In the Mirror of Maya Deren (2003)
| Theatrical Performance | ||
| Domestic Box Office | $6,015 | Details |
| Further financial details... | ||
Synopsis
Maya Deren was already a respected writer and artist by the time she picked up a film camera and created the groundbreaking avant-garde film “Meshes of the Afternoon.” A leading figure in the independent art scene of the 1940s and ‘50s, Deren would go on to influence a generation of alternative artists. Noted experimental filmmakers like Jonas Mekas and Stan Brakhage, along with Deren’s ex-husband, talk about Deren’s ambitious nature and the haunting power of her work.
Metrics
| Opening Weekend: | $3,225 (53.6% of total gross) |
| Legs: | 1.87 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/2 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,936 |
Movie Details
| Domestic Releases: | January 24th, 2003 (Limited) |
| Video Release: | July 27th, 2004 by Zeitgeist Home |
| MPA Rating: | Not Rated |
| Running Time: | 103 minutes |
| Social setting: | Independent Filmmaking |
| Time period setting: | 1940s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Arte, Filmfonds Wien, Dschoint Ventschr Filmproduktion |
| Production Countries: | Austria, Germany, Czech Republic, Switzerland |
| Languages: | English, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 2003 | 96 | $3,225 | 1 | $3,225 | $3,225 | 1 | |
| Jan 31, 2003 | 106 | $1,596 | -51% | 2 | $798 | $6,015 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 2003 | 93 | $4,419 | 1 | $4,419 | $4,419 | 1 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Maya Deren was already a respected writer and artist by the time she picked up a film camera and created the groundbreaking avant-garde film “Meshes of the Afternoon.” A leading figure in the independent art scene of the 1940s and ‘50s, Deren would go on to influence a generation of alternative artists. Noted experimental filmmakers like Jonas Mekas and Stan Brakhage, along with Deren’s ex-husband, talk about Deren’s ambitious nature and the haunting power of her work.
Metrics
| Opening Weekend: | $3,225 (53.6% of total gross) |
| Legs: | 1.87 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/2 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,936 |
Movie Details
| Domestic Releases: | January 24th, 2003 (Limited) |
| Video Release: | July 27th, 2004 by Zeitgeist Home |
| MPA Rating: | Not Rated |
| Running Time: | 103 minutes |
| Social setting: | Independent Filmmaking |
| Time period setting: | 1940s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Arte, Filmfonds Wien, Dschoint Ventschr Filmproduktion |
| Production Countries: | Austria, Germany, Czech Republic, Switzerland |
| Languages: | English, French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 2003 | 96 | $3,225 | 1 | $3,225 | $3,225 | 1 | |
| Jan 31, 2003 | 106 | $1,596 | -51% | 2 | $798 | $6,015 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 24, 2003 | 93 | $4,419 | 1 | $4,419 | $4,419 | 1 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.