I Love My Dad (2022)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $101,508 | Details |
| OpusData ID: 507660100 More info... | ||
| Further financial details... | ||
Synopsis
Inspired by Morosini’s true life experience, I LOVE MY DAD follows Chuck, an estranged father who desperately wants to reconnect with his troubled son, Franklin. Blocked on social media and concerned for his son’s life, Chuck impersonates a waitress online and starts checking in with Franklin. But things begin to spiral when Franklin falls for this imaginary girl and wants nothing more than to meet her in person, as Chuck has inadvertently catfished his own son.
Metrics
| Opening Weekend: | $54,641 (53.8% of total gross) |
| Legs: | 1.86 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 115 opening theaters/115 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $115,294 |
Movie Details
| Domestic Releases: | August 5th, 2022 (Limited) by Magnolia Pictures |
| Video Release: | August 12th, 2022 by Magnolia Home Entertainment |
| MPA Rating: | R for sexual content and language. (Rating bulletin 2736 (cert #53844), 6/15/2022) |
| Running Time: | 96 minutes |
| Filming location (state or county): | New York, United States |
| Plot point: | Catfishing, Dysfunctional Family, Internet, Internet Dating, Road Trip |
| Subgenre: | Family Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Hantz Motion Pictures, Atlas Industries, Burn Later, Magnolia Pictures, American High |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 5, 2022 | - | $54,641 | 115 | $475 | $54,641 | 1 | |
| Aug 12, 2022 | - | $7,716 | -86% | 32 | $241 | $93,124 | 2 |
| Aug 19, 2022 | - | $2,233 | -71% | 10 | $223 | $100,111 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 5, 2022 | - | $85,408 | 115 | $743 | $85,408 | 1 | |
| Aug 12, 2022 | - | $12,470 | -85% | 32 | $390 | $97,878 | 2 |
| Aug 19, 2022 | - | $3,630 | -71% | 10 | $363 | $101,508 | 3 |
Leading
| Patton Oswalt | Chuck | |
| James Morosini | Franklin |
Supporting
| Rachel Dratch | ||
| Claudia Sulewski | ||
| Ricky Velez | ||
| Amy Landecker | ||
| Lil Rel Howery |
Production and Technical Credits
| James Morosini | Director | |
| James Morosini | Screenwriter | |
| Bill Stertz | Producer | |
| Sean O'Grady | Producer | |
| Dane Eckerle | Producer | |
| Daniel Brandt | Producer | |
| Phil Keefe | Producer | |
| Sam Slater | Producer | |
| Lauren Hantz | Executive Producer | |
| John Hantz | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Inspired by Morosini’s true life experience, I LOVE MY DAD follows Chuck, an estranged father who desperately wants to reconnect with his troubled son, Franklin. Blocked on social media and concerned for his son’s life, Chuck impersonates a waitress online and starts checking in with Franklin. But things begin to spiral when Franklin falls for this imaginary girl and wants nothing more than to meet her in person, as Chuck has inadvertently catfished his own son.
Metrics
| Opening Weekend: | $54,641 (53.8% of total gross) |
| Legs: | 1.86 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 115 opening theaters/115 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $115,294 |
Movie Details
| Domestic Releases: | August 5th, 2022 (Limited) by Magnolia Pictures |
| Video Release: | August 12th, 2022 by Magnolia Home Entertainment |
| MPA Rating: | R for sexual content and language. (Rating bulletin 2736 (cert #53844), 6/15/2022) |
| Running Time: | 96 minutes |
| Filming location (state or county): | New York, United States |
| Plot point: | Catfishing, Dysfunctional Family, Internet, Internet Dating, Road Trip |
| Subgenre: | Family Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Hantz Motion Pictures, Atlas Industries, Burn Later, Magnolia Pictures, American High |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 5, 2022 | - | $54,641 | 115 | $475 | $54,641 | 1 | |
| Aug 12, 2022 | - | $7,716 | -86% | 32 | $241 | $93,124 | 2 |
| Aug 19, 2022 | - | $2,233 | -71% | 10 | $223 | $100,111 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 5, 2022 | - | $85,408 | 115 | $743 | $85,408 | 1 | |
| Aug 12, 2022 | - | $12,470 | -85% | 32 | $390 | $97,878 | 2 |
| Aug 19, 2022 | - | $3,630 | -71% | 10 | $363 | $101,508 | 3 |
Leading
| Patton Oswalt | Chuck | |
| James Morosini | Franklin |
Supporting
| Rachel Dratch | ||
| Claudia Sulewski | ||
| Ricky Velez | ||
| Amy Landecker | ||
| Lil Rel Howery |
Production and Technical Credits
| James Morosini | Director | |
| James Morosini | Screenwriter | |
| Bill Stertz | Producer | |
| Sean O'Grady | Producer | |
| Dane Eckerle | Producer | |
| Daniel Brandt | Producer | |
| Phil Keefe | Producer | |
| Sam Slater | Producer | |
| Lauren Hantz | Executive Producer | |
| John Hantz | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.