Infinity Pool (2023)
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| Theatrical Performance | ||
| Domestic Box Office | $5,078,401 | Details |
| International Box Office | $333,339 | Details |
| Worldwide Box Office | $5,411,740 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $360,212 | |
| Blu-ray Sales (estimated) | $1,248,103 | |
| Total | $1,608,315 | |
| OpusData ID: 567770100 More info... | ||
| Further financial details... | ||
Synopsis
While staying at an isolated island resort, James and Em are enjoying a perfect are enjoying a perfect vacation of pristine beaches, exceptional staff, and soaking up the sun. But guided by the seductive and mysterious Gabi, they venture outside the resort grounds and find themselves in a culture filled with violence, hedonism, and untold horror. A tragic accident leaves them facing a zero tolerance policy for crime: either you’ll be executed, or, if you’re rich enough to afford it, you can watch yourself die instead.
Metrics
| Opening Weekend: | $2,514,364 (49.5% of total gross) |
| Legs: | 2.02 (domestic box office/biggest weekend) |
| Domestic Share: | 93.8% (domestic box office/worldwide) |
| Theater counts: | 1,835 opening theaters/1,835 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,551,892 |
Movie Details
| Domestic Releases: | January 27th, 2023 (Wide) by Neon |
| International Releases: | March 24th, 2023 (Wide) (United Kingdom)
March 30th, 2023 (Limited), released as Muerte Infinita (Mexico) April 20th, 2023 (Wide) (Germany) May 11th, 2023 (Wide) (Australia) December 1st, 2023 (Limited) (Croatia) ... Show all releases |
| Video Release: | April 11th, 2023 by Decal |
| MPA Rating: | NC-17 some graphic violence and sexual content. (Rating bulletin 2750 (cert #54010), 9/21/2022) R for graphic violence, disturbing material, strong sexual content, graphic nudity, drug use and some language. (Rating bulletin 2754 (cert #54010), 10/19/2022) |
| Running Time: | 117 minutes |
| Film festival: | Sundance Film Festival 2023 |
| Filming location (country): | Croatia |
| Plot point: | Accidental Death, Car Accident, Tourists In Trouble, Writer's Block, Writing and Writers |
| Social setting: | Vacation |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Neon Films, Film Forge Productions, Elevation Pictures, 4film, Telefilm Canada, Eurimages, The Croatian Audiovisual Centre, Celluloid Dreams, Hero Squared, Topic Studios |
| Production Countries: | Canada, Hungary, Croatia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 27, 2023 | 10 | $2,514,364 | 1,835 | $1,370 | $2,514,364 | 1 | |
| Feb 3, 2023 | 13 | $835,562 | -67% | 1,750 | $477 | $4,267,640 | 2 |
| Feb 10, 2023 | - | $194,440 | -77% | 415 | $469 | $4,867,957 | 3 |
| Feb 17, 2023 | - | $49,336 | -75% | 50 | $987 | $5,049,635 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 27, 2023 | 8 | $1,123,017 | 1,835 | $612 | $1,123,017 | 1 | ||
| Jan 28, 2023 | 9 | $876,538 | -22% | 1,835 | $478 | $1,999,555 | 2 | |
| Jan 29, 2023 | 9 | $514,809 | -41% | 1,835 | $281 | $2,514,364 | 3 | |
| Jan 30, 2023 | - | $231,664 | -55% | 1,835 | $126 | $2,746,028 | 4 | |
| Jan 31, 2023 | 8 | $301,163 | +30% | 1,835 | $164 | $3,047,191 | 5 | |
| Feb 1, 2023 | - | $213,826 | -29% | 1,835 | $117 | $3,261,017 | 6 | |
| Feb 2, 2023 | - | $171,061 | -20% | 1,835 | $93 | $3,432,078 | 7 | |
| Feb 3, 2023 | - | $253,170 | +48% | -77% | 1,750 | $145 | $3,685,248 | 8 |
| Feb 4, 2023 | - | $359,501 | +42% | -59% | 1,750 | $205 | $4,044,749 | 9 |
| Feb 5, 2023 | - | $222,891 | -38% | -57% | 1,750 | $127 | $4,267,640 | 10 |
| Feb 6, 2023 | - | $95,843 | -57% | -59% | 1,750 | $55 | $4,363,483 | 11 |
