The Hunt (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $5,812,500 | Details |
| International Box Office | $6,588,479 | Details |
| Worldwide Box Office | $12,400,979 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $2,092,212 | |
| Blu-ray Sales (estimated) | $2,621,975 | |
| Total | $4,714,187 | |
| OpusData ID: 327420100 More info... | ||
| Further financial details... | ||
Synopsis
Twelve strangers wake up in a clearing. They don’t know where they are, or how they got there. They don't know they’ve been chosen… for a very specific purpose… The Hunt. In the shadow of a dark internet conspiracy theory, a group of elites gathers for the very first time at a remote Manor House to hunt ordinary Americans for sport. But the elites’ master plan is about to be derailed because one of The Hunted, Crystal, knows The Hunters’ game better than they do. She turns the tables on the killers, picking them off, one by one, as she makes her way toward the mysterious woman at the center of it all.
Metrics
| Opening Weekend: | $5,304,455 (91.3% of total gross) |
| Legs: | 1.10 (domestic box office/biggest weekend) |
| Domestic Share: | 46.9% (domestic box office/worldwide) |
| Production Budget: | $18,200,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 3,028 opening theaters/3,028 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,572,713 |
Movie Details
| Domestic Releases: | March 13th, 2020 (Wide) by Universal |
| International Releases: | March 12th, 2020 (Wide) (Bolivia)
March 13th, 2020 (Wide), released as La Casería (Mexico) March 13th, 2020 (Wide) (United Kingdom) March 13th, 2020 (Wide) (Sweden) March 19th, 2020 (Wide) (Hong Kong) ... Show all releases |
| Video Release: | March 20th, 2020 by Universal Home Entertainment July 6th, 2020 by Netflix UK |
| MPA Rating: | R for strong bloody violence, and language throughout. (Rating bulletin 2617 (Cert #52363), 2/19/2020) |
| Running Time: | 115 minutes |
| Plot point: | Humans as Prey, Hunting, Mistaken Identity, Political, Satire |
| Release detail: | Delayed Release |
| Subgenre: | Action Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Blumhouse, Universal Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 13, 2020 | 5 | $5,304,455 | 3,028 | $1,752 | $5,304,455 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Mar 12, 2020 | P | $435,000 | 2,200 | $198 | $435,000 | ||
| Mar 13, 2020 | 4 | $2,210,940 | 3,028 | $730 | $2,210,940 | 1 | |
| Mar 14, 2020 | 5 | $1,874,515 | -15% | 3,028 | $619 | $4,085,455 | 2 |
| Mar 15, 2020 | 5 | $1,219,000 | -35% | 3,028 | $403 | $5,304,455 | 3 |
| Mar 16, 2020 | 5 | $356,860 | -71% | 3,028 | $118 | $5,661,315 | 4 |
| Mar 17, 2020 | 5 | $113,745 | -68% | 3,028 | $38 | $5,775,060 | 5 |
| Mar 18, 2020 | 5 | $24,340 | -79% | 3,028 | $8 | $5,799,400 | 6 |
| Mar 19, 2020 | 6 | $13,100 | -46% | 3,028 | $4 | $5,812,500 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 13, 2020 | 5 | $5,812,500 | 3,028 | $1,920 | $5,812,500 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Austria | 6/5/2020 | $4,863 | 11 | 19 | 143 | $64,865 | ||||
| Belgium | 6/17/2020 | $1,719 | 2 | 25 | 118 | $115,061 | ||||
| Bolivia | 3/12/2020 | $0 | 0 | 5 | 18 | $19,487 | ||||
| Central America | 7/2/2020 | $9,639 | 3 | 16 | 84 | $86,796 | ||||
| Colombia | 12/17/2020 | $29,666 | 112 | 112 | 141 | $51,432 | ||||
