The Imperialists Are Still Alive! (2011)
| Theatrical Performance | ||
| Domestic Box Office | $5,874 | Details |
| OpusData ID: 152630100 More info... | ||
| Further financial details... | ||
Synopsis
A successful visual artist working in post-9/11 Manhattan, Asya lives the life of the hip and glamorous, replete with exclusive art parties, supermodels, and stretch limousines while she carefully follows the situation in the Middle East on television. Asya learns that her childhood friend, Faisal, has disappeared - the victim of a purported CIA abduction. That same night, she meets Javier, a sexy Mexican PhD student, and romance blossoms. Javier finds Asya's conspiracy theories overly paranoid - but nothing in Asya's world is as it seems. Asya's life is reflective of the themes of cultural fusion, and the complications and humor that arise simultaneously out of everyday life.
Metrics
| Opening Weekend: | $2,832 (48.2% of total gross) |
| Legs: | 2.07 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,381 |
Movie Details
| Domestic Releases: | April 15th, 2011 (Limited) by IFC Films |
| MPA Rating: | Not Rated |
| Running Time: | 91 minutes |
| Cast, crew, or production detail: | Foreign Language |
| Plot point: | 9/11, Artists, Bigotry, Kidnap, Political, Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Hi, Jack Films, Corniche Pictures, Goldcrest Films, Tax Credit Finance |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2011 | 88 | $2,832 | 1 | $2,832 | $2,832 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2011 | 93 | $4,781 | 1 | $4,781 | $4,781 | 1 |
Leading
| Elodie Bouchez | Asya |
Supporting
| Jose Maria De Tavira | Javier | |
| Karim Saleh | Karim | |
| Karolina Muller | Tatiana | |
| Marianna Kulukundis | Athena |
Production and Technical Credits
| Rami Makhzoumi | Executive Producer | |
| Matthew Chausse | Executive Producer | |
| Joel Blanco | Co-Producer | |
| Magela Crosignani | Cinematographer | |
| Jade Healy | Production Designer | |
| Michael Taylor | Editor | |
| Ciera Wells | Costume Designer | |
| Kaleem Aftab | Associate Producer | |
| Jonathan Ferrantelli | Associate Producer | |
| Sig De Miguel | Casting Director | |
| Stephen Vincent | Casting Director | |
| Manuel Teil | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A successful visual artist working in post-9/11 Manhattan, Asya lives the life of the hip and glamorous, replete with exclusive art parties, supermodels, and stretch limousines while she carefully follows the situation in the Middle East on television. Asya learns that her childhood friend, Faisal, has disappeared - the victim of a purported CIA abduction. That same night, she meets Javier, a sexy Mexican PhD student, and romance blossoms. Javier finds Asya's conspiracy theories overly paranoid - but nothing in Asya's world is as it seems. Asya's life is reflective of the themes of cultural fusion, and the complications and humor that arise simultaneously out of everyday life.
Metrics
| Opening Weekend: | $2,832 (48.2% of total gross) |
| Legs: | 2.07 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,381 |
Movie Details
| Domestic Releases: | April 15th, 2011 (Limited) by IFC Films |
| MPA Rating: | Not Rated |
| Running Time: | 91 minutes |
| Cast, crew, or production detail: | Foreign Language |
| Plot point: | 9/11, Artists, Bigotry, Kidnap, Political, Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Hi, Jack Films, Corniche Pictures, Goldcrest Films, Tax Credit Finance |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2011 | 88 | $2,832 | 1 | $2,832 | $2,832 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 15, 2011 | 93 | $4,781 | 1 | $4,781 | $4,781 | 1 |
Leading
| Elodie Bouchez | Asya |
Supporting
| Jose Maria De Tavira | Javier | |
| Karim Saleh | Karim | |
| Karolina Muller | Tatiana | |
| Marianna Kulukundis | Athena |
Production and Technical Credits
| Rami Makhzoumi | Executive Producer | |
| Matthew Chausse | Executive Producer | |
| Joel Blanco | Co-Producer | |
| Magela Crosignani | Cinematographer | |
| Jade Healy | Production Designer | |
| Michael Taylor | Editor | |
| Ciera Wells | Costume Designer | |
| Kaleem Aftab | Associate Producer | |
| Jonathan Ferrantelli | Associate Producer | |
| Sig De Miguel | Casting Director | |
| Stephen Vincent | Casting Director | |
| Manuel Teil | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.