I Blame Society (2021)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $12,521 | Details |
| Worldwide Box Office | $12,521 | |
| OpusData ID: 490260100 More info... | ||
| Further financial details... | ||
Synopsis
Gillian is one of those many struggling filmmakers in L.A. who just can’t seem to get the money for their first feature. Feeling like her friends and her partner are losing faith in her abilities, she decides to resurrect her abandoned documentary based on a pseudo-compliment she once received that she would make a good murderer. But while she documents what makes “the perfect murder” a hitherto unseen dark side of Gillian emerges and grows. Furthermore the problem with being a successful serial killer, she discovers, is keeping the whole thing stealth, denying her the recognition that she craves… and that unhinges her even more. After accidentally-ish killing her best friend, Gillian goes on a killing spree culminating with a final bloody act that nobody would dare deny her credit for.
Metrics
Movie Details
| Domestic Releases: | January 8th, 2021 (Virtual) by Cranked Up Films |
| International Releases: | April 22nd, 2021 (Wide) (New Zealand)
May 20th, 2021 (Limited) (Australia) |
| Video Release: | February 12th, 2021 by Cranked Up Films |
| Running Time: | 84 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Cranked Up Films |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/20/2021 | $2,935 | 6 | 6 | 20 | $10,200 | 10/20/2022 | |||
| New Zealand | 4/22/2021 | $205 | 1 | 4 | 15 | $2,321 | 7/20/2021 | |||
| International Total | $12,521 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gillian Wallace Horvat | Gillian |
Supporting
| Chase Williamson | Chase | |
| Olivia Kuan | Olivia | |
| Macon Blair | Aaron | |
| Keith Poulson | Keith | |
| Lucas Kavner | Producer #1 | |
| Morgan Krantz | Producer #2 | |
| Jennifer Kim | Teresa Nam | |
| Garrett Coffey | Phil | |
| Bobby Naderi | Hank |
Production and Technical Credits
| Gillian Wallace Horvat | Director | |
| Gillian Wallace Horvat | Screenwriter | |
| Chase Williamson | Screenwriter | |
| Laura Tunstall | Producer | |
| Mette Marie Kongsved | Producer | |
| Michelle Craig | Producer | |
| Monte Zajick | Producer | |
| Brent Brewer | Executive Producer | |
| Brett Brewer | Executive Producer | |
| Piero Frescobaldi | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Gillian is one of those many struggling filmmakers in L.A. who just can’t seem to get the money for their first feature. Feeling like her friends and her partner are losing faith in her abilities, she decides to resurrect her abandoned documentary based on a pseudo-compliment she once received that she would make a good murderer. But while she documents what makes “the perfect murder” a hitherto unseen dark side of Gillian emerges and grows. Furthermore the problem with being a successful serial killer, she discovers, is keeping the whole thing stealth, denying her the recognition that she craves… and that unhinges her even more. After accidentally-ish killing her best friend, Gillian goes on a killing spree culminating with a final bloody act that nobody would dare deny her credit for.
Metrics
Movie Details
| Domestic Releases: | January 8th, 2021 (Virtual) by Cranked Up Films |
| International Releases: | April 22nd, 2021 (Wide) (New Zealand)
May 20th, 2021 (Limited) (Australia) |
| Video Release: | February 12th, 2021 by Cranked Up Films |
| Running Time: | 84 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Cranked Up Films |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/20/2021 | $2,935 | 6 | 6 | 20 | $10,200 | 10/20/2022 | |||
| New Zealand | 4/22/2021 | $205 | 1 | 4 | 15 | $2,321 | 7/20/2021 | |||
| International Total | $12,521 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gillian Wallace Horvat | Gillian |
Supporting
| Chase Williamson | Chase | |
| Olivia Kuan | Olivia | |
| Macon Blair | Aaron | |
| Keith Poulson | Keith | |
| Lucas Kavner | Producer #1 | |
| Morgan Krantz | Producer #2 | |
| Jennifer Kim | Teresa Nam | |
| Garrett Coffey | Phil | |
| Bobby Naderi | Hank |
Production and Technical Credits
| Gillian Wallace Horvat | Director | |
| Gillian Wallace Horvat | Screenwriter | |
| Chase Williamson | Screenwriter | |
| Laura Tunstall | Producer | |
| Mette Marie Kongsved | Producer | |
| Michelle Craig | Producer | |
| Monte Zajick | Producer | |
| Brent Brewer | Executive Producer | |
| Brett Brewer | Executive Producer | |
| Piero Frescobaldi | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.