Hytti nro 6 (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $205,601 | Details |
| International Box Office | $3,229,147 | Details |
| Worldwide Box Office | $3,434,748 | |
| OpusData ID: 514390100 More info... | ||
| Further financial details... | ||
Synopsis
A young Finnish woman escapes an enigmatic love affair in Moscow by boarding a train to the arctic port of Murmansk. Forced to share the long ride and a tiny sleeping car with a larger than life Russian miner, the unexpected encounter leads the occupants of Compartment No. 6 to face major truths about human connection.
Metrics
| Opening Weekend: | $9,514 (4.6% of total gross) |
| Legs: | 11.30 (domestic box office/biggest weekend) |
| Domestic Share: | 6.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/63 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $231,940 |
Movie Details
| Domestic Releases: | January 26th, 2022 (Limited) by Sony Pictures Classics, released as Compartment No. 6 |
| International Releases: | October 29th, 2021 (Wide) (Finland)
November 25th, 2021 (Wide), released as Купе No 6 (Russia (CIS)) December 2nd, 2021 (Wide), released as Scompartimento N.6 (Italy) December 9th, 2021 (Wide), released as Compartimento Nº6 (Portugal) February 17th, 2022 (Wide) (Netherlands) ... Show all releases |
| Video Release: | June 7th, 2022 by Sony Pictures Home Entertainment, released as Compartment No. 6 |
| MPA Rating: | R for language and some sexual references. (Rating bulletin 2707 (cert #53503), 11/17/2021) |
| Running Time: | 107 minutes |
| Geographical setting: | Russia |
| Plot point: | Relationships Gone Wrong, Trains |
| Subgenre: | Life Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Aamu Film Company, Achtung Panda! Media, Amrion Productions, CTB Film Group |
| Production Countries: | Finland, Russian Federation, Germany, Estonia |
| Languages: | Finnish, Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 28, 2022 | - | $9,514 | 3 | $3,171 | $15,294 | 1 | |
| Feb 4, 2022 | - | $12,602 | +32% | 6 | $2,100 | $34,078 | 2 |
| Feb 11, 2022 | - | $8,798 | -30% | 8 | $1,100 | $48,268 | 3 |
| Feb 18, 2022 | - | $13,773 | +57% | 11 | $1,252 | $67,268 | 4 |
| Feb 25, 2022 | - | $10,307 | -25% | 10 | $1,031 | $85,060 | 5 |
| Mar 4, 2022 | - | $6,783 | -34% | 6 | $1,131 | $97,804 | 6 |
| Mar 11, 2022 | - | $18,197 | +168% | 26 | $700 | $120,377 | 7 |
| Mar 18, 2022 | - | $13,625 | -25% | 38 | $359 | $144,571 | 8 |
| Mar 25, 2022 | - | $14,591 | +7% | 63 | $232 | $167,607 | 9 |
| Apr 1, 2022 | - | $12,073 | -17% | 51 | $237 | $188,849 | 10 |
| Apr 8, 2022 | - | $2,850 | -76% | 18 | $158 | $198,271 | 11 |
| Apr 15, 2022 | - | $1,254 | -56% | 9 | $139 | $203,275 | 12 |
| Apr 22, 2022 | - | $588 | -53% | 2 | $294 | $204,634 | 13 |
| Apr 29, 2022 | - | $512 | -13% | 3 | $171 | $205,601 | 14 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 26, 2022 | - | $2,639 | 1 | $2,639 | $3,824 | 1 | |
| Jan 27, 2022 | - | $1,956 | -26% | 1 | $1,956 | $5,780 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 21, 2022 | - | $4,595 | 1 | $4,595 | $5,780 | 1 | |
| Jan 28, 2022 | - | $15,696 | +242% | 3 | $5,232 | $21,476 | 2 |
| Feb 4, 2022 | - | $17,994 | +15% | 6 | $2,999 | $39,470 | 3 |
| Feb 11, 2022 | - | $14,025 | -22% | 8 | $1,753 | $53,495 | 4 |
