Hunter Killer (2018)
| Theatrical Performance | ||
| Domestic Box Office | $15,767,460 | Details |
| International Box Office | $13,544,661 | Details |
| Worldwide Box Office | $29,312,121 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $4,031,249 | |
| Blu-ray Sales (estimated) | $3,999,891 | |
| Total | $8,031,140 | |
| OpusData ID: 162090100 More info... | ||
| Further financial details... | ||
Synopsis
An untested American submarine captain teams with U.S. Navy Seals to rescue the Russian president, who has been kidnapped by a rogue general.
Metrics
| Opening Weekend: | $6,653,777 (42.2% of total gross) |
| Legs: | 2.37 (domestic box office/biggest weekend) |
| Domestic Share: | 53.8% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 2,720 opening theaters/2,720 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,700,201 |
Movie Details
| Domestic Releases: | October 26th, 2018 (Wide) by Lionsgate |
| International Releases: | October 19th, 2018 (Wide) (United Kingdom)
October 26th, 2018 (Wide) (Netherlands) October 26th, 2018 (Wide) (Portugal) October 26th, 2018 (Wide), released as Унищожителят (Bulgaria) October 26th, 2018 (Wide) (Brazil) ... Show all releases |
| Video Release: | January 15th, 2019 by Lionsgate Home Entertainment |
| MPA Rating: | R for violence and some language. (Rating bulletin 2510 (Cert #51417), 1/17/2018) |
| Running Time: | 121 minutes |
| Cast, crew, or production detail: | Posthumous Release |
| Geographical setting: | Russia |
| Plot point: | Betrayal, Kidnap, Military Coup, Navy Seals, Political, Rescue |
| Social setting: | Submarine |
| Subgenre: | Action Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Original Film, Millennium Films, G-Base, Relativity Media, Millennium Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 2018 | 5 | $6,653,777 | 2,720 | $2,446 | $6,653,777 | 1 | |
| Nov 2, 2018 | 9 | $3,528,129 | -47% | 2,720 | $1,297 | $12,968,245 | 2 |
| Nov 9, 2018 | 20 | $726,230 | -79% | 957 | $759 | $15,202,381 | 3 |
| Nov 16, 2018 | 32 | $84,702 | -88% | 194 | $437 | $15,649,493 | 4 |
| Nov 23, 2018 | 42 | $42,471 | -50% | 101 | $421 | $15,746,315 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 25, 2018 | P | $420,000 | 0 | $420,000 | ||||
| Oct 26, 2018 | 4 | $2,559,110 | 2,720 | $941 | $2,559,110 | 1 | ||
| Oct 27, 2018 | 5 | $2,454,422 | -4% | 2,720 | $902 | $5,013,532 | 2 | |
| Oct 28, 2018 | 5 | $1,640,245 | -33% | 2,720 | $603 | $6,653,777 | 3 | |
| Oct 29, 2018 | 4 | $621,605 | -62% | 2,720 | $229 | $7,275,382 | 4 | |
| Oct 30, 2018 | 4 | $970,999 | +56% | 2,720 | $357 | $8,246,381 | 5 | |
| Oct 31, 2018 | 5 | $666,682 | -31% | 2,720 | $245 | $8,913,063 | 6 | |
| Nov 1, 2018 | 4 | $527,053 | -21% | 2,720 | $194 | $9,440,116 | 7 | |
| Nov 2, 2018 | 7 | $1,067,163 | +102% | -58% | 2,720 | $392 | $10,507,279 | 8 |
| Nov 3, 2018 | 10 | $1,493,234 | +40% | -39% | 2,720 | $549 | $12,000,513 | 9 |
| Nov 4, 2018 | 9 | $967,732 | -35% | -41% | 2,720 | $356 | $12,968,245 | 10 |
| Nov 5, 2018 | 7 | $343,823 | -64% | -45% | 2,720 | $126 | $13,312,068 | 11 |
