Hurry Up Tomorrow (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $5,215,357 | Details |
| International Box Office | $2,548,166 | Details |
| Worldwide Box Office | $7,763,523 | |
| OpusData ID: 711490100 More info... | ||
| Further financial details... | ||
Synopsis
A musician plagued by insomnia is pulled into an odyssey with a stranger who begins to unravel the very core of his existence.
Metrics
| Opening Weekend: | $3,312,692 (63.5% of total gross) |
| Legs: | 1.57 (domestic box office/biggest weekend) |
| Domestic Share: | 67.2% (domestic box office/worldwide) |
| Production Budget: | $15,000,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 2,020 opening theaters/2,020 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,215,357 |
Movie Details
| Domestic Releases: | May 16th, 2025 (Wide) by Lionsgate |
| International Releases: | May 14th, 2025 (Wide) (Germany)
May 15th, 2025 (Limited), released as Hurry Up Tomorrow: Além dos holofotes (Brazil) May 15th, 2025 (Limited) (Croatia) May 15th, 2025 (Wide) (Portugal) May 15th, 2025 (Limited) (Netherlands) ... Show all releases |
| Video Release: | June 6th, 2025 by Lionsgate Home Entertainment |
| MPA Rating: | R for language throughout, drug use, some bloody violence and brief nudity. (Rating bulletin 2877 (cert #55301), 3/19/2025) |
| Running Time: | 116 minutes |
| Cast, crew, or production detail: | Fictionalized Version of Yourself |
| Plot point: | Arson, Depression, Mental Illness, Musicians, Relationships Gone Wrong, Singers, Stalker |
| Release detail: | Festival Package Deal |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Manic Phase, Lionsgate |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 16, 2025 | 6 | $3,312,692 | 2,020 | $1,640 | $3,312,692 | 1 | |
| May 23, 2025 | 10 | $688,023 | -79% | 1,508 | $456 | $4,761,987 | 2 |
| May 30, 2025 | - | $35,977 | -95% | 124 | $290 | $5,189,082 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 15, 2025 | P | $1,650,000 | 0 | $1,650,000 | ||||
| May 16, 2025 | 4 | $2,334,959 | 2,020 | $1,156 | $2,334,959 | 1 | ||
| May 17, 2025 | 7 | $575,745 | -75% | 2,020 | $285 | $2,910,704 | 2 | |
| May 18, 2025 | 6 | $401,988 | -30% | 2,020 | $199 | $3,312,692 | 3 | |
| May 19, 2025 | 6 | $205,707 | -49% | 2,020 | $102 | $3,518,399 | 4 | |
| May 20, 2025 | - | $261,994 | +27% | 2,020 | $130 | $3,780,393 | 5 | |
| May 21, 2025 | - | $179,116 | -32% | 2,020 | $89 | $3,959,509 | 6 | |
| May 22, 2025 | 6 | $114,455 | -36% | 2,020 | $57 | $4,073,964 | 7 | |
| May 23, 2025 | 10 | $220,578 | +93% | -91% | 1,508 | $146 | $4,294,542 | 8 |
| May 24, 2025 | 10 | $256,254 | +16% | -55% | 1,508 | $170 | $4,550,796 | 9 |
| May 25, 2025 | 10 | $211,191 | -18% | -47% | 1,508 | $140 | $4,761,987 | 10 |
| May 26, 2025 | 10 | $157,228 | -26% | -24% | 1,508 | $104 | $4,919,215 | 11 |
| May 27, 2025 | - | $98,163 | -38% | -63% | 1,508 | $65 | $5,017,378 | 12 |
| May 28, 2025 | - | $91,673 | -7% | -49% | 1,508 | $61 | $5,109,051 | 13 |
| May 29, 2025 | 9 | $44,054 | -52% | -62% | 1,508 | $29 | $5,153,105 | 14 |
| May 30, 2025 | - | $11,754 | -73% | -95% | 124 | $95 | $5,164,859 | 15 |
