Incarnate (2016)
| Theatrical Performance | ||
| Domestic Box Office | $4,799,774 | Details |
| International Box Office | $4,571,262 | Details |
| Worldwide Box Office | $9,371,036 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $749,329 | |
| Blu-ray Sales (estimated) | $366,476 | |
| Total | $1,115,805 | |
| OpusData ID: 231170100 More info... | ||
| Further financial details... | ||
Synopsis
A scientist with the ability to enter the subconscious minds of the possessed must save a young boy from the grips of a demon with powers never seen before, while facing the horrors of his past.
Metrics
| Opening Weekend: | $2,534,884 (52.8% of total gross) |
| Legs: | 1.89 (domestic box office/biggest weekend) |
| Domestic Share: | 51.2% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 1,737 opening theaters/1,737 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,636,449 |
Movie Details
| Domestic Releases: | December 2nd, 2016 (Wide) by High Top Releasing |
| International Releases: | December 2nd, 2016 (Wide) (Russia (CIS))
December 9th, 2016 (Wide) (Netherlands) December 16th, 2016 (Wide), released as Inkarnace (Czech Republic) December 16th, 2016 (Wide), released as Įsikūnijęs blogis (Lithuania) December 16th, 2016 (Wide) (Slovakia) ... Show all releases |
| Video Release: | February 21st, 2017 by Universal Home Entertainment |
| MPA Rating: | PG-13 for intense sequences of horror violence, terror, disturbing images, brief strong language,
sensuality and thematic elements. (Rating bulletin 2385, 8/4/2015) |
| Running Time: | 86 minutes |
| Plot point: | Demons, Exorcism, Exploring a Character’s Mind, Magical Technology, Possessed, Wheelchair User |
| Release detail: | Delayed Release |
| Social setting: | Supernatural |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | BH Tilt, IM Global, Blumhouse, WWE Studios, Deep Underground Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 2, 2016 | 9 | $2,534,884 | 1,737 | $1,459 | $2,534,884 | 1 | |
| Dec 9, 2016 | 14 | $1,078,173 | -57% | 1,737 | $621 | $4,220,311 | 2 |
| Dec 16, 2016 | 20 | $184,105 | -83% | 318 | $579 | $4,723,514 | 3 |
| Dec 23, 2016 | 47 | $9,084 | -95% | 27 | $336 | $4,790,573 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 1, 2016 | P | $120,000 | 0 | $120,000 | ||||
| Dec 2, 2016 | 9 | $915,217 | 1,737 | $527 | $915,217 | 1 | ||
| Dec 3, 2016 | 10 | $1,091,690 | +19% | 1,737 | $628 | $2,006,907 | 2 | |
| Dec 4, 2016 | 11 | $527,977 | -52% | 1,737 | $304 | $2,534,884 | 3 | |
| Dec 5, 2016 | 10 | $155,887 | -70% | 1,737 | $90 | $2,690,771 | 4 | |
| Dec 6, 2016 | 11 | $198,073 | +27% | 1,737 | $114 | $2,888,844 | 5 | |
| Dec 7, 2016 | 11 | $138,249 | -30% | 1,737 | $80 | $3,027,093 | 6 | |
| Dec 8, 2016 | 11 | $115,045 | -17% | 1,737 | $66 | $3,142,138 | 7 | |
| Dec 9, 2016 | 14 | $330,799 | +188% | -64% | 1,737 | $190 | $3,472,937 | 8 |
| Dec 10, 2016 | 14 | $511,489 | +55% | -53% | 1,737 | $294 | $3,984,426 | 9 |
| Dec 11, 2016 | 15 | $235,885 | -54% | -55% | 1,737 | $136 | $4,220,311 | 10 |
| Dec 12, 2016 | 15 | $84,263 | -64% | -46% | 1,737 | $49 | $4,304,574 | 11 |
| Dec 13, 2016 | - | $95,932 | +14% | -52% | 1,737 | $55 | $4,400,506 | 12 |
| Dec 14, 2016 | - | $80,467 | -16% | -42% | 1,737 | $46 | $4,480,973 | 13 |
| Dec 15, 2016 | - | $58,436 | -27% | -49% | 1,737 | $34 | $4,539,409 | 14 |
| Dec 16, 2016 | - | $50,725 | -13% | -85% | 318 | $160 | $4,590,134 | 15 |
| Dec 17, 2016 | - | $81,788 | +61% | -84% | 318 | $257 | $4,671,922 | 16 |
| Dec 18, 2016 | - | $51,592 | -37% | -78% | 318 | $162 | $4,723,514 | 17 |
| Dec 19, 2016 | - | $30,496 | -41% | -64% | 318 | $96 | $4,754,010 | 18 |
| Dec 20, 2016 | - | $18,727 | -39% | -80% | 318 | $59 | $4,772,737 | 19 |
