If Looks Could Kill (1991)
| Theatrical Performance | ||
| Domestic Box Office | $7,781,025 | Details |
| OpusData ID: 40940100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $2,246,819 (28.9% of total gross) |
| Legs: | 3.46 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 838 opening theaters/838 max. theaters, 4.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,903,413 |
Movie Details
| Domestic Releases: | March 15th, 1991 (Wide) by Warner Bros. |
| MPA Rating: | PG-13 |
| Running Time: | 88 minutes |
| Plot point: | Bent on World Domination, C.I.A., Hitmen, Kid Spies, Mistaken Identity |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 1991 | 11 | $2,246,819 | 838 | $2,681 | $2,246,819 | 1 | |
| Mar 22, 1991 | 12 | $1,428,196 | -36% | 838 | $1,704 | $4,272,386 | 2 |
| Mar 29, 1991 | 16 | $671,999 | -53% | 568 | $1,183 | $5,577,642 | 3 |
| Apr 5, 1991 | 24 | $323,506 | -52% | 345 | $938 | $6,256,122 | 4 |
| Apr 12, 1991 | 33 | $204,963 | -37% | 229 | $895 | $6,569,870 | 5 |
| Apr 19, 1991 | 35 | $180,466 | -12% | 220 | $820 | $6,811,540 | 6 |
| Apr 26, 1991 | 35 | $134,968 | -25% | 175 | $771 | $7,000,507 | 7 |
| May 3, 1991 | 38 | $123,198 | -9% | 159 | $775 | $7,181,414 | 8 |
| May 10, 1991 | 23 | $249,347 | +102% | 421 | $592 | $7,482,544 | 9 |
| May 17, 1991 | 32 | $124,973 | -50% | 173 | $722 | $7,704,191 | 10 |
| May 24, 1991 | 40 | $34,476 | -72% | 63 | $547 | $7,781,025 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 1991 | 11 | $2,844,190 | 838 | $3,394 | $2,844,190 | 1 | |
| Mar 22, 1991 | 11 | $2,061,453 | -28% | 838 | $2,460 | $4,905,643 | 2 |
| Mar 29, 1991 | 14 | $1,026,973 | -50% | 568 | $1,808 | $5,932,616 | 3 |
| Apr 5, 1991 | 23 | $432,291 | -58% | 345 | $1,253 | $6,364,907 | 4 |
| Apr 12, 1991 | 31 | $266,167 | -38% | 229 | $1,162 | $6,631,074 | 5 |
| Apr 19, 1991 | 31 | $234,465 | -12% | 220 | $1,066 | $6,865,539 | 6 |
| Apr 26, 1991 | 31 | $192,677 | -18% | 175 | $1,101 | $7,058,216 | 7 |
| May 3, 1991 | 20 | $174,981 | -9% | 159 | $1,101 | $7,233,197 | 8 |
| May 10, 1991 | 22 | $346,021 | +98% | 421 | $822 | $7,579,218 | 9 |
| May 17, 1991 | 27 | $167,331 | -52% | 173 | $967 | $7,746,549 | 10 |
Leading
| Richard Grieco | Michael Corben |
| Linda Hunt | Ilsa Grunt |
Supporting
| Roger Rees | Augustus Steranko | |
| Robin Bartlett | Mrs. Grober (aka 'The French Teacher') | |
| Gabrielle Anwar | Mariska | |
| Geraldine James | Vendetta Galante | |
| Michael Siberry | Richardson | |
| Carole Davis | Areola Canasta |
Production and Technical Credits
| William Dear | Director | |
| Darren Star | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $2,246,819 (28.9% of total gross) |
| Legs: | 3.46 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 838 opening theaters/838 max. theaters, 4.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,903,413 |
Movie Details
| Domestic Releases: | March 15th, 1991 (Wide) by Warner Bros. |
| MPA Rating: | PG-13 |
| Running Time: | 88 minutes |
| Plot point: | Bent on World Domination, C.I.A., Hitmen, Kid Spies, Mistaken Identity |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 1991 | 11 | $2,246,819 | 838 | $2,681 | $2,246,819 | 1 | |
| Mar 22, 1991 | 12 | $1,428,196 | -36% | 838 | $1,704 | $4,272,386 | 2 |
| Mar 29, 1991 | 16 | $671,999 | -53% | 568 | $1,183 | $5,577,642 | 3 |
| Apr 5, 1991 | 24 | $323,506 | -52% | 345 | $938 | $6,256,122 | 4 |
| Apr 12, 1991 | 33 | $204,963 | -37% | 229 | $895 | $6,569,870 | 5 |
| Apr 19, 1991 | 35 | $180,466 | -12% | 220 | $820 | $6,811,540 | 6 |
| Apr 26, 1991 | 35 | $134,968 | -25% | 175 | $771 | $7,000,507 | 7 |
| May 3, 1991 | 38 | $123,198 | -9% | 159 | $775 | $7,181,414 | 8 |
| May 10, 1991 | 23 | $249,347 | +102% | 421 | $592 | $7,482,544 | 9 |
| May 17, 1991 | 32 | $124,973 | -50% | 173 | $722 | $7,704,191 | 10 |
| May 24, 1991 | 40 | $34,476 | -72% | 63 | $547 | $7,781,025 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 15, 1991 | 11 | $2,844,190 | 838 | $3,394 | $2,844,190 | 1 | |
| Mar 22, 1991 | 11 | $2,061,453 | -28% | 838 | $2,460 | $4,905,643 | 2 |
| Mar 29, 1991 | 14 | $1,026,973 | -50% | 568 | $1,808 | $5,932,616 | 3 |
| Apr 5, 1991 | 23 | $432,291 | -58% | 345 | $1,253 | $6,364,907 | 4 |
| Apr 12, 1991 | 31 | $266,167 | -38% | 229 | $1,162 | $6,631,074 | 5 |
| Apr 19, 1991 | 31 | $234,465 | -12% | 220 | $1,066 | $6,865,539 | 6 |
| Apr 26, 1991 | 31 | $192,677 | -18% | 175 | $1,101 | $7,058,216 | 7 |
| May 3, 1991 | 20 | $174,981 | -9% | 159 | $1,101 | $7,233,197 | 8 |
| May 10, 1991 | 22 | $346,021 | +98% | 421 | $822 | $7,579,218 | 9 |
| May 17, 1991 | 27 | $167,331 | -52% | 173 | $967 | $7,746,549 | 10 |
Leading
| Richard Grieco | Michael Corben |
| Linda Hunt | Ilsa Grunt |
Supporting
| Roger Rees | Augustus Steranko | |
| Robin Bartlett | Mrs. Grober (aka 'The French Teacher') | |
| Gabrielle Anwar | Mariska | |
| Geraldine James | Vendetta Galante | |
| Michael Siberry | Richardson | |
| Carole Davis | Areola Canasta |
Production and Technical Credits
| William Dear | Director | |
| Darren Star | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.