Immortal Beloved (1994)
| Theatrical Performance | ||
| Domestic Box Office | $9,743,135 | Details |
| International Box Office | $5,625 | Details |
| Worldwide Box Office | $9,748,760 | |
| OpusData ID: 37830100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $120,108 (1.2% of total gross) |
| Legs: | 8.33 (domestic box office/biggest weekend) |
| Domestic Share: | 99.9% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/463 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,444,378 |
Movie Details
| Domestic Releases: | December 16th, 1994 (Wide) by Sony Pictures |
| International Releases: | January 28th, 1995 (Wide) (South Korea) |
| MPA Rating: | R for scenes of violence and sexuality |
| Running Time: | 121 minutes |
| Plot point: | Biography, Deaf, Death of a Son or Daughter, Deathbed, Musicians, Non-Chronological, Relationships Gone Wrong, Romance |
| Subgenre: | Biographical Drama |
| Time period setting: | 1700s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States, United Kingdom |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 16, 1994 | 28 | $120,108 | 4 | $30,027 | $120,108 | 1 | |
| Dec 23, 1994 | 36 | $137,126 | +14% | 4 | $34,282 | $324,482 | 2 |
| Dec 30, 1994 | 36 | $166,737 | +22% | 4 | $41,684 | $582,875 | 3 |
| Jan 6, 1995 | 15 | $1,169,419 | +601% | 81 | $14,437 | $1,811,878 | 4 |
| Jan 13, 1995 | 18 | $1,027,611 | -12% | 100 | $10,276 | $3,266,046 | 5 |
| Jan 20, 1995 | 18 | $951,037 | -7% | 189 | $5,032 | $4,435,773 | 6 |
| Jan 27, 1995 | 17 | $1,127,841 | +19% | 463 | $2,436 | $5,863,755 | 7 |
| Feb 3, 1995 | 17 | $844,133 | -25% | 463 | $1,823 | $7,132,803 | 8 |
| Feb 10, 1995 | 20 | $634,551 | -25% | 387 | $1,640 | $8,032,931 | 9 |
| Feb 17, 1995 | 26 | $456,796 | -28% | 261 | $1,750 | $8,720,177 | 10 |
| Feb 24, 1995 | 36 | $201,199 | -56% | 140 | $1,437 | $9,006,347 | 11 |
| Mar 3, 1995 | 37 | $146,207 | -27% | 86 | $1,700 | $9,212,300 | 12 |
| Mar 10, 1995 | 44 | $109,210 | -25% | 81 | $1,348 | $9,363,723 | 13 |
| Apr 7, 1995 | 43 | $72,660 | 184 | $395 | $9,673,699 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 16, 1994 | 30 | $187,356 | 4 | $46,839 | $187,356 | 1 | |
| Dec 23, 1994 | 36 | $228,782 | +22% | 4 | $57,196 | $416,138 | 2 |
| Dec 30, 1994 | 36 | $226,321 | -1% | 4 | $56,580 | $642,459 | 3 |
| Jan 6, 1995 | 15 | $1,595,976 | +605% | 81 | $19,703 | $2,238,435 | 4 |
| Jan 13, 1995 | 18 | $1,246,301 | -22% | 100 | $12,463 | $3,484,736 | 5 |
| Jan 20, 1995 | 18 | $1,251,178 | n/c | 189 | $6,620 | $4,735,914 | 6 |
| Jan 27, 1995 | 15 | $1,552,756 | +24% | 463 | $3,354 | $6,288,670 | 7 |
| Feb 3, 1995 | 17 | $1,109,710 | -29% | 463 | $2,397 | $7,398,380 | 8 |
| Feb 10, 1995 | 20 | $865,001 | -22% | 387 | $2,235 | $8,263,381 | 9 |
| Feb 17, 1995 | 26 | $541,767 | -37% | 261 | $2,076 | $8,805,148 | 10 |
| Feb 24, 1995 | 35 | $260,945 | -52% | 140 | $1,864 | $9,066,093 | 11 |
| Mar 3, 1995 | 38 | $188,420 | -28% | 86 | $2,191 | $9,254,513 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 1/28/1995 | $0 | 0 | 10 | 10 | $5,625 | 5/7/2020 | |||
| International Total | $5,625 | 5/7/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Gary Oldman | Ludwig van Beethoven | |
| Valeria Golino | Giulietta Guicciardi | |
| Jeroen Krabbe | Anton Felix Schindler | |
| Isabella Rossellini | Anna Marie Erdödy |
Production and Technical Credits
