I Think We’re Alone Now (2018)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $3,156 | Details |
| Worldwide Box Office | $3,156 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $31,585 | |
| Blu-ray Sales (estimated) | $39,093 | |
| Total | $70,678 | |
| OpusData ID: 338160100 More info... | ||
| Further financial details... | ||
Synopsis
Del is alone in the world. After the human race is wiped out, he lives in his small, empty town, content in his solitude and the utopia he’s methodically created for himself — until he is discovered by Grace, an interloper whose history and motives are obscure. Worse yet, she wants to stay.
Metrics
Movie Details
| Domestic Releases: | September 14th, 2018 (Limited) by Momentum Pictures |
| International Releases: | September 28th, 2018 (Wide), released as Agora Estamos Sozinhos (Portugal) |
| Video Release: | October 23rd, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language. (Rating bulletin 2531 (Cert #51645), 6/13/2018) |
| Running Time: | 93 minutes |
| Film festival: | Sundance Film Festival 2018 |
| Plot point: | Lone Survivor, Surprise Twist, Survivalist |
| Social setting: | Post Apocalypse |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Momentum Pictures, Exhibit , IM Global, Ferrotame Films Limited, Automatik, Slater Hall, Estuary Films |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 9/28/2018 | $1,291 | 6 | 6 | 12 | $3,156 | 10/9/2018 | |||
| International Total | $3,156 | 10/9/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Peter Dinklage | Del | |
| Elle Fanning | Grace |
Supporting
| Charlotte Gainsbourg | Violet | |
| Paul Giamatti | Patrick |
Production and Technical Credits
| Reed Morano | Director | |
| Mike Makowsky | Screenwriter | |
| Fred Berger | Producer | |
| Brian Kavanaugh-Jones | Producer | |
| Fernando Loureiro | Producer | |
| Roberto Vasconcellos | Producer | |
| Peter Dinklage | Producer | |
| Mike Makowsky | Producer | |
| David Ginsberg | Executive Producer | |
| Felipe Prado | Executive Producer | |
| Joao Prado | Executive Producer | |
| Ged Dickersin | Co-Producer | |
| Reed Morano | Director of Photography | |
| Kelly McGehee | Production Designer | |
| Madeleine Gavin | Editor | |
| Mirren Gordon-Crozier | Costume Designer | |
| Adam Taylor | Composer | |
| Lesley Robson-Foster | Visual Effects Supervisor | |
| Randall Poster | Music Supervisor | |
| Meghan Currier | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Del is alone in the world. After the human race is wiped out, he lives in his small, empty town, content in his solitude and the utopia he’s methodically created for himself — until he is discovered by Grace, an interloper whose history and motives are obscure. Worse yet, she wants to stay.
Metrics
Movie Details
| Domestic Releases: | September 14th, 2018 (Limited) by Momentum Pictures |
| International Releases: | September 28th, 2018 (Wide), released as Agora Estamos Sozinhos (Portugal) |
| Video Release: | October 23rd, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language. (Rating bulletin 2531 (Cert #51645), 6/13/2018) |
| Running Time: | 93 minutes |
| Film festival: | Sundance Film Festival 2018 |
| Plot point: | Lone Survivor, Surprise Twist, Survivalist |
| Social setting: | Post Apocalypse |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Momentum Pictures, Exhibit , IM Global, Ferrotame Films Limited, Automatik, Slater Hall, Estuary Films |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 9/28/2018 | $1,291 | 6 | 6 | 12 | $3,156 | 10/9/2018 | |||
| International Total | $3,156 | 10/9/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Peter Dinklage | Del | |
| Elle Fanning | Grace |
Supporting
| Charlotte Gainsbourg | Violet | |
| Paul Giamatti | Patrick |
Production and Technical Credits
| Reed Morano | Director | |
| Mike Makowsky | Screenwriter | |
| Fred Berger | Producer | |
| Brian Kavanaugh-Jones | Producer | |
| Fernando Loureiro | Producer | |
| Roberto Vasconcellos | Producer | |
| Peter Dinklage | Producer | |
| Mike Makowsky | Producer | |
| David Ginsberg | Executive Producer | |
| Felipe Prado | Executive Producer | |
| Joao Prado | Executive Producer | |
| Ged Dickersin | Co-Producer | |
| Reed Morano | Director of Photography | |
| Kelly McGehee | Production Designer | |
| Madeleine Gavin | Editor | |
| Mirren Gordon-Crozier | Costume Designer | |
| Adam Taylor | Composer | |
| Lesley Robson-Foster | Visual Effects Supervisor | |
| Randall Poster | Music Supervisor | |
| Meghan Currier | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.