I Feel Pretty (2018)

I Feel Pretty
Theatrical Performance
Domestic Box Office $48,795,601Details
International Box Office $42,648,494Details
Worldwide Box Office $91,444,095
Home Market Performance
Est. Domestic DVD Sales $2,474,889 Details
Est. Domestic Blu-ray Sales $1,797,648 Details
Total Est. Domestic Video Sales $4,272,537
Further financial details...

Synopsis

A woman who struggles with feelings of deep insecurity and low self-esteem, that hold her back everyday, wakes from a brutal fall in an exercise class believing she is suddenly a supermodel. With this newfound confidence she is empowered to live her life fearlessly and flawlessly, but what will happen when she realizes her appearance never changed?

Metrics

Opening Weekend:$16,030,218 (32.9% of total gross)
Legs:3.04 (domestic box office/biggest weekend)
Domestic Share:53.4% (domestic box office/worldwide)
Production Budget:$32,000,000 (worldwide box office is 2.9 times production budget)
Theater counts:3,440 opening theaters/3,440 max. theaters, 4.6 weeks average run per theater
Infl. Adj. Dom. BO $57,740,558

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: April 20th, 2018 (Wide) by STX Entertainment
International Releases: April 20th, 2018 (Wide) (Australia)
April 20th, 2018 (Wide) (New Zealand)
April 27th, 2018 (Wide), released as Диагноза: Секси! (Bulgaria)
May 4th, 2018 (Wide) (Netherlands)
May 4th, 2018 (Wide) (United Kingdom)
... Show all releases
Video Release: July 3rd, 2018 by Universal Home Entertainment
MPAA Rating: PG-13 for sexual content, some partial nudity, and language.
(Rating bulletin 2519 (Cert #51524), 3/21/2018)
Running Time: 110 minutes
Comparisons: vs. En kongelig affære
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Keywords: Hallucinations, Fashion, Romance, Relationships Gone Wrong, Body Swap, Farcical / Slapstick Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Voltage Pictures, Wonderland Sound and Vision, Huayi Brothers Pictures Ltd, STX Entertainment, Asia Production Fund One Limited, Soundford Limited
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 20, 2018 3 $16,030,218   3,440 $4,660   $16,030,218 1
Apr 27, 2018 3 $8,176,757 -49% 3,440 $2,377   $29,620,318 2
May 4, 2018 4 $5,050,520 -38% 3,232 $1,563   $37,948,803 3
May 11, 2018 6 $3,805,437 -25% 2,858 $1,332   $43,952,013 4
May 18, 2018 11 $1,265,813 -67% 1,505 $841   $46,604,270 5
May 25, 2018 13 $511,573 -60% 551 $928   $47,678,706 6
Jun 1, 2018 16 $297,566 -42% 315 $945   $48,324,313 7
Jun 8, 2018 24 $139,252 -53% 207 $673   $48,618,752 8
Jun 15, 2018 35 $54,405 -61% 110 $495   $48,753,442 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Apr 19, 2018 P $1,000,000     2,600 $385   $1,000,000  
Apr 20, 2018 3 $6,199,651     3,440 $1,802   $6,199,651 1
Apr 21, 2018 3 $6,011,268 -3%   3,440 $1,747   $12,210,919 2
Apr 22, 2018 3 $3,819,299 -36%   3,440 $1,110   $16,030,218 3
Apr 23, 2018 3 $1,198,723 -69%   3,440 $348   $17,228,941 4
Apr 24, 2018 3 $1,811,048 +51%   3,440 $526   $19,039,989 5
Apr 25, 2018 2 $1,271,988 -30%   3,440 $370   $20,311,977 6
Apr 26, 2018 2 $1,131,584 -11%   3,440 $329   $21,443,561 7
Apr 27, 2018 3 $2,579,441 +128% -58% 3,440 $750   $24,023,002 8
Apr 28, 2018 3 $3,374,362 +31% -44% 3,440 $981   $27,397,364 9
Apr 29, 2018 4 $2,222,954 -34% -42% 3,440 $646   $29,620,318 10
Apr 30, 2018 3 $717,175 -68% -40% 3,440 $208   $30,337,493 11
May 1, 2018 3 $1,063,254 +48% -41% 3,440 $309   $31,400,747 12
May 2, 2018 3 $745,820 -30% -41% 3,440 $217   $32,146,567 13
May 3, 2018 3 $751,716 +1% -34% 3,440 $219   $32,898,283 14
May 4, 2018 4 $1,621,161 +116% -37% 3,232 $502   $34,519,444 15
May 5, 2018 5 $1,987,520 +23% -41% 3,232 $615   $36,506,964 16
May 6, 2018 5 $1,441,839 -27% -35% 3,232 $446   $37,948,803 17
May 7, 2018 4 $462,629 -68% -35% 3,232 $143   $38,411,432 18
May 8, 2018 4 $736,405 +59% -31% 3,232 $228   $39,147,837 19
May 9, 2018 4 $530,279 -28% -29% 3,232 $164   $39,678,116 20
May 10, 2018 4 $468,460 -12% -38% 3,232 $145   $40,146,576 21
May 11, 2018 6 $971,427 +107% -40% 2,858 $340   $41,118,003 22
May 12, 2018 7 $1,427,167 +47% -28% 2,858 $499   $42,545,170 23
May 13, 2018 6 $1,406,843 -1% -2% 2,858 $492   $43,952,013 24
May 14, 2018 6 $326,214 -77% -29% 2,858 $114   $44,278,227 25
May 15, 2018 6 $471,482 +45% -36% 2,858 $165   $44,749,709 26
