I Don't Know How She Does It (2011)
| Theatrical Performance | ||
| Domestic Box Office | $9,659,074 | Details |
| International Box Office | $14,815,389 | Details |
| Worldwide Box Office | $24,474,463 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $3,593,666 | |
| Blu-ray Sales (estimated) | $374,849 | |
| Total | $3,968,515 | |
| OpusData ID: 150530100 More info... | ||
| Further financial details... | ||
Synopsis
Kate Reddy devotes her days to her job with a Boston-based financial management firm. At night she goes home to her adoring, recently-downsized architect husband Richard and their two young children. It's a non-stop balancing act, the same one that Kate's acerbic best friend and fellow working mother Allison performs on a daily basis, and that Kate's super-brainy, child-phobic young junior associate Momo fully intends to avoid. When Kate gets handed a major new account that will require frequent trips to New York, Richard also wins the new job he's been hoping for-and both will be spreading themselves even thinner. Complicating matters is Kate's charming new business associate Jack Abelhammer, who begins to prove an unexpected source of temptation.
Metrics
| Opening Weekend: | $4,402,201 (45.6% of total gross) |
| Legs: | 2.19 (domestic box office/biggest weekend) |
| Domestic Share: | 39.5% (domestic box office/worldwide) |
| Production Budget: | $24,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 2,476 opening theaters/2,490 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $14,567,782 |
Movie Details
| Domestic Releases: | September 16th, 2011 (Wide) by Weinstein Co. |
| International Releases: | November 17th, 2011 (Wide) (Lebanon)
May 25th, 2012 (Wide) (Colombia) December 28th, 2012 (Wide) (Venezuela) |
| Video Release: | January 3rd, 2012 by Weinstein Co./Anchor Bay |
| MPA Rating: | PG-13 for sexual references throughout. (Rating bulletin 2189, 9/14/2011) |
| Running Time: | 89 minutes |
| Cast, crew, or production detail: | Breaking the Fourth Wall |
| Plot point: | Dysfunctional Family, Mid-Life Crisis, Romance, Widow/Widower, Workaholic |
| Social setting: | Corporate Life |
| Subgenre: | Comedy Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Weinstein Company |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 16, 2011 | 6 | $4,402,201 | 2,476 | $1,778 | $4,402,201 | 1 | |
| Sep 23, 2011 | 10 | $2,002,040 | -55% | 2,490 | $804 | $7,968,465 | 2 |
| Sep 30, 2011 | 21 | $401,675 | -80% | 745 | $539 | $9,222,113 | 3 |
| Oct 7, 2011 | 35 | $100,112 | -75% | 240 | $417 | $9,486,477 | 4 |
| Oct 14, 2011 | 58 | $34,153 | -66% | 107 | $319 | $9,570,480 | 5 |
| Oct 21, 2011 | 84 | $8,773 | -74% | 29 | $303 | $9,595,504 | 6 |
| Oct 28, 2011 | 91 | $4,240 | -52% | 14 | $303 | $9,603,185 | 7 |
| Nov 4, 2011 | 93 | $2,860 | -33% | 8 | $358 | $9,608,794 | 8 |
| Nov 11, 2011 | 54 | $28,741 | +905% | 83 | $346 | $9,639,242 | 9 |
| Nov 18, 2011 | 66 | $8,028 | -72% | 38 | $211 | $9,659,074 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 16, 2011 | 6 | $1,565,681 | 2,476 | $632 | $1,565,681 | 1 | ||
| Sep 17, 2011 | 6 | $1,815,801 | +16% | 2,476 | $733 | $3,381,482 | 2 | |
| Sep 18, 2011 | 6 | $1,020,719 | -44% | 2,476 | $412 | $4,402,201 | 3 | |