| Feb 7, 2023 | - | $133,222 | +39% | -56% | 1,750 | $76 | $4,496,705 | 12 |
| Feb 8, 2023 | - | $105,245 | -21% | -51% | 1,750 | $60 | $4,601,950 | 13 |
| Feb 9, 2023 | - | $71,567 | -32% | -58% | 1,750 | $41 | $4,673,517 | 14 |
| Feb 10, 2023 | - | $65,126 | -9% | -74% | 415 | $157 | $4,738,643 | 15 |
| Feb 11, 2023 | - | $88,571 | +36% | -75% | 415 | $213 | $4,827,214 | 16 |
| Feb 12, 2023 | - | $40,743 | -54% | -82% | 415 | $98 | $4,867,957 | 17 |
| Feb 13, 2023 | - | $32,187 | -21% | -66% | 415 | $78 | $4,900,144 | 18 |
| Feb 14, 2023 | - | $56,649 | +76% | -57% | 415 | $137 | $4,956,793 | 19 |
| Feb 15, 2023 | - | $27,191 | -52% | -74% | 415 | $66 | $4,983,984 | 20 |
| Feb 16, 2023 | - | $16,315 | -40% | -77% | 415 | $39 | $5,000,299 | 21 |
| Feb 17, 2023 | - | $13,868 | -15% | -79% | 50 | $277 | $5,014,167 | 22 |
| Feb 18, 2023 | - | $19,276 | +39% | -78% | 50 | $386 | $5,033,443 | 23 |
| Feb 19, 2023 | - | $16,192 | -16% | -60% | 50 | $324 | $5,049,635 | 24 |
| Feb 20, 2023 | - | $12,306 | -24% | -62% | 50 | $246 | $5,061,941 | 25 |
| Feb 21, 2023 | - | $7,507 | -39% | -87% | 50 | $150 | $5,069,448 | 26 |
| Feb 22, 2023 | - | $6,305 | -16% | -77% | 50 | $126 | $5,075,753 | 27 |
| Feb 23, 2023 | - | $2,648 | -58% | -84% | 50 | $53 | $5,078,401 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 27, 2023 | 9 | $3,432,078 | 1,835 | $1,870 | $3,432,078 | 1 | |
| Feb 3, 2023 | 10 | $1,241,439 | -64% | 1,750 | $709 | $4,673,517 | 2 |
| Feb 10, 2023 | 21 | $326,782 | -74% | 415 | $787 | $5,000,299 | 3 |
| Feb 17, 2023 | 27 | $78,102 | -76% | 50 | $1,562 | $5,078,401 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/11/2023 | $22,554 | 30 | 30 | 119 | $92,958 | 9/11/2023 | |||
| Croatia | 12/1/2023 | $9,100 | 42 | 42 | 71 | $18,897 | 12/22/2023 | |||
| United Kingdom | 3/24/2023 | $102,655 | 152 | 152 | 152 | $221,484 | 4/3/2023 | |||
| International Total | $333,339 | 12/22/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alexander Skarsgård | James Foster | |
| Mia Goth | Gabi Bauer | |
| Cleopatra Coleman | Em Foster | |
| Jalil Lespert | Alban Bauer |
Supporting
| Amanda Brugel | Jennifer | |
| John Ralston | Dr. Bob Modan | |
| Jeffrey Ricketts* | Charles | |
| Caroline Boulton | Bex | |
| Thomas Kretschmann | Detective Thresh | |
| Dunja Sepcic | Anna the Cleaning Woman | |
| Adam Boncz | Ketch | |
| Zijad Gračić | Dro Thresh | |
| Amar Bukvić | Resort Cop | |
| Alan Katic | State Police Officer 1 | |
| Katalin Lábán | Head Nurse | |
| Kamilla Fatyol | Myro Myron’s Wife | |
| Romina Tonković | Receptionist | |
| Hajnalka Zsigár | Maid | |
| Anita Major | Mistress | |
| Gergely Trócsányi | Owner | |
| Géza Kovács | Bodyguard | |
| Roderick Hill | Angry Guest | |
| Oszkár Bócsik | Bus Driver |
Production and Technical Credits
| Brandon Cronenberg | Director | |
| Brandon Cronenberg | Screenwriter | |
| Karen Harnisch | Producer | |
| Andrew Cividino | Producer | |
| Christina Piovesan | Producer | |
| Noah Segal | Producer | |
| Rob Cotterill | Producer | |
| Anita Juka | Producer | |
| Daniel Kresmery | Producer | |
| Jonathan Halperyn | Producer | |
| Jeff Deutchman | Executive Producer | |
| Emily Thomas | Executive Producer | |
| Tom Quinn | Executive Producer | |
| Ryan Heller | Executive Producer | |
| Michael Bloom | Executive Producer | |
| Maria Zuckerman | Executive Producer | |
| Laurie May | Executive Producer | |
| Adrian Love | Executive Producer | |
| Alexander Skarsgård | Executive Producer | |
| Brandon Cronenberg | Executive Producer | |
| Emily Kulasa | Executive Producer | |
| Hengameh Panahi | Executive Producer | |