May 16, 2018 6 $346,749 -26% -35% 2,858 $121   $45,096,458 27
May 17, 2018 6 $241,999 -30% -48% 2,858 $85   $45,338,457 28
May 18, 2018 11 $345,439 +43% -64% 1,505 $230   $45,683,896 29
May 19, 2018 11 $525,066 +52% -63% 1,505 $349   $46,208,962 30
May 20, 2018 10 $395,308 -25% -72% 1,505 $263   $46,604,270 31
May 21, 2018 10 $149,605 -62% -54% 1,505 $99   $46,753,875 32
May 22, 2018 10 $183,182 +22% -61% 1,505 $122   $46,937,057 33
May 23, 2018 9 $135,052 -26% -61% 1,505 $90   $47,072,109 34
May 24, 2018 10 $95,024 -30% -61% 1,505 $63   $47,167,133 35
May 25, 2018 13 $135,151 +42% -61% 551 $245   $47,302,284 36
May 26, 2018 12 $198,333 +47% -62% 551 $360   $47,500,617 37
May 27, 2018 12 $178,089 -10% -55% 551 $323   $47,678,706 38
May 28, 2018 11 $139,747 -22% -7% 551 $254   $47,818,453 39
May 29, 2018 11 $82,849 -41% -55% 551 $150   $47,901,302 40
May 30, 2018 11 $65,444 -21% -52% 551 $119   $47,966,746 41
May 31, 2018 11 $60,001 -8% -37% 551 $109   $48,026,747 42
Jun 1, 2018 15 $90,374 +51% -33% 315 $287   $48,117,121 43
Jun 2, 2018 - $128,082 +42% -35% 315 $407   $48,245,203 44
Jun 3, 2018 15 $79,110 -38% -56% 315 $251   $48,324,313 45
Jun 4, 2018 15 $37,058 -53% -73% 315 $118   $48,361,371 46
Jun 5, 2018 15 $52,408 +41% -37% 315 $166   $48,413,779 47
Jun 6, 2018 15 $37,329 -29% -43% 315 $119   $48,451,108 48
Jun 7, 2018 - $28,392 -24% -53% 315 $90   $48,479,500 49
Jun 8, 2018 - $42,035 +48% -53% 207 $203   $48,521,535 50
Jun 9, 2018 - $57,448 +37% -55% 207 $278   $48,578,983 51
Jun 10, 2018 - $39,769 -31% -50% 207 $192   $48,618,752 52
Jun 11, 2018 - $19,503 -51% -47% 207 $94   $48,638,255 53
Jun 12, 2018 - $25,900 +33% -51% 207 $125   $48,664,155 54
Jun 13, 2018 - $18,349 -29% -51% 207 $89   $48,682,504 55
Jun 14, 2018 - $16,533 -10% -42% 207 $80   $48,699,037 56
Jun 15, 2018 - $18,057 +9% -57% 110 $164   $48,717,094 57
Jun 16, 2018 - $22,780 +26% -60% 110 $207   $48,739,874 58
Jun 17, 2018 - $13,568 -40% -66% 110 $123   $48,753,442 59
Jun 18, 2018 - $9,385 -31% -52% 110 $85   $48,762,827 60
Jun 19, 2018 - $12,873 +37% -50% 110 $117   $48,775,700 61
Jun 20, 2018 - $9,983 -22% -46% 110 $91   $48,785,683 62
Jun 21, 2018 - $9,918 -1% -40% 110 $90   $48,795,601 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 20, 2018 3 $21,443,561   3,440 $6,234   $21,443,561 1
Apr 27, 2018 3 $11,454,722 -47% 3,440 $3,330   $32,898,283 2
May 4, 2018 4 $7,248,293 -37% 3,232 $2,243   $40,146,576 3
May 11, 2018 6 $5,191,881 -28% 2,858 $1,817   $45,338,457 4
May 18, 2018 11 $1,828,676 -65% 1,505 $1,215   $47,167,133 5
May 25, 2018 12 $859,614 -53% 551 $1,560   $48,026,747 6
Jun 1, 2018 16 $452,753 -47% 315 $1,437   $48,479,500 7
Jun 8, 2018 25 $219,537 -52% 207 $1,061   $48,699,037 8
Jun 15, 2018 34 $96,564 -56% 110 $878   $48,795,601 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/11/2018 $106,985 0 0 0 $160,116 1/1/2019
Australia 4/20/2018 $1,913,852 334 334 1,671 $6,884,740 6/29/2018
Brazil 6/29/2018 $216,715 0 0 0 $458,645 7/13/2018
Bulgaria 4/27/2018 $14,985 0 0 0 $86,477 2/26/2019
China 8/31/2018 $14,345 0 0 0 $205,958 9/7/2018
Czech Republic 6/22/2018 $109,986 80 80 262 $593,438 1/1/2019
Germany 5/11/2018 $872,323 0 0 0 $3,081,673 6/15/2018
Italy 8/22/2018 $760,622 0 0 0 $2,631,262 9/17/2018
Lithuania 5/11/2018 $13,589 0 0 0 $92,029 8/15/2018
Mexico 6/1/2018 $810,232 0 0 0 $2,073,141 6/18/2018
Netherlands 5/4/2018 $246,121 84 86 710 $1,688,756 7/19/2018
New Zealand 4/20/2018 $231,819 80 80 328 $750,097 5/21/2018
Poland 6/29/2018 $283,069 0 0 0 $1,692,612 1/1/2019
Portugal 6/1/2018 $108,896 64 64 193 $294,635 7/6/2018
Romania 12/4/2020 $0 0 2 2 $240,084 2/10/2021
Russia (CIS) 6/7/2018 $703,330 506 565 1,914 $2,499,394 2/26/2019
Slovakia 6/15/2018 $796 1 73 183 $303,619 8/22/2018
South Korea 5/31/2018 $0 0 213 664 $1,787,666 3/11/2020
Spain 6/15/2018 $305,334 243 304 861 $984,729 7/24/2018
Turkey 8/24/2018 $13,881 63 63 120 $47,720 2/26/2019
United Kingdom 5/4/2018 $1,721,919 520 531 2,593 $7,153,136 6/20/2018
 
Rest of World $8,938,567
 
International Total$42,648,494 2/10/2021

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 22, 2018441,009 41,009$736,522$736,5223
Jul 29, 2018619,395-53% 60,404$348,334$1,084,8564
Aug 5, 20181216,182-17% 76,586$290,629$1,375,4855
Aug 12, 2018264,985-69% 81,571$89,531$1,465,0166
Aug 19, 2018295,703+14% 87,274$102,426$1,567,4427