| Sep 19, 2011 | 6 | $321,759 | -68% | 2,476 | $130 | $4,723,960 | 4 | |
| Sep 20, 2011 | 6 | $501,470 | +56% | 2,476 | $203 | $5,225,430 | 5 | |
| Sep 21, 2011 | 5 | $374,857 | -25% | 2,476 | $151 | $5,600,287 | 6 | |
| Sep 22, 2011 | 5 | $366,138 | -2% | 2,476 | $148 | $5,966,425 | 7 | |
| Sep 23, 2011 | 10 | $679,580 | +86% | -57% | 2,476 | $274 | $6,646,005 | 8 |
| Sep 24, 2011 | 10 | $858,304 | +26% | -53% | 2,476 | $347 | $7,504,309 | 9 |
| Sep 25, 2011 | 10 | $464,156 | -46% | -55% | 2,476 | $187 | $7,968,465 | 10 |
| Sep 26, 2011 | 10 | $163,474 | -65% | -49% | 2,476 | $66 | $8,131,939 | 11 |
| Sep 27, 2011 | 9 | $247,985 | +52% | -51% | 2,476 | $100 | $8,379,924 | 12 |
| Sep 28, 2011 | 9 | $209,592 | -15% | -44% | 2,476 | $85 | $8,589,516 | 13 |
| Sep 29, 2011 | 9 | $230,922 | +10% | -37% | 2,476 | $93 | $8,820,438 | 14 |
| Sep 30, 2011 | - | $127,843 | -45% | -81% | 745 | $172 | $8,948,281 | 15 |
| Oct 1, 2011 | - | $177,088 | +39% | -79% | 745 | $238 | $9,125,369 | 16 |
| Oct 2, 2011 | - | $96,744 | -45% | -79% | 745 | $130 | $9,222,113 | 17 |
| Oct 3, 2011 | - | $32,843 | -66% | -80% | 745 | $44 | $9,254,956 | 18 |
| Oct 4, 2011 | - | $44,820 | +36% | -82% | 745 | $60 | $9,299,776 | 19 |
| Oct 5, 2011 | - | $41,391 | -8% | -80% | 745 | $56 | $9,341,167 | 20 |
| Oct 6, 2011 | - | $45,198 | +9% | -80% | 745 | $61 | $9,386,365 | 21 |
| Oct 7, 2011 | - | $32,172 | -29% | -75% | 240 | $134 | $9,418,537 | 22 |
| Oct 8, 2011 | - | $39,165 | +22% | -78% | 240 | $163 | $9,457,702 | 23 |
| Oct 9, 2011 | - | $28,775 | -27% | -70% | 240 | $120 | $9,486,477 | 24 |
| Oct 10, 2011 | - | $15,115 | -47% | -54% | 240 | $63 | $9,501,592 | 25 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 16, 2011 | 6 | $5,966,425 | 2,476 | $2,410 | $5,966,425 | 1 | |
| Sep 23, 2011 | 10 | $2,854,013 | -52% | 2,490 | $1,146 | $8,820,438 | 2 |
| Sep 30, 2011 | 19 | $565,927 | -80% | 745 | $760 | $9,386,365 | 3 |
| Oct 7, 2011 | 34 | $149,962 | -74% | 240 | $625 | $9,536,327 | 4 |
| Oct 14, 2011 | 52 | $50,404 | -66% | 107 | $471 | $9,586,731 | 5 |
| Oct 21, 2011 | 78 | $12,214 | -76% | 29 | $421 | $9,598,945 | 6 |
| Oct 28, 2011 | 84 | $6,989 | -43% | 14 | $499 | $9,605,934 | 7 |
| Nov 4, 2011 | 89 | $4,567 | -35% | 8 | $571 | $9,610,501 | 8 |
| Nov 11, 2011 | 52 | $40,545 | +788% | 83 | $488 | $9,651,046 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Colombia | 5/25/2012 | $24,401 | 20 | 20 | 20 | $24,401 | 12/29/2018 | |||
| Lebanon | 11/17/2011 | $0 | 0 | 1 | 3 | $30,142 | 12/29/2018 | |||
| Venezuela | 12/28/2012 | $8,605 | 4 | 4 | 11 | $91,484 | 12/14/2015 | |||
| Rest of World | $14,669,362 | |||||||||
| International Total | $14,815,389 | 12/29/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sarah Jessica Parker | Kate Reddy |
Supporting
| Pierce Brosnan | Jack Abelhammer | |
| Greg Kinnear | Richard Reddy | |
| Christina Hendricks | Allison Henderson | |
| Kelsey Grammer | Clark Cooper | |
| Seth Meyers | Chris Bunce | |
| Olivia Munn | Momo Hahn | |
| Jane Curtin | Maria Reddy | |
| Mark Blum | Lew Reddy | |
| Busy Philipps | Wendy Best | |
| Sarah Shahi | Janine LoPietro | |
| Jessica Szohr | Paula | |
| Emma Rayne Lyle | Emily Reddy | |
