The Influencer Project (2026)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 820990100 More info... | ||
| Further financial details... | ||
Synopsis
Real-life content creator Chiara King travels to Copenhagen with a documentary crew promising an unfiltered look behind the glamorous business of online fame. But as the cameras and her devoted fans follow her every move, someone else is watching too. When an obsessive stalker begins closing in, the documentary becomes something far more terrifying, blurring the line between content and evidence, follower and predator, fact and fiction.
Metrics
Movie Details
| Domestic Releases: | October 2nd, 2026 (Wide) by Hades Films |
| International Releases: | October 29th, 2026 (Limited), released as The Influencer Project (Инфлюенсер) (Russia (CIS)) |
| MPA Rating: | R for strong bloody violence, suicide, and language throughout. (Rating bulletin 2952 (cert #56150), 9/2/2026) |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Fictionalized Version of Yourself |
| Geographical setting: | Copenhagen, Denmark |
| Plot point: | Documentarian, Stalker |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Denmark |
| Languages: | English |
Leading
| Chiara King | Chiara King |
Production and Technical Credits
| Mike Nybroe | Director | |
| Anders Jon* | Screenwriter | |
| Mike Nybroe | Screenwriter | |
| Lars Andreas Pedersen | Screenwriter | |
| Ahmet Zappa | Producer | |
| Alex Hertzberg | Producer | |
| Eduardo Sanchez | Producer | |
| Gregg Hale | Producer | |
| Gadi Harel | Executive Producer | |
| Konstantin Othmer | Executive Producer | |
| Steven Greenberg | Executive Producer | |
| Daniel Parmo | Cinematographer | |
| Anders Jon Petersen | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Real-life content creator Chiara King travels to Copenhagen with a documentary crew promising an unfiltered look behind the glamorous business of online fame. But as the cameras and her devoted fans follow her every move, someone else is watching too. When an obsessive stalker begins closing in, the documentary becomes something far more terrifying, blurring the line between content and evidence, follower and predator, fact and fiction.
Metrics
Movie Details
| Domestic Releases: | October 2nd, 2026 (Wide) by Hades Films |
| International Releases: | October 29th, 2026 (Limited), released as The Influencer Project (Инфлюенсер) (Russia (CIS)) |
| MPA Rating: | R for strong bloody violence, suicide, and language throughout. (Rating bulletin 2952 (cert #56150), 9/2/2026) |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Fictionalized Version of Yourself |
| Geographical setting: | Copenhagen, Denmark |
| Plot point: | Documentarian, Stalker |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Denmark |
| Languages: | English |
Leading
| Chiara King | Chiara King |
Production and Technical Credits
| Mike Nybroe | Director | |
| Anders Jon* | Screenwriter | |
| Mike Nybroe | Screenwriter | |
| Lars Andreas Pedersen | Screenwriter | |
| Ahmet Zappa | Producer | |
| Alex Hertzberg | Producer | |
| Eduardo Sanchez | Producer | |
| Gregg Hale | Producer | |
| Gadi Harel | Executive Producer | |
| Konstantin Othmer | Executive Producer | |
| Steven Greenberg | Executive Producer | |
| Daniel Parmo | Cinematographer | |
| Anders Jon Petersen | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.