Im Himmel, unter der Erde (2011)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 168790100 More info... | ||
| Further financial details... | ||
Synopsis
IN HEAVEN, UNDERGROUND: THE WEISSENSEE JEWISH CEMETERY is a journey into history that celebrates life and the immortality of memories. North of Berlin's noisy city centre, surrounded by a jungle of trees and lush foliage, lies the peaceful and secluded 130-year-old Weissensee Jewish Cemetery, the largest Jewish cemetery still in use in Europe. Its one hundred acres hold 115,000 graves and a meticulous archive record. The cemetery has never closed, and was one of the few institutions to remain in Jewish hands during the Nazi regime. Award-winning director Britta Wauer's charming portrait creates a serene experience following a delightful array of characters from around the world: mourners, tourists, a young family residing at the cemetery, a third-generation gravedigger and an ornithologist studying rare birds of prey.
Metrics
Movie Details
| Domestic Releases: | November 18th, 2011 (Limited) by Seventh Art Releasing, released as In Heaven, Underground |
| Running Time: | 90 minutes |
| Plot point: | Religious |
| Social setting: | Holocaust |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Britzka Film, RBB, SR, Arte |
| Production Countries: | Germany |
| Languages: | German, English |
Interviewee
| William Wolff | Himself | |
| Harry Kindermann | Himself | |
| Baruch Bernard Epstein | Himself | |
| Daniel Hakerem | Himself | |
| Gabriella Naidu | Herself |
Production and Technical Credits
| Britta Wauer | Director | |
| Britta Wauer | Screenwriter | |
| Britta Wauer | Producer | |
| Kasper Koepke | Cinematographer | |
| Berthond Baule | Editor | |
| Karim Sebastian Elias | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
IN HEAVEN, UNDERGROUND: THE WEISSENSEE JEWISH CEMETERY is a journey into history that celebrates life and the immortality of memories. North of Berlin's noisy city centre, surrounded by a jungle of trees and lush foliage, lies the peaceful and secluded 130-year-old Weissensee Jewish Cemetery, the largest Jewish cemetery still in use in Europe. Its one hundred acres hold 115,000 graves and a meticulous archive record. The cemetery has never closed, and was one of the few institutions to remain in Jewish hands during the Nazi regime. Award-winning director Britta Wauer's charming portrait creates a serene experience following a delightful array of characters from around the world: mourners, tourists, a young family residing at the cemetery, a third-generation gravedigger and an ornithologist studying rare birds of prey.
Metrics
Movie Details
| Domestic Releases: | November 18th, 2011 (Limited) by Seventh Art Releasing, released as In Heaven, Underground |
| Running Time: | 90 minutes |
| Plot point: | Religious |
| Social setting: | Holocaust |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Britzka Film, RBB, SR, Arte |
| Production Countries: | Germany |
| Languages: | German, English |
Interviewee
| William Wolff | Himself | |
| Harry Kindermann | Himself | |
| Baruch Bernard Epstein | Himself | |
| Daniel Hakerem | Himself | |
| Gabriella Naidu | Herself |
Production and Technical Credits
| Britta Wauer | Director | |
| Britta Wauer | Screenwriter | |
| Britta Wauer | Producer | |
| Kasper Koepke | Cinematographer | |
| Berthond Baule | Editor | |
| Karim Sebastian Elias | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.