In the Heights (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $29,975,167 | Details |
| International Box Office | $15,200,000 | Details |
| Worldwide Box Office | $45,175,167 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $798,123 | |
| Blu-ray Sales (estimated) | $1,166,480 | |
| Total | $1,964,603 | |
| OpusData ID: 336990100 More info... | ||
| Further financial details... | ||
Synopsis
Lights up on Washington Heights… The scent of a cafecito caliente hangs in the air just outside of the 181st Street subway stop, where a kaleidoscope of dreams rallies this vibrant and tight-knit community. At the intersection of it all is the likable, magnetic bodega owner Usnavi, who saves every penny from his daily grind as he hopes, imagines and sings about a better life.
Metrics
| Opening Weekend: | $11,504,710 (38.4% of total gross) |
| Legs: | 2.61 (domestic box office/biggest weekend) |
| Domestic Share: | 66.4% (domestic box office/worldwide) |
| Production Budget: | $55,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 3,456 opening theaters/3,509 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $35,251,036 |
Movie Details
| Domestic Releases: | June 10th, 2021 (Wide) by Warner Bros. |
| International Releases: | June 11th, 2021 (Wide), released as Ao Ritmo de Washington Heights (Portugal)
June 17th, 2021 (Wide), released as En El Barrio (Mexico) June 17th, 2021 (Wide) (Hong Kong) June 18th, 2021 (Wide) (United Kingdom) June 18th, 2021 (Wide), released as En un barrio de Nueva York (Spain) ... Show all releases |
| Video Release: | June 10th, 2021 by Max |
| MPA Rating: | PG-13 for some language and suggestive references. (Rating bulletin 2648 (cert#52857), 9/23/2020) |
| Running Time: | 120 minutes |
| Geographical setting: | Manhattan, New York, New York City |
| Plot point: | Inheritance, Romance |
| Subgenre: | Musical Drama |
| Target audience: | Hispanic |
| Source: | Based on Musical or Opera |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Likely Story, Scott Sanders |
| Production Countries: | United States |
| Languages: | English, Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 11, 2021 | 2 | $11,504,710 | 3,456 | $3,329 | $11,504,710 | 1 | |
| Jun 18, 2021 | 6 | $4,200,431 | -63% | 3,509 | $1,197 | $19,655,059 | 2 |
| Jun 25, 2021 | 7 | $2,230,446 | -47% | 2,403 | $928 | $24,161,955 | 3 |
| Jul 2, 2021 | 10 | $1,185,000 | -47% | 1,405 | $843 | $26,797,024 | 4 |
| Jul 9, 2021 | 11 | $612,520 | -48% | 788 | $777 | $28,300,072 | 5 |
| Jul 16, 2021 | 13 | $372,297 | -39% | 418 | $891 | $29,090,815 | 6 |
| Jul 23, 2021 | - | $194,223 | -48% | 305 | $637 | $29,515,437 | 7 |
| Jul 30, 2021 | - | $109,805 | -43% | 191 | $575 | $29,746,723 | 8 |
| Aug 6, 2021 | - | $45,330 | -59% | 112 | $405 | $29,852,536 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 11, 2021 | 1 | $5,000,000 | 3,456 | $1,447 | $5,000,000 | 2 | ||
| Jun 18, 2021 | 6 | $1,375,000 | -73% | 3,509 | $392 | $16,830,000 | 9 | |
| Jun 25, 2021 | 7 | $650,000 | -53% | 2,403 | $270 | $22,582,000 | 16 | |
| Jul 2, 2021 | 10 | $400,000 | -38% | 1,405 | $285 | $26,012,000 | 23 | |
| Jul 9, 2021 | 11 | $185,000 | -54% | 788 | $235 | $27,873,000 | 30 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 11, 2021 | 2 | $15,454,628 | 3,456 | $4,472 | $15,454,628 | 2 | |