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 22, 2018630,482 30,482$608,413$608,4133
Jul 29, 2018614,003-54% 44,485$279,503$887,9164
Aug 5, 20181211,738-16% 56,223$234,281$1,122,1975

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Amy Schumer    Renee Bennett

Supporting Cast

Michelle Williams    Avery LeClaire
Rory Scovel    Ethan
Emily Ratajkowski    Mallory
Naomi Campbell    Helen
Lauren Hutton    Lily LeClaire
Busy Philipps    Jane
Aidy Bryant    Vivian
Tom Hopper    Grant LeClaire
Sasheer Zamata    Tasha
Adrian Martinez    Mason
Dave Attell    Really Tan Dude
Angela Davis    Luna
Caroline Day    Jenn
Anastagia Pierre    Claire
Gia Crovatin    Sasha
Olivia Culpo    Hope
Kyle Grooms    Lyle
Paul McCallion    Grouper Date #2
Phil Hanley    Grouper Date #3
Nikki Glaser    Woman at LL HQ
Dakota Lustick    Skinny Barista
Jeff Grover    Silver Fox
William A. Kennedy    Silver Fox’s Husband
Camille Kostek    Hostess
Aina Adler    Glam Receptionist
Sarah Newhouse    Ms. Udell
Lawrence Watson    Pharmacy Manager
Tony Viveiros    Dry Cleaner
Sarah Fischer    Sales Girl
Mandy Schmieder    SoulCycle Woman
Rachel Feinstein    SoulCycle Woman
Kevin Kane    Cute Guy at Pharmacy
Benz Veal    Cute Dude at SoulCycle
Chloe Kathleen Hurst*    Greta
Monib Abhat    Beefy Dude
Yaya Williams    Janelle
Andrea Kostovick    Bianca
Jacqueline Giraldo    Kim

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Abby Kohn    Director
Marc Silverstein    Director
Abby Kohn    Screenwriter
Marc Silverstein    Screenwriter
Nicolas Chartier    Producer
McG*    Producer
Alissa Phillips    Producer
Dominic Rustam    Producer
Mary Viola    Producer
Amy Schumer    Producer
Justin Bursch    Executive Producer
Kevin Kane    Executive Producer
Jonathan Deckter    Executive Producer
Daniel Rappaport    Executive Producer
Wang Zhongjun    Executive Producer
Wang Zhonglei    Executive Producer
Felice Bee    Executive Producer
Donald Tang    Executive Producer
Robert Simonds    Executive Producer
Adam Fogelson    Executive Producer
Florian Ballhaus    Director of Photography
William O. Hunter*    Production Designer
Tia Nolan    Editor
Debra McGuire    Costume Designer
Michael Andrews    Composer
Linda Cohen    Music Supervisor
Justine Arteta    Casting Director
Kim Davis-Wagner    Casting Director
Paul Marini    Stunt Coordinator
Jesse Nye    First Assistant Director
Natasha Rivera    Second Assistant Director
William A. Earon    Co-Producer
Elena Albanese    Art Director
Bridget Keefe    Set Decorator
Onnalee Blank    Re-recording Mixer
Mathew Waters    Re-recording Mixer
Branden Spencer    Supervising Sound Editor
Sean McCormack    Supervising Sound Editor
Jenna Dayton    Script Supervisor
Jason Fyrberg    Sound Mixer
Stephen Hartman    Location Manager
Kimberly Guenther-Durkin*    Costume Supervisor
Maya Hardinge    Make up
Julie LeShane    Make up
Frank Barbosa    Hairstylist
Shayna Passaretti    Hairstylist
Benjamin C. Dewey    Production Supervisor
Jon Philpot    Additional Editor
Andrew Kilcoiin    First Assistant Editor
Will Riley    Dialogue Editor
Robert Chen    Dialogue Editor
Ando Johnson    Sound Effects Editor
Ailene Roberts    Sound Effects Editor
Ron Mellegers    Foley Mixer
Trent Richmond    Foley Mixer
Lon Molnar    Visual Effects Executive Producer
Phil Jones    Visual Effects Supervisor
Christine Galvan    Visual Effects Producer
Nathan LaRouche    Character CG Supervisor
Samuel J. Brown    Executive in Charge of Production
Sheroum Kim    Executive in Charge of Production
Kate Vorhoff    Executive in Charge of Production
Michael Andrews    Score Producer
Todd Burke    Score Recordist
Todd Burke    Score Mixer
Brian Bulman    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for July 17th, 2018

July 18th, 2018

Isle of Dogs

It’s a shallow week in terms of the total number of releases, but a lot of films on this list are worth picking up. Rampage is the biggest and it is worth buying, if you are into popcorn action flicks. There are a lot of other releases that are worth picking up, but not quite Pick of the Week contenders, like Disobedience, The Good Place: Season Two, etc. As for true Pick of the Week contenders, we have a limited selection and I’m going with Isle of Dogs on Blu-ray Combo Pack for that title. More...

Home Market Releases for July 3rd, 2018

July 3rd, 2018

Blockers

We are deep into the summer doldrums on the home market. Blockers is the biggest first-run release of the week, and also the best. The DVD or Blu-ray Combo Pack is a contender for Pick of the Week, thanks in part to the lack of competition. It’s not the only contender, as both Dietrich and von Sternberg in Hollywood: The Criterion Collection and JoJo’s Bizarre Adventure: Set 2: Stardust Crusades Arc are also worthy of that title. In the end, I rolled a dice and Blockers came out on top. More...

Weekend Wrap-Up: Infinity Tops Charts, can’t Quite Match Guardians Debut

May 8th, 2018

Avengers: Infinity War

It was a relatively good weekend at the box office with every film in the top five matching or beating expectations. This includes Avengers: Infinity War, which had the second best second weekend of all time, earning $114.77 million. Overall, the box office fell 46% from last weekend, but $169 million is still a good total. It is 13% lower than the same weekend last year, but it had to go up against Guardians of the Galaxy Vol 2 opening weekend, so being this close is actually a positive result. Year-to-date, 2018 has pulled in $4.05 billion, which is 5.6% or $220 million higher than last year’s pace. More...