| Czech Republic | 5/15/2020 | $8,574 | 46 | 54 | 276 | $76,393 | ||||
| Ecuador | 10/16/2020 | $0 | 0 | 2 | 2 | $76,110 | ||||
| Egypt | 7/22/2020 | $11,399 | 20 | 20 | 82 | $54,726 | ||||
| France | 6/22/2020 | $142,759 | 188 | 210 | 709 | $423,817 | ||||
| Germany | 5/14/2020 | $33,800 | 9 | 41 | 319 | $237,930 | ||||
| Greece | 6/18/2020 | $0 | 0 | 10 | 42 | $30,665 | ||||
| Hong Kong | 3/19/2020 | $0 | 0 | 57 | 123 | $245,947 | ||||
| Iceland | 6/5/2020 | $5,683 | 3 | 3 | 6 | $12,795 | ||||
| India | 9/25/2020 | $1,368 | 6 | 6 | 11 | $2,917 | 10/9/2020 | |||
| Indonesia | 2/17/2021 | $59,306 | 156 | 156 | 220 | $95,179 | ||||
| Japan | 10/30/2020 | $0 | 0 | 22 | 93 | $266,965 | ||||
| Lebanon | 10/1/2020 | $1,321 | 1 | 1 | 1 | $1,689 | ||||
| Mexico | 3/13/2020 | $0 | 0 | 242 | 868 | $536,032 | ||||
| Middle East Region | 7/16/2020 | $147,497 | 13 | 15 | 91 | $821,829 | 12/16/2020 | |||
| Netherlands | 5/22/2020 | $0 | 0 | 38 | 311 | $282,446 | ||||
| Poland | 7/24/2020 | $42,887 | 153 | 153 | 631 | $230,823 | ||||
| Singapore | 8/13/2020 | $37,228 | 34 | 34 | 82 | $82,140 | ||||
| Slovakia | 6/11/2020 | $4,123 | 26 | 36 | 150 | $65,451 | ||||
| Slovenia | 6/4/2020 | $2,469 | 4 | 5 | 41 | $22,793 | ||||
| South Korea | 4/23/2020 | $14,895 | 27 | 27 | 50 | $38,020 | ||||
| Spain | 7/31/2020 | $176,650 | 235 | 266 | 1,275 | $1,205,559 | ||||
| Sri Lanka | 9/25/2020 | $0 | 0 | 2 | 4 | $4,380 | ||||
| Sweden | 3/13/2020 | $0 | 0 | 23 | 94 | $71,312 | ||||
| Switzerland | 6/6/2020 | $47,442 | 22 | 33 | 275 | $363,272 | ||||
| Thailand | 8/13/2020 | $15,880 | 15 | 15 | 31 | $28,128 | ||||
| Trinidad | 7/29/2020 | $3,226 | 10 | 10 | 28 | $9,434 | ||||
| United Arab Emirates | 7/16/2020 | $49,331 | 31 | 33 | 127 | $175,672 | ||||
| United Kingdom | 3/13/2020 | $672,962 | 448 | 448 | 482 | $788,414 | ||||
| International Total | $6,588,479 | 12/16/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ike Barinholtz | Staten Island | |
| Betty Gilpin | Crystal | |
| Emma Roberts | Yoga Pants | |
| Hilary Swank | Athena |
Supporting
| Ethan Suplee | Gary | |
| Amy Madigan | Ma | |
| Reed Birney | Pop | |
| Chris Berry | Target | |
| Sturgill Simpson | Vanilla Nice | |
| Kate Nowlin | Big Red | |
| Glenn Howerton | Richard | |
| Steve Coulter | The Doctor | |
| Dean West | Martin | |
| Vince Pisani | Peter | |
| Teri Wyble | Liberty | |
| Steve Mokate | Sergeant Dale | |
| Sylvia Grace Crim | Dead Sexy | |
| Jason Kirkpatrick | Rannnndeeee | |
| Macon Blair | Fauxnvoy | |
| J.C. MacKenzie | Paul | |
| Tadasay Young | Nicole | |
| Hannah Aline | Flight Attendant / Not Stewardess / Kelly | |
| Jim Klock | Captain O’Hara | |
| Usman Ally | Crisis Mike | |
| Walker Babington | Bandana Man | |
| Aril Eliaz | Dino | |
| Alexander Babara | Bojan | |
| Ned Yousef | Bearded Refugee | |
| Tirol Palmer | Refugee Mother | |
| Iyad Hajjaj | Backpack Refugee | |
| Mikel Albagdadi | Refugee Man | |
| Martini Harris | Agent in Charge | |
| Yosef Kasnetzkov | Border Agent | |
| Jeff Brockton | Border Agent | |
| Troy Jason Roker | Border Agent |
Production and Technical Credits
| Craig Zobel | Director | |
| Damon Lindelof | Screenwriter | |
| Nick Cuse | Screenwriter | |
| Jason Blum | Producer | |
| Damon Lindelof | Producer | |
| Nick Cuse | Executive Producer | |
| Craig Zobel | Executive Producer | |
| Steven R Molen | Executive Producer | |
| Couper Samuelson | Executive Producer | |