| Jun 18, 2021 | 6 | $6,476,881 | -58% | 3,456 | $1,874 | $21,931,509 | 3 |
| Jun 25, 2021 | 7 | $3,680,515 | -43% | 2,403 | $1,532 | $25,612,024 | 4 |
| Jul 2, 2021 | 10 | $2,075,528 | -44% | 1,405 | $1,477 | $27,687,552 | 5 |
| Jul 9, 2021 | 11 | $1,030,966 | -50% | 788 | $1,308 | $28,718,518 | 6 |
| Jul 16, 2021 | 13 | $602,696 | -42% | 788 | $765 | $29,321,214 | 7 |
| Jul 23, 2021 | 16 | $315,704 | -48% | 305 | $1,035 | $29,636,918 | 8 |
| Jul 30, 2021 | - | $170,288 | -46% | 191 | $892 | $29,807,206 | 9 |
| Aug 6, 2021 | - | $71,835 | -58% | 191 | $376 | $29,879,041 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/25/2021 | $573,969 | 303 | 303 | 1,141 | $2,806,765 | 10/20/2022 | |||
| France | 6/25/2021 | $168,541 | 226 | 226 | 395 | $319,000 | 10/20/2022 | |||
| Germany | 7/22/2021 | $0 | 0 | 0 | 0 | $162,000 | 10/20/2022 | |||
| Hong Kong | 6/17/2021 | $0 | 0 | 0 | 0 | $96,000 | 10/20/2022 | |||
| Israel | 7/1/2021 | $0 | 0 | 0 | 0 | $103,000 | 10/20/2022 | |||
| Italy | 7/22/2021 | $34,022 | 176 | 176 | 176 | $34,059 | 7/30/2021 | |||
| Japan | 7/30/2021 | $472,457 | 0 | 0 | 0 | $1,200,000 | 10/20/2022 | |||
| Mexico | 6/17/2021 | $82,241 | 0 | 0 | 0 | $152,000 | 10/20/2022 | |||
| Netherlands | 7/2/2021 | $122,297 | 99 | 101 | 382 | $489,000 | 10/20/2022 | |||
| New Zealand | 6/25/2021 | $109,202 | 96 | 96 | 440 | $459,940 | 10/5/2021 | |||
| Norway | 6/18/2021 | $0 | 0 | 0 | 0 | $184,000 | 10/20/2022 | |||
| Portugal | 6/11/2021 | $9,832 | 41 | 41 | 85 | $27,912 | 7/22/2021 | |||
| Saudi Arabia | 6/18/2021 | $0 | 0 | 0 | 0 | $83,000 | 10/20/2022 | |||
| South Korea | 7/2/2021 | $170,949 | 579 | 579 | 654 | $420,000 | 10/20/2022 | |||
| Spain | 6/18/2021 | $134,901 | 308 | 308 | 792 | $400,000 | 10/20/2022 | |||
| Sweden | 7/2/2021 | $0 | 0 | 0 | 0 | $145,000 | 10/20/2022 | |||
| United Kingdom | 6/18/2021 | $1,483,608 | 630 | 632 | 2,841 | $6,200,000 | 10/20/2022 | |||
| Rest of World | $1,918,324 | |||||||||
| International Total | $15,200,000 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anthony Ramos | Usnavi | |
| Corey Hawkins | Benny | |
| Melissa Barrera | Vanessa | |
| Leslie Grace | Nina |
Supporting
| Jimmy Smits | Kevin Rosario | |
| Gregory Diaz | Sonny | |
| Olga Merediz | Abuela Claudia | |
| Daphne Rubin-Vega | Daniela | |
| Stephanie Beatriz | Carla | |
| Dascha Polanco | Cuca | |
| Marc Anthony | Sonny’s father | |
| Lin-Manuel Miranda | Piragüero |
Production and Technical Credits
| Jon M. Chu | Director | |
| Marc Klein | Screenwriter | |
| Quiara Alegria Hudes | Screenwriter | |
| Quiara Alegria Hudes | Story by | |
| Lin-Manuel Miranda | Story by | |
| Lin-Manuel Miranda | Producer | |
| Quiara Alegria Hudes | Producer | |
| Scott Sanders | Producer | |
| Anthony Bregman | Producer | |
| Mara Jacobs | Producer | |
| Nelson Coates | Production Designer | |
| Myron Kerstein | Editor | |
| Lin-Manuel Miranda | Composer | |
| Alice Brooks | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Lights up on Washington Heights… The scent of a cafecito caliente hangs in the air just outside of the 181st Street subway stop, where a kaleidoscope of dreams rallies this vibrant and tight-knit community. At the intersection of it all is the likable, magnetic bodega owner Usnavi, who saves every penny from his daily grind as he hopes, imagines and sings about a better life.