| Feb 18, 2022 | - | $21,258 | +52% | 11 | $1,933 | $74,753 | 5 |
| Feb 25, 2022 | - | $16,268 | -23% | 10 | $1,627 | $91,021 | 6 |
| Mar 4, 2022 | - | $11,159 | -31% | 6 | $1,860 | $102,180 | 7 |
| Mar 11, 2022 | - | $28,766 | +158% | 26 | $1,106 | $130,946 | 8 |
| Mar 18, 2022 | - | $22,070 | -23% | 38 | $581 | $153,016 | 9 |
| Mar 25, 2022 | - | $23,760 | +8% | 63 | $377 | $176,776 | 10 |
| Apr 1, 2022 | - | $18,645 | -22% | 51 | $366 | $195,421 | 11 |
| Apr 8, 2022 | - | $6,150 | -67% | 18 | $342 | $201,571 | 12 |
| Apr 15, 2022 | - | $2,025 | -67% | 9 | $225 | $204,046 | 13 |
| Apr 22, 2022 | - | $1,043 | -48% | 2 | $522 | $205,089 | 14 |
| Apr 29, 2022 | - | $512 | -51% | 3 | $171 | $205,601 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/8/2022 | $22,144 | 23 | 23 | 122 | $158,670 | 4/3/2023 | |||
| Finland | 10/29/2021 | $251,920 | 113 | 119 | 924 | $253,358 | 4/21/2026 | |||
| Italy | 12/2/2021 | $100,867 | 0 | 0 | 0 | $462,429 | 10/20/2022 | |||
| Netherlands | 2/17/2022 | $66,172 | 41 | 46 | 202 | $264,409 | 3/24/2022 | |||
| New Zealand | 10/6/2022 | $43 | 1 | 12 | 66 | $16,046 | 2/7/2023 | |||
| Portugal | 12/9/2021 | $2,925 | 10 | 10 | 19 | $8,887 | 1/25/2022 | |||
| Russia (CIS) | 11/25/2021 | $89,436 | 301 | 301 | 607 | $170,160 | 4/4/2026 | |||
| South Korea | 3/8/2023 | $16,446 | 40 | 40 | 93 | $56,891 | 3/29/2023 | |||
| Spain | 4/13/2022 | $34,078 | 45 | 45 | 137 | $152,335 | 5/12/2022 | |||
| Turkey | 2/18/2022 | $4,047 | 25 | 25 | 81 | $14,787 | 4/4/2026 | |||
| United Kingdom | 4/8/2022 | $56,039 | 30 | 30 | 30 | $56,039 | 4/13/2022 | |||
| Rest of World | $1,615,136 | |||||||||
| International Total | $3,229,147 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Juho Kuosmanen | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A young Finnish woman escapes an enigmatic love affair in Moscow by boarding a train to the arctic port of Murmansk. Forced to share the long ride and a tiny sleeping car with a larger than life Russian miner, the unexpected encounter leads the occupants of Compartment No. 6 to face major truths about human connection.
Metrics
| Opening Weekend: | $9,514 (4.6% of total gross) |
| Legs: | 11.30 (domestic box office/biggest weekend) |
| Domestic Share: | 6.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/63 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $231,940 |
Movie Details
| Domestic Releases: | January 26th, 2022 (Limited) by Sony Pictures Classics, released as Compartment No. 6 |
| International Releases: | October 29th, 2021 (Wide) (Finland)
November 25th, 2021 (Wide), released as Купе No 6 (Russia (CIS)) December 2nd, 2021 (Wide), released as Scompartimento N.6 (Italy) December 9th, 2021 (Wide), released as Compartimento Nº6 (Portugal) February 17th, 2022 (Wide) (Netherlands) ... Show all releases |
| Video Release: | June 7th, 2022 by Sony Pictures Home Entertainment, released as Compartment No. 6 |
| MPA Rating: | R for language and some sexual references. (Rating bulletin 2707 (cert #53503), 11/17/2021) |
| Running Time: | 107 minutes |
| Geographical setting: | Russia |
| Plot point: | Relationships Gone Wrong, Trains |
| Subgenre: | Life Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Aamu Film Company, Achtung Panda! Media, Amrion Productions, CTB Film Group |
