In Love and War (1996)
| Theatrical Performance | ||
| Domestic Box Office | $14,481,231 | Details |
| International Box Office | $10,891,063 | |
| Worldwide Box Office | $25,372,294 | |
| OpusData ID: 30930100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $2,515 (0.0% of total gross) |
| Legs: | 2.64 (domestic box office/biggest weekend) |
| Domestic Share: | 57.1% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1,612 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $35,684,305 |
Movie Details
| Domestic Releases: | December 18th, 1996 (Wide) by New Line |
| MPA Rating: | PG-13 for graphic war injuries and some sensuality |
| Running Time: | 113 minutes |
| Geographical setting: | Italy |
| Plot point: | Nurse, Romance |
| Social setting: | World War I |
| Subgenre: | Romantic Drama |
| Time period setting: | 1910s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 20, 1996 | 53 | $2,515 | 1 | $2,515 | $4,112 | 1 | |
| Jan 24, 1997 | 2 | $5,489,245 | 1,610 | $3,409 | $5,489,245 | 6 | |
| Jan 31, 1997 | 7 | $3,478,559 | -37% | 1,612 | $2,158 | $10,290,451 | 7 |
| Feb 7, 1997 | 11 | $1,841,949 | -47% | 1,612 | $1,143 | $12,919,230 | 8 |
| Feb 14, 1997 | 22 | $632,460 | -66% | 944 | $670 | $14,022,594 | 9 |
| Feb 21, 1997 | 32 | $175,379 | -72% | 482 | $364 | $14,311,450 | 10 |
| Feb 28, 1997 | 52 | $56,536 | -68% | 42 | $1,346 | $14,418,256 | 11 |
| Mar 7, 1997 | 58 | $27,328 | -52% | 366 | $75 | $14,466,354 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 1997 | 4 | $6,811,892 | 1,610 | $4,231 | $6,811,892 | 7 | |
| Jan 31, 1997 | 7 | $4,265,389 | -37% | 1,612 | $2,646 | $11,077,281 | 8 |
| Feb 7, 1997 | 11 | $2,312,853 | -46% | 1,612 | $1,435 | $13,390,134 | 9 |
| Feb 14, 1997 | 21 | $745,937 | -68% | 944 | $790 | $14,136,071 | 10 |
| Feb 21, 1997 | 31 | $225,649 | -70% | 482 | $468 | $14,361,720 | 11 |
| Feb 28, 1997 | 50 | $77,306 | -66% | 42 | $1,841 | $14,439,026 | 12 |
| Chris O'Donnell | Ernest Hemingway |
Leading
| Sandra Bullock | Agnes von Kurowsky |
| MacKenzie Astin | Henry Villard |
Production and Technical Credits
| Richard Attenborough | Director | |
| Allan Scott | Screenwriter | |
| Clancy Sigal | Screenwriter | |
| Anna Hamilton Phelan | Screenwriter | |
| George Fenton | Composer | |
| Richard Attenborough | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $2,515 (0.0% of total gross) |
| Legs: | 2.64 (domestic box office/biggest weekend) |
| Domestic Share: | 57.1% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1,612 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $35,684,305 |
Movie Details
| Domestic Releases: | December 18th, 1996 (Wide) by New Line |
| MPA Rating: | PG-13 for graphic war injuries and some sensuality |
| Running Time: | 113 minutes |
| Geographical setting: | Italy |
| Plot point: | Nurse, Romance |
| Social setting: | World War I |
| Subgenre: | Romantic Drama |
| Time period setting: | 1910s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 20, 1996 | 53 | $2,515 | 1 | $2,515 | $4,112 | 1 | |
| Jan 24, 1997 | 2 | $5,489,245 | 1,610 | $3,409 | $5,489,245 | 6 | |
| Jan 31, 1997 | 7 | $3,478,559 | -37% | 1,612 | $2,158 | $10,290,451 | 7 |
| Feb 7, 1997 | 11 | $1,841,949 | -47% | 1,612 | $1,143 | $12,919,230 | 8 |
| Feb 14, 1997 | 22 | $632,460 | -66% | 944 | $670 | $14,022,594 | 9 |
| Feb 21, 1997 | 32 | $175,379 | -72% | 482 | $364 | $14,311,450 | 10 |
| Feb 28, 1997 | 52 | $56,536 | -68% | 42 | $1,346 | $14,418,256 | 11 |
| Mar 7, 1997 | 58 | $27,328 | -52% | 366 | $75 | $14,466,354 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 1997 | 4 | $6,811,892 | 1,610 | $4,231 | $6,811,892 | 7 | |
| Jan 31, 1997 | 7 | $4,265,389 | -37% | 1,612 | $2,646 | $11,077,281 | 8 |
| Feb 7, 1997 | 11 | $2,312,853 | -46% | 1,612 | $1,435 | $13,390,134 | 9 |
| Feb 14, 1997 | 21 | $745,937 | -68% | 944 | $790 | $14,136,071 | 10 |
| Feb 21, 1997 | 31 | $225,649 | -70% | 482 | $468 | $14,361,720 | 11 |
| Feb 28, 1997 | 50 | $77,306 | -66% | 42 | $1,841 | $14,439,026 | 12 |
| Chris O'Donnell | Ernest Hemingway |
Leading
| Sandra Bullock | Agnes von Kurowsky |
| MacKenzie Astin | Henry Villard |
Production and Technical Credits
| Richard Attenborough | Director | |
| Allan Scott | Screenwriter | |
| Clancy Sigal | Screenwriter | |
| Anna Hamilton Phelan | Screenwriter | |
| George Fenton | Composer | |
| Richard Attenborough | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.