Imitation of Life (1959)
| Theatrical Performance | ||
| Domestic Box Office | $14,000,000 | Details |
| International Box Office | $365 | Details |
| Worldwide Box Office | $14,000,365 | |
| OpusData ID: 31700100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | April 30th, 1959 (Wide) |
| International Releases: | June 12th, 1959 (Limited) (Australia)
June 11th, 2023 (Limited) (Australia) March 28th, 2025 (Limited), released as Imitation of Life (悲しみは空の彼方に) (Japan) |
| Video Release: | January 12th, 2012 by Universal Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 125 minutes |
| Cast, crew, or production detail: | Whitewashed Casting |
| Plot point: | African Americans, Aspiring Actress / Actor, Bigotry, Dysfunctional Family, Interracial Child, Relationships Gone Wrong, Widow/Widower, Young Child Dealing with the Death of a Parent |
| Subgenre: | Life Drama |
| Time period setting: | 1940s, 1950s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/12/1959 | $0 | 0 | 1 | 1 | $365 | 12/29/2020 | |||
| International Total | $365 | 12/29/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Bess Flowers | Geraldine Moore | |
| Daniel O’Herlihy | David Edwards | |
| Lana Turner | Lora Meredith | |
| Sandra Dee | Susie, age 16 |
Production and Technical Credits
| Douglas Sirk | Director | |
| Eleanore Griffin | Screenwriter | |
| Allan Scott | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | April 30th, 1959 (Wide) |
| International Releases: | June 12th, 1959 (Limited) (Australia)
June 11th, 2023 (Limited) (Australia) March 28th, 2025 (Limited), released as Imitation of Life (悲しみは空の彼方に) (Japan) |
| Video Release: | January 12th, 2012 by Universal Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 125 minutes |
| Cast, crew, or production detail: | Whitewashed Casting |
| Plot point: | African Americans, Aspiring Actress / Actor, Bigotry, Dysfunctional Family, Interracial Child, Relationships Gone Wrong, Widow/Widower, Young Child Dealing with the Death of a Parent |
| Subgenre: | Life Drama |
| Time period setting: | 1940s, 1950s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/12/1959 | $0 | 0 | 1 | 1 | $365 | 12/29/2020 | |||
| International Total | $365 | 12/29/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Bess Flowers | Geraldine Moore | |
| Daniel O’Herlihy | David Edwards | |
| Lana Turner | Lora Meredith | |
| Sandra Dee | Susie, age 16 |
Production and Technical Credits
| Douglas Sirk | Director | |
| Eleanore Griffin | Screenwriter | |
| Allan Scott | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.