I Melt with You (2011)
| Theatrical Performance | ||
| Domestic Box Office | $6,361 | Details |
| OpusData ID: 143460100 More info... | ||
| Further financial details... | ||
Synopsis
Richard, Ron, Jonathan and Tim are old college friends that gather annually for a week in Big Sur to celebrate their friendship and catch-up on each other's lives. They seem like typical men in their forties - all with careers, families, and enormous responsibilities - but like most people there is a lot more beneath the surface. As the week progresses, they go down the rabbit hole of excess as mountains of drugs are consumed to a blaring rock 'n' roll soundtrack. Parties with much younger women spin out of control. Exhausted and run ragged, they bare their souls to one another revealing the disillusionment with their lives. As the truth emerges, the reunion takes a much darker turn when a promise from their past is brought to light. From director Mark Pellington, I MELT WITH YOU is a visually dazzling, wild and wooly trip deep into the male psyche, driven by four amazingly committed and profound performances.
Metrics
| Opening Weekend: | $2,729 (42.9% of total gross) |
| Legs: | 2.33 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/2 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $9,592 |
Movie Details
| Domestic Releases: | December 9th, 2011 (Limited) by Magnolia Pictures |
| Video Release: | February 28th, 2012 by Magnolia Home Entertainment |
| MPA Rating: | R for pervasive drug use and language, some violence and sexual content. (Rating bulletin 2175, 6/8/2011) |
| Running Time: | 116 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Assisted Suicide, Mid-Life Crisis, Narcotics, Suicide |
| Social setting: | College Reunions |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Iron Hoss, Stealth Media Group, Media House Capital, Image Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 9, 2011 | 80 | $2,729 | 2 | $1,365 | $2,729 | 1 | |
| Dec 16, 2011 | 90 | $670 | -75% | 2 | $335 | $4,795 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 9, 2011 | 74 | $4,125 | 2 | $2,063 | $4,125 | 1 | |
| Dec 16, 2011 | 86 | $1,088 | -74% | 2 | $544 | $5,213 | 2 |
| Dec 23, 2011 | 79 | $1,148 | +6% | 1 | $1,148 | $6,361 | 3 |
Leading
| Thomas Jane | Richard | |
| Jeremy Piven | Ron | |
| Rob Lowe | Jonathan | |
| Christian McKay | Tim |
Supporting
| Carla Gugino | Officer Boyde | |
| Tom Bower | Captain Bob | |
| Arielle Kebbel | Randi | |
| Zander Eckhouse | Jonah | |
| Abhi Sinha | Ryan | |
| Sasha Grey | Raven | |
| Joe Reegan | Cole | |
| August Emerson | Ethan | |
| Rebecca Creskoff | Amanda | |
| Melora Hardin | Jane | |
| Melora Walters | Katie | |
| Anne Marie Hunter | Lisa | |
| Anthony Newfield | Restaurant Manager | |
| Tom Donald | Choking Old Man | |
| Emma Friedman | Old Man's Daughter | |
| Dave Lowe | Officer Stevens | |
| Michael Joseph Stevens | Stevie | |
| Ryan Harry | Pool Player #1 | |
| Alex Solowitz | Pool Player #2 | |
| Nico Nicotera | Patient | |
| Natalia Nogalich | Patient | |
| Ronnie Rubalcaba | Javier | |
| Shane Roney | Miles | |
| Victoria Bruno | Carrie | |
| Dani Fish | Jody | |
| Isabella Pellington | Carlie | |
| Natalia Nogulich* | Patient |
Production and Technical Credits
| Mark Pellington | Director | |
| Glenn Porter | Screenwriter | |
| Glenn Porter | Story Creator | |
| Mark Pellington | Story Creator | |
| Mark Pellington | Producer | |
| Norman Reiss | Producer | |
| Rob Cowan | Producer | |
| Glenn Porter | Executive Producer | |
| Liza Richardson | Executive Producer | |
| Rob Lowe | Executive Producer | |
| Jason Piette | Executive Producer | |
| Sean O'Kelly | Executive Producer | |
| Heidi Levitt | Executive Producer | |
| Aaron L. Gilbert | Executive Producer | |
| Thomas Jane | Executive Producer | |
| Neil LaBute | Executive Producer | |
| Michael Cowan | Executive Producer | |
| Eric Schmidt | Director of Photography | |
| Don Broida | Editor | |
| Ian Sebastian Kasnoff | Production Designer | |
| Patia Prouty | Costume Designer | |
| Tomandandy* | Composer | |
| Tomandandy* | Composer | |
| Liah Kim | Co-Producer | |
| Matt Roe | Associate Producer | |
| Read O'Shea | Associate Producer | |
| Rod Smith | Associate Producer | |
| Mark Jan Wlodarkiewicz | Associate Producer | |
| Onnalee Blank | Sound Designer | |
| * | Music Supervisor | |
| Heidi Levitt | Casting |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Richard, Ron, Jonathan and Tim are old college friends that gather annually for a week in Big Sur to celebrate their friendship and catch-up on each other's lives. They seem like typical men in their forties - all with careers, families, and enormous responsibilities - but like most people there is a lot more beneath the surface. As the week progresses, they go down the rabbit hole of excess as mountains of drugs are consumed to a blaring rock 'n' roll soundtrack. Parties with much younger women spin out of control. Exhausted and run ragged, they bare their souls to one another revealing the disillusionment with their lives. As the truth emerges, the reunion takes a much darker turn when a promise from their past is brought to light. From director Mark Pellington, I MELT WITH YOU is a visually dazzling, wild and wooly trip deep into the male psyche, driven by four amazingly committed and profound performances.