| Charlotte Mickie | Executive Producer | |
| Karim Hussain | Director of Photography | |
| Zosia Mackenzie | Production Designer | |
| James Vandewater | Editor | |
| Maria Popovits-Fater | Costume Designer | |
| Dan Martin | Special Make-up Effects | |
| Tim Hecker | Composer | |
| Mark Bennett | Casting Director | |
| Deirdre Bowen | Casting Director | |
| Hayley Brown | Production Manager - Canada | |
| Zdravko Madzarevic | Production Manager - Croatia | |
| Zoltan Simon | Production Manager - Hungary | |
| Rob Cotterill | First Assistant Director | |
| Dominika Jurek | Second Assistant Director | |
| Ryan Bobkin | Associate Producer | |
| Karim Hussain | Associate Producer | |
| Yona Strauss | Associate Producer | |
| Ivona Juka | Associate Producer | |
| Laura Sinovcic | Associate Producer | |
| Lajos Nagy | Associate Producer | |
| Brendan Gunn | Co-Executive Producer | |
| Orsolya Vercz | Script Supervisor | |
| Anna Gereb | Second Assistant Director | |
| John O’Regan | Supervising Art Director | |
| Clara Farkas | Art Director | |
| Zvonko Saric | Art Director | |
| David Engert | Set Designer | |
| Anna Suto | Set Designer | |
| Rita Spragg | Make up | |
| Szilvia Homolya | Make up | |
| Traci Loader | Special Make-up Effects | |
| Chantel Pereira | Hairstylist | |
| Daniel Kiraly | Location Manager - Hungary | |
| Dino Terek | Location Manager - Croatia | |
| Paul Stephenson | Special Effects Supervisor | |
| Paul Gosse | Sound Mixer | |
| Philip Stilman | Post-Production Supervisor | |
| Alex Bullick | Supervising Sound Editor | |
| Jill Purdy | Supervising Sound Editor | |
| Robert Bertola | Sound Effects Editor | |
| Craig MacLellan | Sound Effects Editor | |
| Simon Miminis | Music Editor | |
| Matthew Chan | Re-recording Mixer | |
| Graham Rogers | Re-recording Mixer | |
| Randy Wilson | Foley Supervisor | |
| Ron Mellegers | Foley Mixer | |
| Randy Wilson | Foley Mixer | |
| Justin Helle | Foley Mixer | |
| Domonkos Pardanyi | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
While staying at an isolated island resort, James and Em are enjoying a perfect are enjoying a perfect vacation of pristine beaches, exceptional staff, and soaking up the sun. But guided by the seductive and mysterious Gabi, they venture outside the resort grounds and find themselves in a culture filled with violence, hedonism, and untold horror. A tragic accident leaves them facing a zero tolerance policy for crime: either you’ll be executed, or, if you’re rich enough to afford it, you can watch yourself die instead.
Metrics
| Opening Weekend: | $2,514,364 (49.5% of total gross) |
| Legs: | 2.02 (domestic box office/biggest weekend) |
| Domestic Share: | 93.8% (domestic box office/worldwide) |
| Theater counts: | 1,835 opening theaters/1,835 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,551,892 |
Movie Details
| Domestic Releases: | January 27th, 2023 (Wide) by Neon |
| International Releases: | March 24th, 2023 (Wide) (United Kingdom)
March 30th, 2023 (Limited), released as Muerte Infinita (Mexico) April 20th, 2023 (Wide) (Germany) May 11th, 2023 (Wide) (Australia) December 1st, 2023 (Limited) (Croatia) ... Show all releases |
| Video Release: | April 11th, 2023 by Decal |
| MPA Rating: | NC-17 some graphic violence and sexual content. (Rating bulletin 2750 (cert #54010), 9/21/2022) R for graphic violence, disturbing material, strong sexual content, graphic nudity, drug use and some language. (Rating bulletin 2754 (cert #54010), 10/19/2022) |
| Running Time: | 117 minutes |
| Film festival: | Sundance Film Festival 2023 |
| Filming location (country): | Croatia |