| Bernard Rose | Director | |
| Bernard Rose | Screenwriter | |
| Lee Cleary | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $120,108 (1.2% of total gross) |
| Legs: | 8.33 (domestic box office/biggest weekend) |
| Domestic Share: | 99.9% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/463 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,444,378 |
Movie Details
| Domestic Releases: | December 16th, 1994 (Wide) by Sony Pictures |
| International Releases: | January 28th, 1995 (Wide) (South Korea) |
| MPA Rating: | R for scenes of violence and sexuality |
| Running Time: | 121 minutes |
| Plot point: | Biography, Deaf, Death of a Son or Daughter, Deathbed, Musicians, Non-Chronological, Relationships Gone Wrong, Romance |
| Subgenre: | Biographical Drama |
| Time period setting: | 1700s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States, United Kingdom |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 16, 1994 | 28 | $120,108 | 4 | $30,027 | $120,108 | 1 | |
| Dec 23, 1994 | 36 | $137,126 | +14% | 4 | $34,282 | $324,482 | 2 |
| Dec 30, 1994 | 36 | $166,737 | +22% | 4 | $41,684 | $582,875 | 3 |
| Jan 6, 1995 | 15 | $1,169,419 | +601% | 81 | $14,437 | $1,811,878 | 4 |
| Jan 13, 1995 | 18 | $1,027,611 | -12% | 100 | $10,276 | $3,266,046 | 5 |
| Jan 20, 1995 | 18 | $951,037 | -7% | 189 | $5,032 | $4,435,773 | 6 |
| Jan 27, 1995 | 17 | $1,127,841 | +19% | 463 | $2,436 | $5,863,755 | 7 |
| Feb 3, 1995 | 17 | $844,133 | -25% | 463 | $1,823 | $7,132,803 | 8 |
| Feb 10, 1995 | 20 | $634,551 | -25% | 387 | $1,640 | $8,032,931 | 9 |
| Feb 17, 1995 | 26 | $456,796 | -28% | 261 | $1,750 | $8,720,177 | 10 |
| Feb 24, 1995 | 36 | $201,199 | -56% | 140 | $1,437 | $9,006,347 | 11 |
| Mar 3, 1995 | 37 | $146,207 | -27% | 86 | $1,700 | $9,212,300 | 12 |
| Mar 10, 1995 | 44 | $109,210 | -25% | 81 | $1,348 | $9,363,723 | 13 |
| Apr 7, 1995 | 43 | $72,660 | 184 | $395 | $9,673,699 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 16, 1994 | 30 | $187,356 | 4 | $46,839 | $187,356 | 1 | |
| Dec 23, 1994 | 36 | $228,782 | +22% | 4 | $57,196 | $416,138 | 2 |
| Dec 30, 1994 | 36 | $226,321 | -1% | 4 | $56,580 | $642,459 | 3 |
| Jan 6, 1995 | 15 | $1,595,976 | +605% | 81 | $19,703 | $2,238,435 | 4 |
| Jan 13, 1995 | 18 | $1,246,301 | -22% | 100 | $12,463 | $3,484,736 | 5 |
| Jan 20, 1995 | 18 | $1,251,178 | n/c | 189 | $6,620 | $4,735,914 | 6 |
| Jan 27, 1995 | 15 | $1,552,756 | +24% | 463 | $3,354 | $6,288,670 | 7 |
| Feb 3, 1995 | 17 | $1,109,710 | -29% | 463 | $2,397 | $7,398,380 | 8 |
| Feb 10, 1995 | 20 | $865,001 | -22% | 387 | $2,235 | $8,263,381 | 9 |
| Feb 17, 1995 | 26 | $541,767 | -37% | 261 | $2,076 | $8,805,148 | 10 |
| Feb 24, 1995 | 35 | $260,945 | -52% | 140 | $1,864 | $9,066,093 | 11 |
| Mar 3, 1995 | 38 | $188,420 | -28% | 86 | $2,191 | $9,254,513 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 1/28/1995 | $0 | 0 | 10 | 10 | $5,625 | 5/7/2020 | |||
| International Total | $5,625 | 5/7/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
| Gary Oldman | Ludwig van Beethoven | |
| Valeria Golino | Giulietta Guicciardi | |
| Jeroen Krabbe | Anton Felix Schindler | |
| Isabella Rossellini | Anna Marie Erdödy |
Production and Technical Credits
| Bernard Rose | Director | |
| Bernard Rose | Screenwriter | |
| Lee Cleary | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.