
| Apr 15, 2019 | - | $663 | -55% | -76% | 19 | $35 | $367,597 | 32 |
| Apr 16, 2019 | - | $938 | +41% | -78% | 19 | $49 | $368,535 | 33 |
| Apr 17, 2019 | - | $593 | -37% | -75% | 19 | $31 | $369,128 | 34 |
| Apr 18, 2019 | - | $572 | -4% | -83% | 19 | $30 | $369,700 | 35 |
| Apr 19, 2019 | - | $529 | -8% | -71% | 5 | $106 | $370,229 | 36 |
| Apr 20, 2019 | - | $422 | -20% | -80% | 5 | $84 | $370,651 | 37 |
| Apr 21, 2019 | - | $298 | -29% | -80% | 5 | $60 | $370,949 | 38 |
| Apr 26, 2019 | - | $101 | -81% | 2 | $51 | $371,439 | 43 | |
| Apr 27, 2019 | - | $190 | +88% | -55% | 2 | $95 | $371,629 | 44 |
| Apr 28, 2019 | - | $155 | -18% | -48% | 2 | $78 | $371,784 | 45 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 54 | $45,115 | 4 | $11,279 | $45,115 | 1 | |
| Mar 22, 2019 | 38 | $95,834 | +112% | 41 | $2,337 | $140,949 | 2 |
| Mar 29, 2019 | 25 | $189,147 | +97% | 232 | $815 | $330,096 | 3 |
| Apr 5, 2019 | 43 | $31,425 | -83% | 71 | $443 | $361,521 | 4 |
| Apr 12, 2019 | 70 | $8,179 | -74% | 19 | $430 | $369,700 | 5 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In this modern epic, Kim Nguyen exposes the ruthless edge of our increasingly digital world. Cousins from New York, Vincent and Anton are players in the high-stakes game of High-Frequency Trading, where winning is measured in milliseconds. Their dream? To build a straight fiber-optic cable line between Kansas and New Jersey, making them millions. But nothing is straightforward for this flawed pair. Anton is the brains, Vincent is the hustler, and together they push each other and everyone around them to the breaking point with their quixotic adventure. Constantly breathing down their necks is their old boss Eva Torres, a powerful, intoxicating and manipulative trader who will stop at nothing to come between them and beat them at their own game.
Metrics
| Opening Weekend: | $34,202 (9.2% of total gross) |
| Legs: | 3.09 (domestic box office/biggest weekend) |
| Domestic Share: | 33.5% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/232 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $485,432 |
Movie Details
| Domestic Releases: | March 15th, 2019 (Limited) by The Orchard |
| International Releases: | March 15th, 2019 (Wide), released as Kolibrio projektas (Lithuania)
March 22nd, 2019 (Wide) (Netherlands) April 26th, 2019 (Wide) (Australia) May 2nd, 2019 (Wide), released as Operação Hummingbird (Portugal) July 26th, 2019 (Wide), released as Kod Adı: Hummingbird (Turkey) |
| Video Release: | June 11th, 2019 by The Orchard |
| MPA Rating: | R for language throughout. (Rating bulletin 2559 (Cert #51894), 1/2/2019) |
| Running Time: | 111 minutes |
| Plot point: | Internet, White Collar Crime |
| Social setting: | Crime Caper, Wall Street |
| Source material: | Inspired by a True Story |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | The Orchard, Item 7, Belga Films, HanWay Films, Automatik |
| Production Countries: | Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 53 | $34,202 | 4 | $8,551 | $34,202 | 1 | |
| Mar 22, 2019 | 39 | $67,417 | +97% | 41 | $1,644 | $112,532 | 2 |
| Mar 29, 2019 | 25 | $120,499 | +79% | 232 | $519 | $261,448 | 3 |
| Apr 5, 2019 | 47 | $18,595 | -85% | 71 | $262 | $348,691 | 4 |
