Imperium (2016)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $349,876 | Details |
| Worldwide Box Office | $349,876 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $464,397 | |
| Blu-ray Sales (estimated) | $279,808 | |
| Total | $744,205 | |
| OpusData ID: 246790100 More info... | ||
| Further financial details... | ||
Synopsis
Nate Foster, a young, idealistic FBI agent, goes undercover to take down a radical right-wing terrorist group. The bright up-and-coming analyst must confront the challenge of sticking to a new identity while maintaining his real principles as he navigates the dangerous underworld of white supremacy.
Metrics
Movie Details
| Domestic Releases: | August 19th, 2016 (Limited) by Lionsgate Premiere |
| International Releases: | September 16th, 2016 (Wide), released as Köstebek (Turkey)
September 23rd, 2016 (Wide) (United Kingdom) October 28th, 2016 (Wide) (Russia (CIS)) March 17th, 2017 (Wide) (Spain) ... Show all releases |
| Video Release: | August 19th, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | R for language throughout. (Rating bulletin 2424 (Cert #50434), 5/11/2016) |
| Running Time: | 108 minutes |
| Plot point: | FBI, Undercover, White Supremacists |
| Source: | Based on Real Life Events |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Lionsgate Premiere, Grindstone Entertainment Group, Atomic Entertainment, Tycor International Film Company, Green Light International, Sculpter Media, Raven Capital Management |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 10/28/2016 | $6,788 | 11 | 11 | 22 | $17,259 | 11/14/2018 | |||
| Spain | 3/17/2017 | $57,525 | 76 | 77 | 189 | $152,106 | 4/21/2017 | |||
| Turkey | 9/16/2016 | $23,312 | 54 | 54 | 87 | $49,903 | 4/4/2026 | |||
| United Kingdom | 9/23/2016 | $2,590 | 13 | 13 | 13 | $2,590 | 9/28/2016 | |||
| Rest of World | $128,018 | |||||||||
| International Total | $349,876 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daniel Radcliffe | Nate Foster |
Supporting
| Toni Collette | Angela Zamparo | |
| Tracy Letts | Dallas Wolf | |
| Devin Druid | Johnny | |
| Pawel Szajda | Vince Sargent | |
| Nestor Carbonell | Tom Hernandez | |
| Sam Trammell | Gerry Conway | |
| Seth Numrich | Roy | |
| Chris Sullivan | Andrew Blackwell | |
| Burn Gorman | Morgan | |
| Adam Meier | Frank Hedges | |
| Roger Yawson | Usman | |
| Linc Hand | David | |
| Vanessa Ore | Becky | |
| Jasson Finney | Billy | |
| David Aranovich | Ernest Walton | |
| Paul Chapman | Gary | |
| David Meadows | Rick | |
| Maboud Ebrahimzadeh | Abdul | |
| Asif Khan | Fariq | |
| Cora Metzfield | Madeline | |
| Aidan Fiske | Timmy | |
| Alex Miller | Wolf's Assistant | |
| Mike Marunde | Harris Pitt | |
| Robert Poletick | Jim Sharpe | |
| Marty Terry | Elderly Woman | |
| Jeff Goins | Steve | |
| Shawn Singletary | Tim | |
| Charlie V. Wilson | Priest | |
| Jonathan Darden Reed | Aryan Alliance Member | |
| Rodney Roldan | Hispanic Man | |
| Grey Garrett | Blonde Woman | |
| Zac Moon | Interviewer | |
| John Michael Weatherly | Policeman | |
| Erin Reitz | AFL Activist | |
| Jennifer Marshall | Linda | |
| Christian Hicks | Aryan Alliance Cameraman |
Production and Technical Credits
| Daniel Ragussis | Director | |
| Ty Walker | Producer | |
| Daniel Ragussis | Screenwriter | |
| Michael German | Story by | |
| Simon Taufique | Producer | |
| Dennis Lee | Producer | |
| Daniel Ragussis | Producer | |
| Warren T. Goz | Executive Producer | |
| Daniel Eric Gold | Executive Producer | |
| Jeff Elliott | Executive Producer | |