Weekend Predictions: How Badly will Infinity War Beat the New Releases?

May 3rd, 2018

Overboard

Last weekend, Infinity War destroyed the weekend record. This weekend, there are three new releases that are just hoping to not get embarrassed. Overboard is the biggest film in terms of buzz, but the buzz isn’t good, to be kind. Tully is the smallest film in terms of theater count, but its reviews are stellar and it has a shot at the top five. Bad Samaritan’s early reviews, are good, but its buzz is so quiet that it will likely bomb in theaters. This weekend last year, Guardians of the Galaxy Vol 2 opened with $146.51 million. There’s almost no chance 2018 will match last year’s performance. Thanks to Infinity War’s record-breaking opening, 2018 should be relatively close. More...

Weekend Wrap-Up: Infinity War Opened as Close to Infinity as Any Film

April 30th, 2018

Avengers: Infinity War

Infinity War was expected to dominate the box office over the weekend. However, not a lot of people thought it would break the all-time record, but it did. Not only did it break the record, it smashed it, topping The Force Awakens by nearly $10 million at $257.70 million. The MCU now has six of the top ten openings of all-time. Remember, when Disney bought Marvel for $4 billion, a lot of people thought they overpaid. Disney’s share of just the domestic box office numbers is close to $4 billion at this point. The overall box office rose 150% from last weekend to $312 million. This is within a rounding error of the record and we might get there as smaller studios report their numbers later in the week. This is 212% higher than the same weekend last year; granted, this is because summer started a week early this year. Year-to-date, 2018 has retaken the lead by $140 million or 4.0% at $3.78 billion to $3.64 billion. However, and this is important, this is a misleading number, because summer started a week early this year. I would wait till Deadpool 2 comes out to judge the year-to-date numbers. It will take that long for Infinity War coming out a week early to fully balance out. You will probably make solid judgments before then, but I think it is wise to be a little cautious. More...

Weekend Predictions: Will Avengers go to Infinity?

April 26th, 2018

Avengers: Infinity War

Infinity War. Do I need to say more? Infinity War is easily the most anticipated movie of the year, and some argue the most anticipated film in the past few years. There’s even talk that it will have the best three-day opening of all time. This weekend last year, The Fate of the Furious earned its third first place result with just under $20 million. Infinity War could make twice that during its midnight previews. It will make more than the entire box office made last year. More...

Weekend Wrap-Up: Quiet Retakes Top Spot, Rampage Right Behind

April 24th, 2018

A Quiet Place

As expected, A Quiet Place returned to the first place with $20.94 million over the weekend. However, Rampage was much closer than expected with $20.09 million. It is on pace for $100 million domestically, assuming Infinity War doesn't reduce it to rumble this coming weekend. The new releases were led by I Feel Pretty, which came within a rounding error of expectations, while Super Troopers 2 beat expectations earning fourth place. Traffik barely made the top ten, but it could have been worse. Overall, the box office still fell 17% from last week, falling to $122 million. This is still 13% higher than the same weekend last year, which I was not expecting. I really thought The Fate of the Furious would earn more than the top two films earned this weekend, while the depth was also a lot better this week than I was anticipating. Year-to-date, 2017 is still behind 2018, by a 2.1% or $75 million margin at $3.43 billion to $3.51 billion. This should change this coming weekend. It better change. More...

Friday Estimates: Troopers has Super Opening, I Feel has a Pretty Good One

April 21st, 2018

Super Troopers

Super Troopers 2 opened in first place on Friday with $7.9 million, which is more than I predicted it would make over the entire weekend. On the other hand, this film’s reviews are wea. It managed a B plus from CinemaScore, which isn’t terrible, but it’s not particularly good either. Its legs likely won’t be great, as the target demographic is much more likely to rush out to the movie opening night, leaving the film with just over $17 million during its opening weekend. This could be more than its combined budget, especially if you disregard the money it earned from Kickstarter. (The film doesn’t have to earn a profit on those numbers.) More...

Thursday Night Previews: Comedies Conquer Midnight Previews

April 20th, 2018

Super Troopers 2

Both new comedies beat expectations with Super Troopers 2 coming out on top with $1.35 million. It will easily top predictions, but all is not so rosy. Its reviews are just 33% positive and the film might not find an audience beyond its target audience. That said, it won’t take the film long to match the original’s entire domestic run. It won’t get there over the weekend, especially with the Franchise double-shot happening in nearly 1,000 theaters, but it will get there. More...

Weekend Predictions: The Quiet Before the Storm

April 19th, 2018

I Feel Pretty

There are two wide releases this week, I Feel Pretty and Super Troopers 2, as well as a semi-wide release that has a shot at the top ten, Traffik. However, most analysts think A Quiet Place will return to first place on the box office chart. Meanwhile, Infinity War opens next week and that’s all most moviegoers are talking about and this will likely really hurt this week’s box office. This weekend last year, The Fate of the Furious remained on top with $38 million, while the top three films combined earned $60 million. I don’t think 2018 will be able to match that, but it should be close. More...

2018 Preview: April

April 1st, 2018

Avengers: Infinity War

Well, March has ended and it was a very disappointing month. Black Panther made more than any of the new releases did. The only potential big hit that didn’t miss expectations was Ready Player One. Because of this, 2018 lost its lead over 2017 and is now over $100 million behind last year’s pace. April is usually a terrible month, because it is a dumping ground, especially late in the month. No studio wants to compete with the first monster hit of the Summer. This year, the first monster hit of the summer, Avengers: Infinity War, opens in April. It will make more during its opening weekend than any other April release will make in total. It might make more opening day than any other April release will make in total. The only film that has a real chance to earn more than $100 million is Rampage, a video game adaptation. Last April, The Fate of the Furious earned more than $1.2 billion worldwide, but “only” earned $225.76 million of that domestically. Infinity War should earn more than that opening weekend. The second biggest hit of last April was Smurfs: The Lost Village and Going in Style, both of which earned $45.02 million. If 2018 doesn’t retake the lead by the end of the month, then 2018 is in trouble at the box office. More...