| Apr 12, 2019 | 68 | $5,413 | -71% | 19 | $285 | $366,934 | 5 |
| Apr 19, 2019 | 88 | $1,249 | -77% | 5 | $250 | $370,949 | 6 |
| Apr 26, 2019 | 97 | $446 | -64% | 2 | $223 | $371,784 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | - | $10,778 | 4 | $2,695 | $10,778 | 1 | ||
| Mar 16, 2019 | - | $12,854 | +19% | 4 | $3,214 | $23,632 | 2 | |
| Mar 17, 2019 | - | $10,570 | -18% | 4 | $2,643 | $34,202 | 3 | |
| Mar 18, 2019 | - | $2,052 | -81% | 4 | $513 | $36,254 | 4 | |
| Mar 19, 2019 | - | $3,345 | +63% | 4 | $836 | $39,599 | 5 | |
| Mar 20, 2019 | - | $2,989 | -11% | 4 | $747 | $42,588 | 6 | |
| Mar 21, 2019 | - | $2,527 | -15% | 4 | $632 | $45,115 | 7 | |
| Mar 22, 2019 | - | $23,478 | +829% | +118% | 41 | $573 | $68,593 | 8 |
| Mar 23, 2019 | - | $28,604 | +22% | +123% | 41 | $698 | $97,197 | 9 |
| Mar 24, 2019 | - | $15,335 | -46% | +45% | 41 | $374 | $112,532 | 10 |
| Mar 25, 2019 | - | $6,637 | -57% | +223% | 41 | $162 | $119,169 | 11 |
| Mar 26, 2019 | - | $7,832 | +18% | +134% | 41 | $191 | $127,001 | 12 |
| Mar 27, 2019 | - | $8,282 | +6% | +177% | 41 | $202 | $135,283 | 13 |
| Mar 28, 2019 | - | $5,666 | -32% | +124% | 41 | $138 | $140,949 | 14 |
| Mar 29, 2019 | - | $32,681 | +477% | +39% | 232 | $141 | $173,630 | 15 |
| Mar 30, 2019 | - | $52,357 | +60% | +83% | 232 | $226 | $225,987 | 16 |
| Mar 31, 2019 | - | $35,461 | -32% | +131% | 232 | $153 | $261,448 | 17 |
| Apr 5, 2019 | - | $5,513 | -83% | 71 | $78 | $335,609 | 22 | |
| Apr 6, 2019 | - | $6,956 | +26% | -87% | 71 | $98 | $342,565 | 23 |
| Apr 7, 2019 | - | $6,126 | -12% | -83% | 71 | $86 | $348,691 | 24 |
| Apr 8, 2019 | - | $2,716 | -56% | 71 | $38 | $351,407 | 25 | |
| Apr 9, 2019 | - | $4,323 | +59% | 71 | $61 | $355,730 | 26 | |
| Apr 10, 2019 | - | $2,347 | -46% | 71 | $33 | $358,077 | 27 | |
| Apr 11, 2019 | - | $3,444 | +47% | 71 | $49 | $361,521 | 28 | |
| Apr 12, 2019 | - | $1,797 | -48% | -67% | 19 | $95 | $363,318 | 29 |
| Apr 13, 2019 | - | $2,148 | +20% | -69% | 19 | $113 | $365,466 | 30 |
| Apr 14, 2019 | - | $1,468 | -32% | -76% | 19 | $77 | $366,934 | 31 |
| Apr 15, 2019 | - | $663 | -55% | -76% | 19 | $35 | $367,597 | 32 |
| Apr 16, 2019 | - | $938 | +41% | -78% | 19 | $49 | $368,535 | 33 |
| Apr 17, 2019 | - | $593 | -37% | -75% | 19 | $31 | $369,128 | 34 |
| Apr 18, 2019 | - | $572 | -4% | -83% | 19 | $30 | $369,700 | 35 |
| Apr 19, 2019 | - | $529 | -8% | -71% | 5 | $106 | $370,229 | 36 |
| Apr 20, 2019 | - | $422 | -20% | -80% | 5 | $84 | $370,651 | 37 |
| Apr 21, 2019 | - | $298 | -29% | -80% | 5 | $60 | $370,949 | 38 |
| Apr 26, 2019 | - | $101 | -81% | 2 | $51 | $371,439 | 43 | |
| Apr 27, 2019 | - | $190 | +88% | -55% | 2 | $95 | $371,629 | 44 |
| Apr 28, 2019 | - | $155 | -18% | -48% | 2 | $78 | $371,784 | 45 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 2019 | 54 | $45,115 | 4 | $11,279 | $45,115 | 1 | |
| Mar 22, 2019 | 38 | $95,834 | +112% | 41 | $2,337 | $140,949 | 2 |
| Mar 29, 2019 | 25 | $189,147 | +97% | 232 | $815 | $330,096 | 3 |
| Apr 5, 2019 | 43 | $31,425 | -83% | 71 | $443 | $361,521 | 4 |
| Apr 12, 2019 | 70 | $8,179 | -74% | 19 | $430 | $369,700 | 5 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.