| Chad Moore | Executive Producer | |
| Andrew Mann | Executive Producer | |
| Lauren Selig | Executive Producer | |
| Barry Brooker | Executive Producer | |
| Stan Wertlieb | Executive Producer | |
| Thomas Whiteman | Executive Producer | |
| John Osborne | Executive Producer | |
| Caroline Michael Osborne | Executive Producer | |
| Ryan Black | Co-Executive Producer | |
| Bobby Bukowski | Director of Photography | |
| Kristen Adams | Production Designer | |
| Sara Corrigan | Editor | |
| Bobby Ranghelov | Line Producer | |
| Amy Andrews Harrell* | Costume Designer | |
| Will Bates | Composer | |
| Joe Rudge | Music Supervisor | |
| Susan Shopmaker | Casting Director | |
| Lois Drabkin | Casting Director | |
| Matthew Lessall | Casting Director | |
| Francisco Ordonez | Co-Producer | |
| Michael German | Co-Producer | |
| Darius Campbell | Co-Executive Producer | |
| Brett Cranford | Unit Production Manager | |
| Chad Rosen | First Assistant Director | |
| Eric Hollenbeck | Second Assistant Director | |
| Chad Hessler | Stunt Coordinator | |
| Katy Shirey | Art Director | |
| Julia Dent | Set Decorator | |
| Anna Asher | Script Supervisor | |
| Ashley Fetterman | Make up | |
| Lori Daniels | Make up | |
| Fernando Navarro | Hairstylist | |
| Nakoya Yancey | Hairstylist | |
| William Britt | Sound Mixer | |
| Carl Hickerson | Location Manager | |
| Gary Pilkinton | Special Effects Supervisor | |
| Evan Ward | Production Supervisor | |
| Paul A. Levin | Post-Production Supervisor | |
| Ann Gray | Post-Production Supervisor | |
| Rex Teese | Assistant Editor | |
| Ryan Billia | Supervising Sound Editor | |
| David Forshee | Sound Editor | |
| Ryan Billia | Re-recording Mixer | |
| Jason Butler | Foley Mixer | |
| Roopesh Gujar | Visual Effects Supervisor | |
| Roopesh Gujar | Visual Effects Producer | |
| Simon Taufique | Additional Music | |
| Ben Holiday | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Nate Foster, a young, idealistic FBI agent, goes undercover to take down a radical right-wing terrorist group. The bright up-and-coming analyst must confront the challenge of sticking to a new identity while maintaining his real principles as he navigates the dangerous underworld of white supremacy.
Metrics
Movie Details
| Domestic Releases: | August 19th, 2016 (Limited) by Lionsgate Premiere |
| International Releases: | September 16th, 2016 (Wide), released as Köstebek (Turkey)
September 23rd, 2016 (Wide) (United Kingdom) October 28th, 2016 (Wide) (Russia (CIS)) March 17th, 2017 (Wide) (Spain) ... Show all releases |
| Video Release: | August 19th, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | R for language throughout. (Rating bulletin 2424 (Cert #50434), 5/11/2016) |
| Running Time: | 108 minutes |
| Plot point: | FBI, Undercover, White Supremacists |
| Source: | Based on Real Life Events |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Lionsgate Premiere, Grindstone Entertainment Group, Atomic Entertainment, Tycor International Film Company, Green Light International, Sculpter Media, Raven Capital Management |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 10/28/2016 | $6,788 | 11 | 11 | 22 | $17,259 | 11/14/2018 | |||
| Spain | 3/17/2017 | $57,525 | 76 | 77 | 189 | $152,106 | 4/21/2017 | |||
| Turkey | 9/16/2016 | $23,312 | 54 | 54 | 87 | $49,903 | 4/4/2026 | |||
| United Kingdom | 9/23/2016 | $2,590 | 13 | 13 | 13 | $2,590 | 9/28/2016 | |||
| Rest of World | $128,018 | |||||||||
| International Total | $349,876 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daniel Radcliffe | Nate Foster |