| Julius Goldberg | Ben Reddy | |
| Theodore Goldberg | Ben Reddy | |
| James Murtaugh | Roger Harcourt | |
| Mike Brzezinski | Herself | |
| Eugenia Yuan | Jack's Receptionist | |
| Joseph Amato | I / T Guy | |
| Michelle Hurst | Nurse | |
| Beth Fowler | Clark's Secretary | |
| Michael Hogan | Bowling Alley Clerk | |
| Marceline Hugot | Beth | |
| Steve Routman | Marcus | |
| Raymond McAnally | Roy | |
| Katie Hyde Lewars | Organic Mom | |
| Robbie Sublett | Dad | |
| Natalie Gold | Young Mother With Cell Phone | |
| Lorna Pruce | Woman in Bowling Alley | |
| Jacob Alexander | Towncar Driver |
Production and Technical Credits
| Douglas McGrath | Director | |
| Aline Brosh McKenna | Screenwriter | |
| Allison Pearson | Story Creator | |
| Donna Gigliotti | Producer | |
| Bob Weinstein | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| Aline Brosh McKenna | Executive Producer | |
| Scott Ferguson | Executive Producer | |
| Stuart Dryburgh | Director of Photography | |
| Santo Loquasto | Production Designer | |
| Camilla Toniolo | Editor | |
| Kevin Tent | Editor | |
| Allison Pearson | Co-Producer | |
| Aaron Zigman | Composer | |
| Dana Sano | Music Supervisor | |
| Renee Ehrlich Kalfus | Costume Designer | |
| Douglas Aibel | Casting Director | |
| Timothy Bird | Assistant Director | |
| Scott Ferguson | Unit Production Manager | |
| Doug Huszti | Art Director | |
| Regina Graves | Set Decorator | |
| Matthew Landon | Additional Editor | |
| William Sarokin | Sound Mixer | |
| Patrick Cyccone | Re-recording Mixer | |
| Myron Nettinga | Re-recording Mixer | |
| Reilly Steele | Re-recording Mixer | |
| Myron Nettinga | Supervising Sound Editor | |
| Gregg Baxter | Supervising Sound Editor | |
| Dave Patterson | Sound Editor | |
| Craig S. Jaeger | Sound Effects Editor | |
| Michael Jonascu | Sound Effects Editor | |
| Charles Maynes | Sound Effects Editor | |
| Randall Guth | Sound Effects Editor | |
| Chris Welch | Dialogue Editor | |
| Tony Martinez | Supervising Dialogue Editor | |
| Jennifer Ralston | Dialogue Editor | |
| Jacob Ribicoff | Dialogue Editor | |
| Mary Ellen Porto | Dialogue Editor | |
| Julie Feiner | Dialogue Editor | |
| Mike Szakmeister | Dialogue Editor | |
| Christopher T. Welch | Dialogue Editor | |
| Josh Winget | Music Editor | |
| Angie Rubin | Music Editor | |
| Lori Hicks | Make up | |
| Aaron F. Quarles | Hairstylist | |
| Andy Cheng | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Kate Reddy devotes her days to her job with a Boston-based financial management firm. At night she goes home to her adoring, recently-downsized architect husband Richard and their two young children. It's a non-stop balancing act, the same one that Kate's acerbic best friend and fellow working mother Allison performs on a daily basis, and that Kate's super-brainy, child-phobic young junior associate Momo fully intends to avoid. When Kate gets handed a major new account that will require frequent trips to New York, Richard also wins the new job he's been hoping for-and both will be spreading themselves even thinner. Complicating matters is Kate's charming new business associate Jack Abelhammer, who begins to prove an unexpected source of temptation.