Metrics
| Opening Weekend: | $11,504,710 (38.4% of total gross) |
| Legs: | 2.61 (domestic box office/biggest weekend) |
| Domestic Share: | 66.4% (domestic box office/worldwide) |
| Production Budget: | $55,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 3,456 opening theaters/3,509 max. theaters, 3.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $35,251,036 |
Movie Details
| Domestic Releases: | June 10th, 2021 (Wide) by Warner Bros. |
| International Releases: | June 11th, 2021 (Wide), released as Ao Ritmo de Washington Heights (Portugal)
June 17th, 2021 (Wide), released as En El Barrio (Mexico) June 17th, 2021 (Wide) (Hong Kong) June 18th, 2021 (Wide) (United Kingdom) June 18th, 2021 (Wide), released as En un barrio de Nueva York (Spain) ... Show all releases |
| Video Release: | June 10th, 2021 by Max |
| MPA Rating: | PG-13 for some language and suggestive references. (Rating bulletin 2648 (cert#52857), 9/23/2020) |
| Running Time: | 120 minutes |
| Geographical setting: | Manhattan, New York, New York City |
| Plot point: | Inheritance, Romance |
| Subgenre: | Musical Drama |
| Target audience: | Hispanic |
| Source: | Based on Musical or Opera |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Likely Story, Scott Sanders |
| Production Countries: | United States |
| Languages: | English, Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 11, 2021 | 2 | $11,504,710 | 3,456 | $3,329 | $11,504,710 | 1 | |
| Jun 18, 2021 | 6 | $4,200,431 | -63% | 3,509 | $1,197 | $19,655,059 | 2 |
| Jun 25, 2021 | 7 | $2,230,446 | -47% | 2,403 | $928 | $24,161,955 | 3 |
| Jul 2, 2021 | 10 | $1,185,000 | -47% | 1,405 | $843 | $26,797,024 | 4 |
| Jul 9, 2021 | 11 | $612,520 | -48% | 788 | $777 | $28,300,072 | 5 |
| Jul 16, 2021 | 13 | $372,297 | -39% | 418 | $891 | $29,090,815 | 6 |
| Jul 23, 2021 | - | $194,223 | -48% | 305 | $637 | $29,515,437 | 7 |
| Jul 30, 2021 | - | $109,805 | -43% | 191 | $575 | $29,746,723 | 8 |
| Aug 6, 2021 | - | $45,330 | -59% | 112 | $405 | $29,852,536 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 11, 2021 | 1 | $5,000,000 | 3,456 | $1,447 | $5,000,000 | 2 | ||
| Jun 18, 2021 | 6 | $1,375,000 | -73% | 3,509 | $392 | $16,830,000 | 9 | |
| Jun 25, 2021 | 7 | $650,000 | -53% | 2,403 | $270 | $22,582,000 | 16 | |
| Jul 2, 2021 | 10 | $400,000 | -38% | 1,405 | $285 | $26,012,000 | 23 | |
| Jul 9, 2021 | 11 | $185,000 | -54% | 788 | $235 | $27,873,000 | 30 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 11, 2021 | 2 | $15,454,628 | 3,456 | $4,472 | $15,454,628 | 2 | |
| Jun 18, 2021 | 6 | $6,476,881 | -58% | 3,456 | $1,874 | $21,931,509 | 3 |
| Jun 25, 2021 | 7 | $3,680,515 | -43% | 2,403 | $1,532 | $25,612,024 | 4 |
| Jul 2, 2021 | 10 | $2,075,528 | -44% | 1,405 | $1,477 | $27,687,552 | 5 |