| Nov 6, 2018 | 9 | $555,396 | +62% | -43% | 2,720 | $204 | $13,867,464 | 12 |
| Nov 7, 2018 | 7 | $351,793 | -37% | -47% | 2,720 | $129 | $14,219,257 | 13 |
| Nov 8, 2018 | 8 | $256,894 | -27% | -51% | 2,720 | $94 | $14,476,151 | 14 |
| Nov 9, 2018 | - | $211,049 | -18% | -80% | 957 | $221 | $14,687,200 | 15 |
| Nov 10, 2018 | - | $305,346 | +45% | -80% | 957 | $319 | $14,992,546 | 16 |
| Nov 11, 2018 | - | $209,835 | -31% | -78% | 957 | $219 | $15,202,381 | 17 |
| Nov 12, 2018 | - | $126,560 | -40% | -63% | 957 | $132 | $15,328,941 | 18 |
| Nov 13, 2018 | 13 | $108,188 | -15% | -81% | 957 | $113 | $15,437,129 | 19 |
| Nov 14, 2018 | 14 | $76,455 | -29% | -78% | 957 | $80 | $15,513,584 | 20 |
| Nov 15, 2018 | - | $51,207 | -33% | -80% | 957 | $54 | $15,564,791 | 21 |
| Nov 16, 2018 | - | $23,965 | -53% | -89% | 194 | $124 | $15,588,756 | 22 |
| Nov 17, 2018 | - | $34,315 | +43% | -89% | 194 | $177 | $15,623,071 | 23 |
| Nov 18, 2018 | - | $26,422 | -23% | -87% | 194 | $136 | $15,649,493 | 24 |
| Nov 19, 2018 | - | $21,544 | -18% | -83% | 194 | $111 | $15,671,037 | 25 |
| Nov 20, 2018 | - | $17,007 | -21% | -84% | 194 | $88 | $15,688,044 | 26 |
| Nov 21, 2018 | - | $8,141 | -52% | -89% | 101 | $81 | $15,696,185 | 27 |
| Nov 22, 2018 | - | $7,659 | -6% | -85% | 101 | $76 | $15,703,844 | 28 |
| Nov 23, 2018 | - | $15,177 | +98% | -37% | 101 | $150 | $15,719,021 | 29 |
| Nov 24, 2018 | - | $16,752 | +10% | -51% | 101 | $166 | $15,735,773 | 30 |
| Nov 25, 2018 | - | $10,542 | -37% | -60% | 101 | $104 | $15,746,315 | 31 |
| Nov 26, 2018 | - | $4,683 | -56% | -78% | 101 | $46 | $15,750,998 | 32 |
| Nov 27, 2018 | - | $6,124 | +31% | -64% | 101 | $61 | $15,757,122 | 33 |
| Nov 28, 2018 | - | $5,294 | -14% | -35% | 101 | $52 | $15,762,416 | 34 |
| Nov 29, 2018 | - | $5,044 | -5% | -34% | 101 | $50 | $15,767,460 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 2018 | 4 | $9,440,116 | 2,720 | $3,471 | $9,440,116 | 1 | |
| Nov 2, 2018 | 8 | $5,036,035 | -47% | 2,720 | $1,851 | $14,476,151 | 2 |
| Nov 9, 2018 | 18 | $1,088,640 | -78% | 957 | $1,138 | $15,564,791 | 3 |
| Nov 16, 2018 | 37 | $139,053 | -87% | 101 | $1,377 | $15,703,844 | 4 |
| Nov 23, 2018 | 43 | $63,616 | -54% | 101 | $630 | $15,767,460 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/2/2018 | $372,078 | 195 | 195 | 568 | $850,995 | 11/26/2018 | |||
| Brazil | 10/26/2018 | $416,089 | 396 | 396 | 708 | $805,102 | 11/9/2018 | |||
| Bulgaria | 10/26/2018 | $20,422 | 0 | 0 | 0 | $115,430 | 2/26/2019 | |||
| Czech Republic | 11/23/2018 | $22,286 | 81 | 81 | 107 | $33,020 | 12/4/2018 | |||
| France | 12/14/2018 | $323,646 | 126 | 126 | 126 | $323,646 | 12/23/2018 | |||
| Italy | 11/8/2018 | $459,429 | 0 | 13 | 13 | $807,916 | 12/2/2018 | |||
| Japan | 4/12/2019 | $813,100 | 0 | 0 | 0 | $2,338,137 | 4/27/2019 | |||
| Lithuania | 11/2/2018 | $6,703 | 0 | 0 | 0 | $8,374 | 11/13/2018 | |||
| Mexico | 11/2/2018 | $676,977 | 0 | 0 | 0 | $1,236,046 | 11/13/2018 | |||
| Netherlands | 10/26/2018 | $335,347 | 94 | 95 | 458 | $1,111,926 | 12/11/2018 | |||