I Feel Pretty Trailer

March 23rd, 2018

Comedy starring Amy Schumer opens April 20 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A woman who struggles with feelings of deep insecurity and low self-esteem, that hold her back everyday, wakes from a brutal fall in an exercise class believing she is suddenly a supermodel. With this newfound confidence she is empowered to live her life fearlessly and flawlessly, but what will happen when she realizes her appearance never changed?

Metrics

Opening Weekend:$16,030,218 (32.9% of total gross)
Legs:3.04 (domestic box office/biggest weekend)
Domestic Share:53.4% (domestic box office/worldwide)
Production Budget:$32,000,000 (worldwide box office is 2.9 times production budget)
Theater counts:3,440 opening theaters/3,440 max. theaters, 4.6 weeks average run per theater
Infl. Adj. Dom. BO $57,740,558

Latest Ranking on Cumulative Box Office Lists


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Amazon VOD:Amazon VOD, Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: April 20th, 2018 (Wide) by STX Entertainment
International Releases: April 20th, 2018 (Wide) (Australia)
April 20th, 2018 (Wide) (New Zealand)
April 27th, 2018 (Wide), released as Диагноза: Секси! (Bulgaria)
May 4th, 2018 (Wide) (Netherlands)
May 4th, 2018 (Wide) (United Kingdom)
... Show all releases
Video Release: July 3rd, 2018 by Universal Home Entertainment
MPAA Rating: PG-13 for sexual content, some partial nudity, and language.
(Rating bulletin 2519 (Cert #51524), 3/21/2018)
Running Time: 110 minutes
Comparisons: vs. En kongelig affære
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Keywords: Hallucinations, Fashion, Romance, Relationships Gone Wrong, Body Swap, Farcical / Slapstick Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Voltage Pictures, Wonderland Sound and Vision, Huayi Brothers Pictures Ltd, STX Entertainment, Asia Production Fund One Limited, Soundford Limited
Production Countries: United States
Languages: English

Leading Cast

Amy Schumer    Renee Bennett

Supporting Cast

Michelle Williams    Avery LeClaire
Rory Scovel    Ethan
Emily Ratajkowski    Mallory
Naomi Campbell    Helen
Lauren Hutton    Lily LeClaire
Busy Philipps    Jane
Aidy Bryant    Vivian
Tom Hopper    Grant LeClaire
Sasheer Zamata    Tasha
Adrian Martinez    Mason
Dave Attell    Really Tan Dude
Angela Davis    Luna
Caroline Day    Jenn
Anastagia Pierre    Claire
Gia Crovatin    Sasha
Olivia Culpo    Hope
Kyle Grooms    Lyle
Paul McCallion    Grouper Date #2
Phil Hanley    Grouper Date #3
Nikki Glaser    Woman at LL HQ
Dakota Lustick    Skinny Barista
Jeff Grover    Silver Fox
William A. Kennedy    Silver Fox’s Husband
Camille Kostek    Hostess
Aina Adler    Glam Receptionist
Sarah Newhouse    Ms. Udell
Lawrence Watson    Pharmacy Manager
Tony Viveiros    Dry Cleaner
Sarah Fischer    Sales Girl
Mandy Schmieder    SoulCycle Woman
Rachel Feinstein    SoulCycle Woman
Kevin Kane    Cute Guy at Pharmacy
Benz Veal    Cute Dude at SoulCycle
Chloe Kathleen Hurst*    Greta
Monib Abhat    Beefy Dude
Yaya Williams    Janelle
Andrea Kostovick    Bianca
Jacqueline Giraldo    Kim

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Abby Kohn    Director
Marc Silverstein    Director
Abby Kohn    Screenwriter
Marc Silverstein    Screenwriter
Nicolas Chartier    Producer
McG*    Producer
Alissa Phillips    Producer
Dominic Rustam    Producer
Mary Viola    Producer
Amy Schumer    Producer
Justin Bursch    Executive Producer
Kevin Kane    Executive Producer
Jonathan Deckter    Executive Producer
Daniel Rappaport    Executive Producer
Wang Zhongjun    Executive Producer
Wang Zhonglei    Executive Producer
Felice Bee    Executive Producer
Donald Tang    Executive Producer
Robert Simonds    Executive Producer
Adam Fogelson    Executive Producer
Florian Ballhaus    Director of Photography
William O. Hunter*    Production Designer
Tia Nolan    Editor
Debra McGuire    Costume Designer
Michael Andrews    Composer
Linda Cohen    Music Supervisor
Justine Arteta    Casting Director
Kim Davis-Wagner    Casting Director
Paul Marini    Stunt Coordinator
Jesse Nye    First Assistant Director
Natasha Rivera    Second Assistant Director
William A. Earon    Co-Producer
Elena Albanese    Art Director
Bridget Keefe    Set Decorator
Onnalee Blank    Re-recording Mixer
Mathew Waters    Re-recording Mixer
Branden Spencer    Supervising Sound Editor
Sean McCormack    Supervising Sound Editor
Jenna Dayton    Script Supervisor
Jason Fyrberg    Sound Mixer
Stephen Hartman    Location Manager
Kimberly Guenther-Durkin*    Costume Supervisor
Maya Hardinge    Make up
Julie LeShane    Make up
Frank Barbosa    Hairstylist
Shayna Passaretti    Hairstylist
Benjamin C. Dewey    Production Supervisor
Jon Philpot    Additional Editor
Andrew Kilcoiin    First Assistant Editor
Will Riley    Dialogue Editor
Robert Chen    Dialogue Editor
Ando Johnson    Sound Effects Editor
Ailene Roberts    Sound Effects Editor
Ron Mellegers    Foley Mixer
Trent Richmond    Foley Mixer
Lon Molnar    Visual Effects Executive Producer
Phil Jones    Visual Effects Supervisor
Christine Galvan    Visual Effects Producer
Nathan LaRouche    Character CG Supervisor
Samuel J. Brown    Executive in Charge of Production
Sheroum Kim    Executive in Charge of Production
Kate Vorhoff    Executive in Charge of Production
Michael Andrews    Score Producer
Todd Burke    Score Recordist
Todd Burke    Score Mixer
Brian Bulman    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for July 17th, 2018

July 18th, 2018

Isle of Dogs

It’s a shallow week in terms of the total number of releases, but a lot of films on this list are worth picking up. Rampage is the biggest and it is worth buying, if you are into popcorn action flicks. There are a lot of other releases that are worth picking up, but not quite Pick of the Week contenders, like Disobedience, The Good Place: Season Two, etc. As for true Pick of the Week contenders, we have a limited selection and I’m going with Isle of Dogs on Blu-ray Combo Pack for that title. More...