| Jul 9, 2021 | 11 | $1,030,966 | -50% | 788 | $1,308 | $28,718,518 | 6 |
| Jul 16, 2021 | 13 | $602,696 | -42% | 788 | $765 | $29,321,214 | 7 |
| Jul 23, 2021 | 16 | $315,704 | -48% | 305 | $1,035 | $29,636,918 | 8 |
| Jul 30, 2021 | - | $170,288 | -46% | 191 | $892 | $29,807,206 | 9 |
| Aug 6, 2021 | - | $71,835 | -58% | 191 | $376 | $29,879,041 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/25/2021 | $573,969 | 303 | 303 | 1,141 | $2,806,765 | 10/20/2022 | |||
| France | 6/25/2021 | $168,541 | 226 | 226 | 395 | $319,000 | 10/20/2022 | |||
| Germany | 7/22/2021 | $0 | 0 | 0 | 0 | $162,000 | 10/20/2022 | |||
| Hong Kong | 6/17/2021 | $0 | 0 | 0 | 0 | $96,000 | 10/20/2022 | |||
| Israel | 7/1/2021 | $0 | 0 | 0 | 0 | $103,000 | 10/20/2022 | |||
| Italy | 7/22/2021 | $34,022 | 176 | 176 | 176 | $34,059 | 7/30/2021 | |||
| Japan | 7/30/2021 | $472,457 | 0 | 0 | 0 | $1,200,000 | 10/20/2022 | |||
| Mexico | 6/17/2021 | $82,241 | 0 | 0 | 0 | $152,000 | 10/20/2022 | |||
| Netherlands | 7/2/2021 | $122,297 | 99 | 101 | 382 | $489,000 | 10/20/2022 | |||
| New Zealand | 6/25/2021 | $109,202 | 96 | 96 | 440 | $459,940 | 10/5/2021 | |||
| Norway | 6/18/2021 | $0 | 0 | 0 | 0 | $184,000 | 10/20/2022 | |||
| Portugal | 6/11/2021 | $9,832 | 41 | 41 | 85 | $27,912 | 7/22/2021 | |||
| Saudi Arabia | 6/18/2021 | $0 | 0 | 0 | 0 | $83,000 | 10/20/2022 | |||
| South Korea | 7/2/2021 | $170,949 | 579 | 579 | 654 | $420,000 | 10/20/2022 | |||
| Spain | 6/18/2021 | $134,901 | 308 | 308 | 792 | $400,000 | 10/20/2022 | |||
| Sweden | 7/2/2021 | $0 | 0 | 0 | 0 | $145,000 | 10/20/2022 | |||
| United Kingdom | 6/18/2021 | $1,483,608 | 630 | 632 | 2,841 | $6,200,000 | 10/20/2022 | |||
| Rest of World | $1,918,324 | |||||||||
| International Total | $15,200,000 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anthony Ramos | Usnavi | |
| Corey Hawkins | Benny | |
| Melissa Barrera | Vanessa | |
| Leslie Grace | Nina |
Supporting
| Jimmy Smits | Kevin Rosario | |
| Gregory Diaz | Sonny | |
| Olga Merediz | Abuela Claudia | |
| Daphne Rubin-Vega | Daniela | |
| Stephanie Beatriz | Carla | |
| Dascha Polanco | Cuca | |
| Marc Anthony | Sonny’s father | |
| Lin-Manuel Miranda | Piragüero |
Production and Technical Credits
| Jon M. Chu | Director | |
| Marc Klein | Screenwriter | |
| Quiara Alegria Hudes | Screenwriter | |
| Quiara Alegria Hudes | Story by | |
| Lin-Manuel Miranda | Story by | |
| Lin-Manuel Miranda | Producer | |
| Quiara Alegria Hudes | Producer | |
| Scott Sanders | Producer | |
| Anthony Bregman | Producer | |
| Mara Jacobs | Producer | |
| Nelson Coates | Production Designer | |
| Myron Kerstein | Editor | |
| Lin-Manuel Miranda | Composer | |
| Alice Brooks | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.