| Jeanette Volturno* | Executive Producer | |
| Darran Tiernan | Director of Photography | |
| Jane Rizzo | Editor | |
| David Tabbert | Costume Designer | |
| Nathan Barr | Composer | |
| Matthew Munn | Production Designer | |
| Terri Taylor | Casting Director | |
| Julie Goldstein | Co-Producer | |
| Jennifer Scudder Trent | Co-Producer | |
| John Brister | Unit Production Manager | |
| Lars P. Winther | First Assistant Director | |
| Stephen LoNano | Second Assistant Director | |
| Tim Alverson | Additional Editor | |
| Jason Baldwin-Stewart* | Art Director | |
| Jessica Stumpf | Set Designer | |
| Ryan Falkner | Story Artist | |
| Monique Champagne | Set Decorator | |
| Robert C. Bigelow | Sound Mixer | |
| Matthew “Smalls” Kutcher* | Special Effects Coordinator | |
| Suzanne Chambliss | Costume Supervisor | |
| Lauren Thomas | Make up | |
| Leah Vautrot | Make up | |
| Emily Stegeman | Hairstylist | |
| Dee Leveque | Hairstylist | |
| David Bush | Script Supervisor | |
| Yvette LaPlace | Location Manager | |
| Kevin Roberts | Production Supervisor | |
| Will Files | Supervising Sound Editor | |
| Rich Bologna | Supervising Sound Editor | |
| Rich Bologna | Sound Designer | |
| Phil Barrie | Sound Editor | |
| Diego Perez | Sound Editor | |
| Polly McKinnon | Dialogue Editor | |
| Ryan Collison | Foley Mixer | |
| Nick Seaman | Foley Editor | |
| Laura Heinzinger | Foley Editor | |
| Will Files | Re-recording Mixer | |
| Mark Paterson | Re-recording Mixer | |
| Justin Burnett | Additional Music | |
| Stephen Lukach | Additional Music | |
| Kevin Crehan | Music Editor | |
| Greg Hayes | Score Recordist | |
| Greg Hayes | Score Mixer | |
| Johnny Gibson | Visual Effects Supervisor | |
| Ed Hawkins | Visual Effects Supervisor | |
| Jenne Marie Guerra | Visual Effects Producer | |
| Hank Amos | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Twelve strangers wake up in a clearing. They don’t know where they are, or how they got there. They don't know they’ve been chosen… for a very specific purpose… The Hunt. In the shadow of a dark internet conspiracy theory, a group of elites gathers for the very first time at a remote Manor House to hunt ordinary Americans for sport. But the elites’ master plan is about to be derailed because one of The Hunted, Crystal, knows The Hunters’ game better than they do. She turns the tables on the killers, picking them off, one by one, as she makes her way toward the mysterious woman at the center of it all.
Metrics
| Opening Weekend: | $5,304,455 (91.3% of total gross) |
| Legs: | 1.10 (domestic box office/biggest weekend) |
| Domestic Share: | 46.9% (domestic box office/worldwide) |
| Production Budget: | $18,200,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 3,028 opening theaters/3,028 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,572,713 |
Movie Details
| Domestic Releases: | March 13th, 2020 (Wide) by Universal |
| International Releases: | March 12th, 2020 (Wide) (Bolivia)
March 13th, 2020 (Wide), released as La Casería (Mexico) March 13th, 2020 (Wide) (United Kingdom) March 13th, 2020 (Wide) (Sweden) March 19th, 2020 (Wide) (Hong Kong) ... Show all releases |
| Video Release: | March 20th, 2020 by Universal Home Entertainment July 6th, 2020 by Netflix UK |
| MPA Rating: | R for strong bloody violence, and language throughout. (Rating bulletin 2617 (Cert #52363), 2/19/2020) |