Metrics
| Opening Weekend: | $2,729 (42.9% of total gross) |
| Legs: | 2.33 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/2 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $9,592 |
Movie Details
| Domestic Releases: | December 9th, 2011 (Limited) by Magnolia Pictures |
| Video Release: | February 28th, 2012 by Magnolia Home Entertainment |
| MPA Rating: | R for pervasive drug use and language, some violence and sexual content. (Rating bulletin 2175, 6/8/2011) |
| Running Time: | 116 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Assisted Suicide, Mid-Life Crisis, Narcotics, Suicide |
| Social setting: | College Reunions |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Iron Hoss, Stealth Media Group, Media House Capital, Image Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 9, 2011 | 80 | $2,729 | 2 | $1,365 | $2,729 | 1 | |
| Dec 16, 2011 | 90 | $670 | -75% | 2 | $335 | $4,795 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 9, 2011 | 74 | $4,125 | 2 | $2,063 | $4,125 | 1 | |
| Dec 16, 2011 | 86 | $1,088 | -74% | 2 | $544 | $5,213 | 2 |
| Dec 23, 2011 | 79 | $1,148 | +6% | 1 | $1,148 | $6,361 | 3 |
Leading
| Thomas Jane | Richard | |
| Jeremy Piven | Ron | |
| Rob Lowe | Jonathan | |
| Christian McKay | Tim |
Supporting
| Carla Gugino | Officer Boyde | |
| Tom Bower | Captain Bob | |
| Arielle Kebbel | Randi | |
| Zander Eckhouse | Jonah | |
| Abhi Sinha | Ryan | |
| Sasha Grey | Raven | |
| Joe Reegan | Cole | |
| August Emerson | Ethan | |
| Rebecca Creskoff | Amanda | |
| Melora Hardin | Jane | |
| Melora Walters | Katie | |
| Anne Marie Hunter | Lisa | |
| Anthony Newfield | Restaurant Manager | |
| Tom Donald | Choking Old Man | |
| Emma Friedman | Old Man's Daughter | |
| Dave Lowe | Officer Stevens | |
| Michael Joseph Stevens | Stevie | |
| Ryan Harry | Pool Player #1 | |
| Alex Solowitz | Pool Player #2 | |
| Nico Nicotera | Patient | |
| Natalia Nogalich | Patient | |
| Ronnie Rubalcaba | Javier | |
| Shane Roney | Miles | |
| Victoria Bruno | Carrie | |
| Dani Fish | Jody | |
| Isabella Pellington | Carlie | |
| Natalia Nogulich* | Patient |
Production and Technical Credits
| Mark Pellington | Director | |
| Glenn Porter | Screenwriter | |
| Glenn Porter | Story Creator | |
| Mark Pellington | Story Creator | |
| Mark Pellington | Producer | |
| Norman Reiss | Producer | |
| Rob Cowan | Producer | |
| Glenn Porter | Executive Producer | |
| Liza Richardson | Executive Producer | |
| Rob Lowe | Executive Producer | |
| Jason Piette | Executive Producer | |
| Sean O'Kelly | Executive Producer | |
| Heidi Levitt | Executive Producer | |
| Aaron L. Gilbert | Executive Producer | |
| Thomas Jane | Executive Producer | |
| Neil LaBute | Executive Producer | |
| Michael Cowan | Executive Producer | |
| Eric Schmidt | Director of Photography | |
| Don Broida | Editor | |
| Ian Sebastian Kasnoff | Production Designer | |
| Patia Prouty | Costume Designer | |
| Tomandandy* | Composer | |
| Tomandandy* | Composer | |
| Liah Kim | Co-Producer | |
| Matt Roe | Associate Producer | |
| Read O'Shea | Associate Producer | |
| Rod Smith | Associate Producer | |
| Mark Jan Wlodarkiewicz | Associate Producer | |
| Onnalee Blank | Sound Designer | |
| * | Music Supervisor | |
| Heidi Levitt | Casting |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.