| Plot point: | Accidental Death, Car Accident, Tourists In Trouble, Writer's Block, Writing and Writers |
| Social setting: | Vacation |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Neon Films, Film Forge Productions, Elevation Pictures, 4film, Telefilm Canada, Eurimages, The Croatian Audiovisual Centre, Celluloid Dreams, Hero Squared, Topic Studios |
| Production Countries: | Canada, Hungary, Croatia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 27, 2023 | 10 | $2,514,364 | 1,835 | $1,370 | $2,514,364 | 1 | |
| Feb 3, 2023 | 13 | $835,562 | -67% | 1,750 | $477 | $4,267,640 | 2 |
| Feb 10, 2023 | - | $194,440 | -77% | 415 | $469 | $4,867,957 | 3 |
| Feb 17, 2023 | - | $49,336 | -75% | 50 | $987 | $5,049,635 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 27, 2023 | 8 | $1,123,017 | 1,835 | $612 | $1,123,017 | 1 | ||
| Jan 28, 2023 | 9 | $876,538 | -22% | 1,835 | $478 | $1,999,555 | 2 | |
| Jan 29, 2023 | 9 | $514,809 | -41% | 1,835 | $281 | $2,514,364 | 3 | |
| Jan 30, 2023 | - | $231,664 | -55% | 1,835 | $126 | $2,746,028 | 4 | |
| Jan 31, 2023 | 8 | $301,163 | +30% | 1,835 | $164 | $3,047,191 | 5 | |
| Feb 1, 2023 | - | $213,826 | -29% | 1,835 | $117 | $3,261,017 | 6 | |
| Feb 2, 2023 | - | $171,061 | -20% | 1,835 | $93 | $3,432,078 | 7 | |
| Feb 3, 2023 | - | $253,170 | +48% | -77% | 1,750 | $145 | $3,685,248 | 8 |
| Feb 4, 2023 | - | $359,501 | +42% | -59% | 1,750 | $205 | $4,044,749 | 9 |
| Feb 5, 2023 | - | $222,891 | -38% | -57% | 1,750 | $127 | $4,267,640 | 10 |
| Feb 6, 2023 | - | $95,843 | -57% | -59% | 1,750 | $55 | $4,363,483 | 11 |
| Feb 7, 2023 | - | $133,222 | +39% | -56% | 1,750 | $76 | $4,496,705 | 12 |
| Feb 8, 2023 | - | $105,245 | -21% | -51% | 1,750 | $60 | $4,601,950 | 13 |
| Feb 9, 2023 | - | $71,567 | -32% | -58% | 1,750 | $41 | $4,673,517 | 14 |
| Feb 10, 2023 | - | $65,126 | -9% | -74% | 415 | $157 | $4,738,643 | 15 |
| Feb 11, 2023 | - | $88,571 | +36% | -75% | 415 | $213 | $4,827,214 | 16 |
| Feb 12, 2023 | - | $40,743 | -54% | -82% | 415 | $98 | $4,867,957 | 17 |
| Feb 13, 2023 | - | $32,187 | -21% | -66% | 415 | $78 | $4,900,144 | 18 |
| Feb 14, 2023 | - | $56,649 | +76% | -57% | 415 | $137 | $4,956,793 | 19 |
| Feb 15, 2023 | - | $27,191 | -52% | -74% | 415 | $66 | $4,983,984 | 20 |
| Feb 16, 2023 | - | $16,315 | -40% | -77% | 415 | $39 | $5,000,299 | 21 |
| Feb 17, 2023 | - | $13,868 | -15% | -79% | 50 | $277 | $5,014,167 | 22 |
| Feb 18, 2023 | - | $19,276 | +39% | -78% | 50 | $386 | $5,033,443 | 23 |
| Feb 19, 2023 | - | $16,192 | -16% | -60% | 50 | $324 | $5,049,635 | 24 |
| Feb 20, 2023 | - | $12,306 | -24% | -62% | 50 | $246 | $5,061,941 | 25 |
| Feb 21, 2023 | - | $7,507 | -39% | -87% | 50 | $150 | $5,069,448 | 26 |
| Feb 22, 2023 | - | $6,305 | -16% | -77% | 50 | $126 | $5,075,753 | 27 |
| Feb 23, 2023 | - | $2,648 | -58% | -84% | 50 | $53 | $5,078,401 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 27, 2023 | 9 | $3,432,078 | 1,835 | $1,870 | $3,432,078 | 1 | |
| Feb 3, 2023 | 10 | $1,241,439 | -64% | 1,750 | $709 | $4,673,517 | 2 |
| Feb 10, 2023 | 21 | $326,782 | -74% | 415 | $787 | $5,000,299 | 3 |
| Feb 17, 2023 | 27 | $78,102 | -76% | 50 | $1,562 | $5,078,401 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/11/2023 | $22,554 | 30 | 30 | 119 | $92,958 | 9/11/2023 | |||
| Croatia | 12/1/2023 | $9,100 | 42 | 42 | 71 | $18,897 | 12/22/2023 | |||
| United Kingdom | 3/24/2023 | $102,655 | 152 | 152 | 152 | $221,484 | 4/3/2023 | |||
| International Total | $333,339 | 12/22/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alexander Skarsgård | James Foster | |
| Mia Goth | Gabi Bauer | |