Supporting
| Toni Collette | Angela Zamparo | |
| Tracy Letts | Dallas Wolf | |
| Devin Druid | Johnny | |
| Pawel Szajda | Vince Sargent | |
| Nestor Carbonell | Tom Hernandez | |
| Sam Trammell | Gerry Conway | |
| Seth Numrich | Roy | |
| Chris Sullivan | Andrew Blackwell | |
| Burn Gorman | Morgan | |
| Adam Meier | Frank Hedges | |
| Roger Yawson | Usman | |
| Linc Hand | David | |
| Vanessa Ore | Becky | |
| Jasson Finney | Billy | |
| David Aranovich | Ernest Walton | |
| Paul Chapman | Gary | |
| David Meadows | Rick | |
| Maboud Ebrahimzadeh | Abdul | |
| Asif Khan | Fariq | |
| Cora Metzfield | Madeline | |
| Aidan Fiske | Timmy | |
| Alex Miller | Wolf's Assistant | |
| Mike Marunde | Harris Pitt | |
| Robert Poletick | Jim Sharpe | |
| Marty Terry | Elderly Woman | |
| Jeff Goins | Steve | |
| Shawn Singletary | Tim | |
| Charlie V. Wilson | Priest | |
| Jonathan Darden Reed | Aryan Alliance Member | |
| Rodney Roldan | Hispanic Man | |
| Grey Garrett | Blonde Woman | |
| Zac Moon | Interviewer | |
| John Michael Weatherly | Policeman | |
| Erin Reitz | AFL Activist | |
| Jennifer Marshall | Linda | |
| Christian Hicks | Aryan Alliance Cameraman |
Production and Technical Credits
| Daniel Ragussis | Director | |
| Ty Walker | Producer | |
| Daniel Ragussis | Screenwriter | |
| Michael German | Story by | |
| Simon Taufique | Producer | |
| Dennis Lee | Producer | |
| Daniel Ragussis | Producer | |
| Warren T. Goz | Executive Producer | |
| Daniel Eric Gold | Executive Producer | |
| Jeff Elliott | Executive Producer | |
| Chad Moore | Executive Producer | |
| Andrew Mann | Executive Producer | |
| Lauren Selig | Executive Producer | |
| Barry Brooker | Executive Producer | |
| Stan Wertlieb | Executive Producer | |
| Thomas Whiteman | Executive Producer | |
| John Osborne | Executive Producer | |
| Caroline Michael Osborne | Executive Producer | |
| Ryan Black | Co-Executive Producer | |
| Bobby Bukowski | Director of Photography | |
| Kristen Adams | Production Designer | |
| Sara Corrigan | Editor | |
| Bobby Ranghelov | Line Producer | |
| Amy Andrews Harrell* | Costume Designer | |
| Will Bates | Composer | |
| Joe Rudge | Music Supervisor | |
| Susan Shopmaker | Casting Director | |
| Lois Drabkin | Casting Director | |
| Matthew Lessall | Casting Director | |
| Francisco Ordonez | Co-Producer | |
| Michael German | Co-Producer | |
| Darius Campbell | Co-Executive Producer | |
| Brett Cranford | Unit Production Manager | |
| Chad Rosen | First Assistant Director | |
| Eric Hollenbeck | Second Assistant Director | |
| Chad Hessler | Stunt Coordinator | |
| Katy Shirey | Art Director | |
| Julia Dent | Set Decorator | |
| Anna Asher | Script Supervisor | |
| Ashley Fetterman | Make up | |
| Lori Daniels | Make up | |
| Fernando Navarro | Hairstylist | |
| Nakoya Yancey | Hairstylist | |
| William Britt | Sound Mixer | |
| Carl Hickerson | Location Manager | |
| Gary Pilkinton | Special Effects Supervisor | |
| Evan Ward | Production Supervisor | |
| Paul A. Levin | Post-Production Supervisor | |
| Ann Gray | Post-Production Supervisor | |
| Rex Teese | Assistant Editor | |
| Ryan Billia | Supervising Sound Editor | |
| David Forshee | Sound Editor | |
| Ryan Billia | Re-recording Mixer | |
| Jason Butler | Foley Mixer | |
| Roopesh Gujar | Visual Effects Supervisor | |
| Roopesh Gujar | Visual Effects Producer | |
| Simon Taufique | Additional Music | |
| Ben Holiday | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.