Metrics
| Opening Weekend: | $4,402,201 (45.6% of total gross) |
| Legs: | 2.19 (domestic box office/biggest weekend) |
| Domestic Share: | 39.5% (domestic box office/worldwide) |
| Production Budget: | $24,000,000 (worldwide box office is 1.0 times production budget) |
| Theater counts: | 2,476 opening theaters/2,490 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $14,567,782 |
Movie Details
| Domestic Releases: | September 16th, 2011 (Wide) by Weinstein Co. |
| International Releases: | November 17th, 2011 (Wide) (Lebanon)
May 25th, 2012 (Wide) (Colombia) December 28th, 2012 (Wide) (Venezuela) |
| Video Release: | January 3rd, 2012 by Weinstein Co./Anchor Bay |
| MPA Rating: | PG-13 for sexual references throughout. (Rating bulletin 2189, 9/14/2011) |
| Running Time: | 89 minutes |
| Cast, crew, or production detail: | Breaking the Fourth Wall |
| Plot point: | Dysfunctional Family, Mid-Life Crisis, Romance, Widow/Widower, Workaholic |
| Social setting: | Corporate Life |
| Subgenre: | Comedy Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Weinstein Company |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 16, 2011 | 6 | $4,402,201 | 2,476 | $1,778 | $4,402,201 | 1 | |
| Sep 23, 2011 | 10 | $2,002,040 | -55% | 2,490 | $804 | $7,968,465 | 2 |
| Sep 30, 2011 | 21 | $401,675 | -80% | 745 | $539 | $9,222,113 | 3 |
| Oct 7, 2011 | 35 | $100,112 | -75% | 240 | $417 | $9,486,477 | 4 |
| Oct 14, 2011 | 58 | $34,153 | -66% | 107 | $319 | $9,570,480 | 5 |
| Oct 21, 2011 | 84 | $8,773 | -74% | 29 | $303 | $9,595,504 | 6 |
| Oct 28, 2011 | 91 | $4,240 | -52% | 14 | $303 | $9,603,185 | 7 |
| Nov 4, 2011 | 93 | $2,860 | -33% | 8 | $358 | $9,608,794 | 8 |
| Nov 11, 2011 | 54 | $28,741 | +905% | 83 | $346 | $9,639,242 | 9 |
| Nov 18, 2011 | 66 | $8,028 | -72% | 38 | $211 | $9,659,074 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 16, 2011 | 6 | $1,565,681 | 2,476 | $632 | $1,565,681 | 1 | ||
| Sep 17, 2011 | 6 | $1,815,801 | +16% | 2,476 | $733 | $3,381,482 | 2 | |
| Sep 18, 2011 | 6 | $1,020,719 | -44% | 2,476 | $412 | $4,402,201 | 3 | |
| Sep 19, 2011 | 6 | $321,759 | -68% | 2,476 | $130 | $4,723,960 | 4 | |
| Sep 20, 2011 | 6 | $501,470 | +56% | 2,476 | $203 | $5,225,430 | 5 | |
| Sep 21, 2011 | 5 | $374,857 | -25% | 2,476 | $151 | $5,600,287 | 6 | |
| Sep 22, 2011 | 5 | $366,138 | -2% | 2,476 | $148 | $5,966,425 | 7 | |
| Sep 23, 2011 | 10 | $679,580 | +86% | -57% | 2,476 | $274 | $6,646,005 | 8 |
| Sep 24, 2011 | 10 | $858,304 | +26% | -53% | 2,476 | $347 | $7,504,309 | 9 |
| Sep 25, 2011 | 10 | $464,156 | -46% | -55% | 2,476 | $187 | $7,968,465 | 10 |
