In den Gängen (2018)
| Theatrical Performance | ||
| Domestic Box Office | $28,394 | Details |
| International Box Office | $643,483 | |
| Worldwide Box Office | $671,877 | |
| Further financial details... | ||
Synopsis
When the reclusive Christian takes a job working the night shift at a big box store, his new manager, Bruno from the Beverage Department, teaches him the lay of the land and the delicacy it takes to operate a forklift. Christian becomes enamored by his charming but mysterious co-worker “Sweets Marion”, with whom he begins to share flirtatious break room coffees and conversations. But Marion has secrets of her own and when she suddenly goes on sick leave, Christian is tempted to fall into habits of his dark past.
Metrics
| Opening Weekend: | $922 (3.2% of total gross) |
| Legs: | 4.76 (domestic box office/biggest weekend) |
| Domestic Share: | 4.2% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/6 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $37,076 |
Movie Details
| Domestic Releases: | June 14th, 2019 (Limited) by Music Box Films, released as In the Aisles |
| International Releases: | May 25th, 2018 (Wide) (Germany)
August 3rd, 2018 (Wide) (Russia (CIS)) August 17th, 2018 (Wide) (France) November 22nd, 2018 (Wide), released as In The Aisles (South Korea) November 23rd, 2018 (Wide), released as Liebe in den Gängen (Netherlands) |
| Video Release: | September 17th, 2019 by Music Box Films Video, released as In the Aisles |
| MPA Rating: | Not Rated |
| Running Time: | 125 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Fired, Going Legit, Romance, Suicide |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sommerhaus Filmproduktion, Rotor Film, Departures Film, Zorro Films, MDR, Arte, SWR |
| Production Countries: | Germany |
| Languages: | German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 2019 | 76 | $922 | 1 | $922 | $922 | 1 | |
| Jun 21, 2019 | 55 | $5,963 | +547% | 4 | $1,491 | $7,626 | 2 |
| Jun 28, 2019 | 79 | $746 | -87% | 2 | $373 | $11,048 | 3 |
| Jul 5, 2019 | 68 | $1,667 | +123% | 3 | $556 | $13,269 | 4 |
| Jul 12, 2019 | 60 | $2,984 | +79% | 6 | $497 | $16,658 | 5 |
| Jul 19, 2019 | 61 | $2,307 | -23% | 6 | $385 | $20,072 | 6 |
| Jul 26, 2019 | 82 | $149 | -94% | 1 | $149 | $23,088 | 7 |
| Aug 2, 2019 | 72 | $947 | +536% | 2 | $474 | $24,035 | 8 |
| Aug 9, 2019 | 73 | $540 | -43% | 1 | $540 | $25,354 | 9 |
| Aug 16, 2019 | 88 | $136 | -75% | 1 | $136 | $25,490 | 10 |
| Aug 23, 2019 | 80 | $349 | +157% | 1 | $349 | $25,881 | 11 |
| Sep 6, 2019 | 73 | $1,641 | 1 | $1,641 | $27,522 | 13 | |
| Sep 13, 2019 | 90 | $379 | -77% | 1 | $379 | $27,901 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 2019 | - | $1,663 | 1 | $1,663 | $1,663 | 1 | |
| Jun 21, 2019 | 55 | $8,639 | +419% | 4 | $2,160 | $10,302 | 2 |
| Jun 28, 2019 | 81 | $1,300 | -85% | 2 | $650 | $11,602 | 3 |
| Jul 5, 2019 | 76 | $2,072 | +59% | 3 | $691 | $13,674 | 4 |
| Jul 12, 2019 | 68 | $4,091 | +97% | 6 | $682 | $17,765 | 5 |
| Jul 19, 2019 | 58 | $5,174 | +26% | 6 | $862 | $22,939 | 6 |
| Jul 26, 2019 | 89 | $149 | -97% | 1 | $149 | $23,088 | 7 |
| Aug 2, 2019 | 77 | $1,726 | +1,058% | 2 | $863 | $24,814 | 8 |
| Aug 9, 2019 | 83 | $540 | -69% | 1 | $540 | $25,354 | 9 |
| Aug 16, 2019 | 95 | $178 | -67% | 1 | $178 | $25,532 | 10 |
| Aug 23, 2019 | 91 | $349 | +96% | 1 | $349 | $25,881 | 11 |
| Sep 6, 2019 | 78 | $1,641 | 1 | $1,641 | $27,522 | 13 | |
| Sep 13, 2019 | 100 | $490 | -70% | 1 | $490 | $28,012 | 14 |
| Oct 4, 2019 | 98 | $322 | 1 | $322 | $28,394 | 17 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When the reclusive Christian takes a job working the night shift at a big box store, his new manager, Bruno from the Beverage Department, teaches him the lay of the land and the delicacy it takes to operate a forklift. Christian becomes enamored by his charming but mysterious co-worker “Sweets Marion”, with whom he begins to share flirtatious break room coffees and conversations. But Marion has secrets of her own and when she suddenly goes on sick leave, Christian is tempted to fall into habits of his dark past.