Home Market Releases for July 3rd, 2018

July 3rd, 2018

Blockers

We are deep into the summer doldrums on the home market. Blockers is the biggest first-run release of the week, and also the best. The DVD or Blu-ray Combo Pack is a contender for Pick of the Week, thanks in part to the lack of competition. It’s not the only contender, as both Dietrich and von Sternberg in Hollywood: The Criterion Collection and JoJo’s Bizarre Adventure: Set 2: Stardust Crusades Arc are also worthy of that title. In the end, I rolled a dice and Blockers came out on top. More...

Weekend Wrap-Up: Infinity Tops Charts, can’t Quite Match Guardians Debut

May 8th, 2018

Avengers: Infinity War

It was a relatively good weekend at the box office with every film in the top five matching or beating expectations. This includes Avengers: Infinity War, which had the second best second weekend of all time, earning $114.77 million. Overall, the box office fell 46% from last weekend, but $169 million is still a good total. It is 13% lower than the same weekend last year, but it had to go up against Guardians of the Galaxy Vol 2 opening weekend, so being this close is actually a positive result. Year-to-date, 2018 has pulled in $4.05 billion, which is 5.6% or $220 million higher than last year’s pace. More...

Weekend Predictions: How Badly will Infinity War Beat the New Releases?

May 3rd, 2018

Overboard

Last weekend, Infinity War destroyed the weekend record. This weekend, there are three new releases that are just hoping to not get embarrassed. Overboard is the biggest film in terms of buzz, but the buzz isn’t good, to be kind. Tully is the smallest film in terms of theater count, but its reviews are stellar and it has a shot at the top five. Bad Samaritan’s early reviews, are good, but its buzz is so quiet that it will likely bomb in theaters. This weekend last year, Guardians of the Galaxy Vol 2 opened with $146.51 million. There’s almost no chance 2018 will match last year’s performance. Thanks to Infinity War’s record-breaking opening, 2018 should be relatively close. More...

Weekend Wrap-Up: Infinity War Opened as Close to Infinity as Any Film

April 30th, 2018

Avengers: Infinity War

Infinity War was expected to dominate the box office over the weekend. However, not a lot of people thought it would break the all-time record, but it did. Not only did it break the record, it smashed it, topping The Force Awakens by nearly $10 million at $257.70 million. The MCU now has six of the top ten openings of all-time. Remember, when Disney bought Marvel for $4 billion, a lot of people thought they overpaid. Disney’s share of just the domestic box office numbers is close to $4 billion at this point. The overall box office rose 150% from last weekend to $312 million. This is within a rounding error of the record and we might get there as smaller studios report their numbers later in the week. This is 212% higher than the same weekend last year; granted, this is because summer started a week early this year. Year-to-date, 2018 has retaken the lead by $140 million or 4.0% at $3.78 billion to $3.64 billion. However, and this is important, this is a misleading number, because summer started a week early this year. I would wait till Deadpool 2 comes out to judge the year-to-date numbers. It will take that long for Infinity War coming out a week early to fully balance out. You will probably make solid judgments before then, but I think it is wise to be a little cautious. More...

Weekend Predictions: Will Avengers go to Infinity?

April 26th, 2018

Avengers: Infinity War

Infinity War. Do I need to say more? Infinity War is easily the most anticipated movie of the year, and some argue the most anticipated film in the past few years. There’s even talk that it will have the best three-day opening of all time. This weekend last year, The Fate of the Furious earned its third first place result with just under $20 million. Infinity War could make twice that during its midnight previews. It will make more than the entire box office made last year. More...

Weekend Wrap-Up: Quiet Retakes Top Spot, Rampage Right Behind

April 24th, 2018

A Quiet Place

As expected, A Quiet Place returned to the first place with $20.94 million over the weekend. However, Rampage was much closer than expected with $20.09 million. It is on pace for $100 million domestically, assuming Infinity War doesn't reduce it to rumble this coming weekend. The new releases were led by I Feel Pretty, which came within a rounding error of expectations, while Super Troopers 2 beat expectations earning fourth place. Traffik barely made the top ten, but it could have been worse. Overall, the box office still fell 17% from last week, falling to $122 million. This is still 13% higher than the same weekend last year, which I was not expecting. I really thought The Fate of the Furious would earn more than the top two films earned this weekend, while the depth was also a lot better this week than I was anticipating. Year-to-date, 2017 is still behind 2018, by a 2.1% or $75 million margin at $3.43 billion to $3.51 billion. This should change this coming weekend. It better change. More...

Friday Estimates: Troopers has Super Opening, I Feel has a Pretty Good One

April 21st, 2018

Super Troopers

Super Troopers 2 opened in first place on Friday with $7.9 million, which is more than I predicted it would make over the entire weekend. On the other hand, this film’s reviews are wea. It managed a B plus from CinemaScore, which isn’t terrible, but it’s not particularly good either. Its legs likely won’t be great, as the target demographic is much more likely to rush out to the movie opening night, leaving the film with just over $17 million during its opening weekend. This could be more than its combined budget, especially if you disregard the money it earned from Kickstarter. (The film doesn’t have to earn a profit on those numbers.) More...

Thursday Night Previews: Comedies Conquer Midnight Previews

April 20th, 2018

Super Troopers 2

Both new comedies beat expectations with Super Troopers 2 coming out on top with $1.35 million. It will easily top predictions, but all is not so rosy. Its reviews are just 33% positive and the film might not find an audience beyond its target audience. That said, it won’t take the film long to match the original’s entire domestic run. It won’t get there over the weekend, especially with the Franchise double-shot happening in nearly 1,000 theaters, but it will get there. More...