| Dec 21, 2016 | - | $4,516 | -76% | -94% | 318 | $14 | $4,777,253 | 20 |
| Dec 22, 2016 | - | $4,236 | -6% | -93% | 318 | $13 | $4,781,489 | 21 |
| Dec 23, 2016 | - | $4,505 | +6% | -91% | 27 | $167 | $4,785,994 | 22 |
| Dec 24, 2016 | - | $1,643 | -64% | -98% | 27 | $61 | $4,787,637 | 23 |
| Dec 25, 2016 | - | $2,936 | +79% | -94% | 27 | $109 | $4,790,573 | 24 |
| Dec 26, 2016 | - | $2,883 | -2% | -91% | 27 | $107 | $4,793,456 | 25 |
| Dec 27, 2016 | - | $2,122 | -26% | -89% | 27 | $79 | $4,795,578 | 26 |
| Dec 28, 2016 | - | $2,120 | n/c | -53% | 27 | $79 | $4,797,698 | 27 |
| Dec 29, 2016 | - | $2,076 | -2% | -51% | 27 | $77 | $4,799,774 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 2, 2016 | 10 | $3,142,138 | 1,737 | $1,809 | $3,142,138 | 1 | |
| Dec 9, 2016 | 14 | $1,397,271 | -56% | 1,737 | $804 | $4,539,409 | 2 |
| Dec 16, 2016 | 27 | $242,080 | -83% | 318 | $761 | $4,781,489 | 3 |
| Dec 23, 2016 | 56 | $18,285 | -92% | 27 | $677 | $4,799,774 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 1/13/2017 | $97,355 | 0 | 0 | 0 | $175,093 | 1/1/2019 | |||
| Brazil | 1/5/2017 | $312,040 | 0 | 0 | 0 | $573,162 | 4/9/2026 | |||
| Czech Republic | 12/16/2016 | $26,764 | 62 | 62 | 91 | $44,342 | 12/31/2018 | |||
| Italy | 2/9/2017 | $328,004 | 0 | 0 | 0 | $552,871 | 2/23/2017 | |||
| Lithuania | 12/16/2016 | $12,599 | 69 | 69 | 85 | $31,554 | 1/13/2017 | |||
| Mexico | 1/4/2017 | $398,197 | 0 | 0 | 0 | $686,983 | 1/13/2017 | |||
| Netherlands | 12/9/2016 | $54,821 | 39 | 39 | 85 | $198,134 | 1/12/2017 | |||
| Portugal | 12/30/2016 | $38,660 | 33 | 33 | 83 | $99,964 | 1/19/2017 | |||
| Russia (CIS) | 12/2/2016 | $243,031 | 432 | 432 | 914 | $497,799 | 12/31/2018 | |||
| Slovakia | 12/16/2016 | $12,069 | 35 | 35 | 59 | $22,800 | 1/12/2017 | |||
| Slovenia | 1/13/2017 | $1,613 | 5 | 5 | 6 | $3,139 | 2/6/2017 | |||
| South Korea | 5/17/2017 | $0 | 0 | 229 | 233 | $125,387 | 4/4/2026 | |||
| Turkey | 12/30/2016 | $25,073 | 78 | 78 | 124 | $57,172 | 2/26/2019 | |||
| Rest of World | $1,502,862 | |||||||||
| International Total | $4,571,262 | 4/9/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Aaron Eckhart | Dr. Seth Ember | |
| Carice van Houten | Lindsay |
Supporting
| Catalina Sandino Moreno | Camilla | |
| David Mazouz | Cameron | |
| Keir O'Donnell | Oliver | |
| Matt Nable | Dan | |
| John Pirruccello | Henry | |
| Emjay Anthony | Jake | |
| Karolina Wydra | Anna | |
| Breanne Hill | Lisa |
Production and Technical Credits
| Brad Peyton | Director | |
| Ronnie Christensen | Screenwriter | |
| Jason Blum | Producer | |
| Trevor Engelson | Producer | |
| Michael Seitzman | Producer | |
| Stuart Ford | Executive Producer | |
| Charles Layton | Executive Producer | |
| Michael J. Luisi | Executive Producer | |
| Couper Samuelson | Executive Producer | |
| Jeanette Volturno* | Executive Producer | |
| Brad Peyton | Executive Producer | |
| Josh McGuire | Executive Producer | |
| Matt Kaplan | Executive Producer | |
| Robyn Marshall | Co-Producer | |
| Dana Gonzales | Director of Photography | |
| Bill Boes | Production Designer | |
| Todd E. Miller | Editor | |
| Jonathan Chibnall | Editor | |
| Andrew Lockington | Composer | |
| Mona May | Costume Designer | |
| Sharon Bialy | Casting Director | |
| Sherry Thomas | Casting Director | |
| Marty Eli Schwartz | Co-Producer | |
| Marty Eli Schwartz | First Assistant Director | |
| Marty Eli Schwartz | Second Unit Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A scientist with the ability to enter the subconscious minds of the possessed must save a young boy from the grips of a demon with powers never seen before, while facing the horrors of his past.