| Poland | 10/26/2018 | $93,250 | 104 | 104 | 104 | $93,250 | 1/1/2019 | |||
| Portugal | 10/26/2018 | $88,311 | 63 | 63 | 146 | $227,808 | 12/4/2018 | |||
| Romania | 11/27/2020 | $0 | 0 | 1 | 2 | $405,230 | 4/7/2021 | |||
| Russia (CIS) | 11/8/2018 | $115,831 | 543 | 543 | 725 | $188,030 | 12/11/2018 | |||
| Slovakia | 11/9/2018 | $21,773 | 55 | 55 | 88 | $37,064 | 11/27/2018 | |||
| South Korea | 11/27/2018 | $0 | 0 | 226 | 272 | $413,206 | 4/4/2026 | |||
| Spain | 11/2/2018 | $242,508 | 187 | 187 | 435 | $674,753 | 11/22/2018 | |||
| Turkey | 3/29/2019 | $33,359 | 157 | 157 | 187 | $55,912 | 4/12/2019 | |||
| United Kingdom | 10/19/2018 | $480,149 | 356 | 356 | 570 | $895,955 | 4/4/2026 | |||
| Rest of World | $2,922,861 | |||||||||
| International Total | $13,544,661 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gerard Butler | Captain Joe Glass | |
| Gary Oldman | CJCS Charles Donnegan |
Supporting
| Common | Rear Admiral John Fisk | |
| Linda Cardellini | Jane Norquist | |
| Toby Stephens | U.S. Navy SEAL Lieutenant Beaman | |
| Ethan Baird | Sonar 3 | |
| Jacob Scipio | Sonar 2 | |
| Dempsey Bovell | Sonar 1 | |
| Corey Johnson | Captain | |
| Adam James | Captain Forbes | |
| Henry Goodman | Senator from Illinois | |
| Colin Stinton | Senator from Iowa | |
| Carter MacIntyre | Executive Officer Brian Edwards | |
| Shane Taylor | TMC Turner | |
| Kola Bokinni | McCaw | |
| Mikey Collins | Brickowski | |
| Will Attenborough | Kaplan | |
| Kieron Bimpson | Nichols | |
| David Gyasi | Chief of the Boat of U.S.S. Omaha | |
| Michael Jibson | Reed | |
| Christopher Goh | Park | |
| Brian Kinney | Officer on the Deck | |
| Sarah Middleton | Liddy | |
| Taylor John Smith | Sonar Operator on U.S.S. Omaha | |
| Gabriel Chavarria | U.S. Navy Seal | |
| Cosmo Jarvis | Fathometer Operator | |
| Michael Trucco | Devin Hall | |
| Ryan McPartlin | Matt Johnstone | |
| Zane Holtz | Martinelli | |
| Richard Hills, Jr. | Medic Jones | |
| Alexander Diachenko | President Zakarin | |
| Yuri Kolokolnikov | Oleg | |
| Michael Gor | Admiral Dmitri Durov | |
| Igor Jijikine | Tretiak | |
| Ilia Volok | Captain Vlade Sutrev | |
| Hristo Mitskov | Volkov Sonarman | |
| Stefan Nikolaev Ivanov | Volkov Captain | |
| Michael Nyqvist | Captain Sergi Andropoyov | |
| Caroline Goodall | United States President Dover | |
| David Yelland | SECDEF | |
| Stuart Milligan | Secretary of State |
Production and Technical Credits
| Donovan Marsh | Director | |
| Arne L. Schmidt | Screenwriter | |
| Jamie Moss | Screenwriter | |
| Don Keith | Story based on the novel “Firing Point” by | |
| George Wallace | Story based on the novel “Firing Point” by | |
| Toby Jaffe | Producer | |
| Neal H. Moritz | Producer | |
| Gerard Butler | Producer | |
| Tucker Tooley | Producer | |
| Alan Siegel | Producer | |
| Mark Gill | Producer | |
| John Thompson | Producer | |
| Matt O'Toole | Producer | |
| Les Weldon | Producer | |
| Avi Lerner | Executive Producer | |
| Trevor Short | Executive Producer | |
