InSight (2011)
| Theatrical Performance | ||
| Domestic Box Office | $17,107 | Details |
| OpusData ID: 165870100 More info... | ||
| Further financial details... | ||
Synopsis
Shot in the seedy Boyle Heights district in Los Angeles, InSight follows Kaitlyn, an ER nurse who while tending to a young stabbing victim, Allison, is accidentally electrocuted by the defibrillator that was being used to save the woman's life. Almost immediately she starts to experience the victim's memories. Kaitlyn turns to family, friends, and the police, but no one takes her seriously, so she takes it upon herself to solve the crime - as the terrifying visions threaten her sanity. Ultimately, Kaitlyn teams up with detective Peter Rafferty and weaves her way through the victim's past in an attempt to discover the brutal truth about the murder and herself.
Metrics
| Opening Weekend: | $9,571 (55.9% of total gross) |
| Legs: | 1.79 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 23 opening theaters/23 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,798 |
Movie Details
| Domestic Releases: | September 2nd, 2011 (Limited) by Check Entertainment Distribution |
| MPA Rating: | R for violent content and brief language. (Rating bulletin 2195, 10/26/2011) |
| Running Time: | 92 minutes |
| Plot point: | Near Death Experience, Non-Chronological, Police Procedural, Psychics, Romance, Surprise Twist |
| Social setting: | Film Noir, Therapists / Therapy |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Braeburn Entertainment, Celco, G.C. Pix LLC, Check Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2011 | 84 | $9,571 | 23 | $416 | $9,571 | 1 | |
| Sep 9, 2011 | 134 | $262 | -97% | 3 | $87 | $17,012 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 2, 2011 | - | $3,146 | 23 | $137 | $3,146 | 1 | ||
| Sep 3, 2011 | - | $3,695 | +17% | 23 | $161 | $6,841 | 2 | |
| Sep 4, 2011 | - | $2,730 | -26% | 23 | $119 | $9,571 | 3 | |
| Sep 5, 2011 | 74 | $3,305 | +21% | 23 | $144 | $12,876 | 4 | |
| Sep 6, 2011 | - | $1,184 | -64% | 23 | $51 | $14,060 | 5 | |
| Sep 8, 2011 | - | $1,474 | 1 | $1,474 | $16,750 | 7 | ||
| Sep 9, 2011 | - | $82 | -94% | -97% | 1 | $82 | $16,832 | 8 |
| Sep 10, 2011 | - | $124 | +51% | -97% | 1 | $124 | $16,956 | 9 |
| Sep 11, 2011 | - | $56 | -55% | -98% | 1 | $56 | $17,012 | 10 |
| Sep 12, 2011 | - | $24 | -57% | -99% | 1 | $24 | $17,036 | 11 |
| Sep 13, 2011 | - | $45 | +88% | -96% | 1 | $45 | $17,081 | 12 |
| Sep 14, 2011 | - | $16 | -64% | 1 | $16 | $17,097 | 13 | |
| Sep 15, 2011 | - | $10 | -38% | -99% | 1 | $10 | $17,107 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2011 | 78 | $16,750 | 23 | $728 | $16,750 | 1 | |
| Sep 9, 2011 | 136 | $357 | -98% | 3 | $119 | $17,107 | 2 |
Leading
| Sean Patrick Flanery | Det. Peter Rafferty |
Supporting
| Natalie Zea | Kaitlyn | |
| Adam Baldwin | Dr. Adam Baldwin | |
| Veronica Cartwright | Patricia Monahan | |
| Christopher Lloyd | Shep Hagen |
Production and Technical Credits
| Richard Gabai | Director | |
| Jeff Murphy | Editor | |
| Scott Peck | Director of Photography | |
| Lisa Gerrard | Music | |
| Marcell De Francisci | Music | |
| Richard Iott | Executive Producer | |
| Elaine John Constantine | Executive Producer | |
| Gabor Norman | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Shot in the seedy Boyle Heights district in Los Angeles, InSight follows Kaitlyn, an ER nurse who while tending to a young stabbing victim, Allison, is accidentally electrocuted by the defibrillator that was being used to save the woman's life. Almost immediately she starts to experience the victim's memories. Kaitlyn turns to family, friends, and the police, but no one takes her seriously, so she takes it upon herself to solve the crime - as the terrifying visions threaten her sanity. Ultimately, Kaitlyn teams up with detective Peter Rafferty and weaves her way through the victim's past in an attempt to discover the brutal truth about the murder and herself.
Metrics
| Opening Weekend: | $9,571 (55.9% of total gross) |
| Legs: | 1.79 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 23 opening theaters/23 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,798 |
Movie Details
| Domestic Releases: | September 2nd, 2011 (Limited) by Check Entertainment Distribution |
| MPA Rating: | R for violent content and brief language. (Rating bulletin 2195, 10/26/2011) |
| Running Time: | 92 minutes |
| Plot point: | Near Death Experience, Non-Chronological, Police Procedural, Psychics, Romance, Surprise Twist |
| Social setting: | Film Noir, Therapists / Therapy |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Braeburn Entertainment, Celco, G.C. Pix LLC, Check Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2011 | 84 | $9,571 | 23 | $416 | $9,571 | 1 | |
| Sep 9, 2011 | 134 | $262 | -97% | 3 | $87 | $17,012 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 2, 2011 | - | $3,146 | 23 | $137 | $3,146 | 1 | ||
| Sep 3, 2011 | - | $3,695 | +17% | 23 | $161 | $6,841 | 2 | |
| Sep 4, 2011 | - | $2,730 | -26% | 23 | $119 | $9,571 | 3 | |
| Sep 5, 2011 | 74 | $3,305 | +21% | 23 | $144 | $12,876 | 4 | |
| Sep 6, 2011 | - | $1,184 | -64% | 23 | $51 | $14,060 | 5 | |
| Sep 8, 2011 | - | $1,474 | 1 | $1,474 | $16,750 | 7 | ||
| Sep 9, 2011 | - | $82 | -94% | -97% | 1 | $82 | $16,832 | 8 |
| Sep 10, 2011 | - | $124 | +51% | -97% | 1 | $124 | $16,956 | 9 |
| Sep 11, 2011 | - | $56 | -55% | -98% | 1 | $56 | $17,012 | 10 |
| Sep 12, 2011 | - | $24 | -57% | -99% | 1 | $24 | $17,036 | 11 |
| Sep 13, 2011 | - | $45 | +88% | -96% | 1 | $45 | $17,081 | 12 |
| Sep 14, 2011 | - | $16 | -64% | 1 | $16 | $17,097 | 13 | |
| Sep 15, 2011 | - | $10 | -38% | -99% | 1 | $10 | $17,107 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 2, 2011 | 78 | $16,750 | 23 | $728 | $16,750 | 1 | |
| Sep 9, 2011 | 136 | $357 | -98% | 3 | $119 | $17,107 | 2 |
Leading
| Sean Patrick Flanery | Det. Peter Rafferty |
Supporting
| Natalie Zea | Kaitlyn | |
| Adam Baldwin | Dr. Adam Baldwin | |
| Veronica Cartwright | Patricia Monahan | |
| Christopher Lloyd | Shep Hagen |
Production and Technical Credits
| Richard Gabai | Director | |
| Jeff Murphy | Editor | |
| Scott Peck | Director of Photography | |
| Lisa Gerrard | Music | |
| Marcell De Francisci | Music | |
| Richard Iott | Executive Producer | |
| Elaine John Constantine | Executive Producer | |
| Gabor Norman | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.