Weekend Predictions: The Quiet Before the Storm

April 19th, 2018

I Feel Pretty

There are two wide releases this week, I Feel Pretty and Super Troopers 2, as well as a semi-wide release that has a shot at the top ten, Traffik. However, most analysts think A Quiet Place will return to first place on the box office chart. Meanwhile, Infinity War opens next week and that’s all most moviegoers are talking about and this will likely really hurt this week’s box office. This weekend last year, The Fate of the Furious remained on top with $38 million, while the top three films combined earned $60 million. I don’t think 2018 will be able to match that, but it should be close. More...

2018 Preview: April

April 1st, 2018

Avengers: Infinity War

Well, March has ended and it was a very disappointing month. Black Panther made more than any of the new releases did. The only potential big hit that didn’t miss expectations was Ready Player One. Because of this, 2018 lost its lead over 2017 and is now over $100 million behind last year’s pace. April is usually a terrible month, because it is a dumping ground, especially late in the month. No studio wants to compete with the first monster hit of the Summer. This year, the first monster hit of the summer, Avengers: Infinity War, opens in April. It will make more during its opening weekend than any other April release will make in total. It might make more opening day than any other April release will make in total. The only film that has a real chance to earn more than $100 million is Rampage, a video game adaptation. Last April, The Fate of the Furious earned more than $1.2 billion worldwide, but “only” earned $225.76 million of that domestically. Infinity War should earn more than that opening weekend. The second biggest hit of last April was Smurfs: The Lost Village and Going in Style, both of which earned $45.02 million. If 2018 doesn’t retake the lead by the end of the month, then 2018 is in trouble at the box office. More...