| Boaz Davidson | Executive Producer | |
| Yariv Lerner | Executive Producer | |
| Douglas Urbanski | Executive Producer | |
| Lati Grobman | Executive Producer | |
| Christa Campbell | Executive Producer | |
| Arne L. Schmidt | Executive Producer | |
| Ryan Kavanaugh | Executive Producer | |
| Kenneth Halsband | Executive Producer | |
| Kevin King | Executive Producer | |
| Christine Otal | Executive Producer | |
| Samuel Hadida | Co-Executive Producer | |
| Victor Hadida | Co-Executive Producer | |
| Gisella Marengo | Co-Producer | |
| Danielle Robinson | Co-Producer | |
| Michael J. Duthie | Editor | |
| Tom Marais | Director of Photography | |
| Jon Henson | Production Designer | |
| Caroline Harris | Costume Designer | |
| Trevor Morris | Composer | |
| Elaine Granger | Casting Director | |
| Elena Melamed | Unit Production Manager | |
| Suzie Shearer | Unit Production Manager | |
| Elena Melamed | Line Producer | |
| Suzie Shearer | Line Producer | |
| Ben Burt | First Assistant Director | |
| Oana Ene | Second Assistant Director | |
| Diyan Hristov | Stunt Coordinator | |
| Paul Herbert | Stunt Coordinator | |
| Georgi Manchev | Fight Choreographer | |
| Danail “Dundee” Hadzhiyski* | Visual Effects Producer | |
| Dominic Gibbs | Supervising Sound Editor | |
| Dominic Gibbs | Sound Designer | |
| Jeanette Haley | Post-Production Supervisor | |
| Andrew Munro | Supervising Art Director | |
| Ben Collins | Supervising Art Director | |
| Alexei Karagiaur | Art Director | |
| Andrea Matheson | Art Director | |
| Nic Pallace | Art Director | |
| Chris Peterson | Art Director | |
| Ivan Rangelov | Art Director | |
| Vladimir Kaloyanov | Sound Mixer | |
| Beverley Winston | Script Supervisor | |
| Yosif Mladenov | Set Designer | |
| Lidiya Burukova | Set Designer | |
| Robert Wischhusen-Hayes | Set Decorator | |
| Orlin Grozdanov | Set Decorator | |
| Ina Damyanova | Costume Supervisor | |
| Sian Evans | Costume Supervisor | |
| Stefano Pepin | Special Effects Supervisor | |
| Ivo Jivkov | Special Effects Supervisor | |
| Elena Zhekova | Special Effects Coordinator | |
| Laura Davison | Special Effects Coordinator | |
| Elliott Meddings | Supervising Location Manager | |
| Atanas Vulev | Location Manager | |
| Thomas Bosanquet | Location Manager | |
| Ivailo Genov | Location Manager | |
| Yordan Peychev | Location Manager | |
| Ian Cunningham | First Assistant Editor | |
| Iain Thomson | First Assistant Editor | |
| Beaumont Lowenthal | Second Assistant Editor | |
| Ivan Todorov | Assistant Editor | |
| Luke Gentry | Sound Designer | |
| Kevin Penney | Sound Effects Editor | |
| Timothy Siddall | Dialogue Editor | |
| Adam Horley | ADR Editor | |
| Glen Gathard | Foley Mixer | |
| Jemma Riley-Tolch | Foley Editor | |
| Tim Cavagin | Re-recording Mixer | |
| Mark Taylor | Re-recording Mixer | |
| Gord Hillier | Additional Sound Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An untested American submarine captain teams with U.S. Navy Seals to rescue the Russian president, who has been kidnapped by a rogue general.