| Running Time: | 115 minutes |
| Plot point: | Humans as Prey, Hunting, Mistaken Identity, Political, Satire |
| Release detail: | Delayed Release |
| Subgenre: | Action Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Blumhouse, Universal Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 13, 2020 | 5 | $5,304,455 | 3,028 | $1,752 | $5,304,455 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Mar 12, 2020 | P | $435,000 | 2,200 | $198 | $435,000 | ||
| Mar 13, 2020 | 4 | $2,210,940 | 3,028 | $730 | $2,210,940 | 1 | |
| Mar 14, 2020 | 5 | $1,874,515 | -15% | 3,028 | $619 | $4,085,455 | 2 |
| Mar 15, 2020 | 5 | $1,219,000 | -35% | 3,028 | $403 | $5,304,455 | 3 |
| Mar 16, 2020 | 5 | $356,860 | -71% | 3,028 | $118 | $5,661,315 | 4 |
| Mar 17, 2020 | 5 | $113,745 | -68% | 3,028 | $38 | $5,775,060 | 5 |
| Mar 18, 2020 | 5 | $24,340 | -79% | 3,028 | $8 | $5,799,400 | 6 |
| Mar 19, 2020 | 6 | $13,100 | -46% | 3,028 | $4 | $5,812,500 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 13, 2020 | 5 | $5,812,500 | 3,028 | $1,920 | $5,812,500 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Austria | 6/5/2020 | $4,863 | 11 | 19 | 143 | $64,865 | ||||
| Belgium | 6/17/2020 | $1,719 | 2 | 25 | 118 | $115,061 | ||||
| Bolivia | 3/12/2020 | $0 | 0 | 5 | 18 | $19,487 | ||||
| Central America | 7/2/2020 | $9,639 | 3 | 16 | 84 | $86,796 | ||||
| Colombia | 12/17/2020 | $29,666 | 112 | 112 | 141 | $51,432 | ||||
| Czech Republic | 5/15/2020 | $8,574 | 46 | 54 | 276 | $76,393 | ||||
| Ecuador | 10/16/2020 | $0 | 0 | 2 | 2 | $76,110 | ||||
| Egypt | 7/22/2020 | $11,399 | 20 | 20 | 82 | $54,726 | ||||
| France | 6/22/2020 | $142,759 | 188 | 210 | 709 | $423,817 | ||||
| Germany | 5/14/2020 | $33,800 | 9 | 41 | 319 | $237,930 | ||||
| Greece | 6/18/2020 | $0 | 0 | 10 | 42 | $30,665 | ||||
| Hong Kong | 3/19/2020 | $0 | 0 | 57 | 123 | $245,947 | ||||
| Iceland | 6/5/2020 | $5,683 | 3 | 3 | 6 | $12,795 | ||||
| India | 9/25/2020 | $1,368 | 6 | 6 | 11 | $2,917 | 10/9/2020 | |||
| Indonesia | 2/17/2021 | $59,306 | 156 | 156 | 220 | $95,179 | ||||
| Japan | 10/30/2020 | $0 | 0 | 22 | 93 | $266,965 | ||||
| Lebanon | 10/1/2020 | $1,321 | 1 | 1 | 1 | $1,689 | ||||
| Mexico | 3/13/2020 | $0 | 0 | 242 | 868 | $536,032 | ||||
| Middle East Region | 7/16/2020 | $147,497 | 13 | 15 | 91 | $821,829 | 12/16/2020 | |||
| Netherlands | 5/22/2020 | $0 | 0 | 38 | 311 | $282,446 | ||||
| Poland | 7/24/2020 | $42,887 | 153 | 153 | 631 | $230,823 | ||||
| Singapore | 8/13/2020 | $37,228 | 34 | 34 | 82 | $82,140 | ||||
| Slovakia | 6/11/2020 | $4,123 | 26 | 36 | 150 | $65,451 | ||||
| Slovenia | 6/4/2020 | $2,469 | 4 | 5 | 41 | $22,793 | ||||
| South Korea | 4/23/2020 | $14,895 | 27 | 27 | 50 | $38,020 | ||||
| Spain | 7/31/2020 | $176,650 | 235 | 266 | 1,275 | $1,205,559 | ||||
| Sri Lanka | 9/25/2020 | $0 | 0 | 2 | 4 | $4,380 | ||||
| Sweden | 3/13/2020 | $0 | 0 | 23 | 94 | $71,312 | ||||
| Switzerland | 6/6/2020 | $47,442 | 22 | 33 | 275 | $363,272 | ||||
| Thailand | 8/13/2020 | $15,880 | 15 | 15 | 31 | $28,128 | ||||
| Trinidad | 7/29/2020 | $3,226 | 10 | 10 | 28 | $9,434 | ||||
| United Arab Emirates | 7/16/2020 | $49,331 | 31 | 33 | 127 | $175,672 | ||||
| United Kingdom | 3/13/2020 | $672,962 | 448 | 448 | 482 | $788,414 | ||||
| International Total | $6,588,479 | 12/16/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ike Barinholtz | Staten Island | |