Metrics
| Opening Weekend: | $922 (3.2% of total gross) |
| Legs: | 4.76 (domestic box office/biggest weekend) |
| Domestic Share: | 4.2% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/6 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $37,076 |
Movie Details
| Domestic Releases: | June 14th, 2019 (Limited) by Music Box Films, released as In the Aisles |
| International Releases: | May 25th, 2018 (Wide) (Germany)
August 3rd, 2018 (Wide) (Russia (CIS)) August 17th, 2018 (Wide) (France) November 22nd, 2018 (Wide), released as In The Aisles (South Korea) November 23rd, 2018 (Wide), released as Liebe in den Gängen (Netherlands) |
| Video Release: | September 17th, 2019 by Music Box Films Video, released as In the Aisles |
| MPA Rating: | Not Rated |
| Running Time: | 125 minutes |
| Cast, crew, or production detail: | Voiceover/Narration |
| Plot point: | Fired, Going Legit, Romance, Suicide |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sommerhaus Filmproduktion, Rotor Film, Departures Film, Zorro Films, MDR, Arte, SWR |
| Production Countries: | Germany |
| Languages: | German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 2019 | 76 | $922 | 1 | $922 | $922 | 1 | |
| Jun 21, 2019 | 55 | $5,963 | +547% | 4 | $1,491 | $7,626 | 2 |
| Jun 28, 2019 | 79 | $746 | -87% | 2 | $373 | $11,048 | 3 |
| Jul 5, 2019 | 68 | $1,667 | +123% | 3 | $556 | $13,269 | 4 |
| Jul 12, 2019 | 60 | $2,984 | +79% | 6 | $497 | $16,658 | 5 |
| Jul 19, 2019 | 61 | $2,307 | -23% | 6 | $385 | $20,072 | 6 |
| Jul 26, 2019 | 82 | $149 | -94% | 1 | $149 | $23,088 | 7 |
| Aug 2, 2019 | 72 | $947 | +536% | 2 | $474 | $24,035 | 8 |
| Aug 9, 2019 | 73 | $540 | -43% | 1 | $540 | $25,354 | 9 |
| Aug 16, 2019 | 88 | $136 | -75% | 1 | $136 | $25,490 | 10 |
| Aug 23, 2019 | 80 | $349 | +157% | 1 | $349 | $25,881 | 11 |
| Sep 6, 2019 | 73 | $1,641 | 1 | $1,641 | $27,522 | 13 | |
| Sep 13, 2019 | 90 | $379 | -77% | 1 | $379 | $27,901 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 2019 | - | $1,663 | 1 | $1,663 | $1,663 | 1 | |
| Jun 21, 2019 | 55 | $8,639 | +419% | 4 | $2,160 | $10,302 | 2 |
| Jun 28, 2019 | 81 | $1,300 | -85% | 2 | $650 | $11,602 | 3 |
| Jul 5, 2019 | 76 | $2,072 | +59% | 3 | $691 | $13,674 | 4 |
| Jul 12, 2019 | 68 | $4,091 | +97% | 6 | $682 | $17,765 | 5 |
| Jul 19, 2019 | 58 | $5,174 | +26% | 6 | $862 | $22,939 | 6 |
| Jul 26, 2019 | 89 | $149 | -97% | 1 | $149 | $23,088 | 7 |
| Aug 2, 2019 | 77 | $1,726 | +1,058% | 2 | $863 | $24,814 | 8 |
| Aug 9, 2019 | 83 | $540 | -69% | 1 | $540 | $25,354 | 9 |
| Aug 16, 2019 | 95 | $178 | -67% | 1 | $178 | $25,532 | 10 |
| Aug 23, 2019 | 91 | $349 | +96% | 1 | $349 | $25,881 | 11 |
| Sep 6, 2019 | 78 | $1,641 | 1 | $1,641 | $27,522 | 13 | |
| Sep 13, 2019 | 100 | $490 | -70% | 1 | $490 | $28,012 | 14 |
| Oct 4, 2019 | 98 | $322 | 1 | $322 | $28,394 | 17 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.