Metrics
| Opening Weekend: | $6,653,777 (42.2% of total gross) |
| Legs: | 2.37 (domestic box office/biggest weekend) |
| Domestic Share: | 53.8% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 2,720 opening theaters/2,720 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,700,201 |
Movie Details
| Domestic Releases: | October 26th, 2018 (Wide) by Lionsgate |
| International Releases: | October 19th, 2018 (Wide) (United Kingdom)
October 26th, 2018 (Wide) (Netherlands) October 26th, 2018 (Wide) (Portugal) October 26th, 2018 (Wide), released as Унищожителят (Bulgaria) October 26th, 2018 (Wide) (Brazil) ... Show all releases |
| Video Release: | January 15th, 2019 by Lionsgate Home Entertainment |
| MPA Rating: | R for violence and some language. (Rating bulletin 2510 (Cert #51417), 1/17/2018) |
| Running Time: | 121 minutes |
| Cast, crew, or production detail: | Posthumous Release |
| Geographical setting: | Russia |
| Plot point: | Betrayal, Kidnap, Military Coup, Navy Seals, Political, Rescue |
| Social setting: | Submarine |
| Subgenre: | Action Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Original Film, Millennium Films, G-Base, Relativity Media, Millennium Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 2018 | 5 | $6,653,777 | 2,720 | $2,446 | $6,653,777 | 1 | |
| Nov 2, 2018 | 9 | $3,528,129 | -47% | 2,720 | $1,297 | $12,968,245 | 2 |
| Nov 9, 2018 | 20 | $726,230 | -79% | 957 | $759 | $15,202,381 | 3 |
| Nov 16, 2018 | 32 | $84,702 | -88% | 194 | $437 | $15,649,493 | 4 |
| Nov 23, 2018 | 42 | $42,471 | -50% | 101 | $421 | $15,746,315 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 25, 2018 | P | $420,000 | 0 | $420,000 | ||||
| Oct 26, 2018 | 4 | $2,559,110 | 2,720 | $941 | $2,559,110 | 1 | ||
| Oct 27, 2018 | 5 | $2,454,422 | -4% | 2,720 | $902 | $5,013,532 | 2 | |
| Oct 28, 2018 | 5 | $1,640,245 | -33% | 2,720 | $603 | $6,653,777 | 3 | |
| Oct 29, 2018 | 4 | $621,605 | -62% | 2,720 | $229 | $7,275,382 | 4 | |
| Oct 30, 2018 | 4 | $970,999 | +56% | 2,720 | $357 | $8,246,381 | 5 | |
| Oct 31, 2018 | 5 | $666,682 | -31% | 2,720 | $245 | $8,913,063 | 6 | |
| Nov 1, 2018 | 4 | $527,053 | -21% | 2,720 | $194 | $9,440,116 | 7 | |
| Nov 2, 2018 | 7 | $1,067,163 | +102% | -58% | 2,720 | $392 | $10,507,279 | 8 |
| Nov 3, 2018 | 10 | $1,493,234 | +40% | -39% | 2,720 | $549 | $12,000,513 | 9 |
| Nov 4, 2018 | 9 | $967,732 | -35% | -41% | 2,720 | $356 | $12,968,245 | 10 |
| Nov 5, 2018 | 7 | $343,823 | -64% | -45% | 2,720 | $126 | $13,312,068 | 11 |
| Nov 6, 2018 | 9 | $555,396 | +62% | -43% | 2,720 | $204 | $13,867,464 | 12 |
| Nov 7, 2018 | 7 | $351,793 | -37% | -47% | 2,720 | $129 | $14,219,257 | 13 |
| Nov 8, 2018 | 8 | $256,894 | -27% | -51% | 2,720 | $94 | $14,476,151 | 14 |
| Nov 9, 2018 | - | $211,049 | -18% | -80% | 957 | $221 | $14,687,200 | 15 |
| Nov 10, 2018 | - | $305,346 | +45% | -80% | 957 | $319 | $14,992,546 | 16 |