| May 31, 2025 | - | $12,911 | +10% | -95% | 124 | $104 | $5,177,770 | 16 |
| Jun 1, 2025 | - | $11,312 | -12% | -95% | 124 | $91 | $5,189,082 | 17 |
| Jun 2, 2025 | - | $7,726 | -32% | -95% | 124 | $62 | $5,196,808 | 18 |
| Jun 3, 2025 | - | $8,266 | +7% | -92% | 124 | $67 | $5,205,074 | 19 |
| Jun 4, 2025 | - | $7,051 | -15% | -92% | 124 | $57 | $5,212,125 | 20 |
| Jun 5, 2025 | - | $3,232 | -54% | -93% | 124 | $26 | $5,215,357 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 16, 2025 | 6 | $4,073,964 | 2,020 | $2,017 | $4,073,964 | 1 | |
| May 23, 2025 | 10 | $1,079,141 | -74% | 1,508 | $716 | $5,153,105 | 2 |
| May 30, 2025 | 18 | $62,252 | -94% | 124 | $502 | $5,215,357 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/15/2025 | $114,949 | 145 | 145 | 0 | $182,346 | 4/6/2026 | |||
| Chile | 5/29/2025 | $0 | 0 | 1 | 1 | $9,799 | 4/6/2026 | |||
| Croatia | 5/15/2025 | $8,658 | 27 | 27 | 68 | $19,149 | 4/4/2026 | |||
| Finland | 5/16/2025 | $7,897 | 17 | 17 | 17 | $11,561 | 4/21/2026 | |||
| Malaysia | 5/29/2025 | $0 | 0 | 0 | 0 | $12,883 | 4/6/2026 | |||
| Mexico | 5/29/2025 | $139,246 | 0 | 0 | 0 | $193,488 | 4/4/2026 | |||
| Netherlands | 5/15/2025 | $54,259 | 60 | 60 | 104 | $99,472 | 4/6/2026 | |||
| New Zealand | 5/15/2025 | $9,810 | 47 | 47 | 0 | $14,514 | 4/6/2026 | |||
| Poland | 5/16/2025 | $0 | 0 | 27 | 27 | $107,834 | 4/6/2026 | |||
| Portugal | 5/15/2025 | $30,599 | 56 | 56 | 91 | $51,040 | 4/4/2026 | |||
| Romania | 5/16/2025 | $32,631 | 69 | 69 | 0 | $70,453 | 4/4/2026 | |||
| Russia (CIS) | 5/29/2025 | $61,275 | 269 | 269 | 376 | $105,059 | 4/4/2026 | |||
| Singapore | 5/29/2025 | $0 | 0 | 4 | 4 | $5,956 | 4/6/2026 | |||
| Suriname | 5/30/2025 | $0 | 0 | 0 | 0 | $468 | 4/6/2026 | |||
| Turkey | 5/16/2025 | $25,329 | 101 | 101 | 122 | $41,032 | 4/4/2026 | |||
| Ukraine | 5/29/2025 | $0 | 0 | 26 | 26 | $18,520 | 4/6/2026 | |||
| United Kingdom | 5/16/2025 | $218,523 | 285 | 285 | 285 | $327,680 | 4/4/2026 | |||
| Venezuela | 6/26/2025 | $0 | 0 | 1 | 1 | $1,218 | 4/6/2026 | |||
| Rest of World | $1,275,694 | |||||||||
| International Total | $2,548,166 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| The Weeknd | Abel Tesfaye | |
| Jenna Ortega | Anima |
Supporting
| Barry Keoghan | Lee |
Production and Technical Credits
| Trey Edward Shults | Director | |
| Trey Edward Shults | Screenwriter | |
| Abel Tesfaye | Screenwriter | |
| Reza Fahim | Screenwriter | |
| Reza Fahim | Producer | |
| Abel Tesfaye | Producer | |
| Kevin Turen | Producer | |
| Harrison Kreiss | Producer | |
| Jenna Ortega | Executive Producer | |
| Trey Edward Shults | Executive Producer | |
| Michael Rapino | Executive Producer | |
| Ryan Kroft | Executive Producer | |
| Wassim Slaiby | Executive Producer | |
| Harrison Huffman | Executive Producer | |
| Elliott Hostetter | Production Designer | |
| Chayse Irvin | Director of Photography | |
| Trey Edward Shults | Editor | |
| Abel Tesfaye | Composer | |
| Daniel Lopatin | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A musician plagued by insomnia is pulled into an odyssey with a stranger who begins to unravel the very core of his existence.