I Feel Pretty Trailer

March 23rd, 2018

Comedy starring Amy Schumer opens April 20 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 20, 2018 3 $16,030,218   3,440 $4,660   $16,030,218 1
Apr 27, 2018 3 $8,176,757 -49% 3,440 $2,377   $29,620,318 2
May 4, 2018 4 $5,050,520 -38% 3,232 $1,563   $37,948,803 3
May 11, 2018 6 $3,805,437 -25% 2,858 $1,332   $43,952,013 4
May 18, 2018 11 $1,265,813 -67% 1,505 $841   $46,604,270 5
May 25, 2018 13 $511,573 -60% 551 $928   $47,678,706 6
Jun 1, 2018 16 $297,566 -42% 315 $945   $48,324,313 7
Jun 8, 2018 24 $139,252 -53% 207 $673   $48,618,752 8
Jun 15, 2018 35 $54,405 -61% 110 $495   $48,753,442 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Apr 19, 2018 P $1,000,000     2,600 $385   $1,000,000  
Apr 20, 2018 3 $6,199,651     3,440 $1,802   $6,199,651 1
Apr 21, 2018 3 $6,011,268 -3%   3,440 $1,747   $12,210,919 2
Apr 22, 2018 3 $3,819,299 -36%   3,440 $1,110   $16,030,218 3
Apr 23, 2018 3 $1,198,723 -69%   3,440 $348   $17,228,941 4
Apr 24, 2018 3 $1,811,048 +51%   3,440 $526   $19,039,989 5
Apr 25, 2018 2 $1,271,988 -30%   3,440 $370   $20,311,977 6
Apr 26, 2018 2 $1,131,584 -11%   3,440 $329   $21,443,561 7
Apr 27, 2018 3 $2,579,441 +128% -58% 3,440 $750   $24,023,002 8
Apr 28, 2018 3 $3,374,362 +31% -44% 3,440 $981   $27,397,364 9
Apr 29, 2018 4 $2,222,954 -34% -42% 3,440 $646   $29,620,318 10
Apr 30, 2018 3 $717,175 -68% -40% 3,440 $208   $30,337,493 11
May 1, 2018 3 $1,063,254 +48% -41% 3,440 $309   $31,400,747 12
May 2, 2018 3 $745,820 -30% -41% 3,440 $217   $32,146,567 13
May 3, 2018 3 $751,716 +1% -34% 3,440 $219   $32,898,283 14
May 4, 2018 4 $1,621,161 +116% -37% 3,232 $502   $34,519,444 15
May 5, 2018 5 $1,987,520 +23% -41% 3,232 $615   $36,506,964 16
May 6, 2018 5 $1,441,839 -27% -35% 3,232 $446   $37,948,803 17
May 7, 2018 4 $462,629 -68% -35% 3,232 $143   $38,411,432 18
May 8, 2018 4 $736,405 +59% -31% 3,232 $228   $39,147,837 19
May 9, 2018 4 $530,279 -28% -29% 3,232 $164   $39,678,116 20
May 10, 2018 4 $468,460 -12% -38% 3,232 $145   $40,146,576 21
May 11, 2018 6 $971,427 +107% -40% 2,858 $340   $41,118,003 22
May 12, 2018 7 $1,427,167 +47% -28% 2,858 $499   $42,545,170 23
May 13, 2018 6 $1,406,843 -1% -2% 2,858 $492   $43,952,013 24
May 14, 2018 6 $326,214 -77% -29% 2,858 $114   $44,278,227 25
May 15, 2018 6 $471,482 +45% -36% 2,858 $165   $44,749,709 26
May 16, 2018 6 $346,749 -26% -35% 2,858 $121   $45,096,458 27
May 17, 2018 6 $241,999 -30% -48% 2,858 $85   $45,338,457 28
May 18, 2018 11 $345,439 +43% -64% 1,505 $230   $45,683,896 29
May 19, 2018 11 $525,066 +52% -63% 1,505 $349   $46,208,962 30
May 20, 2018 10 $395,308 -25% -72% 1,505 $263   $46,604,270 31
May 21, 2018 10 $149,605 -62% -54% 1,505 $99   $46,753,875 32
May 22, 2018 10 $183,182 +22% -61% 1,505 $122   $46,937,057 33
May 23, 2018 9 $135,052 -26% -61% 1,505 $90   $47,072,109 34
May 24, 2018 10 $95,024 -30% -61% 1,505 $63   $47,167,133 35
May 25, 2018 13 $135,151 +42% -61% 551 $245   $47,302,284 36
May 26, 2018 12 $198,333 +47% -62% 551 $360   $47,500,617 37
May 27, 2018 12 $178,089 -10% -55% 551 $323   $47,678,706 38
May 28, 2018 11 $139,747 -22% -7% 551 $254   $47,818,453 39
May 29, 2018 11 $82,849 -41% -55% 551 $150   $47,901,302 40
May 30, 2018 11 $65,444 -21% -52% 551 $119   $47,966,746 41
May 31, 2018 11 $60,001 -8% -37% 551 $109   $48,026,747 42
Jun 1, 2018 15 $90,374 +51% -33% 315 $287   $48,117,121 43
Jun 2, 2018 - $128,082 +42% -35% 315 $407   $48,245,203 44
Jun 3, 2018 15 $79,110 -38% -56% 315 $251   $48,324,313 45
Jun 4, 2018 15 $37,058 -53% -73% 315 $118   $48,361,371 46
Jun 5, 2018 15 $52,408 +41% -37% 315 $166   $48,413,779 47
Jun 6, 2018 15 $37,329 -29% -43% 315 $119   $48,451,108 48
Jun 7, 2018 - $28,392 -24% -53% 315 $90   $48,479,500 49
Jun 8, 2018 - $42,035 +48% -53% 207 $203   $48,521,535 50
Jun 9, 2018 - $57,448 +37% -55% 207 $278   $48,578,983 51
Jun 10, 2018 - $39,769 -31% -50% 207 $192   $48,618,752 52
Jun 11, 2018 - $19,503 -51% -47% 207 $94   $48,638,255 53
Jun 12, 2018 - $25,900 +33% -51% 207 $125   $48,664,155 54
Jun 13, 2018 - $18,349 -29% -51% 207 $89   $48,682,504 55
Jun 14, 2018 - $16,533 -10% -42% 207 $80   $48,699,037 56
Jun 15, 2018 - $18,057 +9% -57% 110 $164   $48,717,094 57
Jun 16, 2018 - $22,780 +26% -60% 110 $207   $48,739,874 58
Jun 17, 2018 - $13,568 -40% -66% 110 $123   $48,753,442 59
Jun 18, 2018 - $9,385 -31% -52% 110 $85   $48,762,827 60
Jun 19, 2018 - $12,873 +37% -50% 110 $117   $48,775,700 61
Jun 20, 2018 - $9,983 -22% -46% 110 $91   $48,785,683 62
Jun 21, 2018 - $9,918 -1% -40% 110 $90   $48,795,601 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 20, 2018 3 $21,443,561   3,440 $6,234   $21,443,561 1
Apr 27, 2018 3 $11,454,722 -47% 3,440 $3,330   $32,898,283 2
May 4, 2018 4 $7,248,293 -37% 3,232 $2,243   $40,146,576 3
May 11, 2018 6 $5,191,881 -28% 2,858 $1,817   $45,338,457 4
May 18, 2018 11 $1,828,676 -65% 1,505 $1,215   $47,167,133 5
May 25, 2018 12 $859,614 -53% 551 $1,560   $48,026,747 6
Jun 1, 2018 16 $452,753 -47% 315 $1,437   $48,479,500 7
Jun 8, 2018 25 $219,537 -52% 207 $1,061   $48,699,037 8
Jun 15, 2018 34 $96,564 -56% 110 $878   $48,795,601 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/11/2018 $106,985 0 0 0 $160,116 1/1/2019
Australia 4/20/2018 $1,913,852 334 334 1,671 $6,884,740 6/29/2018
Brazil 6/29/2018 $216,715 0 0 0 $458,645 7/13/2018
Bulgaria 4/27/2018 $14,985 0 0 0 $86,477 2/26/2019
China 8/31/2018 $14,345 0 0 0 $205,958 9/7/2018
Czech Republic 6/22/2018 $109,986 80 80 262 $593,438 1/1/2019
Germany 5/11/2018 $872,323 0 0 0 $3,081,673 6/15/2018
Italy 8/22/2018 $760,622 0 0 0 $2,631,262 9/17/2018
Lithuania 5/11/2018 $13,589 0 0 0 $92,029 8/15/2018
Mexico 6/1/2018 $810,232 0 0 0 $2,073,141 6/18/2018
Netherlands 5/4/2018 $246,121 84 86 710 $1,688,756 7/19/2018
New Zealand 4/20/2018 $231,819 80 80 328 $750,097 5/21/2018
Poland 6/29/2018 $283,069 0 0 0 $1,692,612 1/1/2019
Portugal 6/1/2018 $108,896 64 64 193 $294,635 7/6/2018
Romania 12/4/2020 $0 0 2 2 $240,084 2/10/2021
Russia (CIS) 6/7/2018 $703,330 506 565 1,914 $2,499,394 2/26/2019
Slovakia 6/15/2018 $796 1 73 183 $303,619 8/22/2018
South Korea 5/31/2018 $0 0 213 664 $1,787,666 3/11/2020
Spain 6/15/2018 $305,334 243 304 861 $984,729 7/24/2018
Turkey 8/24/2018 $13,881 63 63 120 $47,720 2/26/2019
United Kingdom 5/4/2018 $1,721,919 520 531 2,593 $7,153,136 6/20/2018
 
Rest of World $8,938,567
 
International Total$42,648,494 2/10/2021

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 22, 2018441,009 41,009$736,522$736,5223
Jul 29, 2018619,395-53% 60,404$348,334$1,084,8564
Aug 5, 20181216,182-17% 76,586$290,629$1,375,4855
Aug 12, 2018264,985-69% 81,571$89,531$1,465,0166
Aug 19, 2018295,703+14% 87,274$102,426$1,567,4427

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 22, 2018630,482 30,482$608,413$608,4133
Jul 29, 2018614,003-54% 44,485$279,503$887,9164
Aug 5, 20181211,738-16% 56,223$234,281$1,122,1975

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.