| Nov 11, 2018 | - | $209,835 | -31% | -78% | 957 | $219 | $15,202,381 | 17 |
| Nov 12, 2018 | - | $126,560 | -40% | -63% | 957 | $132 | $15,328,941 | 18 |
| Nov 13, 2018 | 13 | $108,188 | -15% | -81% | 957 | $113 | $15,437,129 | 19 |
| Nov 14, 2018 | 14 | $76,455 | -29% | -78% | 957 | $80 | $15,513,584 | 20 |
| Nov 15, 2018 | - | $51,207 | -33% | -80% | 957 | $54 | $15,564,791 | 21 |
| Nov 16, 2018 | - | $23,965 | -53% | -89% | 194 | $124 | $15,588,756 | 22 |
| Nov 17, 2018 | - | $34,315 | +43% | -89% | 194 | $177 | $15,623,071 | 23 |
| Nov 18, 2018 | - | $26,422 | -23% | -87% | 194 | $136 | $15,649,493 | 24 |
| Nov 19, 2018 | - | $21,544 | -18% | -83% | 194 | $111 | $15,671,037 | 25 |
| Nov 20, 2018 | - | $17,007 | -21% | -84% | 194 | $88 | $15,688,044 | 26 |
| Nov 21, 2018 | - | $8,141 | -52% | -89% | 101 | $81 | $15,696,185 | 27 |
| Nov 22, 2018 | - | $7,659 | -6% | -85% | 101 | $76 | $15,703,844 | 28 |
| Nov 23, 2018 | - | $15,177 | +98% | -37% | 101 | $150 | $15,719,021 | 29 |
| Nov 24, 2018 | - | $16,752 | +10% | -51% | 101 | $166 | $15,735,773 | 30 |
| Nov 25, 2018 | - | $10,542 | -37% | -60% | 101 | $104 | $15,746,315 | 31 |
| Nov 26, 2018 | - | $4,683 | -56% | -78% | 101 | $46 | $15,750,998 | 32 |
| Nov 27, 2018 | - | $6,124 | +31% | -64% | 101 | $61 | $15,757,122 | 33 |
| Nov 28, 2018 | - | $5,294 | -14% | -35% | 101 | $52 | $15,762,416 | 34 |
| Nov 29, 2018 | - | $5,044 | -5% | -34% | 101 | $50 | $15,767,460 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 2018 | 4 | $9,440,116 | 2,720 | $3,471 | $9,440,116 | 1 | |
| Nov 2, 2018 | 8 | $5,036,035 | -47% | 2,720 | $1,851 | $14,476,151 | 2 |
| Nov 9, 2018 | 18 | $1,088,640 | -78% | 957 | $1,138 | $15,564,791 | 3 |
| Nov 16, 2018 | 37 | $139,053 | -87% | 101 | $1,377 | $15,703,844 | 4 |
| Nov 23, 2018 | 43 | $63,616 | -54% | 101 | $630 | $15,767,460 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/2/2018 | $372,078 | 195 | 195 | 568 | $850,995 | 11/26/2018 | |||
| Brazil | 10/26/2018 | $416,089 | 396 | 396 | 708 | $805,102 | 11/9/2018 | |||
| Bulgaria | 10/26/2018 | $20,422 | 0 | 0 | 0 | $115,430 | 2/26/2019 | |||
| Czech Republic | 11/23/2018 | $22,286 | 81 | 81 | 107 | $33,020 | 12/4/2018 | |||
| France | 12/14/2018 | $323,646 | 126 | 126 | 126 | $323,646 | 12/23/2018 | |||
| Italy | 11/8/2018 | $459,429 | 0 | 13 | 13 | $807,916 | 12/2/2018 | |||
| Japan | 4/12/2019 | $813,100 | 0 | 0 | 0 | $2,338,137 | 4/27/2019 | |||
| Lithuania | 11/2/2018 | $6,703 | 0 | 0 | 0 | $8,374 | 11/13/2018 | |||
| Mexico | 11/2/2018 | $676,977 | 0 | 0 | 0 | $1,236,046 | 11/13/2018 | |||
| Netherlands | 10/26/2018 | $335,347 | 94 | 95 | 458 | $1,111,926 | 12/11/2018 | |||
| Poland | 10/26/2018 | $93,250 | 104 | 104 | 104 | $93,250 | 1/1/2019 | |||
| Portugal | 10/26/2018 | $88,311 | 63 | 63 | 146 | $227,808 | 12/4/2018 | |||