| Production Countries: | Finland, Russian Federation, Germany, Estonia |
| Languages: | Finnish, Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 28, 2022 | - | $9,514 | 3 | $3,171 | $15,294 | 1 | |
| Feb 4, 2022 | - | $12,602 | +32% | 6 | $2,100 | $34,078 | 2 |
| Feb 11, 2022 | - | $8,798 | -30% | 8 | $1,100 | $48,268 | 3 |
| Feb 18, 2022 | - | $13,773 | +57% | 11 | $1,252 | $67,268 | 4 |
| Feb 25, 2022 | - | $10,307 | -25% | 10 | $1,031 | $85,060 | 5 |
| Mar 4, 2022 | - | $6,783 | -34% | 6 | $1,131 | $97,804 | 6 |
| Mar 11, 2022 | - | $18,197 | +168% | 26 | $700 | $120,377 | 7 |
| Mar 18, 2022 | - | $13,625 | -25% | 38 | $359 | $144,571 | 8 |
| Mar 25, 2022 | - | $14,591 | +7% | 63 | $232 | $167,607 | 9 |
| Apr 1, 2022 | - | $12,073 | -17% | 51 | $237 | $188,849 | 10 |
| Apr 8, 2022 | - | $2,850 | -76% | 18 | $158 | $198,271 | 11 |
| Apr 15, 2022 | - | $1,254 | -56% | 9 | $139 | $203,275 | 12 |
| Apr 22, 2022 | - | $588 | -53% | 2 | $294 | $204,634 | 13 |
| Apr 29, 2022 | - | $512 | -13% | 3 | $171 | $205,601 | 14 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 26, 2022 | - | $2,639 | 1 | $2,639 | $3,824 | 1 | |
| Jan 27, 2022 | - | $1,956 | -26% | 1 | $1,956 | $5,780 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 21, 2022 | - | $4,595 | 1 | $4,595 | $5,780 | 1 | |
| Jan 28, 2022 | - | $15,696 | +242% | 3 | $5,232 | $21,476 | 2 |
| Feb 4, 2022 | - | $17,994 | +15% | 6 | $2,999 | $39,470 | 3 |
| Feb 11, 2022 | - | $14,025 | -22% | 8 | $1,753 | $53,495 | 4 |
| Feb 18, 2022 | - | $21,258 | +52% | 11 | $1,933 | $74,753 | 5 |
| Feb 25, 2022 | - | $16,268 | -23% | 10 | $1,627 | $91,021 | 6 |
| Mar 4, 2022 | - | $11,159 | -31% | 6 | $1,860 | $102,180 | 7 |
| Mar 11, 2022 | - | $28,766 | +158% | 26 | $1,106 | $130,946 | 8 |
| Mar 18, 2022 | - | $22,070 | -23% | 38 | $581 | $153,016 | 9 |
| Mar 25, 2022 | - | $23,760 | +8% | 63 | $377 | $176,776 | 10 |
| Apr 1, 2022 | - | $18,645 | -22% | 51 | $366 | $195,421 | 11 |
| Apr 8, 2022 | - | $6,150 | -67% | 18 | $342 | $201,571 | 12 |
| Apr 15, 2022 | - | $2,025 | -67% | 9 | $225 | $204,046 | 13 |
| Apr 22, 2022 | - | $1,043 | -48% | 2 | $522 | $205,089 | 14 |
| Apr 29, 2022 | - | $512 | -51% | 3 | $171 | $205,601 | 15 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/8/2022 | $22,144 | 23 | 23 | 122 | $158,670 | 4/3/2023 | |||
| Finland | 10/29/2021 | $251,920 | 113 | 119 | 924 | $253,358 | 4/21/2026 | |||
| Italy | 12/2/2021 | $100,867 | 0 | 0 | 0 | $462,429 | 10/20/2022 | |||
| Netherlands | 2/17/2022 | $66,172 | 41 | 46 | 202 | $264,409 | 3/24/2022 | |||
| New Zealand | 10/6/2022 | $43 | 1 | 12 | 66 | $16,046 | 2/7/2023 | |||
| Portugal | 12/9/2021 | $2,925 | 10 | 10 | 19 | $8,887 | 1/25/2022 | |||
| Russia (CIS) | 11/25/2021 | $89,436 | 301 | 301 | 607 | $170,160 | 4/4/2026 | |||
| South Korea | 3/8/2023 | $16,446 | 40 | 40 | 93 | $56,891 | 3/29/2023 | |||
| Spain | 4/13/2022 | $34,078 | 45 | 45 | 137 | $152,335 | 5/12/2022 | |||
| Turkey | 2/18/2022 | $4,047 | 25 | 25 | 81 | $14,787 | 4/4/2026 | |||
| United Kingdom | 4/8/2022 | $56,039 | 30 | 30 | 30 | $56,039 | 4/13/2022 | |||
| Rest of World | $1,615,136 | |||||||||
| International Total | $3,229,147 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Juho Kuosmanen | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.