| Cleopatra Coleman | Em Foster | |
| Jalil Lespert | Alban Bauer |
Supporting
| Amanda Brugel | Jennifer | |
| John Ralston | Dr. Bob Modan | |
| Jeffrey Ricketts* | Charles | |
| Caroline Boulton | Bex | |
| Thomas Kretschmann | Detective Thresh | |
| Dunja Sepcic | Anna the Cleaning Woman | |
| Adam Boncz | Ketch | |
| Zijad Gračić | Dro Thresh | |
| Amar Bukvić | Resort Cop | |
| Alan Katic | State Police Officer 1 | |
| Katalin Lábán | Head Nurse | |
| Kamilla Fatyol | Myro Myron’s Wife | |
| Romina Tonković | Receptionist | |
| Hajnalka Zsigár | Maid | |
| Anita Major | Mistress | |
| Gergely Trócsányi | Owner | |
| Géza Kovács | Bodyguard | |
| Roderick Hill | Angry Guest | |
| Oszkár Bócsik | Bus Driver |
Production and Technical Credits
| Brandon Cronenberg | Director | |
| Brandon Cronenberg | Screenwriter | |
| Karen Harnisch | Producer | |
| Andrew Cividino | Producer | |
| Christina Piovesan | Producer | |
| Noah Segal | Producer | |
| Rob Cotterill | Producer | |
| Anita Juka | Producer | |
| Daniel Kresmery | Producer | |
| Jonathan Halperyn | Producer | |
| Jeff Deutchman | Executive Producer | |
| Emily Thomas | Executive Producer | |
| Tom Quinn | Executive Producer | |
| Ryan Heller | Executive Producer | |
| Michael Bloom | Executive Producer | |
| Maria Zuckerman | Executive Producer | |
| Laurie May | Executive Producer | |
| Adrian Love | Executive Producer | |
| Alexander Skarsgård | Executive Producer | |
| Brandon Cronenberg | Executive Producer | |
| Emily Kulasa | Executive Producer | |
| Hengameh Panahi | Executive Producer | |
| Charlotte Mickie | Executive Producer | |
| Karim Hussain | Director of Photography | |
| Zosia Mackenzie | Production Designer | |
| James Vandewater | Editor | |
| Maria Popovits-Fater | Costume Designer | |
| Dan Martin | Special Make-up Effects | |
| Tim Hecker | Composer | |
| Mark Bennett | Casting Director | |
| Deirdre Bowen | Casting Director | |
| Hayley Brown | Production Manager - Canada | |
| Zdravko Madzarevic | Production Manager - Croatia | |
| Zoltan Simon | Production Manager - Hungary | |
| Rob Cotterill | First Assistant Director | |
| Dominika Jurek | Second Assistant Director | |
| Ryan Bobkin | Associate Producer | |
| Karim Hussain | Associate Producer | |
| Yona Strauss | Associate Producer | |
| Ivona Juka | Associate Producer | |
| Laura Sinovcic | Associate Producer | |
| Lajos Nagy | Associate Producer | |
| Brendan Gunn | Co-Executive Producer | |
| Orsolya Vercz | Script Supervisor | |
| Anna Gereb | Second Assistant Director | |
| John O’Regan | Supervising Art Director | |
| Clara Farkas | Art Director | |
| Zvonko Saric | Art Director | |
| David Engert | Set Designer | |
| Anna Suto | Set Designer | |
| Rita Spragg | Make up | |
| Szilvia Homolya | Make up | |
| Traci Loader | Special Make-up Effects | |
| Chantel Pereira | Hairstylist | |
| Daniel Kiraly | Location Manager - Hungary | |
| Dino Terek | Location Manager - Croatia | |
| Paul Stephenson | Special Effects Supervisor | |
| Paul Gosse | Sound Mixer | |
| Philip Stilman | Post-Production Supervisor | |
| Alex Bullick | Supervising Sound Editor | |
| Jill Purdy | Supervising Sound Editor | |
| Robert Bertola | Sound Effects Editor | |
| Craig MacLellan | Sound Effects Editor | |
| Simon Miminis | Music Editor | |
| Matthew Chan | Re-recording Mixer | |
| Graham Rogers | Re-recording Mixer | |
| Randy Wilson | Foley Supervisor | |
| Ron Mellegers | Foley Mixer | |
| Randy Wilson | Foley Mixer | |
| Justin Helle | Foley Mixer | |
| Domonkos Pardanyi | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.