| Romania | 11/27/2020 | $0 | 0 | 1 | 2 | $405,230 | 4/7/2021 | |||
| Russia (CIS) | 11/8/2018 | $115,831 | 543 | 543 | 725 | $188,030 | 12/11/2018 | |||
| Slovakia | 11/9/2018 | $21,773 | 55 | 55 | 88 | $37,064 | 11/27/2018 | |||
| South Korea | 11/27/2018 | $0 | 0 | 226 | 272 | $413,206 | 4/4/2026 | |||
| Spain | 11/2/2018 | $242,508 | 187 | 187 | 435 | $674,753 | 11/22/2018 | |||
| Turkey | 3/29/2019 | $33,359 | 157 | 157 | 187 | $55,912 | 4/12/2019 | |||
| United Kingdom | 10/19/2018 | $480,149 | 356 | 356 | 570 | $895,955 | 4/4/2026 | |||
| Rest of World | $2,922,861 | |||||||||
| International Total | $13,544,661 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gerard Butler | Captain Joe Glass | |
| Gary Oldman | CJCS Charles Donnegan |
Supporting
| Common | Rear Admiral John Fisk | |
| Linda Cardellini | Jane Norquist | |
| Toby Stephens | U.S. Navy SEAL Lieutenant Beaman | |
| Ethan Baird | Sonar 3 | |
| Jacob Scipio | Sonar 2 | |
| Dempsey Bovell | Sonar 1 | |
| Corey Johnson | Captain | |
| Adam James | Captain Forbes | |
| Henry Goodman | Senator from Illinois | |
| Colin Stinton | Senator from Iowa | |
| Carter MacIntyre | Executive Officer Brian Edwards | |
| Shane Taylor | TMC Turner | |
| Kola Bokinni | McCaw | |
| Mikey Collins | Brickowski | |
| Will Attenborough | Kaplan | |
| Kieron Bimpson | Nichols | |
| David Gyasi | Chief of the Boat of U.S.S. Omaha | |
| Michael Jibson | Reed | |
| Christopher Goh | Park | |
| Brian Kinney | Officer on the Deck | |
| Sarah Middleton | Liddy | |
| Taylor John Smith | Sonar Operator on U.S.S. Omaha | |
| Gabriel Chavarria | U.S. Navy Seal | |
| Cosmo Jarvis | Fathometer Operator | |
| Michael Trucco | Devin Hall | |
| Ryan McPartlin | Matt Johnstone | |
| Zane Holtz | Martinelli | |
| Richard Hills, Jr. | Medic Jones | |
| Alexander Diachenko | President Zakarin | |
| Yuri Kolokolnikov | Oleg | |
| Michael Gor | Admiral Dmitri Durov | |
| Igor Jijikine | Tretiak | |
| Ilia Volok | Captain Vlade Sutrev | |
| Hristo Mitskov | Volkov Sonarman | |
| Stefan Nikolaev Ivanov | Volkov Captain | |
| Michael Nyqvist | Captain Sergi Andropoyov | |
| Caroline Goodall | United States President Dover | |
| David Yelland | SECDEF | |
| Stuart Milligan | Secretary of State |
Production and Technical Credits
| Donovan Marsh | Director | |
| Arne L. Schmidt | Screenwriter | |
| Jamie Moss | Screenwriter | |
| Don Keith | Story based on the novel “Firing Point” by | |
| George Wallace | Story based on the novel “Firing Point” by | |
| Toby Jaffe | Producer | |
| Neal H. Moritz | Producer | |
| Gerard Butler | Producer | |
| Tucker Tooley | Producer | |
| Alan Siegel | Producer | |
| Mark Gill | Producer | |
| John Thompson | Producer | |
| Matt O'Toole | Producer | |
| Les Weldon | Producer | |
| Avi Lerner | Executive Producer | |
| Trevor Short | Executive Producer | |
| Boaz Davidson | Executive Producer | |