| Betty Gilpin | Crystal | |
| Emma Roberts | Yoga Pants | |
| Hilary Swank | Athena |
Supporting
| Ethan Suplee | Gary | |
| Amy Madigan | Ma | |
| Reed Birney | Pop | |
| Chris Berry | Target | |
| Sturgill Simpson | Vanilla Nice | |
| Kate Nowlin | Big Red | |
| Glenn Howerton | Richard | |
| Steve Coulter | The Doctor | |
| Dean West | Martin | |
| Vince Pisani | Peter | |
| Teri Wyble | Liberty | |
| Steve Mokate | Sergeant Dale | |
| Sylvia Grace Crim | Dead Sexy | |
| Jason Kirkpatrick | Rannnndeeee | |
| Macon Blair | Fauxnvoy | |
| J.C. MacKenzie | Paul | |
| Tadasay Young | Nicole | |
| Hannah Aline | Flight Attendant / Not Stewardess / Kelly | |
| Jim Klock | Captain O’Hara | |
| Usman Ally | Crisis Mike | |
| Walker Babington | Bandana Man | |
| Aril Eliaz | Dino | |
| Alexander Babara | Bojan | |
| Ned Yousef | Bearded Refugee | |
| Tirol Palmer | Refugee Mother | |
| Iyad Hajjaj | Backpack Refugee | |
| Mikel Albagdadi | Refugee Man | |
| Martini Harris | Agent in Charge | |
| Yosef Kasnetzkov | Border Agent | |
| Jeff Brockton | Border Agent | |
| Troy Jason Roker | Border Agent |
Production and Technical Credits
| Craig Zobel | Director | |
| Damon Lindelof | Screenwriter | |
| Nick Cuse | Screenwriter | |
| Jason Blum | Producer | |
| Damon Lindelof | Producer | |
| Nick Cuse | Executive Producer | |
| Craig Zobel | Executive Producer | |
| Steven R Molen | Executive Producer | |
| Couper Samuelson | Executive Producer | |
| Jeanette Volturno* | Executive Producer | |
| Darran Tiernan | Director of Photography | |
| Jane Rizzo | Editor | |
| David Tabbert | Costume Designer | |
| Nathan Barr | Composer | |
| Matthew Munn | Production Designer | |
| Terri Taylor | Casting Director | |
| Julie Goldstein | Co-Producer | |
| Jennifer Scudder Trent | Co-Producer | |
| John Brister | Unit Production Manager | |
| Lars P. Winther | First Assistant Director | |
| Stephen LoNano | Second Assistant Director | |
| Tim Alverson | Additional Editor | |
| Jason Baldwin-Stewart* | Art Director | |
| Jessica Stumpf | Set Designer | |
| Ryan Falkner | Story Artist | |
| Monique Champagne | Set Decorator | |
| Robert C. Bigelow | Sound Mixer | |
| Matthew “Smalls” Kutcher* | Special Effects Coordinator | |
| Suzanne Chambliss | Costume Supervisor | |
| Lauren Thomas | Make up | |
| Leah Vautrot | Make up | |
| Emily Stegeman | Hairstylist | |
| Dee Leveque | Hairstylist | |
| David Bush | Script Supervisor | |
| Yvette LaPlace | Location Manager | |
| Kevin Roberts | Production Supervisor | |
| Will Files | Supervising Sound Editor | |
| Rich Bologna | Supervising Sound Editor | |
| Rich Bologna | Sound Designer | |
| Phil Barrie | Sound Editor | |
| Diego Perez | Sound Editor | |
| Polly McKinnon | Dialogue Editor | |
| Ryan Collison | Foley Mixer | |
| Nick Seaman | Foley Editor | |
| Laura Heinzinger | Foley Editor | |
| Will Files | Re-recording Mixer | |
| Mark Paterson | Re-recording Mixer | |
| Justin Burnett | Additional Music | |
| Stephen Lukach | Additional Music | |
| Kevin Crehan | Music Editor | |
| Greg Hayes | Score Recordist | |
| Greg Hayes | Score Mixer | |
| Johnny Gibson | Visual Effects Supervisor | |
| Ed Hawkins | Visual Effects Supervisor | |
| Jenne Marie Guerra | Visual Effects Producer | |
| Hank Amos | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.