Metrics
| Opening Weekend: | $2,534,884 (52.8% of total gross) |
| Legs: | 1.89 (domestic box office/biggest weekend) |
| Domestic Share: | 51.2% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 1.9 times production budget) |
| Theater counts: | 1,737 opening theaters/1,737 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,636,449 |
Movie Details
| Domestic Releases: | December 2nd, 2016 (Wide) by High Top Releasing |
| International Releases: | December 2nd, 2016 (Wide) (Russia (CIS))
December 9th, 2016 (Wide) (Netherlands) December 16th, 2016 (Wide), released as Inkarnace (Czech Republic) December 16th, 2016 (Wide), released as Įsikūnijęs blogis (Lithuania) December 16th, 2016 (Wide) (Slovakia) ... Show all releases |
| Video Release: | February 21st, 2017 by Universal Home Entertainment |
| MPA Rating: | PG-13 for intense sequences of horror violence, terror, disturbing images, brief strong language,
sensuality and thematic elements. (Rating bulletin 2385, 8/4/2015) |
| Running Time: | 86 minutes |
| Plot point: | Demons, Exorcism, Exploring a Character’s Mind, Magical Technology, Possessed, Wheelchair User |
| Release detail: | Delayed Release |
| Social setting: | Supernatural |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | BH Tilt, IM Global, Blumhouse, WWE Studios, Deep Underground Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 2, 2016 | 9 | $2,534,884 | 1,737 | $1,459 | $2,534,884 | 1 | |
| Dec 9, 2016 | 14 | $1,078,173 | -57% | 1,737 | $621 | $4,220,311 | 2 |
| Dec 16, 2016 | 20 | $184,105 | -83% | 318 | $579 | $4,723,514 | 3 |
| Dec 23, 2016 | 47 | $9,084 | -95% | 27 | $336 | $4,790,573 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 1, 2016 | P | $120,000 | 0 | $120,000 | ||||
| Dec 2, 2016 | 9 | $915,217 | 1,737 | $527 | $915,217 | 1 | ||
| Dec 3, 2016 | 10 | $1,091,690 | +19% | 1,737 | $628 | $2,006,907 | 2 | |
| Dec 4, 2016 | 11 | $527,977 | -52% | 1,737 | $304 | $2,534,884 | 3 | |
| Dec 5, 2016 | 10 | $155,887 | -70% | 1,737 | $90 | $2,690,771 | 4 | |
| Dec 6, 2016 | 11 | $198,073 | +27% | 1,737 | $114 | $2,888,844 | 5 | |
| Dec 7, 2016 | 11 | $138,249 | -30% | 1,737 | $80 | $3,027,093 | 6 | |
| Dec 8, 2016 | 11 | $115,045 | -17% | 1,737 | $66 | $3,142,138 | 7 | |
| Dec 9, 2016 | 14 | $330,799 | +188% | -64% | 1,737 | $190 | $3,472,937 | 8 |
| Dec 10, 2016 | 14 | $511,489 | +55% | -53% | 1,737 | $294 | $3,984,426 | 9 |
| Dec 11, 2016 | 15 | $235,885 | -54% | -55% | 1,737 | $136 | $4,220,311 | 10 |
| Dec 12, 2016 | 15 | $84,263 | -64% | -46% | 1,737 | $49 | $4,304,574 | 11 |
| Dec 13, 2016 | - | $95,932 | +14% | -52% | 1,737 | $55 | $4,400,506 | 12 |
| Dec 14, 2016 | - | $80,467 | -16% | -42% | 1,737 | $46 | $4,480,973 | 13 |
| Dec 15, 2016 | - | $58,436 | -27% | -49% | 1,737 | $34 | $4,539,409 | 14 |
| Dec 16, 2016 | - | $50,725 | -13% | -85% | 318 | $160 | $4,590,134 | 15 |
| Dec 17, 2016 | - | $81,788 | +61% | -84% | 318 | $257 | $4,671,922 | 16 |
| Dec 18, 2016 | - | $51,592 | -37% | -78% | 318 | $162 | $4,723,514 | 17 |
| Dec 19, 2016 | - | $30,496 | -41% | -64% | 318 | $96 | $4,754,010 | 18 |
| Dec 20, 2016 | - | $18,727 | -39% | -80% | 318 | $59 | $4,772,737 | 19 |
| Dec 21, 2016 | - | $4,516 | -76% | -94% | 318 | $14 | $4,777,253 | 20 |
| Dec 22, 2016 | - | $4,236 | -6% | -93% | 318 | $13 | $4,781,489 | 21 |