| Yariv Lerner | Executive Producer | |
| Douglas Urbanski | Executive Producer | |
| Lati Grobman | Executive Producer | |
| Christa Campbell | Executive Producer | |
| Arne L. Schmidt | Executive Producer | |
| Ryan Kavanaugh | Executive Producer | |
| Kenneth Halsband | Executive Producer | |
| Kevin King | Executive Producer | |
| Christine Otal | Executive Producer | |
| Samuel Hadida | Co-Executive Producer | |
| Victor Hadida | Co-Executive Producer | |
| Gisella Marengo | Co-Producer | |
| Danielle Robinson | Co-Producer | |
| Michael J. Duthie | Editor | |
| Tom Marais | Director of Photography | |
| Jon Henson | Production Designer | |
| Caroline Harris | Costume Designer | |
| Trevor Morris | Composer | |
| Elaine Granger | Casting Director | |
| Elena Melamed | Unit Production Manager | |
| Suzie Shearer | Unit Production Manager | |
| Elena Melamed | Line Producer | |
| Suzie Shearer | Line Producer | |
| Ben Burt | First Assistant Director | |
| Oana Ene | Second Assistant Director | |
| Diyan Hristov | Stunt Coordinator | |
| Paul Herbert | Stunt Coordinator | |
| Georgi Manchev | Fight Choreographer | |
| Danail “Dundee” Hadzhiyski* | Visual Effects Producer | |
| Dominic Gibbs | Supervising Sound Editor | |
| Dominic Gibbs | Sound Designer | |
| Jeanette Haley | Post-Production Supervisor | |
| Andrew Munro | Supervising Art Director | |
| Ben Collins | Supervising Art Director | |
| Alexei Karagiaur | Art Director | |
| Andrea Matheson | Art Director | |
| Nic Pallace | Art Director | |
| Chris Peterson | Art Director | |
| Ivan Rangelov | Art Director | |
| Vladimir Kaloyanov | Sound Mixer | |
| Beverley Winston | Script Supervisor | |
| Yosif Mladenov | Set Designer | |
| Lidiya Burukova | Set Designer | |
| Robert Wischhusen-Hayes | Set Decorator | |
| Orlin Grozdanov | Set Decorator | |
| Ina Damyanova | Costume Supervisor | |
| Sian Evans | Costume Supervisor | |
| Stefano Pepin | Special Effects Supervisor | |
| Ivo Jivkov | Special Effects Supervisor | |
| Elena Zhekova | Special Effects Coordinator | |
| Laura Davison | Special Effects Coordinator | |
| Elliott Meddings | Supervising Location Manager | |
| Atanas Vulev | Location Manager | |
| Thomas Bosanquet | Location Manager | |
| Ivailo Genov | Location Manager | |
| Yordan Peychev | Location Manager | |
| Ian Cunningham | First Assistant Editor | |
| Iain Thomson | First Assistant Editor | |
| Beaumont Lowenthal | Second Assistant Editor | |
| Ivan Todorov | Assistant Editor | |
| Luke Gentry | Sound Designer | |
| Kevin Penney | Sound Effects Editor | |
| Timothy Siddall | Dialogue Editor | |
| Adam Horley | ADR Editor | |
| Glen Gathard | Foley Mixer | |
| Jemma Riley-Tolch | Foley Editor | |
| Tim Cavagin | Re-recording Mixer | |
| Mark Taylor | Re-recording Mixer | |
| Gord Hillier | Additional Sound Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.