| Sep 26, 2011 | 10 | $163,474 | -65% | -49% | 2,476 | $66 | $8,131,939 | 11 |
| Sep 27, 2011 | 9 | $247,985 | +52% | -51% | 2,476 | $100 | $8,379,924 | 12 |
| Sep 28, 2011 | 9 | $209,592 | -15% | -44% | 2,476 | $85 | $8,589,516 | 13 |
| Sep 29, 2011 | 9 | $230,922 | +10% | -37% | 2,476 | $93 | $8,820,438 | 14 |
| Sep 30, 2011 | - | $127,843 | -45% | -81% | 745 | $172 | $8,948,281 | 15 |
| Oct 1, 2011 | - | $177,088 | +39% | -79% | 745 | $238 | $9,125,369 | 16 |
| Oct 2, 2011 | - | $96,744 | -45% | -79% | 745 | $130 | $9,222,113 | 17 |
| Oct 3, 2011 | - | $32,843 | -66% | -80% | 745 | $44 | $9,254,956 | 18 |
| Oct 4, 2011 | - | $44,820 | +36% | -82% | 745 | $60 | $9,299,776 | 19 |
| Oct 5, 2011 | - | $41,391 | -8% | -80% | 745 | $56 | $9,341,167 | 20 |
| Oct 6, 2011 | - | $45,198 | +9% | -80% | 745 | $61 | $9,386,365 | 21 |
| Oct 7, 2011 | - | $32,172 | -29% | -75% | 240 | $134 | $9,418,537 | 22 |
| Oct 8, 2011 | - | $39,165 | +22% | -78% | 240 | $163 | $9,457,702 | 23 |
| Oct 9, 2011 | - | $28,775 | -27% | -70% | 240 | $120 | $9,486,477 | 24 |
| Oct 10, 2011 | - | $15,115 | -47% | -54% | 240 | $63 | $9,501,592 | 25 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 16, 2011 | 6 | $5,966,425 | 2,476 | $2,410 | $5,966,425 | 1 | |
| Sep 23, 2011 | 10 | $2,854,013 | -52% | 2,490 | $1,146 | $8,820,438 | 2 |
| Sep 30, 2011 | 19 | $565,927 | -80% | 745 | $760 | $9,386,365 | 3 |
| Oct 7, 2011 | 34 | $149,962 | -74% | 240 | $625 | $9,536,327 | 4 |
| Oct 14, 2011 | 52 | $50,404 | -66% | 107 | $471 | $9,586,731 | 5 |
| Oct 21, 2011 | 78 | $12,214 | -76% | 29 | $421 | $9,598,945 | 6 |
| Oct 28, 2011 | 84 | $6,989 | -43% | 14 | $499 | $9,605,934 | 7 |
| Nov 4, 2011 | 89 | $4,567 | -35% | 8 | $571 | $9,610,501 | 8 |
| Nov 11, 2011 | 52 | $40,545 | +788% | 83 | $488 | $9,651,046 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Colombia | 5/25/2012 | $24,401 | 20 | 20 | 20 | $24,401 | 12/29/2018 | |||
| Lebanon | 11/17/2011 | $0 | 0 | 1 | 3 | $30,142 | 12/29/2018 | |||
| Venezuela | 12/28/2012 | $8,605 | 4 | 4 | 11 | $91,484 | 12/14/2015 | |||
| Rest of World | $14,669,362 | |||||||||
| International Total | $14,815,389 | 12/29/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sarah Jessica Parker | Kate Reddy |
Supporting
| Pierce Brosnan | Jack Abelhammer | |
| Greg Kinnear | Richard Reddy | |
| Christina Hendricks | Allison Henderson | |
| Kelsey Grammer | Clark Cooper | |
| Seth Meyers | Chris Bunce | |
| Olivia Munn | Momo Hahn | |
| Jane Curtin | Maria Reddy | |
| Mark Blum | Lew Reddy | |
| Busy Philipps | Wendy Best | |