| Dec 23, 2016 | - | $4,505 | +6% | -91% | 27 | $167 | $4,785,994 | 22 |
| Dec 24, 2016 | - | $1,643 | -64% | -98% | 27 | $61 | $4,787,637 | 23 |
| Dec 25, 2016 | - | $2,936 | +79% | -94% | 27 | $109 | $4,790,573 | 24 |
| Dec 26, 2016 | - | $2,883 | -2% | -91% | 27 | $107 | $4,793,456 | 25 |
| Dec 27, 2016 | - | $2,122 | -26% | -89% | 27 | $79 | $4,795,578 | 26 |
| Dec 28, 2016 | - | $2,120 | n/c | -53% | 27 | $79 | $4,797,698 | 27 |
| Dec 29, 2016 | - | $2,076 | -2% | -51% | 27 | $77 | $4,799,774 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 2, 2016 | 10 | $3,142,138 | 1,737 | $1,809 | $3,142,138 | 1 | |
| Dec 9, 2016 | 14 | $1,397,271 | -56% | 1,737 | $804 | $4,539,409 | 2 |
| Dec 16, 2016 | 27 | $242,080 | -83% | 318 | $761 | $4,781,489 | 3 |
| Dec 23, 2016 | 56 | $18,285 | -92% | 27 | $677 | $4,799,774 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 1/13/2017 | $97,355 | 0 | 0 | 0 | $175,093 | 1/1/2019 | |||
| Brazil | 1/5/2017 | $312,040 | 0 | 0 | 0 | $573,162 | 4/9/2026 | |||
| Czech Republic | 12/16/2016 | $26,764 | 62 | 62 | 91 | $44,342 | 12/31/2018 | |||
| Italy | 2/9/2017 | $328,004 | 0 | 0 | 0 | $552,871 | 2/23/2017 | |||
| Lithuania | 12/16/2016 | $12,599 | 69 | 69 | 85 | $31,554 | 1/13/2017 | |||
| Mexico | 1/4/2017 | $398,197 | 0 | 0 | 0 | $686,983 | 1/13/2017 | |||
| Netherlands | 12/9/2016 | $54,821 | 39 | 39 | 85 | $198,134 | 1/12/2017 | |||
| Portugal | 12/30/2016 | $38,660 | 33 | 33 | 83 | $99,964 | 1/19/2017 | |||
| Russia (CIS) | 12/2/2016 | $243,031 | 432 | 432 | 914 | $497,799 | 12/31/2018 | |||
| Slovakia | 12/16/2016 | $12,069 | 35 | 35 | 59 | $22,800 | 1/12/2017 | |||
| Slovenia | 1/13/2017 | $1,613 | 5 | 5 | 6 | $3,139 | 2/6/2017 | |||
| South Korea | 5/17/2017 | $0 | 0 | 229 | 233 | $125,387 | 4/4/2026 | |||
| Turkey | 12/30/2016 | $25,073 | 78 | 78 | 124 | $57,172 | 2/26/2019 | |||
| Rest of World | $1,502,862 | |||||||||
| International Total | $4,571,262 | 4/9/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Aaron Eckhart | Dr. Seth Ember | |
| Carice van Houten | Lindsay |
Supporting
| Catalina Sandino Moreno | Camilla | |
| David Mazouz | Cameron | |
| Keir O'Donnell | Oliver | |
| Matt Nable | Dan | |
| John Pirruccello | Henry | |
| Emjay Anthony | Jake | |
| Karolina Wydra | Anna | |
| Breanne Hill | Lisa |
Production and Technical Credits
| Brad Peyton | Director | |
| Ronnie Christensen | Screenwriter | |
| Jason Blum | Producer | |
| Trevor Engelson | Producer | |
| Michael Seitzman | Producer | |
| Stuart Ford | Executive Producer | |
| Charles Layton | Executive Producer | |
| Michael J. Luisi | Executive Producer | |
| Couper Samuelson | Executive Producer | |
| Jeanette Volturno* | Executive Producer | |
| Brad Peyton | Executive Producer | |
| Josh McGuire | Executive Producer | |
| Matt Kaplan | Executive Producer | |
| Robyn Marshall | Co-Producer | |
| Dana Gonzales | Director of Photography | |
| Bill Boes | Production Designer | |
| Todd E. Miller | Editor | |
| Jonathan Chibnall | Editor | |
| Andrew Lockington | Composer | |
| Mona May | Costume Designer | |
| Sharon Bialy | Casting Director | |
| Sherry Thomas | Casting Director | |
| Marty Eli Schwartz | Co-Producer | |
| Marty Eli Schwartz | First Assistant Director | |
| Marty Eli Schwartz | Second Unit Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.