Metrics
| Opening Weekend: | $3,312,692 (63.5% of total gross) |
| Legs: | 1.57 (domestic box office/biggest weekend) |
| Domestic Share: | 67.2% (domestic box office/worldwide) |
| Production Budget: | $15,000,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 2,020 opening theaters/2,020 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,215,357 |
Movie Details
| Domestic Releases: | May 16th, 2025 (Wide) by Lionsgate |
| International Releases: | May 14th, 2025 (Wide) (Germany)
May 15th, 2025 (Limited), released as Hurry Up Tomorrow: Além dos holofotes (Brazil) May 15th, 2025 (Limited) (Croatia) May 15th, 2025 (Wide) (Portugal) May 15th, 2025 (Limited) (Netherlands) ... Show all releases |
| Video Release: | June 6th, 2025 by Lionsgate Home Entertainment |
| MPA Rating: | R for language throughout, drug use, some bloody violence and brief nudity. (Rating bulletin 2877 (cert #55301), 3/19/2025) |
| Running Time: | 116 minutes |
| Cast, crew, or production detail: | Fictionalized Version of Yourself |
| Plot point: | Arson, Depression, Mental Illness, Musicians, Relationships Gone Wrong, Singers, Stalker |
| Release detail: | Festival Package Deal |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Manic Phase, Lionsgate |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 16, 2025 | 6 | $3,312,692 | 2,020 | $1,640 | $3,312,692 | 1 | |
| May 23, 2025 | 10 | $688,023 | -79% | 1,508 | $456 | $4,761,987 | 2 |
| May 30, 2025 | - | $35,977 | -95% | 124 | $290 | $5,189,082 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 15, 2025 | P | $1,650,000 | 0 | $1,650,000 | ||||
| May 16, 2025 | 4 | $2,334,959 | 2,020 | $1,156 | $2,334,959 | 1 | ||
| May 17, 2025 | 7 | $575,745 | -75% | 2,020 | $285 | $2,910,704 | 2 | |
| May 18, 2025 | 6 | $401,988 | -30% | 2,020 | $199 | $3,312,692 | 3 | |
| May 19, 2025 | 6 | $205,707 | -49% | 2,020 | $102 | $3,518,399 | 4 | |
| May 20, 2025 | - | $261,994 | +27% | 2,020 | $130 | $3,780,393 | 5 | |
| May 21, 2025 | - | $179,116 | -32% | 2,020 | $89 | $3,959,509 | 6 | |
| May 22, 2025 | 6 | $114,455 | -36% | 2,020 | $57 | $4,073,964 | 7 | |
| May 23, 2025 | 10 | $220,578 | +93% | -91% | 1,508 | $146 | $4,294,542 | 8 |
| May 24, 2025 | 10 | $256,254 | +16% | -55% | 1,508 | $170 | $4,550,796 | 9 |
| May 25, 2025 | 10 | $211,191 | -18% | -47% | 1,508 | $140 | $4,761,987 | 10 |
| May 26, 2025 | 10 | $157,228 | -26% | -24% | 1,508 | $104 | $4,919,215 | 11 |
| May 27, 2025 | - | $98,163 | -38% | -63% | 1,508 | $65 | $5,017,378 | 12 |
| May 28, 2025 | - | $91,673 | -7% | -49% | 1,508 | $61 | $5,109,051 | 13 |
| May 29, 2025 | 9 | $44,054 | -52% | -62% | 1,508 | $29 | $5,153,105 | 14 |
| May 30, 2025 | - | $11,754 | -73% | -95% | 124 | $95 | $5,164,859 | 15 |
| May 31, 2025 | - | $12,911 | +10% | -95% | 124 | $104 | $5,177,770 | 16 |
| Jun 1, 2025 | - | $11,312 | -12% | -95% | 124 | $91 | $5,189,082 | 17 |
