I’ll Take Your Dead (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $10,523 | Details |
| International Box Office | $1,526 | |
| Worldwide Box Office | $12,049 | |
| OpusData ID: 408370100 More info... | ||
| Further financial details... | ||
Synopsis
William has a simple job: he makes dead bodies disappear. This isn’t something he likes or even wants to do, but through circumstances out of his control, his little farm house in the country has become a dumping ground for the casualties of the gang related murders in the nearby city. His daughter Gloria has become used to rough looking men dropping off corpses and is even convinced that some of these corpses are haunting their house. After a woman’s body is dumped at the house, William begins his meticulous process when he realizes she’s not actually dead. As the gang activity increases, William patches the woman up and holds her against her will until he can figure out what to do with her. As they begin to develop a very unusual respect for each other, the woman’s murderers get word that she’s still alive and make plan to finish what they started.
Metrics
| Opening Weekend: | $1,963 (18.7% of total gross) |
| Legs: | 5.36 (domestic box office/biggest weekend) |
| Domestic Share: | 87.3% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/6 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,730 |
Movie Details
| Domestic Releases: | July 5th, 2019 (Limited) by Breakthrough Entertainment |
| Video Release: | May 7th, 2019 by Shout Factory |
| MPA Rating: | Not Rated |
| Running Time: | 83 minutes |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Breakthrough Entertainment, Black Fawn Films |
| Production Countries: | Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 5, 2019 | 65 | $1,963 | 6 | $327 | $1,963 | 10 | |
| Jul 12, 2019 | 76 | $1,038 | -47% | 2 | $519 | $4,092 | 11 |
| Jul 19, 2019 | 78 | $942 | -9% | 2 | $471 | $5,870 | 12 |
| Jul 26, 2019 | 66 | $875 | -7% | 2 | $438 | $7,245 | 13 |
| Aug 14, 2020 | - | $1,302 | 1 | $1,302 | $8,994 | 59 | |
| Aug 21, 2020 | - | $1,223 | -6% | 1 | $1,223 | $10,523 | 60 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 5, 2019 | 68 | $3,054 | 6 | $509 | $3,054 | 10 | |
| Jul 12, 2019 | 79 | $1,874 | -39% | 2 | $937 | $4,928 | 11 |
| Jul 19, 2019 | 80 | $1,442 | -23% | 2 | $721 | $6,370 | 12 |
| Jul 26, 2019 | 75 | $1,322 | -8% | 2 | $661 | $7,692 | 13 |
| Aug 14, 2020 | - | $1,608 | 5 | $322 | $9,300 | 59 |
Leading
| Aidan Devine | William | |
| Ava Preston | Gloria | |
| Jess Salgueiro | Jackie |
Supporting
| Brandon McKnight | Carter | |
| Michael Reventar | Diaz | |
| Ari Millen | Reggie | |
| Adam Christie | Burnt Man | |
| Raffaele Brereton | T-Dogg | |
| Tavaree Daniel-Simms | Bodie | |
| Moe Jeudy-Lamour | Demarco |
Production and Technical Credits
| Chad Archibald | Director | |
| Jayme LaForest | Screenwriter | |
| Chad Archibald | Story by | |
| Cody Calahan | Producer | |
| Chad Archibald | Producer | |
| Christopher Giroux | Producer | |
| Nat Abraham | Executive Producer | |
| Ira Levy | Executive Producer | |
| Michael McGuigan | Executive Producer | |
| Peter Williamson | Executive Producer | |
| Jeff Maher | Director of Photography | |
| Vincent Moskowec | Production Designer | |
| Lucas Gentilcore | Art Director | |
| Michael Gallant | Editor | |
| Shaun Hunter | Special Make-up Effects | |
| Steph Copeland | Composer | |
| Ashley Hallihan | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
William has a simple job: he makes dead bodies disappear. This isn’t something he likes or even wants to do, but through circumstances out of his control, his little farm house in the country has become a dumping ground for the casualties of the gang related murders in the nearby city. His daughter Gloria has become used to rough looking men dropping off corpses and is even convinced that some of these corpses are haunting their house. After a woman’s body is dumped at the house, William begins his meticulous process when he realizes she’s not actually dead. As the gang activity increases, William patches the woman up and holds her against her will until he can figure out what to do with her. As they begin to develop a very unusual respect for each other, the woman’s murderers get word that she’s still alive and make plan to finish what they started.
Metrics
| Opening Weekend: | $1,963 (18.7% of total gross) |
| Legs: | 5.36 (domestic box office/biggest weekend) |
| Domestic Share: | 87.3% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/6 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $13,730 |
Movie Details
| Domestic Releases: | July 5th, 2019 (Limited) by Breakthrough Entertainment |
| Video Release: | May 7th, 2019 by Shout Factory |
| MPA Rating: | Not Rated |
| Running Time: | 83 minutes |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Breakthrough Entertainment, Black Fawn Films |
| Production Countries: | Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 5, 2019 | 65 | $1,963 | 6 | $327 | $1,963 | 10 | |
| Jul 12, 2019 | 76 | $1,038 | -47% | 2 | $519 | $4,092 | 11 |
| Jul 19, 2019 | 78 | $942 | -9% | 2 | $471 | $5,870 | 12 |
| Jul 26, 2019 | 66 | $875 | -7% | 2 | $438 | $7,245 | 13 |
| Aug 14, 2020 | - | $1,302 | 1 | $1,302 | $8,994 | 59 | |
| Aug 21, 2020 | - | $1,223 | -6% | 1 | $1,223 | $10,523 | 60 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 5, 2019 | 68 | $3,054 | 6 | $509 | $3,054 | 10 | |
| Jul 12, 2019 | 79 | $1,874 | -39% | 2 | $937 | $4,928 | 11 |
| Jul 19, 2019 | 80 | $1,442 | -23% | 2 | $721 | $6,370 | 12 |
| Jul 26, 2019 | 75 | $1,322 | -8% | 2 | $661 | $7,692 | 13 |
| Aug 14, 2020 | - | $1,608 | 5 | $322 | $9,300 | 59 |
Leading
| Aidan Devine | William | |
| Ava Preston | Gloria | |
| Jess Salgueiro | Jackie |
Supporting
| Brandon McKnight | Carter | |
| Michael Reventar | Diaz | |
| Ari Millen | Reggie | |
| Adam Christie | Burnt Man | |
| Raffaele Brereton | T-Dogg | |
| Tavaree Daniel-Simms | Bodie | |
| Moe Jeudy-Lamour | Demarco |
Production and Technical Credits
| Chad Archibald | Director | |
| Jayme LaForest | Screenwriter | |
| Chad Archibald | Story by | |
| Cody Calahan | Producer | |
| Chad Archibald | Producer | |
| Christopher Giroux | Producer | |
| Nat Abraham | Executive Producer | |
| Ira Levy | Executive Producer | |
| Michael McGuigan | Executive Producer | |
| Peter Williamson | Executive Producer | |
| Jeff Maher | Director of Photography | |
| Vincent Moskowec | Production Designer | |
| Lucas Gentilcore | Art Director | |
| Michael Gallant | Editor | |
| Shaun Hunter | Special Make-up Effects | |
| Steph Copeland | Composer | |
| Ashley Hallihan | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.