| Sarah Shahi | Janine LoPietro | |
| Jessica Szohr | Paula | |
| Emma Rayne Lyle | Emily Reddy | |
| Julius Goldberg | Ben Reddy | |
| Theodore Goldberg | Ben Reddy | |
| James Murtaugh | Roger Harcourt | |
| Mike Brzezinski | Herself | |
| Eugenia Yuan | Jack's Receptionist | |
| Joseph Amato | I / T Guy | |
| Michelle Hurst | Nurse | |
| Beth Fowler | Clark's Secretary | |
| Michael Hogan | Bowling Alley Clerk | |
| Marceline Hugot | Beth | |
| Steve Routman | Marcus | |
| Raymond McAnally | Roy | |
| Katie Hyde Lewars | Organic Mom | |
| Robbie Sublett | Dad | |
| Natalie Gold | Young Mother With Cell Phone | |
| Lorna Pruce | Woman in Bowling Alley | |
| Jacob Alexander | Towncar Driver |
Production and Technical Credits
| Douglas McGrath | Director | |
| Aline Brosh McKenna | Screenwriter | |
| Allison Pearson | Story Creator | |
| Donna Gigliotti | Producer | |
| Bob Weinstein | Executive Producer | |
| Harvey Weinstein | Executive Producer | |
| Aline Brosh McKenna | Executive Producer | |
| Scott Ferguson | Executive Producer | |
| Stuart Dryburgh | Director of Photography | |
| Santo Loquasto | Production Designer | |
| Camilla Toniolo | Editor | |
| Kevin Tent | Editor | |
| Allison Pearson | Co-Producer | |
| Aaron Zigman | Composer | |
| Dana Sano | Music Supervisor | |
| Renee Ehrlich Kalfus | Costume Designer | |
| Douglas Aibel | Casting Director | |
| Timothy Bird | Assistant Director | |
| Scott Ferguson | Unit Production Manager | |
| Doug Huszti | Art Director | |
| Regina Graves | Set Decorator | |
| Matthew Landon | Additional Editor | |
| William Sarokin | Sound Mixer | |
| Patrick Cyccone | Re-recording Mixer | |
| Myron Nettinga | Re-recording Mixer | |
| Reilly Steele | Re-recording Mixer | |
| Myron Nettinga | Supervising Sound Editor | |
| Gregg Baxter | Supervising Sound Editor | |
| Dave Patterson | Sound Editor | |
| Craig S. Jaeger | Sound Effects Editor | |
| Michael Jonascu | Sound Effects Editor | |
| Charles Maynes | Sound Effects Editor | |
| Randall Guth | Sound Effects Editor | |
| Chris Welch | Dialogue Editor | |
| Tony Martinez | Supervising Dialogue Editor | |
| Jennifer Ralston | Dialogue Editor | |
| Jacob Ribicoff | Dialogue Editor | |
| Mary Ellen Porto | Dialogue Editor | |
| Julie Feiner | Dialogue Editor | |
| Mike Szakmeister | Dialogue Editor | |
| Christopher T. Welch | Dialogue Editor | |
| Josh Winget | Music Editor | |
| Angie Rubin | Music Editor | |
| Lori Hicks | Make up | |
| Aaron F. Quarles | Hairstylist | |
| Andy Cheng | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.