| Jun 2, 2025 | - | $7,726 | -32% | -95% | 124 | $62 | $5,196,808 | 18 |
| Jun 3, 2025 | - | $8,266 | +7% | -92% | 124 | $67 | $5,205,074 | 19 |
| Jun 4, 2025 | - | $7,051 | -15% | -92% | 124 | $57 | $5,212,125 | 20 |
| Jun 5, 2025 | - | $3,232 | -54% | -93% | 124 | $26 | $5,215,357 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 16, 2025 | 6 | $4,073,964 | 2,020 | $2,017 | $4,073,964 | 1 | |
| May 23, 2025 | 10 | $1,079,141 | -74% | 1,508 | $716 | $5,153,105 | 2 |
| May 30, 2025 | 18 | $62,252 | -94% | 124 | $502 | $5,215,357 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/15/2025 | $114,949 | 145 | 145 | 0 | $182,346 | 4/6/2026 | |||
| Chile | 5/29/2025 | $0 | 0 | 1 | 1 | $9,799 | 4/6/2026 | |||
| Croatia | 5/15/2025 | $8,658 | 27 | 27 | 68 | $19,149 | 4/4/2026 | |||
| Finland | 5/16/2025 | $7,897 | 17 | 17 | 17 | $11,561 | 4/21/2026 | |||
| Malaysia | 5/29/2025 | $0 | 0 | 0 | 0 | $12,883 | 4/6/2026 | |||
| Mexico | 5/29/2025 | $139,246 | 0 | 0 | 0 | $193,488 | 4/4/2026 | |||
| Netherlands | 5/15/2025 | $54,259 | 60 | 60 | 104 | $99,472 | 4/6/2026 | |||
| New Zealand | 5/15/2025 | $9,810 | 47 | 47 | 0 | $14,514 | 4/6/2026 | |||
| Poland | 5/16/2025 | $0 | 0 | 27 | 27 | $107,834 | 4/6/2026 | |||
| Portugal | 5/15/2025 | $30,599 | 56 | 56 | 91 | $51,040 | 4/4/2026 | |||
| Romania | 5/16/2025 | $32,631 | 69 | 69 | 0 | $70,453 | 4/4/2026 | |||
| Russia (CIS) | 5/29/2025 | $61,275 | 269 | 269 | 376 | $105,059 | 4/4/2026 | |||
| Singapore | 5/29/2025 | $0 | 0 | 4 | 4 | $5,956 | 4/6/2026 | |||
| Suriname | 5/30/2025 | $0 | 0 | 0 | 0 | $468 | 4/6/2026 | |||
| Turkey | 5/16/2025 | $25,329 | 101 | 101 | 122 | $41,032 | 4/4/2026 | |||
| Ukraine | 5/29/2025 | $0 | 0 | 26 | 26 | $18,520 | 4/6/2026 | |||
| United Kingdom | 5/16/2025 | $218,523 | 285 | 285 | 285 | $327,680 | 4/4/2026 | |||
| Venezuela | 6/26/2025 | $0 | 0 | 1 | 1 | $1,218 | 4/6/2026 | |||
| Rest of World | $1,275,694 | |||||||||
| International Total | $2,548,166 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| The Weeknd | Abel Tesfaye | |
| Jenna Ortega | Anima |
Supporting
| Barry Keoghan | Lee |
Production and Technical Credits
| Trey Edward Shults | Director | |
| Trey Edward Shults | Screenwriter | |
| Abel Tesfaye | Screenwriter | |
| Reza Fahim | Screenwriter | |
| Reza Fahim | Producer | |
| Abel Tesfaye | Producer | |
| Kevin Turen | Producer | |
| Harrison Kreiss | Producer | |
| Jenna Ortega | Executive Producer | |
| Trey Edward Shults | Executive Producer | |
| Michael Rapino | Executive Producer | |
| Ryan Kroft | Executive Producer | |
| Wassim Slaiby | Executive Producer | |
| Harrison Huffman | Executive Producer | |
| Elliott Hostetter | Production Designer | |
| Chayse Irvin | Director of Photography | |
| Trey Edward Shults | Editor | |
| Abel Tesfaye | Composer | |
| Daniel Lopatin | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.